#Review: Afterlife – Breaking Point ūüĆ°


   

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Muzik Speaks Loves Hopeless Records - SmallerAfterlife are a metal quartet from West Palm Beach, Florida, consisting of Tyler Levenson (vocals), Andrew McGuire (guitar), Tristan Edwards (bass) and Luke Walkinshaw (drums). Since signing to Hopeless Records, the band are now putting out their debut album, Breaking Point. Here’s what we have to say about it…

Afterlife - Breaking Point.jpg

The album bursts into life with serious tenacity, in the form opening track, ‘Sacrifice’¬†– a song laden with creepy vocal effects (somewhere in the same vein as Marilyn Manson) and come¬†served up with a huge dose of angry, metal instrumentation.

From there, the album takes off into a flurry of metal-induced fury and it’s clear throughout, that the production quality of the record is impeccable. Not only is it a great quality record but there are a lot of layers to the tracks, making¬†it interestingly chaotic, in parts. Unfortunately though, in places it feels like there is more style over substance and that the production and intricate instrumentation outweigh the lyrical content. For example,¬†‘Giving Back The Pain’ is a great song for crowds to mosh to and it has a certain commercial quality to it, but I hate to say it – lyrically, it is bordering on cringe-worthy. It’s clear what they’re trying to achieve, but I’m just not feeling it.

That’s not to say it’s all bad, by any means.¬†‘Throat’¬†has some quirky, downward spiral sounds and a catchy melody to it that is actually reminiscent of the early¬†Eminem track, ‘Kim’, though the lyrics attempt to be profound but end up somewhat disjointed.¬†‘Breaking Point’¬†focuses on getting angry to the point that you snap and the¬†motion of the chorus vocal is pretty captivating, while¬†‘Holding On’ has this brilliant bass-line leading into the track (and underpinning the chorus) with a well-written rap-style verse and an understated melody leading into the chorus, that make for a brilliant listen.

‘Grey Sky’ has¬†a wonderful melody to the chorus line, ‚ÄúWhere did your mind go?‚ÄĚ that you can’t help but love¬†– it’s gritty and raspy and really captivates the lyrical content about being trapped in your own dark thoughts.

The band’s performance throughout, is brilliant and¬†Tyler Levenson‘s¬†screaming is incredible – he has a great singing vocal too.

Possibly the best tracks on the record have to be¬†‘Karma’,¬†which is¬†a really great angry anthem to blare out when you just want someone to get what they deserve. ‚ÄúTry to run, try to run, try to hide, Karma‚Äôs coming for you bitch‚ÄĚ – I mean God, it just oozes rage! And¬†‘Broken Home’ – the album doesn‚Äôt really let up on the anger front until this track, where suddenly it seems to get a little lighter in tone and whilst the subject is sad and there‚Äôs still a little grunginess to it, it‚Äôs not so fuelled by hatred and dark screaming – it‚Äôs more honest and self-reflective. It’s quite possibly the best track on the album.

As far as Hopeless Records releases go, this is not your typical release from the label – it’s a lot heavier but undoubtedly, it will have an appeal to corners of the metal market. In fact, it‚Äôs got elements of rap merged with metal, like Linkin Park meets Rage Against The Machine, but just not quite as well-crafted.

That all being said, the band’s performance throughout, is brilliant and¬†Tyler Levenson‘s¬†screaming is incredible – he has a great singing vocal too, but the frequently-used, rap-style verses just don’t quite make the mark (lyrically and stylistically) – perhaps as the band continue to mature, they will grow lyrically too.

I’m sure there will be a lot of support for this album, particularly from fans of Hopeless Records and perhaps those who’ve begun to venture more into the metal realm, from the softer, pop punk genre. However, for the band’s next release, I hope they¬†will work on their lyrical content to match the great instrumental performances.

