#EventSpeaks: Kate Nash @ Concorde 2, Brighton – 31/07/19

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On Wednesday 31st July 2019, Kate Nash returned to Brighton to put on another outstanding show, following the release of her 2018 album, Yesterday Was Forever and was supported by the punk quintet, The Menstrual Cramps.


The Menstrual Cramps

The band took to the stage, instantly packing a punch with their all-female brand of punk – think traditional punk rock but with some kick-ass girls showing who’s boss! The lead singer, Emilia Elfrida, was consistently hilarious with her crowd banter between songs and even shared some more personal insights, such as sexual assault she experienced and a song she wrote about it. As per traditional punk, there’s a lot of political messages behind their songs but one I loved in particular was a song, ‘Neo-Nazi’, written specifically for the crowds of an upcoming festival they’re playing at, to get back at them for the death threats and general unpleasantness they received the last time they played there!

Highlight: The energy of the band’s set (in particular the wit of Emilia) and the no-holds-barred approach to their lyricism and addressing of political and social issues! Well worth a watch.


Kate Nash

Right from the offset, there was something instantly better and more high energy about this set than the last time Kate Nash performed in Brighton. That’s not to say she wasn’t great back in 2017, but this time, there seemed to be a real buzz of excitement and a new lease of life to her set, which just instantly created an electric atmosphere throughout the crowd.

Following the release of her 2018 album, Yesterday Was Forever, the audience were treated to a whole host of new and old material in all the right doses. On several occasions, Kate shared the gratitude for her fans’ continued support throughout what has recently been shared (in her rather personal documentary – Kate Nash: Underestimate the Girl – via BBC3) as quite a tumultuous period in her life. She also addressed her own personal struggles with mental health and how she believes that everyone should take time to talk about their own mental well-being, before performing, ‘Musical Theatre’ – a wonderfully personal account of her inner-most thoughts.

Naturally, in amongst her newer songs, the performance was interwoven with traditional hits such as ‘Mouthwash’, ‘Pumpkin Soup’, ‘Dickhead’ and ‘Foundations’. There was even a little medley thrown in for good measure, followed by an insanely fast version of ‘Mariella’ and just had the audience going crazy! The speed she performed it at was actually very impressive to behold!

Even though she is already a professional performer, this particular set/tour demonstrated just how much she’s grown as an artist and songwriter but also how much she has honed her live shows. I strongly recommend catching her at your earliest opportunity – you don’t even need to know all her songs, she’s just instantly bewitching!

Highlights:

  • Kate’s energy level was consistently high and her interaction with both the audience and her incredible band, made for a great watch all round. She always makes sure that her band are as much in the forefront as she is.
  • Kate’s vocal performance was stunning; from her beautifully powerful high notes to the delivery of her quirky, trademark, too-many-words-for-one-line lyricism, she was on point throughout.
  • I particularly loved watching her personal performance of ‘Musical Theatre’ – it’s not only got a strong message but her delivery of the song’s lyrics was sensational.
  • Her sense of style was as to be expected – interesting and out there, but oh so perfect.
  • At the end of the set (before the encore), Kate even got off the stage and into the front of the crowd to sing amongst her fans, which made them go wild.

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📷All of the photos of The Menstrual Cramps and Kate Nash are credited to Michael Hundertmark 📸
Why not give him a follow on Instagram and Twitter or check out his website.


 Setlist

Play
Life In Pink
Mouthwash*
Sister
Trash
Always Shining
Musical Theatre
Agenda
We Get On
Kiss That Grrl / Shit Song / Later On
Mariella
My Little Alien
Pumpkin Soup
Foundations*

Encore
Dickhead
Underestimate The Girl

These songs can be viewed in the YouTube playlist, below.


Finally, I want to say a great big thanks to Patrick from Lout Promotions for sorting out this review, to Michael Hundertmark for his snaps and lastly, to Kate Nash, her band and The Menstrual Cramps for their amazing performances!


Enjoyed this? Check out some of our other live reviews here:

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Matt – Muzik Speaks
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#Playlist: Brighton Pride Weekender 2019

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Brighton Pride is fast approaching, so to celebrate, we have updated our Brighton Pride Weekender playlist, dedicated to one of the city’s biggest annual events, promoting equality and diversity with the aim to eliminate discrimination against the lesbian, gay, bisexual, transgender and more (LGBT+) community.

