#Review: Klingande – The Album

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Klingande started out as a production duo back in 2012, releasing a couple of notable tracks. However, following the departure of one half of the pair in 2014, Cédric Steinmyller chose to continue using the moniker, as a solo venture. Since then and with a string of singles and remixes under his belt, the French DJ and tropical house producer, is now releasing his debut album, The Album. Here’s what we have to say about it…

Klingande - The Album

Klingande‘s aptly-titled debut album, The Album, sees the producer putting out a double-disc record. The first of which is a body of work that sounds sonically polished and wonderfully well collected together, whilst the second disc is more a collection of the producer’s previous hits and well-known tracks.

The first disc is definitely an album that has been inspired by the likes of the late Avicii, blending real instruments with electronic elements. It would appear that there are other influences being played with too, with a real sense of the Deep South of America interwoven throughout – such as ‘Sinner’ (featuring Stevie Appleton) with country-style acoustic guitars in the verses and bluesy guitar riffs in the chorus. Or By The River’ that has slick guitars and features the raspy yet soulful vocals from Jamie N Commons. Even a harmonica finds its way onto the album (courtesy of French harmonica player, Greg Zlap) on the refreshing and rather frantic, surefire fan-favourite, ‘Ready For Love’ (also featuring vocals from UK singer-songwriter, Joe Killington).

The album opens with his latest single, ‘Amsterdam’ (the first of two collaborations with pop duo BRIGHT SPARKS) an acoustic-led, mellow dance track with a heavy underlying bass which sounds almost separate to the rest of the track, in a really interesting way. The second collaboration with BRIGHT SPARKS is previous single, ‘Messiah’ a subtle yet very catchy track, with some interesting fills, like a great dubstep-style wob-wob, leading into the final chorus.

‘Simple Man’ has some beautiful, distant gospel backing vocals, topped off with a deep lead vocal. This track is definitely a nod to his older sound, as it’s very saxophone led. Meanwhile, ‘Famous’ is quite different in tone to the rest of the album, particularly as it’s the first track on The Album to feature a female vocal.

The Album is a wonderful collection of songs that bring about an interesting new depth to dance music, making it stand out from a lot of other EDM.

Besides ‘Ready For Love’ (a personal favourite!), the final two tracks are possibly the best ones on the record. ‘Alive’ is a very positive track about things you won’t allow to get to you or defeat you and whilst the lyrics are not necessarily the deepest or most well-written, it’s catchy as hell and the message is great! Equally, closing track, ‘Only Breath’ (and the second to feature an unknown female vocal) is an airy and atmospheric song, with a synth rhythm that is pure euphoria – a wonderful track in spite of the inevitable dance drop.

The second half of The Album serves as more of a greatest hits, collating a bunch of Klingande‘s previous releases from the past few years – a time when he was more recognised for his prominent piano and saxophone use.

Whilst reviewing The Album, I chose to focus my attention mainly on the first half of the record, due to it being a more comprehensive collection of songs, however what the second half does do, is bring most of his previous releases together in one place and showcase just what growth this artist has been through, whilst the first half marks a new chapter in his career.

The Album is a wonderful collection of songs that bring about an interesting new depth to dance music, making it stand out from a lot of other EDM, but at its core, still uses tried, tested and much-loved dance sensibilities. This is a record that will be enjoyed by people of all ages and could quite easily be the perfect party companion. Given the growth demonstrated on this record, it’ll be interesting to see what direction Klingande goes in next!

Rating
4


‘The Album’ is out now and can be downloaded from iTunes – https://music.apple.com/gb/album/the-album/1484567866


The Album on Spotify

Amsterdam featuring Bright Sparks (Official Lyric Video)

Messiah featuring Bright Sparks (Official Video)

By The River featuring Jamie N Commons (Official Video)

Jubel (Official Video)


We hope you’ve enjoyed our review! What do you think of the producer’s debut album? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media and feel free to share our review.


