The Young Hearts are an alternative punk rock band from Kent, UK. Recently signed to Year Of The Rat Records, the band have made a name for themselves by extensively touring and sharing stages with the likes of Can’t Swim, MalloryKnox, Junior, BellevueDays and more. Having already released a string of singles and EPs, 2021 sees the band release their debut album, The Modern State. Here’s what we have to say about it…
The Modern State launches spectacularly with opening track, ‘Wild & Reckless’ – a fast-paced song which is the perfect opener to an album – an epic start with some killer, catchy vocals in the chorus. It’s also the perfect song to open a set with!
‘London’ and ‘Old Familiar’ are possibly the highlights of the album with their sing-along-ability, plus they really give you that urge to want to be packed into a crowded venue, jumping along with others in the audience and singing at the top of your lungs.
‘Cold Nights’ takes on a slightly slower pace in the verses but the chorus is still superbly powerful (like much of the rest of the album). ‘Still Wander’ has some great guitar breakdowns throughout whilst ‘Fool’s Gold’ is a nearly five-minute masterpiece that reminds me of the likes of The Fray yet entirely changes pace around 3 and a half minutes in, to something quite ethereal.
As far as debut albums go, this isn’t perfect, but it’s not far off!
Unfortunately, ‘Swim’ and ‘Anchors’ are somewhat forgettable and that’s not just because they’re slower-paced – they just don’t quite have the same edge as the rest of the album, which is the main reason for the rating below.
However, the album draws to a spectacular conclusion with ‘Don’t Tell A Soul’ – another monumental track that in its last minute, breaks down into a piano and guitar-led epic close that would make the perfect end to a perfect set.
As far as debut albums go, this isn’t perfect, but it’s not far off! It’s got repeat listenability and has a certain quality that keeps you coming back for more. It’s well-produced, catchy and has a diversity of tracks that are highly entertaining to listen to. I would strongly recommend a few listens of this masterpiece debut to really let it sink in, just how brilliant it is.
We hope you’ve enjoyed our review! What do you think of the band’s debut album? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.
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On Friday 15th March 2019, As It Is arrived in Brighton for the final date of their The Intimate Depression Tour, in support of their latest album release, The Great Depression. The band were supported by Modern Error, Bellevue Days and Klae. It was an extra-special evening, not only because it was the last night of the tour, but it was a return to the city they started in! Here’s what we thought of the evening…
Klae
Klae are five-piece, female-fronted band from Brighton, who kicked off the evening with their blend of gritty pop rock. They have a tight, commercial sound to them, and clearly a loyal following is already building for them. They’ll be a local band to keep an eye out for with their atmospheric, airy guitar melodies and honest lyricism…though at times, some of the dancing seems a little contrived.
Bellevue Days
Next up, was the rather slick Bellevue Days – their performance was flawless and they have obviously honed their songwriting skills to perfection, with little fills and quirks in all the right places; whilst it makes their songs stand out, at times they change pace a little too often, meaning you can’t quite get into the groove, or the song appears to end, just as it seems to be building up to something more.
Personally, I preferred the backing singer’s voice, when he took the lead on ‘Faith’ and think he should definitely take the lead a little more, however, between the three vocalists, their harmonies are sensational!
They’re very much Weezer meets Brand New with a little Blur thrown in…one song in particular was almost like a carbon copy of Brand New though. All round, they’re a great live band and certainly have a good stage presence…even if the drummer did look petrified throughout the performance.
Modern Error
The last support to take to the stage was the intense, high-energy, Modern Error – an in-your-face, scream-metal band with solid production (in the form of atmospheric backing tracks) interwoven seamlessly with their skilful performance.
The band are nicely topped off with the lead singer’s screaming vocal which seems to come so effortlessly – though his attempts at more melodic singing weren’t quite as strong.
It’s clear that this band have found inspiration in the likes of Underoath‘s album, They’re Only Chasing Safety, as far as synth sounds merging with post-hardcore or metal sensibilities go.
