#Review: Zebrahead @ Patterns, Brighton – 18/01/20

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On Saturday 18th January 2020, Zebrahead arrived in Brighton to perform the first of three, intimate UK shows, whilst on a break from their tour with Sum 41. The band were supported by Welsh rock band, Maddison. Here’s what we had to say about the show…


Maddison

Welsh rockers, Maddison, put on one hell of a show with their heavy guitars, powerful vocals and superb production (with some pretty epic backing tracks, which truly added to the atmosphere).

Their sound is massive – it’s stadium metal meets melodic rock and their onstage chemistry radiates throughout their performance.

The only criticism is that their onstage banter sometimes became tricky to hear when they talked over each other. Other than that, despite not knowing any of their songs, I thoroughly enjoyed their set.

Highlight: It would have to be the incredible use of backing tracks to create a wonderfully full sound – a real quality production.


Zebrahead

As always, Zebrahead arrived on stage to an epic intro – this time it was the Team America theme song – before bursting into their first song, ‘All My Friends Are Nobodies’.

Despite the venue being smaller than some they might be used to, the band used the space to their full advantage. They worked the crowd into a frenzy by performing a string of their hits – both old and new – and getting everyone in the place involved!

They certainly know how to have a good time too – the band have a pair of guitar techs who dress up as aliens and come on stage intermittently, getting involved in a variety of hilarious antics – from doing a drinking competition between the two of them, to one of them crowd-surfing on a giant rubber ring (as can be seen in the ‘Hello Tomorrow’ live video below). Possibly the most fun part of their set though, was their cover of ‘Baby Shark’ but changed to ‘Let’s Do Shots, during which the aliens passed shots around the band (see the video below).

The band members are tight – their performance is strong, well-timed and they clearly have a great relationship on stage – the chemistry between them is light-hearted and jokey and they just look like they’re having the best time.

If you haven’t had the chance to see Zebrahead live yet, then frankly you haven’t lived yet – they always deliver a high-energy show and regardless of whether you know many of their songs or not, they never fail to get the audience involved.

Zebrahead are a must-see!

Highlights:

  • During one song, Ali asked the crowd to see how many people they could get crowd-surfing during one song – security did not look happy, but it was manic and hilarious.
  • During ‘Worse Than This’, the band brought up two people in the crowd to try and out-drink each other, causing chaos on stage, followed by getting the pair to stage dive off the stage, after the song.
  • ‘Let’s Do Shots’ (‘Baby Shark’ cover)…enough said!
  • The aliens’ antics were pretty funny – in particular the crowd-surfing on the rubber ring.
  • Ali’s powerful scream/rapping is incredible to witness live and Matty (although sometimes not always pitch-perfect) has a great live vocal too.
  • Dan’s moustache!
  • The way the band include the audience and get a real crowd interaction going means that whether you know their material or not, you will always feel swept-up and included at one of their shows.

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 📸 All of the photos in this post are credited to Elliot McRae  📷
Please go and give him a follow on Twitter and Instagram.


 Setlist

All My Friends Are Nobodies
Call Your Friends
The Perfect Crime
Drink Drink
Save Your Breath
We’re Not Alright
Mike Dexter
Seven Nation Army / Wake Me Up
Sirens
Worse Than This*
Hell Yeah!
When Both Sides Suck
Hello Tomorrow*
Let’s Do Shots (Baby Shark)*
Keep It To Myself
Rescue Me*
Party Party

Encore
Falling Apart
Anthem*

These songs can be viewed in the YouTube playlist, below.


Finally, I want to say a massive thanks to Zebrahead and Maddison for putting on a killer show, and to Lout Promotions for enabling the review to happen!


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Matt – Muzik Speaks
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#Review: The Darkness @ Brighton Dome, Brighton – 10/12/19

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On Tuesday 10th December 2019, The Darkness brought their Easter Is Cancelled Tour to Brighton Dome! The event was packed with people and full of fun, with support from Rews. Here’s what we have to say about the event…


Rews

This duo (accompanied by a drummer) are a riotous, girl-powered pair that are unafraid to pack a punch! For just three instruments and a butt-load of distortion, they sure bring about a lot of noise – they kind of reminded me of a more serious, angry-sounding Pink Slip (remember them from Disney’s remake of Freaky Friday, with Lindsay Lohan?!) Although they’re quite the raucous act, the vocal harmonies between them are nothing short of immense and clearly must have been rehearsed for hours! The bassist is full of charisma too, working the stage with conviction, at times, capturing the most attention. An interesting act with some fairly catchy tunes – they made for a good support.

