#Review: ONE OK ROCK – Eye Of The Storm ūüĆ™

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ONE OK ROCK are a Japanese rock band who formed in Tokyo, in 2005. The band currently consists of Takahiro Moriuchi (vocals), Toru Yamashita (guitar), Ryota Kohama (bass), and Tomoya Kanki (drums). Since forming, the band have played many different styles of music, from alternative rock to emo and even post-hardcore to their most recent, pop rock style. In 2016, the band signed to Fueled By Ramen, releasing their eighth studio album, Ambitions, featuring collaborations with Avril Lavigne5 Seconds Of Summer and Alex Gaskarth (All Time Low). This year, (2019) sees the release of their ninth studio album (although only their third US release), Eye Of The Storm. Here’s what we have to say about it…

one ok rock - eye of the storm

From the very start of Eye Of The Storm, it’s clear that ONE OK ROCK have made a conscious departure from the previous, emo, alternative rock and post-hardcore incarnations, favouring a much more pop-led sound. That’s not a bad thing though, as this is a brilliantly-crafted pop powerhouse of a record, that is sure to further cement their position as one of big players in the pop rock genre (alongside label mates like Panic! At The Disco and Against The Current. In fact ‘Eye Of The Storm’ and ‘Worst In Me’ are almost an obvious transitioning from their old sound to their new, blending their alternative rock roots with their new, more synth-driven pop elements.

There’s a real passion and raw talent to singer Takahiro ‚ÄúTaka‚ÄĚ Moriuchi‘s vocals throughout the record too, as he explores the full extent of his vocal range, pulling off some stunning falsetto notes, intertwined with soaring choruses and exquisitely long-held notes.

‘Stand Out Fit In’ is testament to this – it’s very much an anthem about embracing people‚Äôs differences, with the goosebump-inducing, falsetto lines, ‚ÄúThey yell, they preach, I‚Äôve heard it all before. Be this, be that, I‚Äôve heard it before.‚ÄĚ It’s definitely a track that‚Äôs going to capture the hearts of many!

It’s actually very hard to pin-point just a few favourite tracks but ‘Push Back’ is wonderful for its gang vocal harmonies, like a modern-day Queen track. The descending melody echoing throughout the song is truly captivating too. ‘Wasted Nights’ is all about making the most of your life and enjoying each other’s company and the line, ‚ÄúLet‚Äôs live like we‚Äôre immortal, Maybe just for tonight, We’ll think about tomorrow (yeah), When the sun comes up,‚ÄĚ is poetic, conjuring up nostalgic imagery and the underlying gospel vocals are stunning. The video only makes the track even more epic too (see below)! Even ‘Change’ – there’s definitely something a little boyband about the song (like 5 Seconds Of Summer meets One Direction), with the synth-sounding guitar lines, but the melodies are passionate and the message is poignant, positive and uplifting, ‚ÄúHey, You know it’s not too late for us to make a change, You gotta listen to your heart what does it say? No matter how much we might bend, we will not break.‚ÄĚ

It’s great to see that after nine albums in thirteen years, a band can still find ways to push themselves to adapt and grow, and be completely unafraid to try new directions.

That’s not to say there aren’t other special moments throughout the album; ‘Head High’ is definitely a pop track and whilst there isn’t much depth behind the lyrics or songwriting on it, it’s certainly catchy! ‘Letting Go’ really stands out for being so unique to the rest of the record – a calm little, acoustic-led track that is so beautifully understated, dealing with getting over a relationship and coming to terms with it. ‘Unforgettable’ has some definite dance music vibes to it, with the intense drum beats and whistling in the chorus, but with guitars thrown in. It’s quite a unique blend of genres.

‘Giants’ leads from delicate verses into a big chorus and has a strong Take That vibe to it, whilst ‘In The Stars’ adds a little vocal diversity with Kiiara featuring on the track, accompanied by a military-style beat.

‘Grow Old Die Young’ is a perplexing track though; it has a strong melody in the chorus but certain elements of it are very mediocre – a synth sound which doesn’t really fit the song and then there’s the lyrics, ‚ÄúI want the cause of my death, to be amazing sex,‚ÄĚ which is honestly pretty cringe!

The album actually draws to a powerful close with ‘The Last Time’, led by a really strong chorus melody, topped off with a raspy, scream-like vocal that just knocks the record out of the park, right at the last second.

Eye Of The Storm is an interesting release for the band, as it’s their most commercial-sounding release to date, meaning it’s very palatable, for a broad range of listeners and is certainly bound to pick up a lot of new fans along the way. However, it could be argued that elements of depth and sincerity about their songwriting have been somewhat lost, rendering some of the tracks a little forgettable.

