#Review: Doll Skin – Love Is Dead And We Killed Her

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Muzik Speaks Loves Hopeless Records - SmallerDoll Skin are an all-female rock band from Phoenix, Arizona, consisting of Meghan Herring (drums/co-lead vocals), Sydney Dolezal (lead vocals/rhythm guitar), Nicole Rich (bass/backing vocals) and Alex Snowden (lead guitar/backing vocals). The band’s sound is a blend of punk, metal, alternative rock & pop. In April 2019, Doll Skin announced that they had signed to Hopeless Records, to release their third album, Love Is Dead And We Killed Her. Here’s what we have to say about it…

Doll Skin - Love Is Dead And We Killed Her.jpg

There will undoubtedly be people who will compare Doll Skin to the likes of The Donnas or other all-female punk bands but Love Is Dead And We Killed Her is possibly one of the most exciting rock records I’ve heard this year. It’s fresh, enthralling and unique.

From the anger-fuelled, scream anthem that is the opening track, ‘Don’t Cross My Path’ which sees the chanting of “This is a song for everyone I hate,” and “Throw your tantrum, meet my rage,” to the final notes of ‘Homesick’ – a track about returning home, to the people you have missed – this is a cyclical album with strong themes of karma, facing internal demons and broken relationships throughout.

There is plenty of metaphorical imagery intertwined too, such as the closing track casting thought-provoking scenes about finding peace, or single, ‘Mark My Words’, casting scenes about tattooing Sydney‘s words onto someone to tell of the hell she’s been through because of them.

It’s really hard not to write about every track for different reasons; from ‘No Fear’ with it’s captivating vocal melody and impeccably strong delivery or title track, ‘Love Is Dead And We Killed Her’, a payback track about karma catching up with their ex lover, through to ‘When They Show Their Teeth’ and its frantic drum intro with good old punk rock ‘na, na, nas’ (very much the kind of track you’d hear playing over the footage of a car chase scene with shaky camera shots, high-octane, skilled manoeuvres and even a crowd-pleasing, clap-along breakdown at the end too; there’s really a bit of something for every punk or rock music lover here.

There’s something exciting about the delivery throughout the record and a real sense of diversity in the production and tone of each track.

For me though, it’s the middle tracks of the record that really grabbed my attention. ‘Outta My Mind’ is possibly the strongest track on the record, instantly giving me goosebumps. It’s the kind of career-defining song that people come back to as a fan favourite with incredible gang vocals and and angsty but upbeat tone that is somehow also heavy at the same time.

‘Ink Stains’ has some lovely the half-time moments, a high-pitched, powerful vocal, with the cutting line, “You won’t be hearing from me any more,” and even a chaotic, half-spoken, half-sung breakdown, a bit like the one in Good Charlotte’s ‘Predictable’.

‘Nasty Man’ is a deep track, seemingly about a predatory man – someone promising a young girl what she wants and taking advantage of it, whilst ‘Your Idols Are Dying’ is an angst-ridden anthem about internal struggles, drugs and finding out that the people you admire and look up to most are not all they’re made up to be. There’s a perfect scream breakdown that goes right to the end of the track too!

‘Empty House’ is another example of a metaphorical track too, initially addressing being alone and screaming out for help, but it’s a progressive story that builds to a more positive ending, about learning to love yourself – it’s quite beautiful!

It’s actually funny how an album cover can mislead you – I wasn’t expecting to like this record quite as much as I did, based on the cover alone, but ended up thoroughly loving it. It’s a real testament to show that you shouldn’t judge an album by its cover.

Love Is Dead And We Killed Her is a truly exciting album that although wouldn’t always be my normal cup of tea, truly captivated me. There’s something exciting about the delivery throughout the record and a real sense of diversity in the production and tone of each track. Sure, there are certain elements that fall within the same vein as Paramore but they are also, so much more – it’s like they learnt to scream and got a whole bit heavier in tone.

I’m super excited to see what Doll Skin put out next, as this album is a banger, and you can bet these tracks will be incredible live!