Rating

2.5


‘Breaking Point’¬†is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/breaking-point/1435412838


Breaking Point on Spotify

Throat (Official Music Video)

Holding On (Official Music Video)

Sacrifice (Visual)


We hope you’ve enjoyed our review! What do you think of this band’s new album? Is our review fair? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


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#Review: Reel Big Fish – Life Sucks…Let’s Dance! ūüíÉūüŹĹ


   

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Reel Big Fish are a ska punk band from Orange County, California. They have had many members over the years, with Aaron Barrett (lead vocals, synths/keyboards and guitars) being the only member left from the original lineup. However the sextet also comprises of John Christianson (trumpet & backing vocals), Derek Gibbs (bass guitar & backing vocals), Matt Appleton (saxophone & backing vocals), Lucky LaPenta (trombone & backing vocals) and Edward Larsen (drums). Since their debut album in 1995, the band have been through a major label (Jive) and come out the other side, to establish their own independent label, with a heap of album releases in between. Now, the end of 2018 marks the release of the band’s 9th album, Life Sucks… Let’s Dance! Here’s what we have to say about it…

Reel Big Fish - Life Sucks...Let's Dance.jpg

There are some albums that you can just stick on and relax to, lie in bed and get lost in, or have an easy Sunday morning with. Not this one! Reel Big Fish have crafted another hugely successful record that just begs to be skanked out to!

Life Sucks… Let’s Dance! sets a much happier tone than their last release, Candy Coated Fury (2012), and there is even a sense of a renewed purpose to the band, evident across the record. The song subjects are generally quite tongue-in-cheek, ranging from the bizarre and witty (‘Bob Marley’s Toe’) to the sarcastic and even outright cheeky (‘Bleached Thang, Baby’). One thing is for certain; their outlook on life seems pretty damn chirpy and while listening, all you want to do is dance along from start to finish!

Good vibes run throughout the album and the songwriting, brilliantly diverse instrumentals and top-notch production result in a record that you can’t help but fall in love with.

Barrett states, ‚ÄúRecording the album with this line up was really fun, we all get along really well these days and everybody was excited to make a new record. Everybody had lots of great ideas and really got creative with everything and I really think it shows.” And he’s right; it does! The excitement they felt about recording this album, clearly emanates through to the listener.

Their outlook on life seems pretty damn chirpy and when listening, all you want to do is dance along from start to finish!

It’s so damn hard to narrow it down but some of the best tracks on the record are, ‘Pissed Off’ for its humour and incredible overlapping vocals at the end, ‘Tongue Tied And Tipsy Too’ with its frantic, grungy and very punk guitar riffs, making it a massive moshable anthem and ‘Bleached Thang, Baby’ which is a sassy track with sexy guitar licks throughout – it’s very skankable, chaotic and just makes you want to let loose. The guitar riff at the end is sensational too!

That’s not to say there aren’t other hugely loveable tracks too, the title track, ‘Life Sucks… Let’s Dance’ is a big-hitter; ‘You Can’t Have All Of Me’ has some stunning vocal harmonies at the end, ‘In Love Again’ contains country-like vocals and guitar slides; ‘Another Beer Song’ is a humorous account of getting drunk to get over someone; ‘Ska Show’ is just a damn good song and ‘Walter’s Highlife’ is an uplifting instrumental track that brings the album to a close nicely.

When you hear their first record (released back in 1995) you can hear just how much this band have evolved, to become the well-loved, polished party anthem machine they are today! Regardless of whether you are a long-term RBF fan or new to the genre, there’s no way you will be able to stop yourself dancing manically to this record and easily picking up the lyrics to sing along with! 23 years and 9 albums later, this band are still going strong and showing no signs of stopping…bring on album 10!!!

Rating
4


‘Life Sucks…Let’s Dance!’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/life-sucks-lets-dance/1442723388


Life Sucks…Let’s Dance! on Spotify

You Can’t Have All Of Me (Official Music Video)


We hope you’ve enjoyed our review! What do you think of Reel Big Fish’s latest album? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


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#Review: Alan Walker – Different World ūüĆć


   

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Alan Walker¬†is a young, Norwegian DJ and record producer who burst onto the scene with his¬†2015 single,¬†‘Faded’ (featuring uncredited vocals by Iselin Solheim) –¬†now platinum certified in over 10 countries and as of December 2018, the music video has received well over 2 billion views! Since then, he has had many successful singles which have received tons of attention online, through countless YouTube views and Spotify streams. Alan has also collaborated with and remixed music for likes of Noah Cyrus, Sia, Bruno Mars, Avicii, Coldplay, Miley Cyrus, Kygo, Charli XCX, Julia Michaels and more. Now, December 2018 sees the release of his debut album,¬†Different World. Here’s what we have to say about it…

Alan Walker - Different World

Alan Walker‘s debut album makes an atmospheric opening with the haunting use of synths and wordless vocal melodies, building continuously, however, just as you think it’s reaching a crescendo that will surely lead into the first track…it goes quiet! Don’t get me wrong, I’m all for atmospheric album tracks that build into the next but the 3 tracks on the album (out of 15), that are intended to prelude something bigger, just drop off like this, leaving a lot to be desired in this respect – they should flow right into the next track, seamlessly!