This playlist has been lovingly crafted to include a variety of tracks, by the artists performing at Brighton Pride 2019, as well as some other great anthems!

If you already own the songs and want the custom artwork, please feel free to copy/download it below:

Brighton Pride Weekender 2019.jpg


We hope you enjoy this playlist as much as we’ve enjoyed creating it!

Please share the link to this post, or the playlist itself and give it a cheeky follow on Spotify too – https://open.spotify.com/playlist/5nXqTcFL05VwLPppVaNIE6?si=copqGaOHQFi0lnhz6HYV8w.

Also, if you’ve got any songs you want to suggest for us to add, please let us know 🙂

Matt – Muzik Speaks
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#EventSpeaks: IDLES @ Brighton Dome, Brighton – 29/03/19

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On Friday 29th March 2019, IDLES arrived in Brighton to play an excellent show, following their Brit Award nomination and in support of their second album, Joy As An Act Of Resistance. The band were supported by Crows. Here’s what we thought of the show…


Crows

There’s something instantly hypnotic about this band with their heavy, repetitive and dare I say, almost monotonous drone of sound that sits somewhere between Editors and something much darker. They’re definitely sat on the less pure side of indie and not necessarily for everyone but they’re stylistically edgy and even though the singer’s vocal is quite bland, it is intentionally done to fit with the style and somehow it just works…really well!

Highlight: I particularly loved the singer’s use of two different microphones – one for more crisp vocals and the other for shouts and harmonic wails that have tons of reverb on – it’s a pretty unique element to the performance. What’s more – he knows how to get lost in the music and really let loose!

Setlist

Silver Tongues
Demeanour
Wednesday’s Child
Empyrean
The Itch
Hang Me High
Whisper
Chain Of Being


IDLES

A hum of anticipation rang through the crowd as the lights went down and IDLES took to the stage. Surrounding the band, were a ring of strobe-like lights which continuously circled the band, getting progressively faster, as they launched into opening song, ‘Colossus’.

Whilst this is not a band I would normally enjoy, I can appreciate the energy that emanates from their performances, bringing punk into the modern, contemporary age.

The band don’t let up for a minute with their passionate, in-your-face and downright ballsy demeanour, fronted by Joe Talbot, who, throughout the show, makes references to now being sober and how he’s recently become a father. He also shares little anecdotes and passes comments on what he’s passionate about, like the importance of looking after each other, when you “argy-bargy” in the crowd.

This is shouty, grungy and lyrically dynamic punk that has picked up fans of all ages – a truly diverse crowd watched in awe as the band members got progressively more pumped up and not once, let the energy in the room, drop.

Even if they’re not your sort of thing, I still recommend checking them out; they put on a great show and they just continue getting bigger, so try and catch them at a more intimate venue, before they’re selling out arenas!

Highlights:

  • When both Lee Kiernan and Mark Bowen got off the stage and worked their way through the crowd to perform amongst the audience, sitting on the floor, before being crowd surfed back to the front…epic!
  • Joe Talbot’s energy throughout was infectious, particularly as he pumped himself up, punching his arms up and down in front of him, like he was operating a pneumatic drill!
  • As the band started their set, the circling lights were mesmerising and quite hypnotic and the audible chaos, the end of their set descended into after Joe left the stage, was equally amazing.
  • The genuine care Joe showed for his fans and the audience by looking out for them and also sharing anecdotes, really engaged the crowd.

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📷 All of the photos in this post, are credited to Damon Peirce  📸
Why not give him a follow on Instagram and Twitter or check out his website.


 Setlist

Colossus
Well Done
I’m Scum
Queens
Great
Danny Nedelko
Divide & Conquer
1049 Gotho
Love Song
Never Fight A Man With A Perm
Mother
Faith In The City
All I Want For Christmas (Is You) (Mariah Carey cover)
Benzocaine
Samaritans
Exeter
Television
Rottweiler


Finally, I want to say a big thanks to Rob from Sonic PR for making this review happen and also to both IDLES and Crows for putting on a great show!


