#WildCardWednesday: The RPMs – ‘Let Things Happen’


   

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The RPMs are one of Brighton’s home-grown bands, consisting of Jack Valero (Guitar/Lead Vocals), Miguel Cosme (Bass Guitar/Backing Vocals), Callum James (Drums), Ollie Summers (Lead Guitar) and Chris Bowden (Keyboards).

The band are going from strength to strength, with rave reviews across the BBC, including BBC Introducing’s Huw Stephens.

Having added a couple more members and created a bigger sound, the band are back with new single, ‘Let Things Happen’ – a beachy pop anthem that has some deeply-rooted indie and 60s vibes to it. It’s a really interesting and strong track from the quintet.

The music video is simplistic but effective and suits the song well. It’s dreamy with snappy cuts and featuring some strobe effects. Watch it below!

What are your thoughts of this Brighton band? Got a #WildCardWednesday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
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‘Let Things Happen’ can be downloaded off iTunes now – https://itunes.apple.com/gb/album/let-things-happen-single/1365690530


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#Review: David Ford @ The Hope & Ruin, Brighton – 22/06/18


   

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On Friday 22nd June 2018, David Ford came to Brighton and performed a sold-out show at The Hope & Ruin in support of his new album, Animal Spirits. He was supported by the angelic-voiced Beth Rowley.


Beth Rowley

Beth Rowley put on a fantastic set, supported on guitar, by David Ford himself. The songstress delivered a flawless set of her trademark sound, which combines elements of soul, gospel and jazz. It was wonderful to see this accomplished singer and songwriter at a modest-sized venue, performing a raw and stripped-back set.

Highlight: It was great to see the two artists collaborating for her set and her voice was simply stunning.


David Ford

As David Ford took to the stage, applause erupted as people eagerly anticipated the talented songwriter’s first song, which was ‘Downmarket’, taken from his new album, Animal Spirits.

The set consisted of a real mixture of new and old songs, intertwined with Ford’s crowd interaction which is laced with his incredibly dry sense of humour (as can be seen in the ‘State Of The Union’ video below).

The multi-instrumentalist used his loop pedal to perfection, crafting entire songs, by himself, showing that it is entirely possible to be a one-man-band, if you’ve got the talent. This is something he’s developed since his debut solo single, ‘State Of The Union’ (the video for which was shot in one take), but it’s still impressive to see done live!

He doesn’t overuse this though, as certain songs were performed solely on one instrument, such as ‘Song For The Road’, for which he brought but Beth Rowley to collaborate on.

In fact their cover of Aretha Franklin and George Michael‘s ‘I Knew You Were Waiting (For Me)’ closed the show and it truly sent people away on a high; it’s so nice to see that a wonderful songwriter isn’t afraid to do a cover when they like a particular song!

David Ford is honestly someone you need to see live at least once in your life. He is captivating in many ways; from his ability to play various instruments and construct songs with a loop pedal, to his quick wittedness and dry interaction with the crowd…it truly will be an evening to remember!

Highlights:

  • David Ford‘s impeccable use of a loop pedal means he can cleverly build a song to sound like a full band, all by himself.
  • He’s an incredibly talented musician too, playing multiple instruments; it’s truly a marvel to behold.
  • The chaotic end to ‘State Of The Union’ was loud and dramatic but oh so brilliant!
  • The balance of new and old songs was great; it gave a flavour for the new album but paid homage to previous releases.
  • The duet of Aretha Franklin and George Michael‘s ‘I Knew You Were Waiting (For Me)’ was stunning.

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 Setlist

Downmarket
Isn’t It Strange
Waiting For The Storm
Animal Spirits*
Why Don’t You Answer Your Telephone?
To Hell With The World
Real Damn Slow
One Of These Days (with Beth Rowley)
Song For The Road (with Beth Rowley)
State Of The Union*
I Knew You Were Waiting (For Me) (Aretha Franklin & George Michael cover) (with Beth Rowley)

These songs can be viewed in the YouTube playlist, below.


Finally, I want to say an absolutely HUGE thanks to David Ford himself, for being so accommodating and allowing me to come and do this review; it was a fantastic evening!


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#Review: Matt Maltese – Bad Contestant


   

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Muzik Speaks Loves Atlantic Records - SmallerMatt Maltese is a piano-led, 21-year-old, singer-songwriter, who pens songs that are both emotionally intelligent and satirical at the same time. Having recently toured with Isaac Gracie (review), he is now releasing his debut album, Bad Contestant, through Atlantic Records. Here are our thoughts…

Matt Maltese - Bad Contestant.jpg

Matt Maltese‘s debut, Bad Contestant, is jam packed full of wisdom beyond his years but served up with equal doses of cutting humour, hilarious irony and pure over-exaggeration. This is an artist who merges, at times, understated yet sultry melodies and retro sounds with stunning lyrical craftsmanship to create his own unique style.