The band’s octane-infused set really ignited the audience into a frenzy, creating swirling circle-pits and people manically moshing around. Modern Error are a well-rounded band with a clearly well-rehearsed stage presence and really know how to work a crowd; the only criticism…a little too much reaching out with one hand.
As It Is
Finally, As It Is took to the stage! Although each of the supports were well-rehearsed and their performances polished, the quality of this band is truly next-level impeccable, instantly demonstrating just how professional they are at this.
It might well have been the last night of their UK tour, and by their own admission, they were exhausted, but you definitely couldn’t tell…the energy they brought was magical, captivating even. The band are very much at home on stage – standing on speakers, thrashing round wildly, swinging the microphone round, for some perfectly-timed manoeuvres and Ronnie Ish even pulled off a little crowd-surfing…simply put, they owned that stage!
Having started out in this very city, the band shared their gratitude (a few times) for finally being able to headline their own show at the iconic Concorde 2, having watched some of the bands that inspired them, performing on that very stage. It was special thanks that went out to their fans, throughout the show, for getting them to where they are today and you could tell, their appreciation is genuine.
They may have visually changed their style since their last record, and their sound may have got a touch heavier than before, but at their core, they’re still quite the pop punk band they always were – they just have a little more ’emo’ edge to them now. They’re writing and singing about more taboo subjects, like anxiety, depression, self-harm, etc. but are managing to do so with sincerity and integrity. You can tell that their fans admire it too, singing back every word with equal the passion that Patty Walters sings out to them.
Watching this set, truly felt like watching the early days of the iconic punk rock/pop punk/emo bands I used to love, growing up – the likes of Good Charlotte, New Found Glory, My Chemical Romance, The Used, etc. It was really something special and I’m certain that if this show was anything to go by, this band are only going to continue to grow to new heights in their career, from here. I would highly recommend seeing them live – they’ll draw you in and have you moshing around in an instant!
Highlights:
The way the band use the whole stage, to jump and spin around, interact with each other and even swing the microphone round, made the show something spectacular to behold.
Whilst the set was predominantly filled with material from their latest album, The Great Depression, there was also a good deal of older songs to please fans old and new.
Patty Walters‘ honest out-pouring of emotion and sharing of personal anecdotes with the audience, let them know that this is more like a family than just a band and their fanbase, even referring to them as family. His speech around mental health, and the way talking about this is sometimes perceived within the genre, was actually very touching and heart-felt – things like this can so often be cringey, when delivered by someone in his position, but actually, I found myself hanging on his every word, and if this is enough to save even one life, then it can only be a good thing!
The audience’s love for this band is raw and emotionally-driven too, making the atmosphere in the venue, electric. A few people were even brought to tears by their presence, their lyrics and the passion the band pour into their art.
It was actually a highlight in itself, just to see this band (who could so easily sell out a larger venue) performing to a smaller audience, in a more intimate setting, but without compromising any of the quality of their set and stage presence. It was a truly marvellous event!
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📸 All of the photos of As It Is are credited to Chloe Hashemi 📷
Go and give her a follow on Instagram and Twitter, and visit her website.
Setlist
The Wounded World
The Two Tongues (Screaming Salvation)
The Great Depression
The Reaper
The Handwritten Letter
No Way Out
The Fire, The Dark
The Haunting
Cheap Shots & Setbacks
Such Great Heights (The Postal Service cover)
The Truth I’ll Never Tell
You, The Room & The Devil On Your Shoulder
The Question, The Answer
Winter’s Weather
Patchwork Love
Encore Okay
Dial Tones
The Stigma (Boys Don’t Cry)*
* This song can be viewed in the YouTube video, below.
Finally, I want to say a big thanks to Patrick Marsden at Lout Promotions for enabling this review to happen but also to As It Is, Modern Error, Bellevue Days and Klae for making the evening such a special one!
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Muzik Speaks 