#EventSpeaks: Rae Morris @ Concorde 2, Brighton – 25/03/18


   

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On Sunday 25th March 2017, Rae Morris arrived in Brighton to play a show at Concorde 2, in support of her latest album, Someone Out There (review here). Her performance was superb, her vocals flawless and she was supported by PAULi and Saskia Maxwell.


Saskia Maxwell

The haunting songstress, Saskia Maxwell produced a solid set of interesting songs, merging folk and country sounds with her almost Celtic vocals, making for a truly interesting blend of music. She also performed superb and very intricate guitar work, added to some Newton Faulkner-esque beating of the guitar, to create her rhythms. Considering she was performing alone, with just a guitar and her voice (and a stomp box for her last song), she managed to create a really full sound.


PAULi

Next to take to the stage was PAULi; every so often you witness a performance by an artist or band and get the feeling that you just witnessed the start of something very special and unique and PAULi‘s performance was most certainly one of those times. When his first song began, uncertainty and almost amusement crept through the audience with a real sense of, “What the hell is this we’re listening to?!” but very quickly that moment passed and a huge amount of excitement flooded through the audience. What’s more, as his performance went on, he had the crowd right in the palm of his hand.

His sound is incredibly chaotic (almost off-beat and deliberately off-key in places) as he mixes together vibes from London’s urban music scene, with the funk and soul of Prince, but somehow it all works.

Highlight: ‘WAITING (Getting On This Train)’ was a massive song that just filled the room with a wave of excitement and an energy that I’ve not felt in a while. Also, PAULi‘s dancing and crowd interaction was sublime.


Rae Morris

One thing’s for certain, Rae Morris knows how to put on a show! With highs and lows in all the right places and a sound that hits you with full force, I would defy you not to come out having danced to your heart’s content or at the very least singing one of her catchy melodies, all the way home!

From the start of almost understated ‘Push Me To My Limit’ to the danceable ‘Do It’ and ‘Atletico (The Only One)’ this was a show that had something to offer everyone. The audience was truly filled with people of all ages, showing just how diverse her audience is; this must be due to the quirky, credible nature of the pop music she creates and whose appeal spans several generations.

The passion behind her performance shows just how much effort goes in to planning it; some of her more subtle dance moves sync up perfectly with her backing singer, whilst her more elaborate ballet-like, interpretive dances are perfectly calculated and flow effortlessly.

She also manages to play piano whilst delivering her flawlessly powerful vocals and at one point even gives a hand on the synths, all the while, demonstrating just how talented she is.

Some of her most standout performances were ‘Wait For The Rain’ due to the storm sounds and lightning effects, immersing the audience and the story behind ‘Dancing With Character’, accompanied by her ballet-like moves was enough to bring a tear to the eye.

I can’t recommend seeing Rae Morris highly enough – her energy and passion for the music she creates is infectious and whether you’re already a fan or not, you’ll certainly come away wanting more.

Highlights:

  • Rae‘s cute speaking voice with its almost whispery quality is adorable…and the complete opposite to her powerful singing!
  • The dance moves she busts out are incredible; everything from reggae skanking to ballet – a real treat to behold!
  • The backing vocalist’s voice (and twerking!) was sensational and the instrumentation created by the drummer and synth player were brilliant throughout. The duet she did with her drummer was great too!
  • I liked the part of the show where 2 or 3 of the songs all flowed into one another – great transitioning!
  • The genuine appreciation for her fans’ support was beautiful; she is certainly very modest.
  • The fact she made time to meet her fans to chat after the show and sign merchandise, was a really lovely touch.

📷All of the photos of PAULi and Rae Morris are credited to Damon Peirce  📸
Why not go and give him a follow on Instagram and Twitter.


 Setlist

Push Me To My Limit
Reborn
Morne Fortuné
Physical Form
Do It
Cold
Wait For The Rain*
Love Again
Dancing With Character
Dip My Toe
Under The Shadows
Rose Garden
Atletico (The Only One)*

Encore
Lower The Tone
Don’t Go (Short Version)
Someone Out There

These songs can be viewed in the YouTube playlist, below.