Rating
4-5


‘Love Is Dead And We Killed Her’ is out now and can be downloaded from iTunes – https://music.apple.com/gb/album/love-is-dead-and-we-killed-her/1459583026


Love Is Dead And We Killed Her on Spotify

Mark My Words (Official Music Video)

Outta My Mind (Official Music Video)


We hope you’ve enjoyed our review! What do you think of this band’s third release? Are you as much of a fan as us? What would you rate it? Please leave your thoughts in a comment or via our social media.


Enjoyed this? Check out some of our other reviews here:

Muzik Speaks Album Reviews


Matt – Muzik Speaks
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#EventSpeaks: ONE OK ROCK @ Roundhouse, London – 10/05/19

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On Friday 10th May 2019, the massive Japanese band ONE OK ROCK – arrived in London. It was only the second date on their EU leg, of the Eye Of The Storm World Tour and they performed at none other than London’s renowned Roundhouse. The band put on a night to remember, supported by British pop outfit, Anteros.


Anteros

The band took to the stage with their vibrant personas and glitzy 80s synths, further reinforced by lead singer, Laura Hayden’s sparkly red dress. This band are a wonderful blend of indie, pop and new wave – think Blondie meets modern-day contemporary pop; along a similar vein to Fickle Friends. There are certain punk-like trends to Hayden’s stage presence, with her almost “don’t-give-a-damn” flounces around the stage, equally met with gusto – it’s quite mesmerising. The music is good and their energy was captivating to watch.

Highlight: The high-energy end to the band’s set made for a chaotic last impression, certain to leave people wanting more.


ONE OK ROCK

The band have only played in the UK a couple of handfuls of times but it was clear from their loyal fan base, just how much their performances are looked forward too, with a queue that lined up all round the streets, prior to the show.

As ONE OK ROCK took to the stage, the crowd whipped themselves up into a frenzy as the Japanese band launched into their opening track, ‘Push Back’. This was a set that despite the relatively small stage in comparison, felt just like an arena show…complete with pyros!

The set was teeming with a few older hits, plus a whole bunch of songs from their latest record, Eye Of The Storm (<— review here) – all of which had the crowd singing at the top of their lungs! Their energy was truly infectious from start to finish.

I was particularly impressed by Taka’s live vocals – so often you can hear little flaws in a singer’s voice when they’re performing live, but the power and effort he put into his performance was virtually flawless…even if he did keep fiddling with his in-ear throughout the show.

The quartet know just how to put on a show though; from Taka’s ability to capture the crowd by holding a particular stance and Toru’s rocking out with his guitar to Ryota’s powerful bass moves and Tomoya’s face poking up over the drums, as he beats away at them effortlessly – this is a band that you need to see live. It’s clear that they have spent a long time practising and perfecting their set – there isn’t too much between-song banter, but instead just packing in the songs, to give the audience a great time.

It was my first time seeing the band live and I had an amazing time – it’s so often that the UK send great bands and artists over to Japan to perform but it’s great to see a Japanese band coming over to the UK for a change! I strongly recommend catching this band live, the next time they make a rare appearance in the UK – you won’t be sorry, I promise!

Highlights:

  • Taka’s effortless vocals and stage presence alone, made the show thrilling to watch.
  • Having not heard too much of the band’s back catalogue, it was great to hear a lot of tracks from their most recent album, Eye Of The Storm.
  • There was an instrumental break during which Taka left the rest of the band to rock out on stage, demonstrating just how talented these musicians are – it was nice to see him let some of the other’s in the band have some of the limelight for a while, particularly a little drum solo from Tomoya.
  • The sheer polished-precision with which the band delivered their set, showed just how much rehearsing must have gone in to perfecting their live shows.
  • The loyalty of the crowd, singing back every word of every song, showed just how far-reaching their fan-base is.
  • PYROS! Pyrotechnics just make a show even better! It was great because they weren’t overused, just boosted a couple of songs when you least expected it.