Enjoyed this? Check out some of our other live reviews here:

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Matt – Muzik Speaks
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www.twitter.com/muzik_speaks

#EventSpeaks: David Gray @ Brighton Dome, Brighton – 19/03/19

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On Tuesday 19th March 2019, David Gray arrived in Brighton, in support of his latest album release, Gold In A Brass Age. He performed an incredible, 2-hour set at Brighton Dome and was supported by L.A. Salami. Here’s our thoughts on the event…


L.A. Salami

L.A. Salami was a fantastic, soulful, folky and witty singer-songwriter who’s clearly honed his talent. His crisp voice, annunciated every word with clear precision and told a story, like that of a performance poet. His way with words must have been painstakingly crafted to create his art and his tales are intriguing. Also, his use of just a guitar and harmonica somehow manage to produce a rather full sound.

His stage persona is quite understated and there are some imperfections in his performance but somehow this is quite endearing. He was certainly an interesting and captivating support…plus his style (and hair) is pretty cool!

Highlight: I particularly enjoyed his final song which began with him telling an anecdote of how it came about, after meeting a wise man on a beach in Normandy whilst high on acid; the audience rang with laughter.


David Gray

As David Gray took to the stage, rapturous applause erupted from the audience and he launched straight into a string of tracks from his latest album, Gold In A Brass Age, showcasing just how much his sound and style has evolved since his career-launching album, White Ladder (first released back in 1998).

His new sound is electronically dynamic and truly envelops the audience, with atmospheric sounds, powerful harmonies and a diverse set of instruments played by him and the band. It sounds strange, but there’s something beautiful about the tracks of his new record, that give off an almost autumnal feel – they’re warm and crisp and give an audible sensation of swirling around you – it’s quite remarkable.

One thing you can’t help but marvel at throughout his performance, is his truly unique use of a loop pedal, with which he builds up the base for quite a few songs; some had various, layered guitar melodies, another he created a distorted vocal wail through the microphone built into an acoustic guitar and at one point he even made some vocal harmonies for him to collaborate with himself – sensational!

He began by stating, “We’ll start off with the new music,” and shared several tracks from the new album (‘Hall Of Mirrors’, ‘If 8 Were 9′ and ‘A Tight Ship’ particularly stood out), before thanking the audience for lending their ears to them. He then delighted the crowd by saying, “We’re going to dig deep,” leading on to a string of his old hits (‘Sail Away’, ‘My Oh My’, ‘The Other Side’, ‘Babylon’ and ‘Please Forgive Me’), that had the audience standing, cheering and singing along at the top of their voices – it was beautifully nostalgic.

The set clocked in at the 2-hour mark, which is pretty amazing for a concert these days and just goes to show not only the vast back catalogue he has, but the dedication he puts in to giving his audience something substantial to get into.

Being honest, I didn’t know much of his more recent music before last night, but having witnessed the wonderful performance I did, I will most definitely be getting copies of his last few records to get up to speed, and can’t recommend highly enough, watching him play live – he puts on an immaculate and rather rousing show!

Highlights:

  • The use of a loop pedal throughout his set is something wonderful to witness, particularly how he seamlessly switches back and forth between his guitar and keyboard, to build a track up.
  • The sheer effortless power, soulfulness and aching melancholy behind his vocal is passionate and all-consuming.
  • His new sound is progressive and actually quite incredible – I’ll definitely check out the new record! And, actually, when you see him live, you realise quite how electronic his sound (both old and new) is, in places and that there’s actually some dance music elements behind some of his material.
  • Gray’s rather awkward dancing and twitching around on stage is actually pretty endearing!
  • His personality is very modest and relatable and probably goes a long way towards his rather broad and loyal fanbase; it might also explain why so many people were comfortable shouting out support to him, between songs.

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 Setlist

Mallory
The Sapling
Gold In A Brass Age
Hall Of Mirrors
Watching The Waves
It’s Late
A Tight Ship
If 8 Were 9
Sail Away
My Oh My
Be Mine
Freedom
The Other Side
Breathe
The One I Love
Back In The World
Silver Lining
Babylon*

Encore
Birds Of The High Arctic
Please Forgive Me*

These songs can be viewed in the YouTube playlist, below.


Finally, I want to say a big thank you to Rob from Sonic PR for enabling this review to happen, and to both David Gray and L.A. Salami for their incredible performances.