Finally, I want to say a MASSIVE thanks to Harriet for sorting out this review and to Rae MorrisPAULi and Saskia Maxwell for all putting on incredible performances and taking the time to chat after the show – it was a fantastic evening!

PAULi & Matt Wright


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#Review: Editors – Violence


   

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Editors are an English rock band from Birmingham who have enjoyed many career successes, including two platinum studio albums (out of five, to date), a Mercury Prize nomination and two albums entering the charts at Number 1. Now, in 2018, the band are releasing their sixth studio album, Violence. Here’s what we think of it…

Editors - Violence.jpg

Let’s just start by saying that this album is a far cry from their post-punkesque, 2005 debut, The Back Room, yet somehow they’re still recognisable…but then maybe that’s the beauty of this band; they’re always growing and always changing, but manage to still be the same, iconic band.

The lead single, ‘Magazine’ is a bold, electro-rock song that is like something you might expect from Depeche Mode, whilst ‘Hallelujah (So Low)’ is acoustic and melodic in places, yet very heavy and industrial-sounding in others; it’s like the lovechild of Coldplay and Nine Inch Nails – not two bands you’d ever expect to be put together, but oddly…it works! Whilst the album has moments of purposeful, off-key darkness, there is just as much positivity and lightheartedness. ‘Darkness At The Door’ is probably the most out-and-out electro-indie/pop song on the album, whilst ‘Cold’ is a stadium-filling, lighter-waving ballad.

This feels like something very different, very new and very exciting for the band.

In other places, this album has similarities with Take That (‘Nothingness’) and even a melody from Chicane‘s ‘Come Back’ struck me in the title track, ‘Violence’. That’s not to say the band are copying from others; they’ve actually just produced an incredibly diverse and eclectic album, that truly has a bit of something for everyone. It has been largely supported by a guy called Blanck Mass (aka Benjamin John Power), who is known for making heavy electronic music and produced by a man named Leo Matthew Abrahams, who has worked with the likes of Imogen Heap, Brian Eno and Florence And The Machine. That’s perhaps why this album has so much distinctiveness to it.

Having worked closely with the two, singer, Tom Smith, said, “When it’s electronic, it’s very electronic. But then when it’s guitar-y, it’s very band driven. I think we’ve managed to find the balance of those two things better than we have done before.” He goes on to say, “I think there’s a balance here between melody and brutality that I don’t think we’ve managed to get before,” and that’s very true; this feels like something very different, very new and very exciting for the band.

This is an incredibly strong album from a well-established band. For so many others, it’s easy to slip under the radar by your sixth album but that won’t be a worry for Editors with this release. Whilst the band have not had a Number 1 album since their third record, In This Light and on This Evening, they’ve managed to create something special with Violence. In fact it would be very surprising if this doesn’t reach enter the charts inside the Top 3, if not Number 1.

Rating
4.5


‘Violence’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/violence/1328602125


Violence on Spotify

Magazine (Official Video)

Hallelujah (So Low) [Official Video]


We hope you’ve enjoyed our review of Editors’ sixth album, Violence! What do you think of it? Are you as much of a fan as us? What would you rate it? Please leave your thoughts in a comment or chat to us about it via our social media.


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#Review: Maroon 5 – ‘Red Pill Blues’


   

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Maroon 5 are one of the biggest bands on the planet and in my eyes they just go from strength to strength. Each album manages to change just enough to move with the current trends in music yet somehow they still manage to maintain their unique identify. This album is a far cry from their debut, Songs About Jane, but it’s still somehow classic Maroon 5.

Red Pill Blues (Deluxe)

The tone for Red Pill Blues is set by the opening track, ‘Best 4 U’, which has a very 80s feel to it with it’s synths and spacey atmosphere, yet somehow it’s still very current.

There’s no mistaking it, this album is less in-your-face about it’s pop nature than some of their previous releases but it’s an incredibly well-crafted record. It is filled with sensual tracks like ‘Lips On You’ (which for some reason really evokes vibes of Phil Collins for me), ‘Wait’, which has a sublime groove to it, married with Adam’s sensational falsetto vocals that just ascend with perfection and then there’s the 11-minute epic track, ‘Closure’, which sees the band break into an extended jam, to close the album. The rather understated, ‘Who I Am’ (featuring LunchMoney Lewis) has a somewhat similar feel to some of the tracks on the band’s debut album while ‘Girls Like You’ is a very catchy song with it’s gang vocals and intense use of acoustic guitar strumming. That’s without even mentioning the massive single, ‘What Lovers Do’, which is just epic!