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#MuzikSpeaks: An Interview with John Gibbons

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I recently had the privilege of doing a Skype interview with Irish producer and remixer, John Gibbons, following the release of his latest single and cover of the massive 1994, ‘Hotstepper’.

We spoke all about how some of his cover versions came to be, who he’d most like to collaborate with, what his passions are outside of music and one of his most embarrassing moments on stage. It’s all here…



John Gibbons‘ releases are all available:


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#Review: ONE OK ROCK – Eye Of The Storm 🌪

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ONE OK ROCK are a Japanese rock band who formed in Tokyo, in 2005. The band currently consists of Takahiro Moriuchi (vocals), Toru Yamashita (guitar), Ryota Kohama (bass), and Tomoya Kanki (drums). Since forming, the band have played many different styles of music, from alternative rock to emo and even post-hardcore to their most recent, pop rock style. In 2016, the band signed to Fueled By Ramen, releasing their eighth studio album, Ambitions, featuring collaborations with Avril Lavigne5 Seconds Of Summer and Alex Gaskarth (All Time Low). This year, (2019) sees the release of their ninth studio album (although only their third US release), Eye Of The Storm. Here’s what we have to say about it…

one ok rock - eye of the storm

From the very start of Eye Of The Storm, it’s clear that ONE OK ROCK have made a conscious departure from the previous, emo, alternative rock and post-hardcore incarnations, favouring a much more pop-led sound. That’s not a bad thing though, as this is a brilliantly-crafted pop powerhouse of a record, that is sure to further cement their position as one of big players in the pop rock genre (alongside label mates like Panic! At The Disco and Against The Current. In fact ‘Eye Of The Storm’ and ‘Worst In Me’ are almost an obvious transitioning from their old sound to their new, blending their alternative rock roots with their new, more synth-driven pop elements.

There’s a real passion and raw talent to singer Takahiro “Taka” Moriuchi‘s vocals throughout the record too, as he explores the full extent of his vocal range, pulling off some stunning falsetto notes, intertwined with soaring choruses and exquisitely long-held notes.

‘Stand Out Fit In’ is testament to this – it’s very much an anthem about embracing people’s differences, with the goosebump-inducing, falsetto lines, “They yell, they preach, I’ve heard it all before. Be this, be that, I’ve heard it before.” It’s definitely a track that’s going to capture the hearts of many!

It’s actually very hard to pin-point just a few favourite tracks but ‘Push Back’ is wonderful for its gang vocal harmonies, like a modern-day Queen track. The descending melody echoing throughout the song is truly captivating too. ‘Wasted Nights’ is all about making the most of your life and enjoying each other’s company and the line, “Let’s live like we’re immortal, Maybe just for tonight, We’ll think about tomorrow (yeah), When the sun comes up,” is poetic, conjuring up nostalgic imagery and the underlying gospel vocals are stunning. The video only makes the track even more epic too (see below)! Even ‘Change’ – there’s definitely something a little boyband about the song (like 5 Seconds Of Summer meets One Direction), with the synth-sounding guitar lines, but the melodies are passionate and the message is poignant, positive and uplifting, “Hey, You know it’s not too late for us to make a change, You gotta listen to your heart what does it say? No matter how much we might bend, we will not break.”

It’s great to see that after nine albums in thirteen years, a band can still find ways to push themselves to adapt and grow, and be completely unafraid to try new directions.

That’s not to say there aren’t other special moments throughout the album; ‘Head High’ is definitely a pop track and whilst there isn’t much depth behind the lyrics or songwriting on it, it’s certainly catchy! ‘Letting Go’ really stands out for being so unique to the rest of the record – a calm little, acoustic-led track that is so beautifully understated, dealing with getting over a relationship and coming to terms with it. ‘Unforgettable’ has some definite dance music vibes to it, with the intense drum beats and whistling in the chorus, but with guitars thrown in. It’s quite a unique blend of genres.