Some of the best tracks on the record include: ‘I Don‚Äôt Wanna Go’ (featuring Julie Bergan) with its really interesting, low vocals throughout the verses before breaking out into a wonderfully powerful chorus yet it’s obviously very Alan Walker in style, with the almost bubbly synths. Then you’ve got ‘Lily’ (featuring K-391 & Emelie Hollow), an almost story-like track, with a rather dark undertone to it. The high-pitched vocals contrast incredibly with somewhat sinister-sounding electronic elements to the instruments.

‘Do It All For You’ (featuring Trevor Guthrie) begins with a haunting, nursery rhyme vibe to the instrumental; its warbling chime sounds and hip-hop-style beat bring something fresh to the ears. It isn’t an instantly or obviously catchy track yet it’s very well written and you quite easily find yourself singing it several hours later. ‘Sing Me to Sleep’ (also featuring uncredited vocals by Iselin Solheim) is a very powerful song containing shakingly beautiful vocals (somewhat like Ellie Goulding), accompanied by the haunting sounds of children playing throughout the start and verse. Meanwhile, the synths a like a blend of some well-know Chicane and Owl City instrumentals.

However, possibly the best, most commercial-sounding song on the album, is single, ‘All Falls Down’ (featuring Noah Cyrus, Digital Farm Animals & Juliander). It’s just catchy, fun and despite the slightly down-hearted subject matter, is strangely uplifting.

It’s actually an album that depicts a rarely heard, somewhat dark and edgy side of EDM and it’s brilliant!

Both ‘Lost Control’ (featuring Sorana) and ‘Lonely’ (featuring Steve Aoki, IS√ĀK & Omar Noir) have an urban/Indian edge to them, mashed up with a gritty, broken quality to the synth sounds. Whilst, ‘Darkside’ (featuring Au/Ra & Tomine Harket) sounds a lot like ‘I’d Do Anything’ from the musical, Oliver! in the chorus – it has sensational production with a lot of subtle flourishes underlying the main melodies and ‘Diamond Heart’ (featuring Sophia Somajo) makes good use of rain sounds to add to the atmosphere, topped off with a strong vocal like Dua Lipa meets Sia.

Unfortunately, ‘Alone’ is nothing more than a solid album track, that I am certain fans will love, but it’s not the most memorable track, by far, despite the typical Alan Walker-style synth breaks.

Of course, it wouldn’t be right not to mention ‘Faded’; the track that really launched the producer and songwriter into the limelight – as with a couple of my favourite debut albums released by fellow EDM producers this year, it’s a really touching way to end a debut album; bringing it all back round full-circle to where their career began. A great little touch!

It’s clear that Walker likes to use real sounds to enhance the soundscapes he creates, which really add to the ambience throughout the record – it might just be one of the saving graces of the record, making him stand out from so many other EDM producers.

All in all, it’s actually an album that depicts a rarely heard, somewhat dark and edgy side of EDM and it’s brilliant! As I’ve previously stated, if Sigala‘s album was the soundtrack to the party and Jonas Blue‘s was the soundtrack to the after party, then Alan Walker‘s debut album is the soundtrack to the gritty underground club after that!

Whilst I think there are several things lacking in this record, he has certainly spent a long time crafting a production-perfect debut with some interesting sounds or synth choices here and there that add just enough variety to delight your ears and make it stand out.

After the success of ‘Faded’ and the loyal online following he’s built up, I’m sure Alan Walker will have an illustrious career ahead within the genre…it’ll be interesting to see how he develops and grows from here.

Rating


‘Different World’¬†is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/different-world/1445140820


Different World on Spotify

Faded (Official Video)

All Falls Down featuring Noah Cyrus, Digital Farm Animals and Juliander (Official Video)

Darkside featuring Au/Ra and Tomine Harket (Official Video)

Diamond Heart featuring Sophia Somajo (Official Video)


We hope you’ve enjoyed our review of Alan Walker’s debut album, Different World! What do you make of it? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or hit us up via our social media.


