#Review: Tom Walker – What A Time To Be Alive

facebook_logos_PNG19751.png    ios_homescreen_icon.png   app-icon2.png


Tom Walker is a Scottish-born, singer-songwriter that has continued to grow and rise to fame over the past 12 months or so. Aside from relentless touring, he started gathering mainstream attention with the BBC putting him in the running for their Sound of 2018 accolade. Then came the release of his massive single, ‘Leave A Light On’, which received heavy radio airplay, leading to a performance on X Factor. Now 2019 has kicked off with in style, with him winning the Brit Award for 2019’s British Breakthrough Act…and all of this has happened before the release of his debut album! Well, it’s finally here, What A Time To Be Alive and here’s what we have to say about it…

Tom Walker - What A Time To Be Alive.jpg

Passion. Power. Personal. Three words that can’t help but swim through my mind as I listen to Tom Walker‘s debut album, What A Time To Be Alive. All three qualities are beautifully and intricately interwoven too – there is passion and power behind his vocals – both in what he sings and the way he sings it – and the personal songwriting leads to their prominence…and this wouldn’t be such a remarkable record without even one of those elements.

We’re catapulted into the album with ‘Angels’; a track starting out raw and edgy but endlessly continuing to build to a huge crescendo, complete with bells and strings, becoming an intricately layered behemoth of a track by the end, topped off with Tom’s intensely passionate and gritty vocals.

This is soon followed by the hit single, ‘Leave A Light On’, which despite being such a massive single, is interestingly, probably one of my least favourite tracks on the album. It’s a great song lyrically and thematically and I can see exactly why it was such a hit but I honestly preferred the original version, before the off-key synth sounds became so prominent. Also, there’s so much more to love about the album!

He has successfully crafted an outstanding debut album that takes elements from many different genres and styles, mashing them up into the perfect concoction of contemporary pop.

The biggest tracks on the record have to be: ‘Not Giving In’ – haunting wind chimes trickle delicately into the intense track, where echoing vocals and programmed drums lead the verses into the passionate chorus that seems to swirl around you, engulfing with its honest emotion; ‘How Can You Sleep At Night?’ is vocally one of the most diverse songs on the album – quiet, low tones in the verses are pushed by thunderous drums to a chorus of what could be described as vocal hoots and a downward zigzagging of his voice. Melodically, it’s a rather playful track, even though it’s about an intimate subject.

‘My Way’ is a real genre-bender; hip-hop-style drum beats, oriental-tinted synths, a repetitive hook and wonderful production trills, such as subtle, underlying female vocals, make this one of the best songs on the record. An effortless breakdown calms the mood right before bursting back into the repetitive, yet highly addictive chorus. Think EDM elements meet rock with a slightly Asian-flavoured edge.

And of course there’s ‘Fade Away’ which has a very Tom Odell-sounding melody, in places. It’s an emotionally devastating, piano and string-led track, that honestly brings tears to the eyes. Naturally, in its more heightened moments, Tom’s signature, raspy vocals shine through but during the quieter parts, his interesting annunciation and poetic lyricism make this track truly bewitching.

This is a stunning, diverse album that is sure to make massive waves throughout the industry and I’m certain will be a benchmark album for years to come.

‘Now You’re Gone’ featuring Zara Larsson is very electronic in tone with laser-like bass notes and a broken-up rhythm, ‘Blessings’ has an Ed Sheeran vibe and takes a candid look at the modern lifestyle, whilst ‘Dominoes’ is a very political track and another honest take on the state of the world right now, becoming wonderfully chaotic and grungy by the end.

Intrigue doesn’t stop there either, ‘Cry Out’ is like a dark western soundtrack (somewhat reminding me of the Peaky Blinders theme) with chain-clinking sounds giving it a laborious edge and ‘Just You And I’ is an old fan favourite – a big, positive love song. Possibly the most captivating track on the record has to be ‘The Show’ – a story-like track about London that really gives the sense of physically moving through the city streets, just listening to it. It has a real jazzy feel which sound effects weaving throughout the storytelling.