‘Giants’ leads from delicate verses into a big chorus and has a strong Take That vibe to it, whilst ‘In The Stars’ adds a little vocal diversity with Kiiara featuring on the track, accompanied by a military-style beat.

‘Grow Old Die Young’ is a perplexing track though; it has a strong melody in the chorus but certain elements of it are very mediocre – a synth sound which doesn’t really fit the song and then there’s the lyrics, “I want the cause of my death, to be amazing sex,” which is honestly pretty cringe!

The album actually draws to a powerful close with ‘The Last Time’, led by a really strong chorus melody, topped off with a raspy, scream-like vocal that just knocks the record out of the park, right at the last second.

Eye Of The Storm is an interesting release for the band, as it’s their most commercial-sounding release to date, meaning it’s very palatable, for a broad range of listeners and is certainly bound to pick up a lot of new fans along the way. However, it could be argued that elements of depth and sincerity about their songwriting have been somewhat lost, rendering some of the tracks a little forgettable.

The drastic change in sound is definitely going to be felt by fans of their previous release, Ambitions, as some of the more emotive lyricism and raw instrumentation, has been exchanged for top-rate production values but at its heart, it is clearly still a ONE OK ROCK album.

That said, it’s equally great to see that after nine albums in thirteen years, a band can still find ways to push themselves to adapt and grow, and be completely unafraid to try new directions, and for that, this album should be admired. It’s a great record, with some banging tunes on and I can’t wait to hear what the band do next!

Rating
4


‘Eye Of The Storm’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/eye-of-the-storm/1441817576


Eye Of The Storm on Spotify

Stand Out Fit In (Official Video)

Wasted Nights (Official Video)

Change (Official Video)


We hope you’ve enjoyed our review! What do you think of the band’s ninth studio album, Eye Of The Storm? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or join the conversation via our social media.


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#Review: Against The Current – Past Lives 👁


   

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Against The Current are an American pop rock band from New York, who formed in 2011. The band is made up of Chrissy Costanza (lead vocals), Dan Gow (guitars) and Will Ferri (drums). The band are notable for regularly posting covers on YouTube as well as delighting fans with original tracks too. In 2016, after signing to Fueled By Ramen, the band released their debut album, In Our Bones. Now, 2018 sees the band releasing their second full-length record, Past Lives. Here’s what we have to say about it…

Against The Current - Past Lives.jpg

This stunningly diverse and charming record opens with the almost haunting ‘Strangers Again’, dealing with getting over a relationship and cutting ties. The guitar line is dreamy and the vocal breakdown towards the end is a rather quiet and personal moment that really draws you in. It’s a brilliant way to open a record; it doesn’t go in all guns blazing but instead captivates the audience with its beautiful soundscapes.

Next is probably the best track on record, ‘The Fuss’. With Daft Punk-esque, 80s synths, funky guitar rhythms and one hell of a catchy chorus, this is a track you will just want to play really loud and dance like mad to!

Other significant songs include: ‘I Like The Way’ – a track all about new love that almost reaches EDM territory with its strong piano line. It’s something you might expect from the likes of Sigala‘s Easy Love or Sweet Lovin’; ‘Voices’ is a slightly more grungy offering about being self-conflicted and trying to ignore the internal voices (which is reflected perfectly with whispering backing vocals) – it’s very Paramore meets Fickle Friends, whilst ‘Scream’ is a rather floaty and dreamy song – for some reason it evokes images of the perfect all-American family from the 1960s (no idea why!) It’s an uplifting yet subtle track; I keep finding myself going back for more.

‘Personal’ has a Taylor Swift-like quality to it and the production is incredible – the vocal harmonies sit beneath the rest of the production in the chorus, but it’s truly enchanting. ‘P.A.T.T.’ (short for Pretty All The Time) is an out and out female empowerment anthem – it’s fast-paced, punchy and relatively simplistic but the message is fun and powerful about girls feeling like they should be allowed to be themselves without having to look “pretty all the time”…calling all, “Girls!”