The drastic change in sound is definitely going to be felt by fans of their previous release, Ambitions, as some of the more emotive lyricism and raw instrumentation, has been exchanged for top-rate production values but at its heart, it is clearly still a ONE OK ROCK album.

That said, it’s equally great to see that after nine albums in thirteen years, a band can still find ways to push themselves to adapt and grow, and be completely unafraid to try new directions, and for that, this album should be admired. It’s a great record, with some banging tunes on and I can’t wait to hear what the band do next!

Rating
4


‘Eye Of The Storm’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/eye-of-the-storm/1441817576


Eye Of The Storm on Spotify

Stand Out Fit In (Official Video)

Wasted Nights (Official Video)

Change (Official Video)


We hope you’ve enjoyed our review! What do you think of the band’s ninth studio album, Eye Of The Storm? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or join the conversation via our social media.


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#Review: With Confidence – Love And Loathing ūü•Ä


   

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Muzik Speaks Loves Hopeless Records - SmallerWith Confidence are a pop punk band from Sydney, Australia, who formed back in 2012. Having been through some line-up changes, the band now consists of¬†Jayden Seeley (lead vocals & bass),¬†Inigo Del Carmen¬†(lead guitar & backing vocals) and¬†Joshua Brozzesi (drums).¬†In 2016, the band signed to Hopeless Records and released their debut album¬†Better Weather. Now, in 2018, the¬†band are back with their sophomore record,¬†Love And Loathing. Here’s what we have to say about it…

With Confidence - Love And Loathing.jpg

This feels very much like the band have studied and followed the recipe for making the perfect pop punk record, down to a tee…and that’s not even a bad thing! Somehow, the record feels timeless within the realm of the genre but without sounding like a carbon copy of so many others. After only a couple of listens, it feels just like returning to an old favourite that has been in my collection for years!

Opening track, ‘That Something’, is a stunning way to kick off an album – it’s got catchy vocals (but not obviously so) about finding a new love interest, paired with strong instrumentals of varied tempos, topped off with superb and subtle production flourishes.

Other huge tracks to take note of, include: ‘The Turnaround’ is a massive tune about making a change in your life and grabbing it by the horns, all accompanied by seriously incredible falsetto vocals; ‘Jaded’ which is a fast-paced thrashing track that you might find from the likes of Simple Plan; ‘Better’ is probably my favourite song on the record – about the desire to improve yourself with it’s occasionally satirical lyrics and soaring high-pitched vocal melodies, it’s a track you can easily get lost in.

Diversity spans the record: ‘Spinning’ is much calmer tune that has ‘woohoos’ and the subtle catchiness of a We The Kings or Maroon 5 track;¬†‘P√Ęquerette (Without Me)’ wishes an old love well with mellow acoustic vibes and¬†‘Icarus’ is a far grungier and more aggressive song that bares a resemblance to something by You Me At Six – it’s got heavy guitars and screamy vocals and adds a new depth to the record.

After only a couple of listens, it feels just like returning to an old favourite that has been in my collection for years!

Even in its lower moments, this is an album that feels overall, positive and like a band that’s been revitalised. The tracks each sound unique and interesting in their own ways; some outright pop punk anthems, other mellow, heartfelt ballads and even a couple of slightly more experimental numbers…yet it all still comes together as a cohesive record. Love And Loathing is just that – a record of two halves, covering the excitement of new relationships and hatred of old ones.

It is a tight, well-produced album that, despite some recent, tumultuous events, feels like a band now set for even bigger things! Could this be the next All Time Low or 5 Seconds Of Summer? If you’re a pop punk fan, you will love every second of this record!

Rating
4-5


‘Love And Loathing’¬†is out now and can be downloaded from iTunes –¬†https://itunes.apple.com/gb/album/love-and-loathing/1388719305


Love And Loathing on Spotify

That Something (Official Music Video)

Moving Boxes (Official Music Video)

Jaded (Official Music Video)


We hope you’ve enjoyed our review! What do you think of the band’s second album? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or hit us up via our social media.


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#Review: Milestones – Red Lights


   

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Milestones are a British pop punk band, hailing from Manchester. The quartet, fronted by singer¬†Matt Clarke, have worked with producer,¬†Phil Gornell¬†(Bring Me The Horizon and¬†All Time Low) to produce their debut album,¬†Red Lights; their first full-length record with Fearless Records. Here’s what we have to say about it…

Milestones - Red Lights.jpg

Milestones are certainly making a mark on the pop punk scene with this strong, punchy debut…but are they bringing anything new to the table? Not really, but nevertheless it works!

