#Review: Siamese – Super Human ūü¶ł‚Äć‚ôāÔłŹ

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Siamese are a 4-piece metal-pop band from Denmark (read our interview with Mirza here) who made serious waves on the scene with their 2018 album, Shameless. Since touring with that album, the band have once again, been busy in the studio and now return with their latest record, Super Human, alongside a mini UK tour too. Here are our thoughts on the album.

Siamese - Super Human

At times, Siamese have found it difficult to be taken seriously within the genre and it’s easy enough to see why – they are not just a straightforward metal band, and Super Human is no exception. They merge Metal with genres like Pop, R&B and Dance and for die-hard fans of metal, this just doesn’t cut it. However, the band have stuck to their guns with their unique take on the genre and that shows conviction for what they believe in…and it’s a good thing!

From the opening track and lead single, ‘B.A.N.A.N.A.S’, with its reference to Gwen Stefani‘s, ‘Hollaback Girl’, on top of an intense metal instrumental – the pace for the record is set.

Other tracks that really stand out, include ‘Ocean Bed’ – an intensely emotive song with a grungy, heavy metal breakdown; the incredibly unique ‘Super Human’ – an urban-tinted affair with powerful lyrics about inner strength and guest vocals from Olivio Antonio and ‘Unified’ – a very personal track on which Mirza opens up about his background as a refugee.

Super Human is a good album and certainly isn’t lacking in musical diversity throughout. Siamese have managed to successfully amalgamate different genres to create a really cohesive body of work.

There are other moments to enjoy throughout the album though; ‘Animals’ begins with a church-like organ and builds like a Dance track would before launching into chugging metal; ‘You’re Not Alone’ is an uplifting song not only lyrically but reflected in the instrumental too, plus there are great vocal harmonies at the end (even if they are heavily autotuned) and ‘Give Me Up’ has Asian-tinted drums to open and a monasterial gang-vocal breakdown at the end – it’s very confessional in tone.

The only track which feels slightly out of place is ‘Party Monster’. It makes almost tongue-in-cheek jibes at vacuous pop songs however it feels like it might be trying to be serious too – it just doesn’t quite land.

The album is brought to a close by ‘Not Coming Home’ – 90s/00s-style Prodigy-esque Dance opening and drum beat that ends in chaos, leaving the listener wanting more.

Super Human is a good album and certainly isn’t lacking in musical diversity throughout. Siamese have managed to successfully amalgamate different genres to create a really cohesive body of work, mostly self-produced, allowing them freedom to create what they want. However, there are moments when the integrity behind the lyrics is not always sincerely delivered, focusing more on the style than the substance. Plus, one or two of the songs sound fairly similar – overall though, it’s a pretty solid record. The artwork is unusually well-matched to the album too, with several of the songs having an underlying religious or spiritual undertone to them, even if, in parts, it‚Äôs just in the musical composition rather than the lyrical content.

This album is surely going to further cement the band’s place within the genre though and demonstrates that they are seriously players on the scene. Personally, the genre-bending brings something interesting to the table, meaning they stand out from the rest, and it’s intriguing to see where they take their style next!

Rating


‘Super Human’¬†is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/super-human/1455133470


Super Human on Spotify

B.A.N.A.N.A.S (Official Video)

Super Human featuring Olivio (Official Video)

Animals (Official Video)

Ocean Bed (Official Lyric Video)


We hope you’ve enjoyed our review! What do you think of this band’s latest album? Is Super Human going to be your soundtrack to 2019? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


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#WildCardWednesday: Siamese – ‘B.A.N.A.N.A.S’

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Siamese are an award-winning, Danish, Pop-Metal band and following their previous album, Shameless, gained more than 8 million streams, catapulting them to recognition outside of Denmark, and enabling them to play sold out shows in Japan, UK and Germany.

Singer, Mirza Radonjica-Bang, said, “B.A.N.A.N.A.S, the album opener was actually written for the Shameless album. At least the starting riff was. But ultimately we were never satisfied with anything but the riff. We left it alone for two years before absolutely nailing it. One of my favourite tracks on the album for sure.”

This track showcases just how epic this band are – huge synth use, grungy guitars and metal drum patterns, all topped off with the wonderful sample of Gwen Stefani‘s ‘Hollaback Girl’ make this truly stand out! It’s a real genre-bending song that will appeal to people of all tastes from pop to metal.