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 Setlist

Push Back
We Are
Taking Off
Unforgettable
Clock Strikes
Head High
Take What You Want
Stand Out Fit In*
(Instrumental)
Giants
I Was King
Change*
The Beginning
Jaded
Mighty Long Fall

Encore
Wasted Nights

These songs can be viewed in the YouTube playlist, below.


Finally, I want to say an absolutely HUGE thanks to Robbie Peacock for enabling this review to happen and to both ONE OK ROCK and Anteros for putting on a fantastic show.


Enjoyed this? Check out some of our other live reviews here:

Muzik Speaks Live Reviews


Matt – Muzik Speaks
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#Review: Reel Big Fish – Life Sucks…Let’s Dance! 💃🏽


   

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Reel Big Fish are a ska punk band from Orange County, California. They have had many members over the years, with Aaron Barrett (lead vocals, synths/keyboards and guitars) being the only member left from the original lineup. However the sextet also comprises of John Christianson (trumpet & backing vocals), Derek Gibbs (bass guitar & backing vocals), Matt Appleton (saxophone & backing vocals), Lucky LaPenta (trombone & backing vocals) and Edward Larsen (drums). Since their debut album in 1995, the band have been through a major label (Jive) and come out the other side, to establish their own independent label, with a heap of album releases in between. Now, the end of 2018 marks the release of the band’s 9th album, Life Sucks… Let’s Dance! Here’s what we have to say about it…

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There are some albums that you can just stick on and relax to, lie in bed and get lost in, or have an easy Sunday morning with. Not this one! Reel Big Fish have crafted another hugely successful record that just begs to be skanked out to!

Life Sucks… Let’s Dance! sets a much happier tone than their last release, Candy Coated Fury (2012), and there is even a sense of a renewed purpose to the band, evident across the record. The song subjects are generally quite tongue-in-cheek, ranging from the bizarre and witty (‘Bob Marley’s Toe’) to the sarcastic and even outright cheeky (‘Bleached Thang, Baby’). One thing is for certain; their outlook on life seems pretty damn chirpy and while listening, all you want to do is dance along from start to finish!

Good vibes run throughout the album and the songwriting, brilliantly diverse instrumentals and top-notch production result in a record that you can’t help but fall in love with.

Barrett states, “Recording the album with this line up was really fun, we all get along really well these days and everybody was excited to make a new record. Everybody had lots of great ideas and really got creative with everything and I really think it shows.” And he’s right; it does! The excitement they felt about recording this album, clearly emanates through to the listener.

Their outlook on life seems pretty damn chirpy and when listening, all you want to do is dance along from start to finish!

It’s so damn hard to narrow it down but some of the best tracks on the record are, ‘Pissed Off’ for its humour and incredible overlapping vocals at the end, ‘Tongue Tied And Tipsy Too’ with its frantic, grungy and very punk guitar riffs, making it a massive moshable anthem and ‘Bleached Thang, Baby’ which is a sassy track with sexy guitar licks throughout – it’s very skankable, chaotic and just makes you want to let loose. The guitar riff at the end is sensational too!

That’s not to say there aren’t other hugely loveable tracks too, the title track, ‘Life Sucks… Let’s Dance’ is a big-hitter; ‘You Can’t Have All Of Me’ has some stunning vocal harmonies at the end, ‘In Love Again’ contains country-like vocals and guitar slides; ‘Another Beer Song’ is a humorous account of getting drunk to get over someone; ‘Ska Show’ is just a damn good song and ‘Walter’s Highlife’ is an uplifting instrumental track that brings the album to a close nicely.

When you hear their first record (released back in 1995) you can hear just how much this band have evolved, to become the well-loved, polished party anthem machine they are today! Regardless of whether you are a long-term RBF fan or new to the genre, there’s no way you will be able to stop yourself dancing manically to this record and easily picking up the lyrics to sing along with! 23 years and 9 albums later, this band are still going strong and showing no signs of stopping…bring on album 10!!!