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#Review: You Me At Six – VI


   

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You Me At Six are an English¬†rock¬†band from¬†Surrey. Since forming in 2004, the band have enjoyed various successes with all of their albums (except their first) reaching the Top 5 of the UK Album Charts and their fourth album,¬†Cavalier Youth, reached Number 1! Now, 2018 sees the band return with their aptly-named sixth studio album,¬†VI. Here’s what we have to say about it…

You Me At Six - VI.jpg

One thing is for certain, this band are superb at adapting their sound and have continued to evolve throughout their already pretty lengthy career. Their previous album, Night People, received rather mixed reviews suggesting it was a rather disjointed effort Рalthough credit to them for trying something new! However, this is all about to change with VI!

The album bursts into life with the very gritty and rather explosive¬†‘Fast Forward’,¬†which sees Franceschi screaming, “Pour some gasoline on,”¬†with his trademark gravelly voice.¬†The track has highs and lows in all the right places – prominent, grungy synths make this a strong album opener…think¬†U2¬†but heavier!

Next to follow is the hugely atmospheric, stadium-filler,¬†‘Straight To My Head’ with 80s-style synths, strong bass lines and an incredibly catchy, chant-able chorus – possibly the best track on the record.

There is a distinctly indie meets disco sound across the album too. Lead single¬†‘3AM’ epitomises the vibe of the record; like something by¬†The Killers,¬†The Maccabees¬†or even Bastille maybe,¬†with a running rhythm to the vocals, whilst¬†‘Back Again’ is possibly the most pop-like track on the album, seeing Franceschi using his falsetto – a great, feel-good track.

They’ve once again diversified their sound, kept it fresh and refused to stick to a sound that’s previously brought them success.

Possibly the weakest songs have to be¬†‘I O U’ – a bass-led affair that feels disjointed in places; it’s quite experimental, in that it changes pace and sound throughout. Also,¬†‘Predictable’ is quite similar to something by¬†Arctic Monkeys; it’s a little droning and not particularly memorable. Whilst¬†‘Pray For Me’ is a wonderfully euphoric song but throughout feels like it’s going to a place that it never actually goes.

‘Danger’¬†instantly grabs your attention with a beat that starts almost identically to¬†Toni Basil‘s¬†‘Mickey’, but quickly demonstrates it’s much more edgy than that. It’s an upbeat track with some incredible, diverse vocals – a really strong track!

Probably the most controversial song on the album, is closing track,¬†‘Losing You’ – it¬†builds beautifully with some captivating vocal effects and all-consuming reverb on the synths and guitars. It is bound to be a real mixed-bag with the fans.

It has to be said that¬†You Me At Six¬†have done a superb job with this record – they’ve once again diversified their sound, kept it fresh and refused to stick to a sound that’s previously brought them success. They’re a band that press forward and continue to grow and¬†VI clearly shows that the band have made an album they wanted to make – for that, they should be very proud.

Rating
3.5


‘VI’¬†is out now and can be downloaded from iTunes –¬†https://itunes.apple.com/gb/album/vi/1380831965


VI on Spotify

3AM (Official Video)

https://www.youtube.com/watch?v=lrELmjpktYE


We hope you’ve enjoyed our review! What do you think of this band’s…? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


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#Review: Sigala – Brighter Days ūüĆī


   

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Sigala (aka¬†Bruce Fielder) is¬†an English DJ, producer and remixer from¬†Norwich in¬†Norfolk. His first single,¬†Easy Love (which featured a re-recorded interpolation of¬†The Jackson 5¬†song, ‘ABC’) reached Number 1 in the UK Charts. In total, he has released a rather impressive, 12 singles, 6 of which have reached the Top 10 in the UK Charts. Now, with 10 of these singles featuring on his debut album, it’s easy to see why there is a lot of excitement about this release and indicates just how strong of an album it is. Here’s what we have to say about it…

Sigala - Brighter Days

To say that this album is star-studded is an understatement – it is utterly packed to bursting-point with incredible collaborations and downright epic tunes! Very rarely do you find that an album is filled, from start to finish, with singles but truly, every song on this record could be a single in its own right…and most of them have been!