The album is quite formulaic with its use of ‘Woah ohs’, ‘Na na nas’ and other gang vocals, amongst a whole host of stop pushes, grungy guitars, semi-clich√© lyrics about being against the world and such like, and to top it all off, are some straight-up, damn-catchy choruses.

It’s quite easy to make comparisons with bands like All Time Low, We The Kings and to some extent You Me At Six, but most notably, The Friday Night Boys, due to their pop punk precision and following of the modern tendency to over-produce these types of songs. Furthermore, being a British pop punk outfit, they’ve followed in the footsteps of so many others, by adopting the faux-American accent and referencing places in the USA (probably due to the amount of time the band have spent touring over there), but this band will still undoubtedly have made a name for themselves with this actually, pretty great album.

There are huge, sing-a-long choruses that would easily fill a stadium and¬†Matt Clarke‘s epic vocals are delivered with massive power and heaps of conviction. It sure shows a band who know their sound and have the strength to produce a powerful album.

There are some mammoth highs, with powerhouse songs like ‘BitterSweetHeart’,¬†‘Once Upon A Time’,¬†‘Paranoid’ and¬†‘Liar’¬†and trademark, heartfelt “ballads”, exposing their more vulnerable side, with tracks such as¬†‘Against The World’,¬†‘Hold On’ and ‘Counting Cars’, all of which further fits themselves in to the mould. With its minute-long intro,¬†‘This Is My Life’¬†provides a moment of calm amid the album, almost splitting it into two parts, before kicking into the main song and¬†‘Eighteen’ is just a bit of fun, though lyrically lacking in some ways, whilst¬†‘Forever Or Never’ is a big track, bringing the album to a good conclusion.

Whilst it might sounds like I’m slating this record, I’m not trying to; I’m merely pointing out the current trends in the pop punk genre, but I actually thoroughly enjoyed it and have had it on repeat since receiving it. There are huge, sing-a-long choruses that would easily fill a stadium and¬†Matt Clarke‘s epic vocals are delivered with massive power and heaps of conviction; he sings¬†‘Now I‚Äôm stuck in this fucking rut’, almost spitting out ‘fuck’ like no one I’ve ever heard.¬†Overall, there are some stunning moments on this album (the harmonies in the middle 8 of ‘BitterSweetHeart’ being one of my favourite) and though it may not blaze trails within the genre or lead to world domination of the market, it sure shows a band who know their sound and have the strength to produce a powerful album.

Rating
3.5


‘Red Lights’¬†is out now and can be downloaded from iTunes –¬†https://itunes.apple.com/gb/album/red-lights/1336609728


Red Lights on Spotify

‘Paranoid’¬†(Official Music Video)

‘BitterSweetHeart’¬†(Official Lyric Video)


We hope you’ve enjoyed our review of Milestones’ debut album, but what do you think of it? What would you rate it? Please leave your thoughts in a comment or chat to us about it via our social media accounts.


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#Review: Story Untold – Waves


   

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Muzik Speaks Loves Hopeless Records - SmallerStory Untold are a pop punk five-piece band based in¬†Montreal, Canada, who formed back in 2012. In 2016, not long after signing to¬†Hopeless Records, the band released their debut, self-titled EP. Now, they’re releasing their first full-length album,¬†Waves, and here’s what we have to say about it…

Story Untold - Waves

The opening track, ‘In Or Out’, is a well-written, punchy, pop rock song with an uber-catchy, sing-along chorus that instantly had me excited for what more was to come, and rightly so…this is a very strong debut album!

Citing some of their influences as Green Day, Blink-182, Sum 41 and Fall Out Boy, it’s easy to hear how they have become the type of band they have. Think early Simple Plan meets more recent All Time Low but recorded in an even more polished way – that is this album! It’s superbly produced, filled with catchy songs and has highs and lows in all the right places.

Some of the main themes across the album include relationships and break-ups – pretty standard stuff – but the delivery is very current, with songs like ‘Delete’ referencing modern technologies (“Now you’re just a photo on my iPhone screen.”). Usually I find this sort of thing in songs a little cringe, but somehow the melodies the band have used and the conviction with which Janick Thibault sings the lyrics is so well executed that I really don’t mind it.

The band have compiled a sound, well-written, pack-a-punch, pure pop punk album…and it’s glorious.