Not like anything you’ve heard from them before – it’s a sensational, modern-pop record!

Then there’s the deluxe version of the album which contains bonus tracks such as singles ‘Don’t Wanna Know’ and ‘Cold‘ as well as the unreleased tracks ‘Denim Jacket’‘Visions’ and ‘Plastic Rose’ – if you’re a hardcore fan of the band, then you’re definitely going to want this version! ‘Denim Jacket’ has a gospel feel to it, ‘Visions’ is very reggae in its groove, whilst ‘Plastic Rose’ is very current with a deep house tone to it.

It has a very modern pop record and whilst on some tracks you forget they’re actually a full band, others make up for it with their funky bass sounds, soulful guitar licks or acoustic guitar rhythms. The use of different producers hasn’t detracted from it being an eclectic yet comprehensive record.

I would say that this album has a rather mellow and modest feel to it throughout but it’s still a sensational, modern-pop record! You should most definitely check it out – it’s not like anything you’ve heard from them before.

Rating
4


‘Red Pill Blues’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/red-pill-blues-deluxe/id1292455301


Red Pill Blues on Spotify

 ‘What Lovers Do’ featuring SZA (Official Video)


We hope you’ve enjoyed our review of Maroon 5’s latest album! What are your thoughts of this latest release? Are you as much of a fan as us? What would you rate it? Please leave your thoughts in a comment or talk to us about it via our social media.


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#MuzikSpeaks: An Interview with Kyan Palmer

I recently had the chance to chat with up-and-coming singer songwriter Kyan Palmer (sometimes stylised as KYAN) about his recent hit song, ‘Burn Mona Lisa’ and his upcoming plans for a new single and music video. It’s all here…


   

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Hey Kyan, how’s it going?
You know, I just got back to New York. I’ve been in LA for a little bit and then I was in Arizona for a second (‘coz that’s where I’m from) just stopping there for my Mum’s birthday. You know, caught some sort of, I can’t tell if it’s like allergies or if I’m actually sick right now. But now I’m here back in lovely New York; it’s pouring rain, thunder and like 35 degrees. I love it! How are you doing?

Yeah, I’m really good thanks. So you recently dropped your latest single, Burn Mona Lisa and the reception’s been incredible, how exciting for you!
Yeah! It is!

What’s the message behind the song and where did you take your inspiration from?
This was like the first song I ever wrote, I actually wrote it a while ago and I was struggling because I was trying to figure out how to write, what I wanted to do and whatever. I would kind of try to contrive these stories and it just wasn’t working. But one day I wasn’t trying to write, like I was just sitting in my room, it was like a dorm room in college, and I just started writing about what I felt and where I was at, at that point in time was kind of this perfect thing that everybody thought I should do or everyone thought I wanted but that’s not what I wanted at all. That’s kind of how the concept of this perfect image of the Mona Lisa and something that transcends time kind of erupted and evolved. That’s how I roped in that metaphor with where I was at, at that point.

That’s really cool! So, is there an album or EP in the works? 
There sure is! I’m kind of trying to decide exactly what route I’m going to go because part of me is like I should drop an another single, then an EP and then an album down the line. That’s probably what I’ll do, even though that’s more of a traditional model but there are enough songs that I have cut right now, for an album, which is good.

I guess it just depends if you feel it’s right for you and you feel it’s right at that time, I guess.
Yeah, exactly. And the thing about an album, which is different from singles, is that I want the album to be a body of work and to tell the whole story so a lot of songs that may be like good singles wouldn’t necessarily be on that album. So I’m just like sorting through that and getting that done.

So we can’t really get any dates of when to expect anything?
I mean I wish you could tell me the date (laughs).