One thing’s for certain, Tom Walker has a very unique blend of styles throughout his music; reggae and urban vibes, with subtle hip-hop undertones are met by electronic synth elements and drum pads, combined with real instruments and rock-tinted vocals all underpinned by sincere, heartfelt (and even occasionally political) lyrical themes. I think I can even detect Bob Marley influences in places – reggae sounds and political themes…or is that just me? Sure, at times his voice is quirky and high-pitched but that is met in equal measure by the grittier, growlier and more powerful moments.

You can’t help but want to compartmentalise him as a singer-songwriter or a pop star but he truly breaks every mould you try to apply him to. He has successfully crafted an outstanding debut album that takes elements from many different genres and styles, mashing them up into the perfect concoction of contemporary pop. Despite being an eclectic collection, it still manages to be entirely cohesive. This is a stunning, diverse album that is sure to make massive waves throughout the industry and I’m certain will be a benchmark album for years to come.

It can only get bigger for him from here and I can’t wait to see what new heights Tom Walker soars to next…I’m just pleased I got to see him at The Green Door Store in Brighton (review here) before it all took off.

Rating
5


‘What A Time To Be Alive’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/what-a-time-to-be-alive/1435094194


What A Time To Be Alive on Spotify

Leave A Light On (Official Video)

Just You and I (Official Video)

Angels (Official Video)


We hope you’ve enjoyed our review! What do you think of Tom Walker’s stunning debut, What A Time To Be Alive? Are you as much of a fan as us? What would you rate it? Please leave your thoughts in a comment or via our social media.


Enjoyed this? Check out some of our other reviews here:

Muzik Speaks Album Reviews


Matt – Muzik Speaks
www.facebook.com/muzikspeaks
www.twitter.com/muzik_speaks

Advertisements

#Review: Reel Big Fish – Life Sucks…Let’s Dance! 💃🏽


   

facebook-like   Instagram


Reel Big Fish are a ska punk band from Orange County, California. They have had many members over the years, with Aaron Barrett (lead vocals, synths/keyboards and guitars) being the only member left from the original lineup. However the sextet also comprises of John Christianson (trumpet & backing vocals), Derek Gibbs (bass guitar & backing vocals), Matt Appleton (saxophone & backing vocals), Lucky LaPenta (trombone & backing vocals) and Edward Larsen (drums). Since their debut album in 1995, the band have been through a major label (Jive) and come out the other side, to establish their own independent label, with a heap of album releases in between. Now, the end of 2018 marks the release of the band’s 9th album, Life Sucks… Let’s Dance! Here’s what we have to say about it…

Reel Big Fish - Life Sucks...Let's Dance.jpg

There are some albums that you can just stick on and relax to, lie in bed and get lost in, or have an easy Sunday morning with. Not this one! Reel Big Fish have crafted another hugely successful record that just begs to be skanked out to!

Life Sucks… Let’s Dance! sets a much happier tone than their last release, Candy Coated Fury (2012), and there is even a sense of a renewed purpose to the band, evident across the record. The song subjects are generally quite tongue-in-cheek, ranging from the bizarre and witty (‘Bob Marley’s Toe’) to the sarcastic and even outright cheeky (‘Bleached Thang, Baby’). One thing is for certain; their outlook on life seems pretty damn chirpy and while listening, all you want to do is dance along from start to finish!

Good vibes run throughout the album and the songwriting, brilliantly diverse instrumentals and top-notch production result in a record that you can’t help but fall in love with.

Barrett states, “Recording the album with this line up was really fun, we all get along really well these days and everybody was excited to make a new record. Everybody had lots of great ideas and really got creative with everything and I really think it shows.” And he’s right; it does! The excitement they felt about recording this album, clearly emanates through to the listener.

Their outlook on life seems pretty damn chirpy and when listening, all you want to do is dance along from start to finish!