It’s an impeccably well-crafted record which has very successfully merged the boundaries between dance, pop and rock music, with a sprinkling of 80s vibes on top.

Lastly, ‘Friendly Reminder’ is another notable song, it’s certainly an album track rather than a potential single but the use of a phaser effect on the vocals and an epic clap-along chorus towards the end make it really stand out…again, there’s a big 80s vibe to it.

What Against The Current manage to do so well throughout, is take you on a journey with them; when they’re soaring high, you’ll feel all the sparks of excitement with them brought about with big synth sounds, intense beats and tons of reverb but equally when melancholy reigns, you’ll feel their heartache too.

Whilst I could say something about every track on the record, I won’t – you just need to experience it for yourself. I really can’t recommend this highly enough…the only reason it didn’t get a 5 is because there are one or two less stand-out, album-fillers but even those are pretty damn good. It is very much an album which marks a band that have found their feet; they’ve created something wonderfully catchy yet utterly credible with sincere lyricism, interesting melodies and top-notch production.

It’s an impeccably well-crafted record which has very successfully merged the boundaries between dance, pop and rock music, with a sprinkling of 80s vibes on top; it’s difficult to pigeonhole this band…in a good way! It’s a truly exciting time for the band; this will certainly make waves in the genre and undoubtedly pave an exciting path for their future!

Rating
4-5


‘Past Lives’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/past-lives/1425108766


Past Lives on Spotify

Almost Forgot (Official Video)


We hope you’ve enjoyed our review! What do you think of this band’s sophomore release, Past Lives? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


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#EventSpeaks: Brighton Pride 2018 @ Preston Park, Brighton – 04/08/18


   

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On Saturday 4th August 2018, Preston Park was brought to life with the UK’s largest, annual Pride Festival and this year was especially huge, with over 57,000 people partying the day away. This was, in part, due to the presence of the one and only Britney Spears, headlining the main stage. Also performing were Louise, MNEK, Mabel, Pixie Lott and Ella Eyre. The afternoon was utterly incredible and people had a truly unforgettable time…the best Brighton Pride yet!

Relive the whole thing with our Brighton Pride Weekender playlist.


Mabel

Mabel‘s performance was great – considering she’s not released an album yet, I still knew most of the songs she performed (through their online presence and radio airplay), such as ‘Fine Line’‘Ring Ring’‘My Lover’ and ‘Finders Keepers’ (which can be seen in the YouTube video below). However, even those I didn’t know were captivating to watch due to her excellent live vocals and high energy. A lot of her songs have clear R&B and reggae influences which means her debut album (that she is currently working on) should be really interesting!


Pixie Lott

It’s been a while since Pixie Lott‘s last album (the self-titled Pixie Lott in 2014) but she sure showed how sensational her voice and just how many massive hits she’s had with this fun-filled performance. Some of the stand-out performances included ‘Mama Do (Uh Oh, Uh Oh)’‘Boys And Girls’‘Turn It Up’ and ‘All About Tonight’ (which can be seen in the YouTube video below). I’m just gutted she didn’t perform her summery 2017 collaboration with Anton Powers‘Baby’. Regardless, her vocals were flawless and she looked like she was having the time of her life…let’s just hope it won’t be long until a new album emerges!


Ella Eyre

Considering she’s only had one album, Ella Eyre has had a lot of hits, not only through her own tracks but also through her incredible collaborations. The set was packed with notable performances and in fact I could mention them all for different reasons…she was just truly remarkable.