Highlight: The vocal harmonies – honestly, they were awesome!

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The Darkness

As The Darkness took to the stage, dressed all in white, the crowd errupted with excitement, to see the rock band strike out the first notes of Easter Is Cancelled‘s opening track, ‘Rock And Roll Deserves To Die’. After a couple of songs, Justin explained that on this tour, the band were playing the entirety of their latest album, from start to finish, before doing a selection of their greatest hits…and it was awesome! He made a joke about people only coming for their Christmas single or their older songs but people were lapping it all up – both the new and old material.

If you haven’t already heard it, their latest record (Easter Is Cancelled) is great – it’s packed with the usual The Darkness lyrical wit, falsetto vocals, incredible musicianship and powerful rock anthems and is probably one of their best albums in recent years – so it was amazing to be able to see it all performed live.

The stage set was visually stunning too – with three, church window-shaped screens, surrounded by flashing lights, the backdrop for each song was unique, diverse and sometimes just outright bonkers (think cartoon dancing cows moshing!)

After finishing the run-through of their latest album, the band retired for a very quick costume change, before coming back to perform an array of their back catalogue, to much enthusiasm from the crowd. They performed a selection of tracks from nearly all their albums, from ‘Japanese Prisoner of Love’ and ‘Solid Gold’ (from 2017’s Pinewood Smile) to ‘I Believe In A Thing Called Love’ (from their 2003 debut, Permission To Land).

It didn’t matter whether they were playing new or old material, people were singing along with every word, jumping around and having the best time! They perform with high energy, good humour and flawlessness, ensuring their audience come away from the show feeling euphoric. The Darkness are a lot of fun to watch live and whether you know all their songs or not, you are guaranteed to have the best night with them – I really can’t recommend them highly enough!

Highlights:

  • Justin‘s live vocals are powerful and flawless, whilst his charisma oozes with dry humour and a stage presence like no other.
  • The band themselves perform to perfection with impeccable professionalism and high energy and their individual talent for each of their instruments is spell-binding.
  • Justin doing a headstand in front of the kick drum during a song, before casually returning to the microphone to finish the song, was pretty damn impressive!
  • There was one point that someone did something to make Justin laugh at the start of a song, which was touching to see.
  • During the set, Justin brought up that it was Dan‘s birthday coming up and the audience spontaneously burst out with a round of ‘Happy Birthday’ which Justin then led into ‘For He’s A Jolly Good Fellow’.
  • The ad-libs between songs, like a funky riff and vocal melody Justin bust out with before ‘I Believe In A Thing Called Love’ (in the video below) and some of the between-song banter is pretty amusing.
  • I just highly recommend watching them live – already, I would love to see them again!

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📷 All of the photos in this post are credited to Damon Peirce  📸
Why not give him a follow on Instagram and Twitter or check out his website.


 Setlist

Easter Is Cancelled
Rock And Roll Deserves To Die*
How Can I Lose Your Love
Live ‘Til I Die
Heart Explodes
Deck Chair
Easter Is Cancelled
Heavy Metal Lover
In Another Life
Choke On It
We Are The Guitar Men

Greatest Hits
One Way Ticket*
Barbarian
Growing On Me*
Japanese Prisoner Of Love
Love Is Only A Feeling
Solid Gold
Givin’ Up*
Street Spirit (Fade Out)
Get Your Hands Off My Woman
I Believe In A Thing Called Love*

Encore
Christmas Time (Don’t Let The Bells End)*

These songs can be viewed in the YouTube playlist, below.


Finally, I want to say a massive thanks to The Darkness and Rews for putting on a great show as well as Warren and Charleigh from Chuff Media for enabling this review to happen.


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Matt – Muzik Speaks
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#Review: Snow Patrol @ Brighton Centre, Brighton – 24/11/19

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On Sunday 24th November 2019, Snow Patrol arrived in Brighton to perform a wonderful show at Brighton Centre, on their Reworked Tour. Due to performing two sets, the band opted to have no support act. Here’s what we had to say about the show…


Snow Patrol

As a way of celebrating 25 years of Snow Patrol, the band recently recorded new versions of some of their biggest tracks, on their latest record, Reworked. To accompany the new release and further celebrate their milestone anniversary, the band embarked on the Reworked Tour, stopping for a date in Brighton.