It’s so damn hard to narrow it down but some of the best tracks on the record are, ‘Pissed Off’ for its humour and incredible overlapping vocals at the end, ‘Tongue Tied And Tipsy Too’ with its frantic, grungy and very punk guitar riffs, making it a massive moshable anthem and ‘Bleached Thang, Baby’ which is a sassy track with sexy guitar licks throughout – it’s very skankable, chaotic and just makes you want to let loose. The guitar riff at the end is sensational too!

That’s not to say there aren’t other hugely loveable tracks too, the title track, ‘Life Sucks… Let’s Dance’ is a big-hitter; ‘You Can’t Have All Of Me’ has some stunning vocal harmonies at the end, ‘In Love Again’ contains country-like vocals and guitar slides; ‘Another Beer Song’ is a humorous account of getting drunk to get over someone; ‘Ska Show’ is just a damn good song and ‘Walter’s Highlife’ is an uplifting instrumental track that brings the album to a close nicely.

When you hear their first record (released back in 1995) you can hear just how much this band have evolved, to become the well-loved, polished party anthem machine they are today! Regardless of whether you are a long-term RBF fan or new to the genre, there’s no way you will be able to stop yourself dancing manically to this record and easily picking up the lyrics to sing along with! 23 years and 9 albums later, this band are still going strong and showing no signs of stopping…bring on album 10!!!

Rating
4


‘Life Sucks…Let’s Dance!’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/life-sucks-lets-dance/1442723388


Life Sucks…Let’s Dance! on Spotify

You Can’t Have All Of Me (Official Music Video)


We hope you’ve enjoyed our review! What do you think of Reel Big Fish’s latest album? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


Enjoyed this? Check out some of our other reviews here:

Muzik Speaks Album Reviews


Matt – Muzik Speaks
www.facebook.com/muzikspeaks
www.twitter.com/muzik_speaks

#Two4Tunesday: Katy Perry – ‘Chained To The Rhythm’ feat. Skip Marley & Maroon 5 – ‘Cold’ feat. Future


   

facebook-like

Instagram


Katy Perry – ‘Chained To The Rhythm’ featuring Skip Marley

Katy Perry is back! This tune is huge and not as much of a club-like banger as some of her previous singles; it’s quietly catchy. The addition of a verse from Skip Marley adds a certain edge to the track too.

Katy’s changed her image for this album too, sporting a new bleach-blonde look and a heavily pastel-pink theme to the single’s artwork and some of her press shots.

The song has quite a heavy 80s vibe to it yet it seems quite current and timeless all in the same moment. I think this song and upcoming album will see her continue to rise!

The music video is brilliant and the budget for it must have been astronomical. The style of the video is futurism and blends a sort of 1950s vibe with futuristic elements; it’s also very tongue-in-cheek about how tied to technology humanity has become. It’s well worth a watch!


‘Chained To The Rhythm’ is on iTunes for downloading now! – https://itunes.apple.com/gb/album/chained-to-the-rhythm-feat-skip-marley/id1203833700?i=1203833818



Maroon 5 – ‘Cold’ featuring Future

I love Maroon 5 – I don’t think they’ve ever released a bad song or album, in my eyes! Every album has been unique and takes the band in a completely different sonic direction. They’re a million miles away from Songs About Jane, but yet they still produce incredibly funky, fun and interesting music that pushes the stereotypical band image and sound to new heights!

This song is so different to all their previous singles with is heavy bass sounds, tropical house/jungle drum patterns and Adam Levigne‘s trademark falsetto vocals weaving throughout; it’s just a masterpiece of production and a thoroughly interesting sound for the band.

Naturally, this seems to be the second single (of which Don’t Wanna Know‘ was the first) to be taken from their upcoming, as-yet-untitled, sixth studio album. It’s set to be a promising release for the band!

The music video is seriously trippy too – check it out below. The end of the video is hilarious too – the perfect end to a perfectly weird video!


‘Cold’ can also be downloaded from iTunes now! – https://itunes.apple.com/gb/album/cold-feat-future/id1204595283?i=1204595505


Matt – Muzik Speaks
www.facebook.com/muzikspeaks
www.twitter.com/muzik_speaks