Enjoyed this? Check out some of our other live reviews here:

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Matt – Muzik Speaks
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#Review: As It Is @ Concorde 2, Brighton – 15/03/19

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On Friday 15th March 2019, As It Is arrived in Brighton for the final date of their The Intimate Depression Tour, in support of their latest album release, The Great Depression. The band were supported by Modern ErrorBellevue Days and Klae. It was an extra-special evening, not only because it was the last night of the tour, but it was a return to the city they started in! Here’s what we thought of the evening…


Klae

Klae are five-piece, female-fronted band from Brighton, who kicked off the evening with their blend of gritty pop rock. They have a tight, commercial sound to them, and clearly a loyal following is already building for them. They’ll be a local band to keep an eye out for with their atmospheric, airy guitar melodies and honest lyricism…though at times, some of the dancing seems a little contrived.

Klae


Bellevue Days

Next up, was the rather slick Bellevue Days – their performance was flawless and they have obviously honed their songwriting skills to perfection, with little fills and quirks in all the right places; whilst it makes their songs stand out, at times they change pace a little too often, meaning you can’t quite get into the groove, or the song appears to end, just as it seems to be building up to something more.

Personally, I preferred the backing singer’s voice, when he took the lead on ‘Faith’ and think he should definitely take the lead a little more, however, between the three vocalists, their harmonies are sensational!

They’re very much Weezer meets Brand New with a little Blur thrown in…one song in particular was almost like a carbon copy of Brand New though. All round, they’re a great live band and certainly have a good stage presence…even if the drummer did look petrified throughout the performance.


Modern Error

The last support to take to the stage was the intense, high-energy, Modern Error – an in-your-face, scream-metal band with solid production (in the form of atmospheric backing tracks) interwoven seamlessly with their skilful performance.

The band are nicely topped off with the lead singer’s screaming vocal which seems to come so effortlessly – though his attempts at more melodic singing weren’t quite as strong.

It’s clear that this band have found inspiration in the likes of Underoath‘s album, They’re Only Chasing Safety, as far as synth sounds merging with post-hardcore or metal sensibilities go.

The band’s octane-infused set really ignited the audience into a frenzy, creating swirling circle-pits and people manically moshing around. Modern Error are a well-rounded band with a clearly well-rehearsed stage presence and really know how to work a crowd; the only criticism…a little too much reaching out with one hand.


As It Is

Finally, As It Is took to the stage! Although each of the supports were well-rehearsed and their performances polished, the quality of this band is truly next-level impeccable, instantly demonstrating just how professional they are at this.

It might well have been the last night of their UK tour, and by their own admission, they were exhausted, but you definitely couldn’t tell…the energy they brought was magical, captivating even. The band are very much at home on stage – standing on speakers, thrashing round wildly, swinging the microphone round, for some perfectly-timed manoeuvres and Ronnie Ish even pulled off a little crowd-surfing…simply put, they owned that stage!

Having started out in this very city, the band shared their gratitude (a few times) for finally being able to headline their own show at the iconic Concorde 2, having watched some of the bands that inspired them, performing on that very stage. It was special thanks that went out to their fans, throughout the show, for getting them to where they are today and you could tell, their appreciation is genuine.

They may have visually changed their style since their last record, and their sound may have got a touch heavier than before, but at their core, they’re still quite the pop punk band they always were – they just have a little more ’emo’ edge to them now. They’re writing and singing about more taboo subjects, like anxiety, depression, self-harm, etc. but are managing to do so with sincerity and integrity. You can tell that their fans admire it too, singing back every word with equal the passion that Patty Walters sings out to them.

Watching this set, truly felt like watching the early days of the iconic punk rock/pop punk/emo bands I used to love, growing up – the likes of Good CharlotteNew Found GloryMy Chemical RomanceThe Used, etc. It was really something special and I’m certain that if this show was anything to go by, this band are only going to continue to grow to new heights in their career, from here. I would highly recommend seeing them live – they’ll draw you in and have you moshing around in an instant!