Their next release, Super Human (out Friday 24th May), continues to showcase their trademark big choruses and well-written instrumental compositions; what’s more, it’s all self-produced!

Watch out for this band as they continue to go from strength to strength!

What are your thoughts of this singer-songwriter? Got a #WildCard Wednesday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
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‘B.A.N.A.N.A.S’ can be downloaded off iTunes now – https://itunes.apple.com/ru/album/b-a-n-a-n-a-s/1455133470?i=1455133474&l=en


#Review: Afterlife – Breaking Point ūüĆ°


   

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Muzik Speaks Loves Hopeless Records - SmallerAfterlife are a metal quartet from West Palm Beach, Florida, consisting of Tyler Levenson (vocals), Andrew McGuire (guitar), Tristan Edwards (bass) and Luke Walkinshaw (drums). Since signing to Hopeless Records, the band are now putting out their debut album, Breaking Point. Here’s what we have to say about it…

Afterlife - Breaking Point.jpg

The album bursts into life with serious tenacity, in the form opening track, ‘Sacrifice’¬†– a song laden with creepy vocal effects (somewhere in the same vein as Marilyn Manson) and come¬†served up with a huge dose of angry, metal instrumentation.

From there, the album takes off into a flurry of metal-induced fury and it’s clear throughout, that the production quality of the record is impeccable. Not only is it a great quality record but there are a lot of layers to the tracks, making¬†it interestingly chaotic, in parts. Unfortunately though, in places it feels like there is more style over substance and that the production and intricate instrumentation outweigh the lyrical content. For example,¬†‘Giving Back The Pain’ is a great song for crowds to mosh to and it has a certain commercial quality to it, but I hate to say it – lyrically, it is bordering on cringe-worthy. It’s clear what they’re trying to achieve, but I’m just not feeling it.

That’s not to say it’s all bad, by any means.¬†‘Throat’¬†has some quirky, downward spiral sounds and a catchy melody to it that is actually reminiscent of the early¬†Eminem track, ‘Kim’, though the lyrics attempt to be profound but end up somewhat disjointed.¬†‘Breaking Point’¬†focuses on getting angry to the point that you snap and the¬†motion of the chorus vocal is pretty captivating, while¬†‘Holding On’ has this brilliant bass-line leading into the track (and underpinning the chorus) with a well-written rap-style verse and an understated melody leading into the chorus, that make for a brilliant listen.

‘Grey Sky’ has¬†a wonderful melody to the chorus line, ‚ÄúWhere did your mind go?‚ÄĚ that you can’t help but love¬†– it’s gritty and raspy and really captivates the lyrical content about being trapped in your own dark thoughts.

The band’s performance throughout, is brilliant and¬†Tyler Levenson‘s¬†screaming is incredible – he has a great singing vocal too.

Possibly the best tracks on the record have to be¬†‘Karma’,¬†which is¬†a really great angry anthem to blare out when you just want someone to get what they deserve. ‚ÄúTry to run, try to run, try to hide, Karma‚Äôs coming for you bitch‚ÄĚ – I mean God, it just oozes rage! And¬†‘Broken Home’ – the album doesn‚Äôt really let up on the anger front until this track, where suddenly it seems to get a little lighter in tone and whilst the subject is sad and there‚Äôs still a little grunginess to it, it‚Äôs not so fuelled by hatred and dark screaming – it‚Äôs more honest and self-reflective. It’s quite possibly the best track on the album.

As far as Hopeless Records releases go, this is not your typical release from the label – it’s a lot heavier but undoubtedly, it will have an appeal to corners of the metal market. In fact, it‚Äôs got elements of rap merged with metal, like Linkin Park meets Rage Against The Machine, but just not quite as well-crafted.

That all being said, the band’s performance throughout, is brilliant and¬†Tyler Levenson‘s¬†screaming is incredible – he has a great singing vocal too, but the frequently-used, rap-style verses just don’t quite make the mark (lyrically and stylistically) – perhaps as the band continue to mature, they will grow lyrically too.

