#EventSpeaks: Brighton Pride 2018 @ Preston Park, Brighton – 04/08/18


   

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On Saturday 4th August 2018, Preston Park was brought to life with the UK’s largest, annual Pride Festival and this year was especially huge, with over 57,000 people partying the day away. This was, in part, due to the presence of the one and only Britney Spears, headlining the main stage. Also performing were Louise, MNEK, Mabel, Pixie Lott and Ella Eyre. The afternoon was utterly incredible and people had a truly unforgettable time…the best Brighton Pride yet!

Relive the whole thing with our Brighton Pride Weekender playlist.


Mabel

Mabel‘s performance was great – considering she’s not released an album yet, I still knew most of the songs she performed (through their online presence and radio airplay), such as ‘Fine Line’‘Ring Ring’‘My Lover’ and ‘Finders Keepers’ (which can be seen in the YouTube video below). However, even those I didn’t know were captivating to watch due to her excellent live vocals and high energy. A lot of her songs have clear R&B and reggae influences which means her debut album (that she is currently working on) should be really interesting!


Pixie Lott

It’s been a while since Pixie Lott‘s last album (the self-titled Pixie Lott in 2014) but she sure showed how sensational her voice and just how many massive hits she’s had with this fun-filled performance. Some of the stand-out performances included ‘Mama Do (Uh Oh, Uh Oh)’‘Boys And Girls’‘Turn It Up’ and ‘All About Tonight’ (which can be seen in the YouTube video below). I’m just gutted she didn’t perform her summery 2017 collaboration with Anton Powers‘Baby’. Regardless, her vocals were flawless and she looked like she was having the time of her life…let’s just hope it won’t be long until a new album emerges!


Ella Eyre

Considering she’s only had one album, Ella Eyre has had a lot of hits, not only through her own tracks but also through her incredible collaborations. The set was packed with notable performances and in fact I could mention them all for different reasons…she was just truly remarkable.

‘Good Times’ followed by ‘Together’ really got the crowd going; ‘LOV(E)’ had some great audience participation elements with a real Caribbean feel to it; her cover of Jermaine Stewart‘s ‘We Don’t Have To Take Our Clothes Off’ was pure perfection and then her final tracks were all some of her most notable collaborations – ‘Waiting All Night’ (originally with Rudimental), ‘Answerphone’ (originally with Banx & Ranx) and it all came to a close with the monster hit ‘Came Here For Love’ (originally with Sigala). Her vibe is very dancehall meets drum & bass topped off with a touch of soul…it was the perfect summer sound to bop around to at this year’s Pride and get everyone warmed up for Britney!

Highlights:

  • Her vocals were flawless and crowd interaction was top notch.
  • The songs she performed were perfect – the audience pretty much knew them all and if they didn’t, she taught them to us.
  • Her use of audience participation was brilliant, particularly on ‘LOV(E)’.
  • The energy she pours into her performance is truly contagious and certainly got people moving!

Setlist

Good Times*
Together
LOV(E)
Ego
We Don’t Have To Take Our Clothes Off (Jermaine Stewart Cover)*
Waiting All Night
Answer Phone
Came Here For Love*

These songs can be viewed in the YouTube playlist, below.


Britney Spears

BRITNEY. WAS. AMAZING! Sure, she didn’t sing a word live, but when you look past that, her performance was out of this world!

It had everything you could want from a superstar of her calibre; it was fast-paced with high energy, superb choreography, several costume changes, interesting set pieces and video backdrops, a live band and it was packed to bursting point with hit after hit. Including some off her most recent album, Glory, which I was really pleased about!

Her set was further diversified with different versions or intros to some of her hits, such as ‘…Baby, One More Time’ and Toxic’.

With someone like Britney it’s very difficult to pick out favourite performances of tracks as it’s just one big, epic show that you can’t help but enjoy from start to finish but if I had to pick some; ‘Work Bitch’ was an incredible way to start the set and had the audience going wild, ‘Me Against The Music’ had some amazing set pieces just like the music video (cracked walls), ‘Slumber Party’ as the choreography was sexy and the song is just sensational and ‘Till The World Ends’ as the audience were loving every second of it and at the end, the confetti canon exploded with rainbow colours…it was magical!

It is a shame that Britney doesn’t really sing live but there are so many other ways she makes up for it and I still can’t believe she headlined Brighton Pride…it was certainly a performance you did not want to miss!

Highlights:

  • There really are so many highlights to choose from; the colours, the lights, the sounds, the movements; she is just a sensational performer that puts her every effort into what she does – she’s remarkable!
  • Oh and Britney getting someone out of the audience to chain up and be a part of the choreography for a song was hilarious!