‘Good Times’ followed by ‘Together’ really got the crowd going; ‘LOV(E)’ had some great audience participation elements with a real Caribbean feel to it; her cover of Jermaine Stewart‘s ‘We Don’t Have To Take Our Clothes Off’ was pure perfection and then her final tracks were all some of her most notable collaborations – ‘Waiting All Night’ (originally with Rudimental), ‘Answerphone’ (originally with Banx & Ranx) and it all came to a close with the monster hit ‘Came Here For Love’ (originally with Sigala). Her vibe is very dancehall meets drum & bass topped off with a touch of soul…it was the perfect summer sound to bop around to at this year’s Pride and get everyone warmed up for Britney!

Highlights:

  • Her vocals were flawless and crowd interaction was top notch.
  • The songs she performed were perfect – the audience pretty much knew them all and if they didn’t, she taught them to us.
  • Her use of audience participation was brilliant, particularly on ‘LOV(E)’.
  • The energy she pours into her performance is truly contagious and certainly got people moving!

Setlist

Good Times*
Together
LOV(E)
Ego
We Don’t Have To Take Our Clothes Off (Jermaine Stewart Cover)*
Waiting All Night
Answer Phone
Came Here For Love*

These songs can be viewed in the YouTube playlist, below.


Britney Spears

BRITNEY. WAS. AMAZING! Sure, she didn’t sing a word live, but when you look past that, her performance was out of this world!

It had everything you could want from a superstar of her calibre; it was fast-paced with high energy, superb choreography, several costume changes, interesting set pieces and video backdrops, a live band and it was packed to bursting point with hit after hit. Including some off her most recent album, Glory, which I was really pleased about!

Her set was further diversified with different versions or intros to some of her hits, such as ‘…Baby, One More Time’ and Toxic’.

With someone like Britney it’s very difficult to pick out favourite performances of tracks as it’s just one big, epic show that you can’t help but enjoy from start to finish but if I had to pick some; ‘Work Bitch’ was an incredible way to start the set and had the audience going wild, ‘Me Against The Music’ had some amazing set pieces just like the music video (cracked walls), ‘Slumber Party’ as the choreography was sexy and the song is just sensational and ‘Till The World Ends’ as the audience were loving every second of it and at the end, the confetti canon exploded with rainbow colours…it was magical!

It is a shame that Britney doesn’t really sing live but there are so many other ways she makes up for it and I still can’t believe she headlined Brighton Pride…it was certainly a performance you did not want to miss!

Highlights:

  • There really are so many highlights to choose from; the colours, the lights, the sounds, the movements; she is just a sensational performer that puts her every effort into what she does – she’s remarkable!
  • Oh and Britney getting someone out of the audience to chain up and be a part of the choreography for a song was hilarious!

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Setlist

Act I
BRITNEY (Introduction)
Work Bitch*
Womanizer*
Break The Ice/Piece Of Me*

Act II
Darkness (Interlude)
…Baby One More Time/Oops!… I Did It Again

Act III
If I’m Dancing (Interlude)
Me Against The Music*
Gimme More
Clumsy/Change Your Mind

Act IV
Scream & Shout (will.i.am Interlude)*
Boys
Do You Wanna Come Over?
Work It/Get Ur Freak On/WTF (Where They From) (Dance Interlude)

Act V
Get Naked (I Got A Plan) (Interlude)
I’m A Slave 4 U
Make Me…*
Freakshow
Do Somethin’

Act VI
Magic Circus (Interlude)
Circus
If U Seek Amy
Breathe On Me
Slumber Party*
Touch Of My Hand

Act VII
Jungle Fever (Interlude)
Toxic
Stronger/(You Drive Me) Crazy*

Encore
Till The World Ends*

These songs can be viewed in the YouTube playlist, below.


Finally, I want to say a massive thanks to the Brighton Pride organisers for putting together such an incredible line-up for this year’s Pride…it was amazing! Now…how the hell are you gonna top Britney next year?!


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#Two4Tunesday: Ariana Grande – ‘No Tears Left To Cry’ & Emma Blackery – ‘Dirt’


   

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Ariana Grande – ‘No Tears Left To Cry’

Ariana Grande is back with the first single to be taken from her upcoming fourth album, ‘No Tears Left to Cry’. Written by Grande herself, alongside Savan Kotecha and its producers Max Martin and Ilya, it is a rather different pop track to her normal style.