Rating
4


‘Life Sucks…Let’s Dance!’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/life-sucks-lets-dance/1442723388


Life Sucks…Let’s Dance! on Spotify

You Can’t Have All Of Me (Official Music Video)


We hope you’ve enjoyed our review! What do you think of Reel Big Fish’s latest album? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


Enjoyed this? Check out some of our other reviews here:

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Matt – Muzik Speaks
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#Review: Trophy Eyes – The American Dream 🇺🇸


   

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Muzik Speaks Loves Hopeless Records - SmallerTrophy Eyes are an Australian pop punk band consisting of John Floreani (lead vocals), Jeremy Winchester (bass guitar & backing vocals), Andrew Hallett (lead guitar), Kevin Cross (rhythm guitar) and Blake Caruso (drums). To date, the band have released 2 albums and an EP through Hopeless Records and this, The American Dream, is their third full-length album. Here’s what we have to say…

Trophy Eyes - The American Dream.jpg

The American Dream has a much more mature sound to it than either of the band’s previous releases. It’s somewhere in the vein of Sugarcult‘s Lights Out and You Me At Six‘s Cavalier Youth with some of Thirty Seconds To MarsThis Is War epicness thrown in.

The first track, ‘Autumn’, launches the album with a life-spanning and reflective tune that whilst it doesn’t quite burst into frantic action like so many other pop punk albums, sets a more impressive tone for the rest of the record.

Next comes ‘Something Bigger Than This’, a rather emotive track about being something more than we perceive and how life will make more sense at the end. It’s not crass or overly indulgent in insincerity like so many other bands – this feels real and honest.

In my opinion, ‘Friday Forever’ is by far the best track on the record – from it’s frantic, guitar-driven verses, to its suspenseful build-up into the powerhouse that is the chorus, this track just bursts at the seems with euphoric pop punk at its best. This is definitely a track to keep on repeat!

From epic choruses to emotive lyrics and powerful, pained vocals to punchy guitars, The American Dream is an album that will drive this band forward in their career.

Some of the other, most notable songs include: ‘More Like You’ which is certainly a crowd-pleaser, with its “woah ohs” but has the added depth of scream vocals; ‘You Can Count On Me’ is a definite summer anthem with its massive crescendo and satirical look at band life with the chorus hook, “Some of my friends sell drugs but I just sell sad songs to the ones who feel alone”; ‘Broken’ is a beautiful, ballad-esque track that has a understated yet very catchy chorus – a brilliantly-written track that’s very different to some of the other tracks on the album and ‘Lavender Bay’ feels very nostalgic with mellow, melodic verses and a big gang-vocal chorus singing about how the band won’t rest until they’ve “made it” with the addition of a key change!

The album has a beautifully rich and diverse tone to it – ‘A Cotton Candy Sky’ is an intensely dark and haunting song that feels a little out of place but it’s eerily captivating whilst ‘Tip Toe’ is a great little ballad.

‘I Can Feel It Calling’ is a monumental track, coming in at over 6 minutes in length and going through a range of sounds and displaying a variety of influences, bringing this stunning album to a wonderful close.

This is certainly an album you’ll have on repeat as there’s just so much to love about it! From epic choruses to emotive lyrics and powerful, pained vocals to punchy guitars, The American Dream is an album that will drive this band forward in their career, taking a slightly new direction but picking up new fans along the way. 2018 should be an exciting time for the Australian quintet!

Rating
4-5


‘The American Dream’ is out 27/07/18 and can be downloaded from iTunes – https://itunes.apple.com/gb/album/the-american-dream/1382478709


The American Dream on Spotify

Available Friday 27th July 2018.

You Can Count On Me (Official Music Video)

https://www.youtube.com/watch?v=gs_7y0ToBcU


We hope you’ve enjoyed our review! What do you think of the band’s latest album, The American Dream? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment below or via our social media.


Enjoyed this? Check out some of our other reviews here:

Muzik Speaks Album Reviews


Matt – Muzik Speaks
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www.twitter.com/muzik_speaks