Highlights:

  • The way the band use the whole stage, to jump and spin around, interact with each other and even swing the microphone round, made the show something spectacular to behold.
  • Whilst the set was predominantly filled with material from their latest album, The Great Depression, there was also a good deal of older songs to please fans old and new.
  • Patty Walters‘ honest out-pouring of emotion and sharing of personal anecdotes with the audience, let them know that this is more like a family than just a band and their fanbase, even referring to them as family. His speech around mental health, and the way talking about this is sometimes perceived within the genre, was actually very touching and heart-felt – things like this can so often be cringey, when delivered by someone in his position, but actually, I found myself hanging on his every word, and if this is enough to save even one life, then it can only be a good thing!
  • The audience’s love for this band is raw and emotionally-driven too, making the atmosphere in the venue, electric. A few people were even brought to tears by their presence, their lyrics and the passion the band pour into their art.
  • It was actually a highlight in itself, just to see this band (who could so easily sell out a larger venue) performing to a smaller audience, in a more intimate setting, but without compromising any of the quality of their set and stage presence. It was a truly marvellous event!

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 📸 All of the photos of As It Is are credited to Chloe Hashemi – CCZH Photography 📷
Go and give her a follow on Instagram and Twitter, and visit her website.


 Setlist

The Wounded World
The Two Tongues (Screaming Salvation)
The Great Depression
The Reaper
The Handwritten Letter
No Way Out
The Fire, The Dark
The Haunting
Cheap Shots & Setbacks
Such Great Heights (The Postal Service cover)
The Truth I’ll Never Tell
You, The Room & The Devil On Your Shoulder
The Question, The Answer
Winter’s Weather
Patchwork Love

Encore
Okay
Dial Tones
The Stigma (Boys Don’t Cry)*

This song can be viewed in the YouTube video, below.


Finally, I want to say a big thanks to Patrick Marsden at Lout Promotions for enabling this review to happen but also to As It IsModern ErrorBellevue Days and Klae for making the evening such a special one!


Enjoyed this? Check out some of our other live reviews here:

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Matt – Muzik Speaks
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#Review: Tom Walker – What A Time To Be Alive

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Tom Walker is a Scottish-born, singer-songwriter that has continued to grow and rise to fame over the past 12 months or so. Aside from relentless touring, he started gathering mainstream attention with the BBC putting him in the running for their Sound of 2018 accolade. Then came the release of his massive single, ‘Leave A Light On’, which received heavy radio airplay, leading to a performance on X Factor. Now 2019 has kicked off with in style, with him winning the Brit Award for 2019’s British Breakthrough Act…and all of this has happened before the release of his debut album! Well, it’s finally here, What A Time To Be Alive and here’s what we have to say about it…

Tom Walker - What A Time To Be Alive.jpg

Passion. Power. Personal. Three words that can’t help but swim through my mind as I listen to Tom Walker‘s debut album, What A Time To Be Alive. All three qualities are beautifully and intricately interwoven too – there is passion and power behind his vocals – both in what he sings and the way he sings it – and the personal songwriting leads to their prominence…and this wouldn’t be such a remarkable record without even one of those elements.

We’re catapulted into the album with ‘Angels’; a track starting out raw and edgy but endlessly continuing to build to a huge crescendo, complete with bells and strings, becoming an intricately layered behemoth of a track by the end, topped off with Tom’s intensely passionate and gritty vocals.

This is soon followed by the hit single, ‘Leave A Light On’, which despite being such a massive single, is interestingly, probably one of my least favourite tracks on the album. It’s a great song lyrically and thematically and I can see exactly why it was such a hit but I honestly preferred the original version, before the off-key synth sounds became so prominent. Also, there’s so much more to love about the album!

He has successfully crafted an outstanding debut album that takes elements from many different genres and styles, mashing them up into the perfect concoction of contemporary pop.

The biggest tracks on the record have to be: ‘Not Giving In’ – haunting wind chimes trickle delicately into the intense track, where echoing vocals and programmed drums lead the verses into the passionate chorus that seems to swirl around you, engulfing with its honest emotion; ‘How Can You Sleep At Night?’ is vocally one of the most diverse songs on the album – quiet, low tones in the verses are pushed by thunderous drums to a chorus of what could be described as vocal hoots and a downward zigzagging of his voice. Melodically, it’s a rather playful track, even though it’s about an intimate subject.

