*EXCLUSIVE* #Review: Chicane – The Place You Can’t Remember, The Place You Can’t Forget ūüí≠


   

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Chicane (aka Nick Bracegirdle) is a British musician, composer, songwriter and producer who has had a string of hits that have been massive on the Ibiza club scene, including ‘Saltwater’ (featuring vocals by M√°ire Brennan from Clannad), ‘Offshore’, ‘Don’t Give Up’ (featuring Bryan Adams) and ‘Stoned In Love’ (with vocals by the legendary Tom Jones). Now, 2018 sees the release of his seventh album, The Place You Can’t Remember, The Place You Can’t Forget (released through Modena Records and Armada Music); here’s what we think about it…

Chicane - The Place You Can't Remember, The Place You Can't Forget.jpg

I would go so far as to say that this might be one of Chicane‘s best albums to date; it’s diverse, eclectic and contemporary whilst not compromising on his instantly recognisable sound and style.

The album opens with the stunningly atmospheric ‘Running To The Sea’ which reverberates right through the chest, due to low rumbles and bass notes but meanwhile uses harmonic guitars, making it sound equally euphoric; it’s like the dawn of a beautiful day, but in this instance, the day is the album!

From there, 2017 single, ‘Gorecki’ (featuring vocals by Hannah Robinson), makes an album appearance; very much a classic Chicane track – mesmerising, hypnotic synth plucks, dream-like pads, echoing vocals and deeply rooted in the house genre.

Also, Tracey Ackerman makes a much anticipated return collaboration on single, ‘Serendipity’; a calm and ambient track.

Some of the other, most notable tracks, include: the instant, turn-it-up anthem, ‘A Love That’s Hard To Find’; definitely a song that provides room to breathe throughout but also includes some Daft Punk-esque vocals (from Paul Aiden) on top of a summery, deep house beat; ‘Rainbow’ keeps you in suspense all the way through with its calming vocals (provided by Tyler Lyle) and synths that teeter around the edge of something big, probably making it one of the most ambient songs on the album and two Rosalee O’Connell-sung tracks; ‘Nirvana’ – an EDM meets house affair that has some wonderful, broken falsetto vocals, with a touch of something old-school (like ATB‘s ‘9 PM (Till I Come)’ or York‘s ‘On The Beach’) and ‘I Came Here For You’ which serves up an exotic combination of cascading synths, heavy drums, rhythmic bass and dreamy vocals that sit in the centre of the mix, almost surrounded by the instrumentation.

Somehow this feels very different to some of his previous releases; it is uplifting, fresh, reinvigorating and really pushes the boundaries of what he can produce.

To be perfectly honest though, it’s incredibly hard to find something not to love about every track on the album; ‘Chord – Less Yacht’ slowly builds from a muffled, static-like intro to an angelic-sounding, deep house anthem with shimmering synths and thumping beats, ‘Judder’ sounds like the theme to an 80s fighting game (think Street Fighter) but with dramatic changes in tempo and barely audible vocal notes coursing through it, ‘Ten Deep’ sounds like the film score to a modern sci-fi movie, due to its soaring synths and bold brass sounds and ‘Fear I Must First Let You Go’ (featuring vocals by Chris James) is a positive take on looking to the future – a therapeutic song that has an almost sermon-like quality to it.

Without a doubt, The Place You Can’t Remember, The Place You Can’t Forget is still an ambient, atmospheric and deep house-filled album that is instantly recognisable as Chicane, but somehow it feels very different to some of his previous releases; it is uplifting, fresh, reinvigorating and really pushes the boundaries of what he can produce.

Lastly, I would like to make a special thanks to Nick and his manager Louis, for allowing us to be the first and only people to have had access to the full album prior to its release. It truly has been a privilege.

Rating


‘The Place You Can’t Remember, The Place You Can’t Forget’¬†is out now and can be downloaded from iTunes –¬†https://itunes.apple.com/gb/album/the-place-you-cant-remember-the-place-you-cant-forget/1377444000


‘The Place You Can’t Remember, The Place You Can’t Forget’ on Spotify

Serendipity (Official Video)

A Love That’s Hard To Find (Official Audio)


We hope you’ve enjoyed our review! What do you think of this incredible musician and producer’s latest album? Do you love it as much as us? What would you rate it? Please leave your thoughts in a comment below or share your views about it via our social media.


Enjoyed this? Check out some of our other reviews here:

Muzik Speaks Album Reviews


Matt – Muzik Speaks
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#WildCardWednesday: Good Charlotte – ‘Actual Pain’


   

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Good Charlotte are back and damn are we excited!

Their sixth studio album, Youth Authority (2016), saw the band rise back to the success of their fourth album, Good Morning Revival (2007), both peaking at Number 13 in the UK Charts. Now, with their seventh album, Generation Rx, due out in September 2018, we hope to see them replicate or even surpass this.

Certainly, if new single, ‘Actual Pain’, is anything to go by, that shouldn’t be a problem.

The new single has managed to strike a perfect balance between some of their more synth-driven, pop-rock songs like ‘Dance Floor Anthem’ and ‘Misery’ and earlier, guitar-infused and more sincere tracks like ‘Hold On’ and ‘We Believe’.

This type of combination of their sounds is driving the band into a new era and is sure to please both old fans as well as capture new ones. It’s a really strong single that’s got me excited to hear the rest of the new album! I wonder if they’ll have one of their epic, atmospheric intro tracks, like they used to?!