Don’t be mistaken, it’s still dance-pop at the core with a powerful vocal chorus, but it’s got some quite 90s pop and R&B influences to it and it’s certainly not an instant and obvious standout hit; this track is much more of a grower.

The video features Grande performing amongst a lot of disorientated scenery (which corresponds with the upside-down text of the single cover and leaks of Grande in a corresponding sweatshirt). It’s an interesting concept for the video, which was directed by Dave Meyers.


‘No Tears Left To Cry’ is on iTunes for downloading now! – https://itunes.apple.com/gb/album/no-tears-left-to-cry/1374085537?i=1374087460



Emma Blackery – ‘Dirt’

Emma Blackery is a singer-songwriter, YouTuber and author from Basildon in Essex, UK. To date she has 1.5 million subscribers on YouTube, with 148 million views and in 2016, she supported Busted on their Pigs Can Fly Tour.

Now, in 2018, Emma Blackery is releasing her new single, ‘Dirt’. With a decidedly electro-pop foundation, this track is topped off with Blackery’s rather British-sounding voice (which is quite refreshing!) and some explicit vocals; making it edgier than your normal dance-pop songs.

The video is a bit of fun with it’s quirky dances and neon pink and blue colours throughout; it’s not breaking any boundaries but it’s light-hearted and funky.

This is a great track by a great up-and-coming artist on the pop scene!


‘Dirt’ can also be downloaded from iTunes now! – https://itunes.apple.com/gb/album/dirt-single/1353482430


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#Two4Tunesday: Zedd, Maren Morris & Grey – ‘The Middle’ & Lil Dicky – ‘Freaky Friday’ featuring Chris Brown


   

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Zedd, Maren Morris & Grey – ‘The Middle’

Zedd‘s latest track, ‘The Middle’ features the American electronic music duo, Grey (aka brothers Kyle Trewarth and Michael Trewartha) and vocals by American country singer, Maren Morris.

This track may well have come out at the start of 2018 but 10 weeks later, it’s still at Number 10 in the UK charts, following the success of 2017’s Stay with Alessia Cara, however this track performed even better than that.

It’s a fun, uplifting track which has a very similar feel to ‘Stay’ with it’s combination of raw, powerful and digitised/vocoder vocals, atop a blend of 90s pop sensibilities and modern EDM vibes, making for a very distinctive sound.

The video is great fun too, with it’s stunning set and extravagant use of visual lighting. All-round this is just a fantastic piece of modern pop that will undoubtedly get stuck in everyone’s head; a true favourite of mine right now!


‘The Middle’ is on iTunes for downloading now! – https://itunes.apple.com/gb/album/the-middle/1336771022?i=1336771388



Lil Dicky – ‘Freaky Friday’ featuring Chris Brown

The second track this week is Lil Dicky‘s Number 1, smash hit, ‘Freaky Friday’, featuring guest vocals from Chris Brown.

The track itself is a combination of  hip hop, pop and comedy (think similar to The Lonely Island), centring on the film(s) of the same name and continually references Chris Brown himself, throughout.

Whilst this track is intentionally comedic and works hilariously with its accompanying music video, there’s no doubt about it that this is one heck of a catchy tune too; it’s easy to see how it’s managed to top the UK Charts!

The music video itself parodies the 2003 film Freaky Friday (starring Jamie Lee Curtis and Lindsay Lohan) and features cameos from Jimmy TatroEd SheeranDJ Khaled and Kendall Jenner. It’s a must-watch video but also, I defy anyone not to end up singing along to this earworm of a track!


‘Freaky Friday’ can also be downloaded from iTunes now! – https://itunes.apple.com/gb/album/freaky-friday-feat-chris-brown/1351005381?i=1351005400


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