I’m sure there will be a lot of support for this album, particularly from fans of Hopeless Records and perhaps those who’ve begun to venture more into the metal realm, from the softer, pop punk genre. However, for the band’s next release, I hope they¬†will work on their lyrical content to match the great instrumental performances.

Rating

2.5


‘Breaking Point’¬†is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/breaking-point/1435412838


Breaking Point on Spotify

Throat (Official Music Video)

Holding On (Official Music Video)

Sacrifice (Visual)


We hope you’ve enjoyed our review! What do you think of this band’s new album? Is our review fair? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


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#Review: Story Of The Year – Wolves

 


 

   

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Story Of The Year first captivated my attention with their debut album, Page Avenue, back in 2003. Since then the band have had a string of albums, been involved in a whole host of side-projects, taken a hiatus, reformed and run a successful PledgeMusic campaign, which all lead to this, their sixth studio album, Wolves.

SOTY - Wolves.jpg

The album opens with the title track,¬†‘Wolves’, which sounds like some sort of background, cinematic sound effects from a horror film, before leading into the intense, fast-paced, gang-vocal-packed song,¬†‘How Can We Go On’,¬†which perfectly represents the band’s roots in alternative/hard rock. From there, the album weaves its way brilliantly throughout a whole range of powerful, thrashing, metal-like songs and emotionally-driven, rock ballads¬†that you just can’t help but want to belt out loud.

One thing’s for certain; the band have truly poured out their honest feelings and inner-most emotions into every track on this record. It’s also the band’s first album to be recorded in pieces, across several, separate locations, meaning they could really afford to take their time to focus and perfect the sound they wanted to achieve. The album title,¬†Wolves, was chosen to embody the concept of life circling you and closing in on you, just like a pack of wolves.

Some of my favourite and most stand-out tracks on the album have to be,¬†‘Bang Bang’ (dubbed “a fast-paced, electro-infused rager complete with a catchy chorus” by AltPress),¬†‘Youth’¬†(which is a short guitar track that feels anthemic beyond words),¬†‘I Swear, I’m Okay’¬†(a synth-driven ballad-esque belter),¬†‘Can Anybody Hear Me’¬†(probably one of the catchiest tracks on the record and a real sing-along tune) and¬†‘Like Ghosts’ (which is just epic and in places the use of synths remind me a little of the Stranger Things¬†theme – this song was born to be in a movie).

Undoubtedly, the quartet have demonstrated how committed they are to making what could well be the best album since their debut.

The record was produced by Aaron Sprinkle (Anberlin, New Found Glory, Acceptance) and mixed by none other than Tom Lord-Alge and J Hall Рwhich probably explains why it sounds particularly epic! It soars to incredible heights and tantalises the melancholic heart-strings in all the right places.

Undoubtedly, the quartet have demonstrated how committed they are to making what could well be the best album since their debut. It’s an inspired body of work that shows off a real depth to their songwriting and evolution in their style. They have managed to record a soundscape of vulnerability, fear and anxiety and present it in a really exhilarating and cohesive body of music. This is certainly an album not to be missed.

Rating
4


‘Wolves’¬†is out now and can be downloaded from iTunes –¬†https://itunes.apple.com/gb/album/wolves/1300989796


Wolves on Spotify

‘Bang Bang’¬†(Official Video)

‘I Swear, I’m Okay’¬†(Official Audio)


We hope you’ve enjoyed this review of Story Of The Year’s latest album! What are your thoughts about it? What would you rate it? Please leave your thoughts in a comment or chat to us about it via our social media.


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#WildCardWednesday: Scott Stapp – ‘The Great Divide’


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Scott Stapp¬†is known for being the lead singer of the American, post-grunge band¬†Creed, but in 2005, he released his debut solo album, ‘The Great Divide’.

This song is the title track of the album and marked the start of his own solo journey, after the 2004 split of Creed.

I like this song a lot because although it has its heavy moments during the choruses, the verses have an almost Irish, folk feel to them, and I think the sound is really interesting.

Do you know this song? Have you heard it before? Are you new to it? What do you think? Please share your #WildCardWednesday choices with us and share this link on your social media.

Matt – Muzik Speaks
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‘The Great Divide’¬†is available for download on iTunes now –¬†https://itunes.apple.com/gb/album/the-great-divide/id970370871?i=970370883