‘My Way’ is a real genre-bender; hip-hop-style drum beats, oriental-tinted synths, a repetitive hook and wonderful production trills, such as subtle, underlying female vocals, make this one of the best songs on the record. An effortless breakdown calms the mood right before bursting back into the repetitive, yet highly addictive chorus. Think EDM elements meet rock with a slightly Asian-flavoured edge.

And of course there’s ‘Fade Away’ which has a very Tom Odell-sounding melody, in places. It’s an emotionally devastating, piano and string-led track, that honestly brings tears to the eyes. Naturally, in its more heightened moments, Tom’s signature, raspy vocals shine through but during the quieter parts, his interesting annunciation and poetic lyricism make this track truly bewitching.

This is a stunning, diverse album that is sure to make massive waves throughout the industry and I’m certain will be a benchmark album for years to come.

‘Now You’re Gone’ featuring Zara Larsson is very electronic in tone with laser-like bass notes and a broken-up rhythm, ‘Blessings’ has an Ed Sheeran vibe and takes a candid look at the modern lifestyle, whilst ‘Dominoes’ is a very political track and another honest take on the state of the world right now, becoming wonderfully chaotic and grungy by the end.

Intrigue doesn’t stop there either, ‘Cry Out’ is like a dark western soundtrack (somewhat reminding me of the Peaky Blinders theme) with chain-clinking sounds giving it a laborious edge and ‘Just You And I’ is an old fan favourite – a big, positive love song. Possibly the most captivating track on the record has to be ‘The Show’ – a story-like track about London that really gives the sense of physically moving through the city streets, just listening to it. It has a real jazzy feel which sound effects weaving throughout the storytelling.

One thing’s for certain, Tom Walker has a very unique blend of styles throughout his music; reggae and urban vibes, with subtle hip-hop undertones are met by electronic synth elements and drum pads, combined with real instruments and rock-tinted vocals all underpinned by sincere, heartfelt (and even occasionally political) lyrical themes. I think I can even detect Bob Marley influences in places – reggae sounds and political themes…or is that just me? Sure, at times his voice is quirky and high-pitched but that is met in equal measure by the grittier, growlier and more powerful moments.

You can’t help but want to compartmentalise him as a singer-songwriter or a pop star but he truly breaks every mould you try to apply him to. He has successfully crafted an outstanding debut album that takes elements from many different genres and styles, mashing them up into the perfect concoction of contemporary pop. Despite being an eclectic collection, it still manages to be entirely cohesive. This is a stunning, diverse album that is sure to make massive waves throughout the industry and I’m certain will be a benchmark album for years to come.

It can only get bigger for him from here and I can’t wait to see what new heights Tom Walker soars to next…I’m just pleased I got to see him at The Green Door Store in Brighton (review here) before it all took off.

Rating
5


‘What A Time To Be Alive’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/what-a-time-to-be-alive/1435094194


What A Time To Be Alive on Spotify

Leave A Light On (Official Video)

Just You and I (Official Video)

Angels (Official Video)


We hope you’ve enjoyed our review! What do you think of Tom Walker’s stunning debut, What A Time To Be Alive? Are you as much of a fan as us? What would you rate it? Please leave your thoughts in a comment or via our social media.


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Matt – Muzik Speaks
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#EventSpeaks: This Wild Life & William Ryan Key @ The Haunt, Brighton – 09/02/19

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On Saturday 9th February 2019, William Ryan Key and This Wild Life arrived in Brighton in support of their recent EP and album releases. They were supported by Brighton-based OKTOBA. It was a magical evening, particularly as it was the last night of their month-long tour. Here’s what we thought of the evening…


OKTOBA

Chris Athorne (better known by his moniker, OKTOBA) performed a wonderfully haunting set with his unique brand of alternative folk. His vocal melodies are powerful and ethereal. He’s clearly a very talented songsmith – a great artist in the making and one to watch.


William Ryan Key

As a wonderfully atmospheric introductory soundtrack blasted through the speakers, William Ryan Key (best known for his days as the singer and guitarist in Yellowcard) took to the stage, with just his acoustic guitar, before launching into his first song.

There is something melancholic about seeing this singer performing without his former band mates, but equally something beautifully vulnerable and honest about his latest penmanship, making this performance something special.