With ten of the sixteen tracks having been released as singles, you could not be forgiven for not having heard at least one of these tracks before now!¬†Easy Love,¬†Sweet Lovin’‘¬†featuring¬†Bryn Christopher, Say You Do¬†featuring¬†Imani Williams &¬†DJ Fresh,¬†Give Me Your Love featuring¬†John Newman¬†&¬†Nile Rodgers,¬†‘Came Here For Love’¬†featuring¬†Ella Eyre and¬†‘Lullaby’ featuring¬†Paloma Faith all reached inside the UK’s Top 10. They’re all uplifting, summery songs which are filled with feel-good vibes. (For more about these tracks, hit the links above – as a massive fan of them and having reviewed them before, there’s so much else to focus on with this record!)

It’s easy to see why¬†Sigala is such a big hitter – he’s created an instantly recognisable sound by combining dance music with tropical house and topping it off with some sensational pop collaborations, meaning his tracks just rocket up the charts…and the unreleased tracks on¬†Brighter Days continue this trend.¬†To make it clear just how many collaborations are on this record, here are a list of all the features:

Paul Janeway (of St. Paul & The Broken Bones), Ella Eyre, Fuse ODG, Sean Paul, Kent Jones, Meghan Trainor, French Montana, The Vamps, Flo Rida, Shaun Frank, Delaney Jane, HRVY, Nina Nesbitt, Paloma Faith, Craig David, Kylie Minogue, Bryn Christopher, Cheat Codes, MAX, John Newman, Nile Rodgers, Kodaline, Imani Williams and DJ Fresh.

With a lineup like that, it’s no surprise that this guy’s tunes are so damn good! Not only has he been dominating the UK dance music scene but with a whole host of international collaborations, he’s surely going to become a global hit!

The summer may well be drawing to a close but with this album, it feels like it’s just getting started; it’s the ultimate feel-good album that you just want to keep on repeat!

Aside from the obvious singles, this album features a few unheard tracks, starting with¬†‘Brighter Days’.¬†With vocals from¬†Paul Janeway (of¬†St. Paul & The Broken Bones), you are eased into the album with a spacious verse that continually builds before unleashing a massive drop into the chorus…and the album doesn’t let up from there!

‘You Don’t Know Me’ is a huge track with shimmering synths and a monster beat (in collaboration with Shaun Frank) and some wonderful vocal lines from Flo Rida¬†and¬†Delaney Jane¬†whilst¬†‘Somebody’ has some big, gang vocals in the lead-up to the chorus and great vocal harmonies shared between¬†HRVY¬†and¬†Nina Nesbitt.

One of the biggest tracks on the album (and probably the most surprising that it’s not been a single) is¬†‘What You Waiting For’ featuring none other than pop princess¬†Kylie Minogue! Think¬†‘Put Your Hands Up (If You Feel Love)’ but mellowed into a tropical house anthem with an ever-evolving beat – it’s musical euphoria at its best.

‘Revival’ sees Fielder collaborate with American production trio,¬†Cheat Codes¬†with the addition of wonderful falsetto and full-on vocals provided by US artist,¬†MAX, supported by a crowd.¬†The beat is intense; something you can easily find yourself getting lost in.¬†Lastly, is¬†‘All For Love’¬†which features Irish rock band, Kodaline. The song is somewhat reminiscent of¬†The Chainsmokers‘ track,¬†Something Just Like This featuring¬†Coldplay and the vocals have a certain quality to that of¬†Danny O’Donoghue from Irish band,¬†The Script. This really is testament to just how diverse Fielder’s production is and illustrates his superb¬†songwriting skills too.

The only negative of the album is that because so many of the songs have already been released as singles, there’s only six tracks which haven’t been heard before (hence focusing this review mainly on them) but honestly this is an awesome record – the way the track list flows is perfect and ending it with¬†‘Easy Love’ is pure brilliance!