Album-opener, ‘Greatest Comedian’, begins with an unassuming introduction before launching into a fantastic set of back-handed compliments topped off with some intriguing instrumentation and beautiful higher-pitched vocals in the chorus; very similar to something by label-mate, Will Joseph Cook.

Title-track, ‘Bad Contestant’, has some seriously funky synth sounds and sees Maltese take on the character of an overly honest and confessional yet fruitless game show contestant.

This is very much an album where jazz and a touch of britpop meet funky, organ-led soul.

Meanwhile, ‘Nightclub Love’ is deeply satirical look at how Maltese sees the realities of clubbing and finding love there, whilst ‘Less & Less’ is an extremely saddening break-up song that is both beautiful and also attempts to put a positive spin on the situation. Of course we can’t go without mentioning the wonderful track, ‘As The a World Caves In’; a hysterical tale of the unlikely hooking up of Donald Trump and Theresa May, watching the nuclear destruction of the world as they do it; genius!

Other key tracks worth taking note of, include; ‘Sweet Sixteen’, an organ-led track taking a twisted look at a modern relationship – the sound is very much somewhere between Kaiser Chiefs and Blur, ‘Like A Fish’ which sounds like the opening to an old, 80s, British TV show and ‘Misery’ which is a dark and intense track with some reverse-sounding vocals on the chorus. In fact, the latter half of the album appears to get darker as it goes on.

The album features production and collaboration by a combination of Jonathan Rado, Hugo White (Maccabees) Alex Burey.

This is very much an album where jazz and a touch of britpop meet funky, organ-led soul, all dressed up in a hipster outfit and sung with a deep, crisp and crooning vocal. Picture BlurPulp and Jamiroquai creating some sort of spliced-together lovechild that’s been brought into the modern, contemporary age and you get Matt Maltese‘s debut, Bad Contestant. A truly alluring debut that is sure to pave the way for an exciting career ahead.

Rating
4


‘Bad Contestant’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/bad-contestant/1365077870


Bad Contestant on Spotify

Greatest Comedian (Official Video)

As The World Caves In (Official Video)


We hope you’ve enjoyed our review! What do you think of this singer-songwriter’s uniquely captivating debut album? What would you rate it? Please leave your thoughts in a comment below or via our social media.


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#FreakyFriday: YONAKA – ‘F.W.T.B. (F**king With The Boss)’


   

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YONAKA are an edgy, in-your-face, Brighton-based band that have just released the follow-up to their October 2017 EP, Heavy. Their new single, ‘F.W.T.B.’ is a monstrous track that is all about self-empowerment!

Front-woman and lead singer, Theresa Jarvis, has stated that, “The song is a big “f**k you” to anyone who tries to get in your way and tell you no. It’s about taking back the power, standing up for yourself and being heard.” 

It is a track that reigns very true for me personally and it’s great to hear a song that is about standing up for what you believe in. It’s also the perfect track for our first #FreakyFriday post – something a bit different to our usual #FeelGoodFriday posts.

Not only have the band been gathering a lot of support and notoriety with the press, but they are scheduled for a string of European festival dates this summer with a big headline date at the Electric Ballroom, London on 11th October 2018 too! (Tickets available here).

No music video is available yet, but if one emerges, we’ll be sure to keep you updated.

FESTIVAL DATES

19th May – Gold Sounds Festival, Leeds
26th May – Neighbourhood Festival, Manchester
31st May – Primavera Sound, Spain
17th June – Meltdown Festival, London
22nd June – Southside Festival, Germany
23rd June – Hurricane Festival, Germany
5th July – Opener Festival, Poland
7th July – Roskilde Festival, Denmark
12th July – Musilac Festival, France
14th July – Bilbao BBK Live, Spain
19th July – Electric Castle Festival, Romania
22nd July – Paleo Festival, Switzerland
28th July – Kendal Calling, Kendal
3rd August – Belladrum Tartan Heart Festival, Inverness
4th August – Leefest presents Neverworld, Royal Tunbridge Wells
16th August – Pukklepop, Belgium
17th August – Lowlands Festival, Holland
18th August – Frequency Festival, Austria

What are your thoughts of this punk-fuelled, stick-it-to-the-man band? Got a #FreakyFriday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
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‘F.W.T.B.’ can be downloaded off iTunes now – https://itunes.apple.com/gb/album/f-w-t-b-single/1380193167


#ThrowbackThursday: Fatboy Slim – ‘The Rockafeller Skank’


   

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Fatboy Slim (aka Norman Cook) is known for his incredible and creative use of samples to craft his tracks and this year sees his 1998, big beat smash hit, ‘The Rockafeller Skank’ (taken from the huge album, You’ve Come A Long Way Baby) turn 20…and it’s still as awesome as it was back then!