The set was split into two halves – the first with a mellow, stripped-back ambience whilst following a short interval, the second half picked up the pace with a more full-on, upbeat vibe. However, throughout both sets, the band stuck with the “reworked” style, breathing new life into some of their best-loved hits and deepest cuts from their back catalogue.

What actually made the night even more special, was the fact that quite a few of the “reworked” versions of the songs they performed, were not even on the new album (Reworked), so just by being at a show on this tour. you get to experience something very special – these one-off gems may never be heard performed or recorded in the same way again.

The audience diversity at a Snow Patrol show is very interesting too – whilst there are typically middle-aged listeners who have undoubtedly followed the length of the band’s career to date, there are also children being accompanied by their parents, equally pouring their lyrics back to them. It’s quite bewitching to see such a range of fans, across a few generations, and is testament to the timelessness of the band’s work. That, and/or perhaps the newer versions of the band’s back catalogue have picked up a new generation of fans on the way. Either way, they are a band that can be enjoyed by everyone.

The effort and craftsmanship that went into the band’s performance was a wonderful experience and whilst they could easily sell out huge arenas, it was nice to see them playing the smaller scale of (still) big venues without compromising the quality and production of the show. The addition of both string and brass sections as well as an additional percussionist to the lineup, really added an interesting new depth to the songs too.

If you haven’t had the chance yet, there are only a handful of shows left on this incredible tour, to experience this unique take on the band’s long-standing career and I would highly recommend trying to catch one of them, if you can.

Highlights:

  • The banter between songs from Gary Lightbody was pretty dry, honest and hysterical. One of the best moments was during the start of ‘Run’ when someone screamed, “I love you,”, completely throwing him off by making him laugh. He then restarted the song but not before telling a witty anecdote about how he once ruined a television performance of the song, after which one person on Twitter had a go at him for, for “ruining Leona Lewis’ song.”
  • The addition of string and horn sections as well as a percussionist really added an interesting depth to the performance. Furthermore, having the two main producers of Reworked performing on the tour with them was quite a unique idea too.
  • Gary Lightbody took time to introduce all of the various extra instrumentalists on the stage with him, really showing his gratitude for their skills and performances with the band.
  • The energy and new life to the band’s back catalogue of songs was invigorating to watch, demonstrating that even after 25 years, this band are still enjoying performing to audiences…and still have so much to give!

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📷 All of the photos are credited to Michael Hundertmark 📸
Why not give him a follow on Instagram and Twitter or check out his website.


 Setlist

First Set
You’re All I Have*
New York
You Could Be Happy
Warmer Climate
I Think Of Home
Crack The Shutters
Lifening
Take Back The City

Second Set
Spitting Games*
Chocolate
A Dark Switch
Run
Heal Me
Set The Fire To The Third Bar*
Empress
Called Out In The Dark
Shut Your Eyes
Chasing Cars
Open Your Eyes

Encore
What If This Is All The Love You Ever Get?
Just Say Yes

These songs can be viewed in the YouTube playlist, below.


Finally, I want to say a HUGE thanks to Warren Higgins and Charleigh Egan from Chuff Media for sorting out this review and to Snow Patrol themselves for putting on such a remarkable show.


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Matt – Muzik Speaks
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#Review: John Newman @ Concorde 2, Brighton – 15/10/19

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On Tuesday 15th October 2019, John Newman arrived in Brighton, to play a sold out show at Concorde 2, to promote his new EP, A.N.i.M.A.L. He was supported by sibling trio, Tors. Here’s what we have to say about the show…


Tors

I remember being fascinated when I first saw Tors support Tom Walker a couple of years ago, so was pleasantly surprised to see the trio of brothers return to Brighton. They still amaze me with just how full their sound is, despite there just being three of them, partially due to the (standing) drummer and his clever use of drum pads.

The three-piece sibling outfit produce some captivating sounds and somehow evoke a sense of nostalgia – they could easily fit on an emotive film soundtrack. If you haven’t seen them; I would highly recommend at least giving them a listen on Spotify, or heading to a show of theirs, near you.

Highlight: The three-part vocal harmonies produced by the guys is remarkable and adds a really interesting depth to their performance. It’s a wonderfully special thing to hear done live.


John Newman

The lights went down as an evocative instrumental and rhythmic lighting got the crowd pumped up for John Newman to take to the stage. As the track came to an end, he arrived to great applause and did something quite unexpected and unusual, performing the first part of ‘Not Giving In’ as just him and an acoustic guitar – upbeat but not a full-on sound to arrive on stage to…but it worked so well! It really showcased his incredible talents, before the full band joined him on stage to finish the rest of the track.