The summer may well be drawing to a close but with this album, it feels like it’s just getting started. It’s the ultimate feel-good album that you just want to keep on repeat – whether you’re out driving in the car, home alone and looking for a pick-me-up, having a few friends round for a BBQ or going all-out with a party; this is an hour-long, back-to-back, 16-track, banger of an album, that you simply can’t get enough of! Turn it up loud, play it proud and dance like fucking crazy! A sensational debut by a superb producer…and it’s surely only going to get more exciting from here…

Rating
5


‘Brighter Days’¬†is out now and can be downloaded from iTunes –¬†https://itunes.apple.com/gb/album/brighter-days/1397962305


Brighter Days on Spotify

Brighter Days (Official Video Playlist)


We hope you’ve enjoyed our review! What do you think of this epic producer’s debut album, Brighter Days? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


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#Review: Against The Current – Past Lives ūüĎĀ


   

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Against The Current are¬†an American¬†pop rock¬†band from¬†New York, who formed in 2011. The band is made up of Chrissy Costanza (lead vocals), Dan Gow (guitars)¬†and Will Ferri (drums). The band are notable for regularly posting covers on YouTube as well as delighting fans with original tracks too. In 2016, after signing to¬†Fueled By Ramen, the band released their debut album, In Our Bones. Now, 2018 sees the band releasing their second full-length record,¬†Past Lives. Here’s what we have to say about it…

Against The Current - Past Lives.jpg

This stunningly diverse and charming record opens with the almost haunting ‘Strangers Again’, dealing with getting over a relationship and cutting ties. The guitar line is dreamy and the vocal breakdown towards the end is a rather quiet and personal moment that really draws you in. It’s a brilliant way to open a record; it doesn’t go in all guns blazing but instead captivates the audience with its beautiful soundscapes.

Next is probably the best track on record, ‘The Fuss’. With Daft Punk-esque, 80s synths, funky guitar rhythms and one hell of a catchy chorus, this is a track you will just want to play really loud and dance like mad to!

Other significant songs include: ‘I Like The Way’ – a track all about new love that almost reaches EDM territory with its strong piano line. It’s something you might expect from the likes of Sigala‘s¬†Easy Love or¬†Sweet Lovin’; ‘Voices’ is a slightly more grungy offering about being self-conflicted and trying to ignore the internal voices (which is reflected perfectly with whispering backing vocals) – it’s very¬†Paramore¬†meets¬†Fickle Friends,¬†whilst¬†‘Scream’ is a rather floaty and dreamy song – for some reason it evokes images of the perfect all-American family from the 1960s (no idea why!) It’s an uplifting yet subtle track; I keep finding myself going back for more.

‘Personal’ has a Taylor Swift-like quality to it and the production is incredible – the vocal harmonies sit beneath the rest of the production in the chorus, but it’s truly enchanting.¬†‘P.A.T.T.’ (short for Pretty All The Time)¬†is an out and out female empowerment anthem – it’s fast-paced, punchy and relatively simplistic but the message is fun and powerful about girls feeling like they should be allowed to be themselves without having to look “pretty all the time”…calling all, “Girls!”

It’s an impeccably well-crafted record which has very successfully merged the boundaries between dance, pop and rock music, with a sprinkling of 80s vibes on top.

Lastly,¬†‘Friendly Reminder’ is another notable song, it’s certainly an album track rather than a potential single but the use of a phaser effect on the vocals and an epic clap-along chorus towards the end make it really stand out…again, there’s a big 80s vibe to it.

What Against The Current manage to do so well throughout, is take you on a journey with them; when they’re soaring high, you’ll feel all the sparks of excitement with them brought about with big synth sounds, intense beats and tons of reverb but equally when melancholy reigns, you’ll feel their heartache too.

Whilst I could say something about every track on the record, I won’t – you just need to experience it for yourself.¬†I really can’t recommend this highly enough…the only reason it didn’t get a 5 is because there are one or two less stand-out, album-fillers but even those are pretty damn good. It is very much an album which marks a band that have found their feet; they’ve created something wonderfully catchy yet utterly credible with sincere lyricism, interesting melodies and top-notch production.

It’s an impeccably well-crafted record which has very successfully merged the boundaries between dance, pop and rock music, with a sprinkling of 80s vibes on top; it’s difficult to pigeonhole this band…in a good way! It’s a truly exciting time for the band; this will certainly make waves in the genre and undoubtedly pave an exciting path for their future!

Rating
4-5


‘Past Lives’¬†is out now and can be downloaded from iTunes –¬†https://itunes.apple.com/gb/album/past-lives/1425108766


Past Lives on Spotify

Almost Forgot (Official Video)


We hope you’ve enjoyed our review! What do you think of this band’s sophomore release, Past Lives? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


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