This particular track features vocal samples by rapper, Lord Finesse, from the track ‘Vinyl Dog Vibe’ by Vinyl Dogs, as well as ‘Sliced Tomatoes’ by Just Brothers, The Bobby Fuller Four‘s ‘I Fought the Law’ (featuring DeWayne Quirico‘s drum intro), ‘Beat Girl’ by John Barry and a guitar hook from the song ‘Peter Gunn’ by Art of Noise featuring Duane Eddy is also sampled.

It’s incredible to think that this song is made up of all those samples, each from a completely different background but when put in this context, have created something unique and truly epic in its own right.

There’s no doubt about it; this song was a big hit for his back in 1998 but it is timeless due to its distinctive sample use and sound. This could quite easily have been released in 2018 and is still as brilliant as it ever was! An incredible track by an incredible artist!

What are your thoughts of this epic Brightonian artist’s 1998 smash hit? Still love it as much today? Got a #ThrowbackThursday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
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‘The Rockafeller Skank’ can be downloaded off iTunes now – https://itunes.apple.com/gb/album/rockafeller-skank/1138887546?i=1138887721


#EventSpeaks: Isaac Gracie @ The Haunt, Brighton – 25/04/18


   

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On Wednesday 25th April, Isaac Gracie arrived in Brighton to play a headline show, in support of his self-titled debut album (review here) with support from up-and-comer, Matt Maltese. It really was a fantastic show!


Matt Maltese

The singer took to the stage, dressed in a retro-looking brown suit, and performed a string of songs taken from his upcoming debut album, Bad Contestant. His songwriting is quite politically-charged and certainly has a folk/indie vibe to it. There’s an excellent power behind his vocals and a real satire to his between-song banter.

Highlight: The hilarious concept behind the final song of his set, ‘As The World Caves In’; the idea of Donald Trump and Theresa May having a final night of lovemaking as they click the red button, destroying the Earth.


Isaac Gracie

Isaac Gracie took to the stage in front of his sold-out audience, to a deafening applause, launching straight into the thought-provoking, ‘All In My Mind’. Isaac is certainly a brooding artist and for the first few songs, you could hear and feel the aching anxieties he pours into his songwriting, with little audience eye contact, show-casing his artistic vulnerability perfectly.

It wasn’t long before he warmed up to the audience, cracking some jokes during his between-song banter, making reference to ‘Terrified’, saying that maybe he is cut out for it after all. He also fed off a couple of audience members calling out, superbly; it brought the audience closer to him and let them in on his dry, almost geeky sense of humour.

You can’t help but marvel at the passion behind Isaac’s voice and lyricism; he is someone who has clearly worked incredibly hard, crafting their songwriting and made every effort to create a collection of songs that are brilliantly diverse yet still remain true to him, as an artist. His show was impeccable! Some of the most stand-out performances included, ‘Terrified’‘One Night’‘The Death Of You & I’‘Running On Empty’ and ‘Last Words’.

At one point, he made reference to the last time he performed in Brighton, at this very venue, when he supported The Japanese House in February 2016 (see our review here) – it was great to see how he’s gone from being a support act, to headlining his own show in such a relatively short space of time, and much deserved too!

This is an artist who is only just scratching the surface of their career, with their honest and genre-blending music; I truly can’t wait to see what he does next.

Highlights:

  • Isaac’s
  • The fact he came straight out after his set, to meet the fans, taking time to have photos with them and sign merch – it’s fantastic when an artist gives back to their followers!

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 📸 All of the photos in this post (except me with the band) are credited to Chloe CZH 📷
Go and give her a follow on Twitter and visit her website.


 Setlist

All In My Mind
That Was Then
Terrified
Telescope
When You Go
Love (Ain’t Always So Good)
All The Burning Lovers
Silhouettes Of You
One Night
Darkness Of The Day
The Death Of You & I *
Running On Empty *
Reverie
Hollow Crown

Encore
Last Words

These songs can be viewed in the YouTube playlist, below.


Finally, I want to say an absolutely HUGE thanks to Hannah Braid for setting up this review and to Isaac Gracie and Matt Maltese for putting on a fantastic show. It was also great to have the chance to meet Isaac too!