It wasn’t long before Ryan (as he’s affectionately known by his family and friends) was joined by Anthony Del Grosso (from This Wild Life) on the drums, making for an even larger sound.

Though Ryan is keen to promote his new material, it was nice to see him pay homage to his Yellowcard days, performing a range of songs from the band’s back catalogue, with some anecdotes thrown in, along the way.

William Ryan Key has a powerful and distinctive voice and though it’s sad that his former band are no longer around, it’s great that he’s still making music and hearing his voice in this new light is mesmerising. He even said he hopes to be back next year, with a full album…what great news! I highly recommend going to check him out live – you won’t regret it.

Highlights:

  • It was really great to get a candid insight into some of the stories behind his new, solo tracks and also how he coped (or didn’t) with the ending of Yellowcard.
  • It was hilarious when he got the audience pumped for This Wild Life by saying, “Their set is a lot more audience participation, a lot less VH1 Storytellers, like my set.” Great humour!
  • The incredible use of backing tracks, perfectly in time with his live performance made his set sound huge, even though it was just him and Anthony on stage.

Setlist

The Same Destination
Mortar and Stone
Only One (Yellowcard)*
Vultures*
Old Friends
Great Unknown
The Bowery
Downtown (Up North)
Keeper (Yellowcard)
MSK (Yellowcard)
Fields & Fences (Yellowcard)
Ocean Avenue (Yellowcard)*
Virtue

These songs can be viewed in the YouTube playlist, below.


This Wild Life

Kevin Jordan and Anthony Del Grosso took to the stage to perform their 12-song set consisting mainly of new songs from their latest album, Petaluma, with some older offerings in the mix too.

For an acoustic rock duo, their sound is remarkably full, and similarly to William Ryan Key, make incredible use of backing tracks and clever blends of their talents, with Anthony even playing the guitar and singing, whilst using his feet to play the bass drum and hi-hats all at the same time – an amazingly talented individual!

One thing that I found pretty funny was that about 95% of their songs ended with Kevin shouting out, “Very cool!” to the crowd – it comes across, almost like a comfort saying and it’s quite humbling that he’s clearly very appreciative of the audience’s reaction. It’s kind of sweet really.

The energy the band gives off is contagious – having never seen the band before or heard much of their music, I found myself completely drawn in by them and moving, even participating, along with the rest of the crowd and for this reason alone, I can’t recommend seeing them, highly enough.

It’s perfectly clear that the pair have a loyal following over here in the UK drawing in a packed house and it’s easy to see why – their interesting blend of rock elements with mainly acoustic instrumentation and a rather feel-good sound (even if some of the songs themselves are self-confessed to be pretty negative) make for something truly special. I’d definitely like to see them play live again – if you haven’t already, you should check them out!

Highlights:

  • It was pretty adorable when Kevin Jordan explained that they’d been out on tour for a month and he was really missing his dog, so asked the audience members to get up pictures of their dogs and show him, whilst performing ‘Puppy Love’.
  • Before performing ‘Hold You Here’Kevin looked for couples to dedicate the song to – when he found one, he got the audience to clear a space for them to slow dance to but then hilariously got out a torch to shine on them – very funny.
  • The combination of many different instruments and backing tracks the pair used throughout the set was awe-inspiring. Their vocal harmonies are awesome too!
  • Kevin‘s on-stage banter is super witty too – making those between-songs moments light-hearted.
  • Whilst Anthony moved some bits around the stage, Kevin performed a great little mashup of 3 massive blink-182 hits (‘What’s My Age Again’ / ‘All The Small Things’ / ‘First Date’) which got the crowd going even more!

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 Setlist

Concrete
Positively Negative
Puppy Love
Westside
History
Hold You Here
Ripped Away
What’s My Age Again? / All The Small Things / First Date (blink-182 cover)*
Catie Rae
Headfirst*
Pull Me Out
No More Bad Days

These songs can be viewed in the YouTube playlist, below.


Finally, I want to say a massive thanks to Andy Snape and Xavier Candelaria from Raw Power Management for making this review happen! Also an even bigger thanks to OKTOBA, William Ryan Key and This Wild Life for putting on such an awesome show!


Enjoyed this? Check out some of our other live reviews here:

Muzik Speaks Live Reviews


Matt – Muzik Speaks
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