The music video for this track is emotive, depicting a boy reminiscing about the good times he shared with his mother, during his childhood and how that changed over time. It appears is a narrative-driven music video, interspersed with GC performance – a great, new video from the band!

What are your thoughts of the band’s latest single? Are you excited about their new album, Generation Rx? Do you have a #WildCardWednesday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
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‘Actual Pain’¬†can be downloaded off¬†iTunes now –¬†https://itunes.apple.com/gb/album/actual-pain-single/1384922354


#Review: Now, Now – Saved


   

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Now, Now are an American indie duo originally from¬†Blaine, Minnesota (USA), now¬†based in¬†Minneapolis. The band now consists of founding members, KC Dalager (vocals/guitar/keyboard) and Brad Hale (drums/backing vocals) after a recent departure from their line-up. To date, they have had two, somewhat heavier albums and this,¬†Saved, will be their third, full-length release. Here’s what we have to say about it…

Now, Now - Saved.jpg

It’s been a decade since their more thrashy, emo-esque debut album,¬†Cars, was released (back when they were called¬†Now, Now Every Children)¬†but since then,¬†Now, Now have clearly been working hard on mastering the art of slick production.

This is an album that successfully merges emotive, thought-provoking lyricism based upon relatable topics, with warm, summery production; it’s credible songwriting with certain mainstream, pop sensibilities.

Saved is a stunning record. It has everything from catchy choruses and atmospheric synths to chugging guitars and heavy beats.

It kicks off with the acoustic-led, summer tune ‘SGL’ (short for Shot-Gun Lover) which would be the perfect road trip track, through the open roads of America. From there, you’ve got the captivating ‘MJ’, which makes reference to Michael Jackson‘s ‘Billie Jean’ topped off with a galloping beat (somewhat similar to MJ‘s ‘A Place With No Name’ from 2014’s Xscape)

Another significant track is ‘Window’, with its shimmering synths and manipulated vocals, that continually ascend. It’s a song about desperation for someone;‚ÄúEvery night I‚Äôm at your window, Wonder when you‚Äôre gonna let me in.‚ÄĚA truly atmospheric track.

Just listening to this album, puts you in an instantly good mood due to its stunning production and uplifting vibes.

‘Powder’ is a massive tune and a superbly powerful and passionate close to the album; it has a catchy, fun start with delicate guitars and subtle synths but as it goes on, descends into a very interesting and heavy breakdown with gritty synths.

There are certainly a lot of resemblances that can be made across the album too: ‘Can’t Help Myself’ has whispery vocals, somewhat similar to Geowulf; ‘Knowme’ is a house-like track with calm, electronica vibes, with elements of Chicane to it; ‘Set It Free’ makes cheeky reference to “wandering hands” and has a certain something about it that reminds me of a cross between The Cardigans and Sixpence None The Richer; ‘Drive’ has a beachy, Lana Del Rey vibe and ‘Holy Water’ is a song which I find merges MUNA with early Dido (with the use of industrial-like sounds) – it’s beautiful and euphoric. That’s in no way saying that they are copying other artists but perhaps making a nod to them; if anything it just goes to show what an eclectic record they have managed to create, with a little something for everyone.

As far as albums go, this is diverse and interesting with a real excitement about it. Just listening to it, puts you in an instantly good mood due to its stunning production and uplifting vibes. They have managed to craft a sound that is somewhere between airy beach-pop and grungy rock, evoking nostalgia and varying emotions throughout. This is fantastic record that is sure to be the soundtrack to many people’s summers this year.

Rating


‘Saved’¬†is out now and can be downloaded from iTunes –¬†https://itunes.apple.com/gb/album/saved/1365088448


Saved on Spotify

AZ (Official Video)

SGL (Official Video)

Yours (Official Video)


We hope you’ve enjoyed our review; what do you make of this band’s latest album, Saved? Are you as much of a fan as us? What would you rate it? Please leave your thoughts in a comment or via our social media.


Enjoyed this? Check out some of our other reviews here:

Muzik Speaks Album Reviews


Matt – Muzik Speaks
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#FeelGoodFriday: The Little Mermaid – ‘Kiss The Girl’

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The Little Mermaid is another one of my personal favourites from Disney; it has some great songs too! Today’s post features ‘Kiss The Girl’, sung by Samuel Wright who voiced the character of Sebastian (the lobster).

He begins to sing this song in order to encourage Arial to kiss Eric. You’ve got to give a hand to Sebastian for this one, he was really able to set the mood with his wonderfully nature-composed song. But unfortunately, as we all know, the kiss is interrupted…

The video is pretty atmospheric too, I always like to appreciate the aesthetics created by the animators, it’s some truly outstanding art work.

Although it isn’t featured, I think Sebastian’s ‘Under The Sea’ is another¬†excellent Disney track. However, perhaps the themes of love with ‘Kiss The Girl’ are a little more relatable than living under the sea!

See the video below, it’s a pretty heart-warming scene that¬†I have to give full credit to Sebastian for!

If you liked this song, go check out Matt’s #FeelGoodFriday post!

Max – Muzik Speaks
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‘Kiss The Girl’¬†can be downloaded from iTunes now –¬†https://itunes.apple.com/gb/album/kiss-girl-from-disneys-little/id929718978?i=929719059