Isaac Gracie & Matt Wright.JPG


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Matt – Muzik Speaks
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#EventSpeaks: Rae Morris @ Concorde 2, Brighton – 25/03/18


   

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On Sunday 25th March 2017, Rae Morris arrived in Brighton to play a show at Concorde 2, in support of her latest album, Someone Out There (review here). Her performance was superb, her vocals flawless and she was supported by PAULi and Saskia Maxwell.


Saskia Maxwell

The haunting songstress, Saskia Maxwell produced a solid set of interesting songs, merging folk and country sounds with her almost Celtic vocals, making for a truly interesting blend of music. She also performed superb and very intricate guitar work, added to some Newton Faulkner-esque beating of the guitar, to create her rhythms. Considering she was performing alone, with just a guitar and her voice (and a stomp box for her last song), she managed to create a really full sound.


PAULi

Next to take to the stage was PAULi; every so often you witness a performance by an artist or band and get the feeling that you just witnessed the start of something very special and unique and PAULi‘s performance was most certainly one of those times. When his first song began, uncertainty and almost amusement crept through the audience with a real sense of, “What the hell is this we’re listening to?!” but very quickly that moment passed and a huge amount of excitement flooded through the audience. What’s more, as his performance went on, he had the crowd right in the palm of his hand.

His sound is incredibly chaotic (almost off-beat and deliberately off-key in places) as he mixes together vibes from London’s urban music scene, with the funk and soul of Prince, but somehow it all works.

Highlight: ‘WAITING (Getting On This Train)’ was a massive song that just filled the room with a wave of excitement and an energy that I’ve not felt in a while. Also, PAULi‘s dancing and crowd interaction was sublime.


Rae Morris

One thing’s for certain, Rae Morris knows how to put on a show! With highs and lows in all the right places and a sound that hits you with full force, I would defy you not to come out having danced to your heart’s content or at the very least singing one of her catchy melodies, all the way home!

From the start of almost understated ‘Push Me To My Limit’ to the danceable ‘Do It’ and ‘Atletico (The Only One)’ this was a show that had something to offer everyone. The audience was truly filled with people of all ages, showing just how diverse her audience is; this must be due to the quirky, credible nature of the pop music she creates and whose appeal spans several generations.

The passion behind her performance shows just how much effort goes in to planning it; some of her more subtle dance moves sync up perfectly with her backing singer, whilst her more elaborate ballet-like, interpretive dances are perfectly calculated and flow effortlessly.

She also manages to play piano whilst delivering her flawlessly powerful vocals and at one point even gives a hand on the synths, all the while, demonstrating just how talented she is.

Some of her most standout performances were ‘Wait For The Rain’ due to the storm sounds and lightning effects, immersing the audience and the story behind ‘Dancing With Character’, accompanied by her ballet-like moves was enough to bring a tear to the eye.

I can’t recommend seeing Rae Morris highly enough – her energy and passion for the music she creates is infectious and whether you’re already a fan or not, you’ll certainly come away wanting more.

Highlights:

  • Rae‘s cute speaking voice with its almost whispery quality is adorable…and the complete opposite to her powerful singing!
  • The dance moves she busts out are incredible; everything from reggae skanking to ballet – a real treat to behold!
  • The backing vocalist’s voice (and twerking!) was sensational and the instrumentation created by the drummer and synth player were brilliant throughout. The duet she did with her drummer was great too!
  • I liked the part of the show where 2 or 3 of the songs all flowed into one another – great transitioning!
  • The genuine appreciation for her fans’ support was beautiful; she is certainly very modest.
  • The fact she made time to meet her fans to chat after the show and sign merchandise, was a really lovely touch.

📷All of the photos of PAULi and Rae Morris are credited to Damon Peirce  📸
Why not go and give him a follow on Instagram and Twitter.


 Setlist

Push Me To My Limit
Reborn
Morne Fortuné
Physical Form
Do It
Cold
Wait For The Rain*
Love Again
Dancing With Character
Dip My Toe
Under The Shadows
Rose Garden
Atletico (The Only One)*

Encore
Lower The Tone
Don’t Go (Short Version)
Someone Out There

These songs can be viewed in the YouTube playlist, below.


Finally, I want to say a MASSIVE thanks to Harriet for sorting out this review and to Rae MorrisPAULi and Saskia Maxwell for all putting on incredible performances and taking the time to chat after the show – it was a fantastic evening!

PAULi & Matt Wright


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Matt – Muzik Speaks
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