Are you going to be doing any music videos for any of your releases?
Yeah, so there will be a lyric video that’s going to come out for ‘Burn Mona Lisa’ shortly, that’s in the process of getting approved. Then after that, I’ll see if I want to make an actual music video. I’m going to wait; I mean I had to make one in the past and it did not work well. So right now I’m just going to focus on the lyric video because it’s not going to be your traditional lyric video, it’s more of like a concept video so it could suffice as a video per say. I’m kind of just taking it step by step. For the next single there definitely will be both lyric and a video which I will be shooting shortly.

Brilliant! Can you give us a single title or not yet?
That’s another good question. Some titles that could be the single title. I’m kind of bouncing around between a few. Every day I wake up and I’m like, “OK, let’s go with this one.” “No, maybe I should do this one.” “Maybe I should do this one.” I mean obviously I have to get it done before I shoot the video. So, I have a couple ideas and basically I’ve narrowed it between 3 songs.

If you could collaborate with anyone, who would it be?
Ooh, good question. I’d say Kehlani; she’s awesome. I’d like to do 50 Cent. Maybe even Rihanna; yeah, that’d be cool. I guess those are more like pop urban. There’s the whole DJ thing; there’s a lot of DJs. I like Flume a lot – I would do a track with Flume. I’m all over the place.

What really grinds your gears?
I think music-wise, going to a writing session or a recording session, and somebody is going to sit there and just not get anything done. They’ll be like, “Mmm, I don’t know if that is the direction we wanna go.” I’m type of writer that I’m like, “We’re writing our thoughts and feelings and what we’re doing.” It doesn’t have to be this whole grand process. Yes, there’s music structure and whatever but I was like let’s write our story and then we can go back and edit it into the place that we want. But there’s some people that I’ve been in the room with that’ll take literally 6 days to craft a sentence. There are big pop writers that have like 3 sessions a day; it’s just abnormal to think that you have longer than that.

Is there anything other than music you’re really passionate about?
Other than family, I used to play golf back in the day; my little secret that’s not a secret. I was pretty good at that but I haven’t done it in a minute though. I mean mostly, music just consumes all of my time and passion and energy. I really don’t have time for anything else lately….I like dogs! They’re cool!

What’s the most embarrassing thing that’s ever happened to you?
One time (I mean this is like years ago, but it’s a good one), I was in fourth grade and I was at a golf tournament actually. I remember I was like, “I’m gonna go to the bathroom,” and I found the secret one like in the back of the building, that nobody knew about and I got locked in there. This is like pre-cell phone and all that stuff, so I was sitting there, trapped in the bathroom for 2 and a half hours and a whole search party went out. I remember my Mum was crying, searching for me, my hands were bleeding from trying to break out. There was a good amount of attention I got for that! (Laughs) And I was scared of bathrooms for about 2 years after that!

What music have you been listening to most recently?
I have this playlist on Spotify, it’s called ‘Night Drives’, so that’s like all my influences of the current day. I love Mansionz right now (which is Blackbear and Mike Posner) but my favourite song off that album is ‘Wicked’ – it’s just so good! There’s like an EDM artist, well she’s more of a vocalist that does EDM tracks, her name’s ALMA; her track ‘Chasing Highs’ is super good! I love The 1975‘Somebody Else (Alt Edit)’ that’s my favourite. There’s like a baby artist named Griffin Oskar. Super, super talented – he’s got a song called ‘Hostage’, also really good. Oh I love Khalid – have you heard of him?

Yeah, ‘American Teen’ isn’t it?
Yeah, that album is just crazy good. Super good!

Awesome! If you had to cover a recent chart song, what would it be and why?
Oh good question! If I could sing the chorus to ‘It Ain’t Me‘ by Kygo and Selena Gomez, I’d do that, but I can’t do that ‘ba ba ba’ – that part. I like ‘Passionfruit’ (Drake), September Song (JP Cooper), Cold (Maroon 5). Even what I was saying earlier, like Khalid‘Location is another good song. Any of those.

What’s the best film you’ve seen lately?
The best film I’ve seen lately. OK, not gonna lie, it’s between two. One is this movie called ‘The Girl on the Train’, I really liked that. I don’t know why I liked it, but I did. And then the other one is Moana (laughs).