He proceeded to play a range of his biggest, most well-known tracks, including his collaborations with the likes of Rudimental and Sigala, all the while, getting the crowd singing and dancing along. He sure likes to move himself too, as he constantly puts his utmost energy into every song, including busting out his rather quirky yet distinctive dancing.

His vocals were fantastic as well – although a little raspy in places (however this is somewhat part of his trademark sound). He was accompanied by two brilliant female, backing vocalists and a tight band too.

However, possibly one of the best bits about the show, was his candid sharing of anecdotes and opening up about his feelings. He talked about his recent struggles with his physical health, as well as issues with his mental health too; making promises that he will get stronger and never allow people to take control of his creative processes again (which comes after a couple of songs he released that he felt were not true to himself). He also shared how he is coming out of himself a lot more now and wanting to perform more intimate shows and chat more to fans, than he did in the past – showing a great deal of growth.

One thing’s for certain, John Newman could quite easily pack a small, local venue or a huge stadium but regardless, he would have everyone in the place dancing and singing like mad, the whole way through. His energy is relentless and set list is packed with upbeat songs which you can’t help but lose yourself in. You must go and see him live when you get the chance!

Highlights:

  • The sheer energy John Newman gives the audience is highly infectious and his vocals are incredible to hear live!
  • The set list was sensational and packed with hits to get the crowd moving, constantly!
  • His honest and open approach to interacting with the crowd is refreshing and to talk about his own struggles makes him very relatable – and he clearly has a lot of love for it, as people constantly call out, “I love you John!”
  • It may sound odd, but the stage lighting really made the performance stand out too – Concorde 2 is a great, local venue with about 600 capacity but the lighting could easily have worked in a stadium, but it was amazing to see that work at a smaller venue.
  • The backing band and vocalists just make the experience even better – it would be quite easy for him to use backing tracks but it adds something for him to vibe off.

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📷 All of the photos are credited to Michael Hundertmark 📸
Why not give him a follow on Instagram and Twitter or check out his website.


 Setlist

Intro
Not Giving In
Give Me Your Love*
Feelings
Cheating
Losing Sleep
The Hardest Word Is Goodbye
Forever’s Not Long Enough
Mama
Animal
Tiring Game
Come And Get It*
Blame
Feel The Love*

Encore
Without You
Stand By Me
Love Me Again

These songs can be viewed in the YouTube playlist, below.


Finally, I want to say an absolutely HUGE thanks to John Newman and Tors for putting on incredible performances and to Warren Higgins from Chuff Media for setting this review up for me.


Enjoyed this? Check out some of our other live reviews here:

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Matt – Muzik Speaks
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#MuzikSpeaks: An Interview with KAWALA

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I recently had the privilege of meeting Dan and Jim from KAWALA, backstage before their show at Komedia in Brighton.

Having just released their latest single, Heavy In The Morning, we spoke all about how they feel before releasing new music, some of their most embarrassing moments and just how much they love a certain pop/R&B singer.

Possibly one of the best bits was talking about (and witnessing!!!) Dan’s weird habit though…so much so, that it deserved to be edited into its own video (below). It’s all here…


Muzik Speaks: An Interview with KAWALA


Muzik Speaks presents ‘Weird Habits with KAWALA’


KAWALA‘s releases are all available:


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#Review: Kate Nash @ Concorde 2, Brighton – 31/07/19

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On Wednesday 31st July 2019, Kate Nash returned to Brighton to put on another outstanding show, following the release of her 2018 album, Yesterday Was Forever and was supported by the punk quintet, The Menstrual Cramps.


The Menstrual Cramps

The band took to the stage, instantly packing a punch with their all-female brand of punk – think traditional punk rock but with some kick-ass girls showing who’s boss! The lead singer, Emilia Elfrida, was consistently hilarious with her crowd banter between songs and even shared some more personal insights, such as sexual assault she experienced and a song she wrote about it. As per traditional punk, there’s a lot of political messages behind their songs but one I loved in particular was a song, ‘Neo-Nazi’, written specifically for the crowds of an upcoming festival they’re playing at, to get back at them for the death threats and general unpleasantness they received the last time they played there!

Highlight: The energy of the band’s set (in particular the wit of Emilia) and the no-holds-barred approach to their lyricism and addressing of political and social issues! Well worth a watch.