Overall, this is an incredible debut and each track has their own great qualities but in my opinion, some of the best tracks on this record include; ‘In Or Out’ as it is just a fantastic opener for the record, ‘The 3ND’ has a great push in the chorus accompanied by quite choppy lyrics and varied vocals, ‘Drown In My Mind’ as it has a very intricate quality to it and ‘California’ for being a straight-up pop punk anthem (very Simple Plan-esque). To be honest it’s quite hard to pick stand-out songs as almost all of them are incredible – it’s even got your typical piano-style ballad, ‘Invisible’. The only track I thought let down the album a bit, was the last track, ‘Chasing Feelings’ – I loved the way the album began with a huge kick and I actually wanted it to end the same way; with a massive, all-out pop punk track – I felt that it was a bit of a weak end to such a great album. Other than that, it’s superb!

This is definitely an record I would love to see played live – from listening to their recording alone, you get a real sense of what their performances would be like. The band have compiled a sound, well-written, pack-a-punch, pure pop punk album…and it’s glorious – I haven’t been this excited about a new pop punk band for quite a while. With the sound they have created for themselves and the energy and buzz about them, I’m sure there will be a lot more to come from them in the future. Well done guys!

Rating
4.5.jpg


‘Waves’¬†is out now and can be downloaded from iTunes –¬†https://itunes.apple.com/gb/album/waves/1298835393


Waves on Spotify

In Or Out (Official Music Video)

Delete (Official Music Video)

Drown In My Mind (Official Music Video)

All The Same (Once A Liar, Always A Liar) (Official Music Video)


We hope you’ve enjoyed our review of Story Untold’s debut album,¬†Waves. What do you think of it? Are you as much of a fan as us? Would you give it the same rating as us or rate it differently? Please leave your thoughts in a comment or hit us up via our socials.


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Matt – Muzik Speaks
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#Review: ROAM – Great Heights & Nosedives


   

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ROAM are a British pop punk band from Eastbourne, consisting of members¬†Alex Costello (vocals), Alex Adam (lead guitar and backing vocals), Matt Roskilly (bass), Sam Veness (rhythm guitar) and Miles Gill (drums). The band formed in 2012 and since then have performed on the Warped Tour ’16, signed to¬†Hopeless Records and have now just released their second album,¬†Great Heights & Nosedives.

ROAM - Great Heights & Nosedives Cover2.png

The band’s new record opens with the hard-hitting track,¬†‘Alive’, and doesn’t really let up from its high-energy, bounce-inducing pop punk for the majority of the album. It is undoubtedly a good effort from the band and a strong follow-up to 2016’s debut,¬†Backbone, however it’s not really taking any great strides to revolutionise the already saturated world of pop punk.

Sadly, ‘Curtain Call’ feels a little like it’s trying too hard to be profound but slightly missing the mark, whilst¬†‘Home’ is quite a letdown – it really doesn’t finish the album in as strong a way as it started, with just a quick fade out at the end, making it feel like the band weren’t sure quite how to finish the track – I really expected some long and explosive grande finale.

This is an album which is undoubtedly going to sit well within a hardcore, pop punk lover’s collection.

Don’t get me wrong, there are some really great moments on the album too, such as the banger that is ‘Alive’,¬†thundering guitars and mosh-inducing rhythm of¬†‘Left For Dead’, the grungy, fast-paced¬†‘Open Water and the varying tempos of the somewhat funky,¬†‘The Rich Life Of A Poor Man’,¬†which overall, make it quite a thrilling record, however I still feel like it’s nothing that hasn’t been done before. I find myself reminiscing some of the earlier days of¬†New Found Glory,¬†All Time Low¬†and¬†We The Kings and at points even¬†Four Year Strong.

The album was produced by Kyle Black (who’s worked with the likes of State Champs, New Found Glory and¬†Comeback Kid) in Los Angeles, California. This explains the authentic American sound to the record and might account for Alex Costello‘s pseudo-American accent throughout. Whilst this is synonymous with the genre, it’d be nice to hear an English-sounding pop punk band, just for a change.

This is an album which is undoubtedly going to sit well within a hardcore, pop punk lover’s collection…and it should; it’s a decent record. I just think that in order to really stand out from the masses of similar bands and achieve longevity in their career, they’re going to have to really push the boundaries of the genre on their next album; consider the likes of¬†Paramore,¬†Fall Out Boy,¬†Good Charlotte¬†and¬†All Time Low.

Rating
3


‘Great Heights & Nosedives’¬†is out now and can be downloaded from iTunes –¬†https://itunes.apple.com/gb/album/great-heights-nosedives/id1270970229


Great Heights & Nosedives on Spotify

Alive (Official Video)

Playing Fiction (Official Video)


We really hope you’ve enjoyed our latest album review! What are your thoughts on ROAM’s Great Heights & Nosedives? What would you rate it? Please leave your thoughts in a comment or chat to us via our social media.


Enjoyed this? Check out some of our other reviews here:

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Matt – Muzik Speaks
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