Oh yeah! That’s a good film!
I don’t what, I just liked it.

Why not ‘Beauty and the Beast’?
Oh I didn’t see that one yet.

What! Oh my gosh, it’s epic!
I heard it’s really good. I gotta watch it.

If a film was made about your life, who would you want to play you?
Oh, well I guess hopefully that’d be in like 20 years, so they’re probably a baby now but probably you know, Kim Kardashian and Kanye West‘s baby. Saint? Is that his name? Saint West. What a famous person to play me!

Well send off your letter now – ‘I’ve got a job for you in 20 years’ (Laughter) If you could be any biscuit or chocolate bar, which one would you be and why?
Hmm OK. I’d probably be a dark mint chocolate (or biscuit) because it’s got that refreshing kind of feel to it; it’s a little different to your standard; it’s dark so it’s gonna be an acquired taste and then mint’s in there. Then it’s 50/50 of whether or not the aftertaste is good (laughter).

That’s good; I like that! So, last question – what’s the best advice you’ve ever been given?
He doesn’t even remember this but it was by Daniel Glass who is the head of Glassnote Records. He told me (and this is kind of why I ended up in New York, and started thinking about stuff) that ‘if you want it, you have to be in the room where it happens.’ That was his quote and I was like, ‘I don’t know what the hell that means’. I kind of like went with it. I kind of learned that if you want to be, whatever you want to be, (like for me it’s obviously an artist) and there’s other people that have billions of passions. There’s a difference between saying, ‘I want it,’ and you can go do it at your house or putting yourself in the environment that, that’s all you’re surrounded by because you’re going to be at an advantage that way and learn ten times more. So that is the reason I ended up moving to New York and doing the whole thing and really diving in, was I wanted to be in the room where it happens. It made a lot of difference for me.

That’s a good quote! Well thank you very much for taking the time to chat.
I appreciate it.


Kyan Palmer‘s releases are all available:


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#Two4Tunesday: Katy Perry – ‘Chained To The Rhythm’ feat. Skip Marley & Maroon 5 – ‘Cold’ feat. Future


   

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Katy Perry – ‘Chained To The Rhythm’ featuring Skip Marley

Katy Perry is back! This tune is huge and not as much of a club-like banger as some of her previous singles; it’s quietly catchy. The addition of a verse from Skip Marley adds a certain edge to the track too.

Katy’s changed her image for this album too, sporting a new bleach-blonde look and a heavily pastel-pink theme to the single’s artwork and some of her press shots.

The song has quite a heavy 80s vibe to it yet it seems quite current and timeless all in the same moment. I think this song and upcoming album will see her continue to rise!

The music video is brilliant and the budget for it must have been astronomical. The style of the video is futurism and blends a sort of 1950s vibe with futuristic elements; it’s also very tongue-in-cheek about how tied to technology humanity has become. It’s well worth a watch!


‘Chained To The Rhythm’ is on iTunes for downloading now! – https://itunes.apple.com/gb/album/chained-to-the-rhythm-feat-skip-marley/id1203833700?i=1203833818



Maroon 5 – ‘Cold’ featuring Future

I love Maroon 5 – I don’t think they’ve ever released a bad song or album, in my eyes! Every album has been unique and takes the band in a completely different sonic direction. They’re a million miles away from Songs About Jane, but yet they still produce incredibly funky, fun and interesting music that pushes the stereotypical band image and sound to new heights!

This song is so different to all their previous singles with is heavy bass sounds, tropical house/jungle drum patterns and Adam Levigne‘s trademark falsetto vocals weaving throughout; it’s just a masterpiece of production and a thoroughly interesting sound for the band.

Naturally, this seems to be the second single (of which Don’t Wanna Know‘ was the first) to be taken from their upcoming, as-yet-untitled, sixth studio album. It’s set to be a promising release for the band!

The music video is seriously trippy too – check it out below. The end of the video is hilarious too – the perfect end to a perfectly weird video!


‘Cold’ can also be downloaded from iTunes now! – https://itunes.apple.com/gb/album/cold-feat-future/id1204595283?i=1204595505


Matt – Muzik Speaks
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