Kate Nash

Right from the offset, there was something instantly better and more high energy about this set than the last time Kate Nash performed in Brighton. That’s not to say she wasn’t great back in 2017, but this time, there seemed to be a real buzz of excitement and a new lease of life to her set, which just instantly created an electric atmosphere throughout the crowd.

Following the release of her 2018 album, Yesterday Was Forever, the audience were treated to a whole host of new and old material in all the right doses. On several occasions, Kate shared the gratitude for her fans’ continued support throughout what has recently been shared (in her rather personal documentary – Kate Nash: Underestimate the Girl – via BBC3) as quite a tumultuous period in her life. She also addressed her own personal struggles with mental health and how she believes that everyone should take time to talk about their own mental well-being, before performing, ‘Musical Theatre’ – a wonderfully personal account of her inner-most thoughts.

Naturally, in amongst her newer songs, the performance was interwoven with traditional hits such as ‘Mouthwash’, ‘Pumpkin Soup’, ‘Dickhead’ and ‘Foundations’. There was even a little medley thrown in for good measure, followed by an insanely fast version of ‘Mariella’ and just had the audience going crazy! The speed she performed it at was actually very impressive to behold!

Even though she is already a professional performer, this particular set/tour demonstrated just how much she’s grown as an artist and songwriter but also how much she has honed her live shows. I strongly recommend catching her at your earliest opportunity – you don’t even need to know all her songs, she’s just instantly bewitching!

Highlights:

  • Kate’s energy level was consistently high and her interaction with both the audience and her incredible band, made for a great watch all round. She always makes sure that her band are as much in the forefront as she is.
  • Kate’s vocal performance was stunning; from her beautifully powerful high notes to the delivery of her quirky, trademark, too-many-words-for-one-line lyricism, she was on point throughout.
  • I particularly loved watching her personal performance of ‘Musical Theatre’ – it’s not only got a strong message but her delivery of the song’s lyrics was sensational.
  • Her sense of style was as to be expected – interesting and out there, but oh so perfect.
  • At the end of the set (before the encore), Kate even got off the stage and into the front of the crowd to sing amongst her fans, which made them go wild.

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📷All of the photos of The Menstrual Cramps and Kate Nash are credited to Michael Hundertmark 📸
Why not give him a follow on Instagram and Twitter or check out his website.


 Setlist

Play
Life In Pink
Mouthwash*
Sister
Trash
Always Shining
Musical Theatre
Agenda
We Get On
Kiss That Grrl / Shit Song / Later On
Mariella
My Little Alien
Pumpkin Soup
Foundations*

Encore
Dickhead
Underestimate The Girl

These songs can be viewed in the YouTube playlist, below.


Finally, I want to say a great big thanks to Patrick from Lout Promotions for sorting out this review, to Michael Hundertmark for his snaps and lastly, to Kate Nash, her band and The Menstrual Cramps for their amazing performances!


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Matt – Muzik Speaks
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#Playlist: Brighton Pride Weekender 2019

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Brighton Pride is fast approaching, so to celebrate, we have updated our Brighton Pride Weekender playlist, dedicated to one of the city’s biggest annual events, promoting equality and diversity with the aim to eliminate discrimination against the lesbian, gay, bisexual, transgender and more (LGBT+) community.

This playlist has been lovingly crafted to include a variety of tracks, by the artists performing at Brighton Pride 2019, as well as some other great anthems!

If you already own the songs and want the custom artwork, please feel free to copy/download it below:

Brighton Pride Weekender 2019.jpg


We hope you enjoy this playlist as much as we’ve enjoyed creating it!

Please share the link to this post, or the playlist itself and give it a cheeky follow on Spotify too – https://open.spotify.com/playlist/5nXqTcFL05VwLPppVaNIE6?si=copqGaOHQFi0lnhz6HYV8w.

Also, if you’ve got any songs you want to suggest for us to add, please let us know 🙂

Matt – Muzik Speaks
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#Review: IDLES @ Brighton Dome, Brighton – 29/03/19

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On Friday 29th March 2019, IDLES arrived in Brighton to play an excellent show, following their Brit Award nomination and in support of their second album, Joy As An Act Of Resistance. The band were supported by Crows. Here’s what we thought of the show…


Crows

There’s something instantly hypnotic about this band with their heavy, repetitive and dare I say, almost monotonous drone of sound that sits somewhere between Editors and something much darker. They’re definitely sat on the less pure side of indie and not necessarily for everyone but they’re stylistically edgy and even though the singer’s vocal is quite bland, it is intentionally done to fit with the style and somehow it just works…really well!

Highlight: I particularly loved the singer’s use of two different microphones – one for more crisp vocals and the other for shouts and harmonic wails that have tons of reverb on – it’s a pretty unique element to the performance. What’s more – he knows how to get lost in the music and really let loose!

Setlist

Silver Tongues
Demeanour
Wednesday’s Child
Empyrean
The Itch
Hang Me High
Whisper
Chain Of Being


IDLES

A hum of anticipation rang through the crowd as the lights went down and IDLES took to the stage. Surrounding the band, were a ring of strobe-like lights which continuously circled the band, getting progressively faster, as they launched into opening song, ‘Colossus’.

Whilst this is not a band I would normally enjoy, I can appreciate the energy that emanates from their performances, bringing punk into the modern, contemporary age.

The band don’t let up for a minute with their passionate, in-your-face and downright ballsy demeanour, fronted by Joe Talbot, who, throughout the show, makes references to now being sober and how he’s recently become a father. He also shares little anecdotes and passes comments on what he’s passionate about, like the importance of looking after each other, when you “argy-bargy” in the crowd.

This is shouty, grungy and lyrically dynamic punk that has picked up fans of all ages – a truly diverse crowd watched in awe as the band members got progressively more pumped up and not once, let the energy in the room, drop.

Even if they’re not your sort of thing, I still recommend checking them out; they put on a great show and they just continue getting bigger, so try and catch them at a more intimate venue, before they’re selling out arenas!

Highlights:

  • When both Lee Kiernan and Mark Bowen got off the stage and worked their way through the crowd to perform amongst the audience, sitting on the floor, before being crowd surfed back to the front…epic!
  • Joe Talbot’s energy throughout was infectious, particularly as he pumped himself up, punching his arms up and down in front of him, like he was operating a pneumatic drill!
  • As the band started their set, the circling lights were mesmerising and quite hypnotic and the audible chaos, the end of their set descended into after Joe left the stage, was equally amazing.
  • The genuine care Joe showed for his fans and the audience by looking out for them and also sharing anecdotes, really engaged the crowd.

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📷 All of the photos in this post, are credited to Damon Peirce  📸
Why not give him a follow on Instagram and Twitter or check out his website.


 Setlist

Colossus
Well Done
I’m Scum
Queens
Great
Danny Nedelko
Divide & Conquer
1049 Gotho
Love Song
Never Fight A Man With A Perm
Mother
Faith In The City
All I Want For Christmas (Is You) (Mariah Carey cover)
Benzocaine
Samaritans
Exeter
Television
Rottweiler


Finally, I want to say a big thanks to Rob from Sonic PR for making this review happen and also to both IDLES and Crows for putting on a great show!


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Matt – Muzik Speaks
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#Review: David Gray @ Brighton Dome, Brighton – 19/03/19

        On Tuesday 19th March 2019, David Gray arrived in Brighton, in support of his latest album release, Gold In A Brass Age. He performed an incredible, 2-hour set at Brighton Dome and was supported by L.A. Salami. Here’s our thoughts on the event… L.A. Salami L.A. Salami was a fantastic, soulful, folky and witty singer-songwriter who’s clearly […]

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On Tuesday 19th March 2019, David Gray arrived in Brighton, in support of his latest album release, Gold In A Brass Age. He performed an incredible, 2-hour set at Brighton Dome and was supported by L.A. Salami. Here’s our thoughts on the event…


L.A. Salami

L.A. Salami was a fantastic, soulful, folky and witty singer-songwriter who’s clearly honed his talent. His crisp voice, annunciated every word with clear precision and told a story, like that of a performance poet. His way with words must have been painstakingly crafted to create his art and his tales are intriguing. Also, his use of just a guitar and harmonica somehow manage to produce a rather full sound.

His stage persona is quite understated and there are some imperfections in his performance but somehow this is quite endearing. He was certainly an interesting and captivating support…plus his style (and hair) is pretty cool!

Highlight: I particularly enjoyed his final song which began with him telling an anecdote of how it came about, after meeting a wise man on a beach in Normandy whilst high on acid; the audience rang with laughter.


David Gray

As David Gray took to the stage, rapturous applause erupted from the audience and he launched straight into a string of tracks from his latest album, Gold In A Brass Age, showcasing just how much his sound and style has evolved since his career-launching album, White Ladder (first released back in 1998).

His new sound is electronically dynamic and truly envelops the audience, with atmospheric sounds, powerful harmonies and a diverse set of instruments played by him and the band. It sounds strange, but there’s something beautiful about the tracks of his new record, that give off an almost autumnal feel – they’re warm and crisp and give an audible sensation of swirling around you – it’s quite remarkable.

One thing you can’t help but marvel at throughout his performance, is his truly unique use of a loop pedal, with which he builds up the base for quite a few songs; some had various, layered guitar melodies, another he created a distorted vocal wail through the microphone built into an acoustic guitar and at one point he even made some vocal harmonies for him to collaborate with himself – sensational!

He began by stating, “We’ll start off with the new music,” and shared several tracks from the new album (‘Hall Of Mirrors’, ‘If 8 Were 9′ and ‘A Tight Ship’ particularly stood out), before thanking the audience for lending their ears to them. He then delighted the crowd by saying, “We’re going to dig deep,” leading on to a string of his old hits (‘Sail Away’, ‘My Oh My’, ‘The Other Side’, ‘Babylon’ and ‘Please Forgive Me’), that had the audience standing, cheering and singing along at the top of their voices – it was beautifully nostalgic.

The set clocked in at the 2-hour mark, which is pretty amazing for a concert these days and just goes to show not only the vast back catalogue he has, but the dedication he puts in to giving his audience something substantial to get into.

Being honest, I didn’t know much of his more recent music before last night, but having witnessed the wonderful performance I did, I will most definitely be getting copies of his last few records to get up to speed, and can’t recommend highly enough, watching him play live – he puts on an immaculate and rather rousing show!

Highlights:

  • The use of a loop pedal throughout his set is something wonderful to witness, particularly how he seamlessly switches back and forth between his guitar and keyboard, to build a track up.
  • The sheer effortless power, soulfulness and aching melancholy behind his vocal is passionate and all-consuming.
  • His new sound is progressive and actually quite incredible – I’ll definitely check out the new record! And, actually, when you see him live, you realise quite how electronic his sound (both old and new) is, in places and that there’s actually some dance music elements behind some of his material.
  • Gray’s rather awkward dancing and twitching around on stage is actually pretty endearing!
  • His personality is very modest and relatable and probably goes a long way towards his rather broad and loyal fanbase; it might also explain why so many people were comfortable shouting out support to him, between songs.

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 Setlist

Mallory
The Sapling
Gold In A Brass Age
Hall Of Mirrors
Watching The Waves
It’s Late
A Tight Ship
If 8 Were 9
Sail Away
My Oh My
Be Mine
Freedom
The Other Side
Breathe
The One I Love
Back In The World
Silver Lining
Babylon*

Encore
Birds Of The High Arctic
Please Forgive Me*

These songs can be viewed in the YouTube playlist, below.


Finally, I want to say a big thank you to Rob from Sonic PR for enabling this review to happen, and to both David Gray and L.A. Salami for their incredible performances.


Enjoyed this? Check out some of our other live reviews here:

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Matt – Muzik Speaks
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#Review: As It Is @ Concorde 2, Brighton – 15/03/19

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On Friday 15th March 2019, As It Is arrived in Brighton for the final date of their The Intimate Depression Tour, in support of their latest album release, The Great Depression. The band were supported by Modern ErrorBellevue Days and Klae. It was an extra-special evening, not only because it was the last night of the tour, but it was a return to the city they started in! Here’s what we thought of the evening…


Klae

Klae are five-piece, female-fronted band from Brighton, who kicked off the evening with their blend of gritty pop rock. They have a tight, commercial sound to them, and clearly a loyal following is already building for them. They’ll be a local band to keep an eye out for with their atmospheric, airy guitar melodies and honest lyricism…though at times, some of the dancing seems a little contrived.

Klae


Bellevue Days

Next up, was the rather slick Bellevue Days – their performance was flawless and they have obviously honed their songwriting skills to perfection, with little fills and quirks in all the right places; whilst it makes their songs stand out, at times they change pace a little too often, meaning you can’t quite get into the groove, or the song appears to end, just as it seems to be building up to something more.

Personally, I preferred the backing singer’s voice, when he took the lead on ‘Faith’ and think he should definitely take the lead a little more, however, between the three vocalists, their harmonies are sensational!

They’re very much Weezer meets Brand New with a little Blur thrown in…one song in particular was almost like a carbon copy of Brand New though. All round, they’re a great live band and certainly have a good stage presence…even if the drummer did look petrified throughout the performance.


Modern Error

The last support to take to the stage was the intense, high-energy, Modern Error – an in-your-face, scream-metal band with solid production (in the form of atmospheric backing tracks) interwoven seamlessly with their skilful performance.

The band are nicely topped off with the lead singer’s screaming vocal which seems to come so effortlessly – though his attempts at more melodic singing weren’t quite as strong.

It’s clear that this band have found inspiration in the likes of Underoath‘s album, They’re Only Chasing Safety, as far as synth sounds merging with post-hardcore or metal sensibilities go.

The band’s octane-infused set really ignited the audience into a frenzy, creating swirling circle-pits and people manically moshing around. Modern Error are a well-rounded band with a clearly well-rehearsed stage presence and really know how to work a crowd; the only criticism…a little too much reaching out with one hand.


As It Is

Finally, As It Is took to the stage! Although each of the supports were well-rehearsed and their performances polished, the quality of this band is truly next-level impeccable, instantly demonstrating just how professional they are at this.

It might well have been the last night of their UK tour, and by their own admission, they were exhausted, but you definitely couldn’t tell…the energy they brought was magical, captivating even. The band are very much at home on stage – standing on speakers, thrashing round wildly, swinging the microphone round, for some perfectly-timed manoeuvres and Ronnie Ish even pulled off a little crowd-surfing…simply put, they owned that stage!

Having started out in this very city, the band shared their gratitude (a few times) for finally being able to headline their own show at the iconic Concorde 2, having watched some of the bands that inspired them, performing on that very stage. It was special thanks that went out to their fans, throughout the show, for getting them to where they are today and you could tell, their appreciation is genuine.

They may have visually changed their style since their last record, and their sound may have got a touch heavier than before, but at their core, they’re still quite the pop punk band they always were – they just have a little more ’emo’ edge to them now. They’re writing and singing about more taboo subjects, like anxiety, depression, self-harm, etc. but are managing to do so with sincerity and integrity. You can tell that their fans admire it too, singing back every word with equal the passion that Patty Walters sings out to them.

Watching this set, truly felt like watching the early days of the iconic punk rock/pop punk/emo bands I used to love, growing up – the likes of Good CharlotteNew Found GloryMy Chemical RomanceThe Used, etc. It was really something special and I’m certain that if this show was anything to go by, this band are only going to continue to grow to new heights in their career, from here. I would highly recommend seeing them live – they’ll draw you in and have you moshing around in an instant!

Highlights:

  • The way the band use the whole stage, to jump and spin around, interact with each other and even swing the microphone round, made the show something spectacular to behold.
  • Whilst the set was predominantly filled with material from their latest album, The Great Depression, there was also a good deal of older songs to please fans old and new.
  • Patty Walters‘ honest out-pouring of emotion and sharing of personal anecdotes with the audience, let them know that this is more like a family than just a band and their fanbase, even referring to them as family. His speech around mental health, and the way talking about this is sometimes perceived within the genre, was actually very touching and heart-felt – things like this can so often be cringey, when delivered by someone in his position, but actually, I found myself hanging on his every word, and if this is enough to save even one life, then it can only be a good thing!
  • The audience’s love for this band is raw and emotionally-driven too, making the atmosphere in the venue, electric. A few people were even brought to tears by their presence, their lyrics and the passion the band pour into their art.
  • It was actually a highlight in itself, just to see this band (who could so easily sell out a larger venue) performing to a smaller audience, in a more intimate setting, but without compromising any of the quality of their set and stage presence. It was a truly marvellous event!

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📸 All of the photos of As It Is are credited to Chloe Hashemi 📷
Go and give her a follow on Instagram and Twitter, and visit her website.


 Setlist

The Wounded World
The Two Tongues (Screaming Salvation)
The Great Depression
The Reaper
The Handwritten Letter
No Way Out
The Fire, The Dark
The Haunting
Cheap Shots & Setbacks
Such Great Heights (The Postal Service cover)
The Truth I’ll Never Tell
You, The Room & The Devil On Your Shoulder
The Question, The Answer
Winter’s Weather
Patchwork Love

Encore
Okay
Dial Tones
The Stigma (Boys Don’t Cry)*

This song can be viewed in the YouTube video, below.


Finally, I want to say a big thanks to Patrick Marsden at Lout Promotions for enabling this review to happen but also to As It IsModern ErrorBellevue Days and Klae for making the evening such a special one!


Enjoyed this? Check out some of our other live reviews here:

Muzik Speaks Live Reviews


Matt – Muzik Speaks
www.facebook.com/muzikspeaks
www.twitter.com/muzik_speaks