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Setlist

Act I
BRITNEY (Introduction)
Work Bitch*
Womanizer*
Break The Ice/Piece Of Me*

Act II
Darkness (Interlude)
…Baby One More Time/Oops!… I Did It Again

Act III
If I’m Dancing (Interlude)
Me Against The Music*
Gimme More
Clumsy/Change Your Mind

Act IV
Scream & Shout (will.i.am Interlude)*
Boys
Do You Wanna Come Over?
Work It/Get Ur Freak On/WTF (Where They From) (Dance Interlude)

Act V
Get Naked (I Got A Plan) (Interlude)
I’m A Slave 4 U
Make Me…*
Freakshow
Do Somethin’

Act VI
Magic Circus (Interlude)
Circus
If U Seek Amy
Breathe On Me
Slumber Party*
Touch Of My Hand

Act VII
Jungle Fever (Interlude)
Toxic
Stronger/(You Drive Me) Crazy*

Encore
Till The World Ends*

These songs can be viewed in the YouTube playlist, below.


Finally, I want to say a massive thanks to the Brighton Pride organisers for putting together such an incredible line-up for this year’s Pride…it was amazing! Now…how the hell are you gonna top Britney next year?!


Enjoyed this? Check out some of our other live reviews here:

Muzik Speaks Live Reviews


Matt – Muzik Speaks
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#Review: Editors – Violence


   

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Editors are an English rock band from Birmingham who have enjoyed many career successes, including two platinum studio albums (out of five, to date), a Mercury Prize nomination and two albums entering the charts at Number 1. Now, in 2018, the band are releasing their sixth studio album, Violence. Here’s what we think of it…

Editors - Violence.jpg

Let’s just start by saying that this album is a far cry from their post-punkesque, 2005 debut, The Back Room, yet somehow they’re still recognisable…but then maybe that’s the beauty of this band; they’re always growing and always changing, but manage to still be the same, iconic band.

The lead single, ‘Magazine’ is a bold, electro-rock song that is like something you might expect from Depeche Mode, whilst ‘Hallelujah (So Low)’ is acoustic and melodic in places, yet very heavy and industrial-sounding in others; it’s like the lovechild of Coldplay and Nine Inch Nails – not two bands you’d ever expect to be put together, but oddly…it works! Whilst the album has moments of purposeful, off-key darkness, there is just as much positivity and lightheartedness. ‘Darkness At The Door’ is probably the most out-and-out electro-indie/pop song on the album, whilst ‘Cold’ is a stadium-filling, lighter-waving ballad.

This feels like something very different, very new and very exciting for the band.

In other places, this album has similarities with Take That (‘Nothingness’) and even a melody from Chicane‘s ‘Come Back’ struck me in the title track, ‘Violence’. That’s not to say the band are copying from others; they’ve actually just produced an incredibly diverse and eclectic album, that truly has a bit of something for everyone. It has been largely supported by a guy called Blanck Mass (aka Benjamin John Power), who is known for making heavy electronic music and produced by a man named Leo Matthew Abrahams, who has worked with the likes of Imogen Heap, Brian Eno and Florence And The Machine. That’s perhaps why this album has so much distinctiveness to it.

Having worked closely with the two, singer, Tom Smith, said, “When it’s electronic, it’s very electronic. But then when it’s guitar-y, it’s very band driven. I think we’ve managed to find the balance of those two things better than we have done before.” He goes on to say, “I think there’s a balance here between melody and brutality that I don’t think we’ve managed to get before,” and that’s very true; this feels like something very different, very new and very exciting for the band.

This is an incredibly strong album from a well-established band. For so many others, it’s easy to slip under the radar by your sixth album but that won’t be a worry for Editors with this release. Whilst the band have not had a Number 1 album since their third record, In This Light and on This Evening, they’ve managed to create something special with Violence. In fact it would be very surprising if this doesn’t reach enter the charts inside the Top 3, if not Number 1.

Rating
4.5


‘Violence’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/violence/1328602125


Violence on Spotify

Magazine (Official Video)

Hallelujah (So Low) [Official Video]


We hope you’ve enjoyed our review of Editors’ sixth album, Violence! What do you think of it? Are you as much of a fan as us? What would you rate it? Please leave your thoughts in a comment or chat to us about it via our social media.


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Matt – Muzik Speaks
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#Review: The Darkness – ‘Pinewood Smile’


   

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The Darkness are an English rock band from Lowestoft, Suffolk who first came to the public’s attention in 2003, with their debut album, Permission to Land. In particular, their debut single, ‘I Believe in a Thing Called Love’, was a monster hit, reaching Number 2 in the UK Charts. Now, 14 years on, and with a string of other successful singles and albums, the band have just released their fifth studio album, Pinewood Smile.

Pinewood Smile Cover.jpg

Right from the offset of the opening track, ‘All The Pretty Girls’, you get the feeling that this album is somewhat similar in style to their debut (Permission To Land); the guitars are layered and punchy and they’ve managed to re-create the magic of what made them so popular back in 2003, but this time with the incredible drumming talents of Rufus Tiger Taylor (son of Queen‘s Roger Taylor).

Pinewood Smile is without a doubt a more grown-up and darker record from the band. It definitely still has a lot of the charm that The Darkness have become so loved for (in terms of their mash up of classic rock with obvious pop qualities) but they’re taking on more political views (‘Southern Trains’) and cynical stances and clear frustrations of the modern music industry (‘Solid Gold’). Having said that, while it may be a brand new album, it’s packed with tracks which are sure to become classics. There’s still a lot of that tongue-in-cheek lyricism but they’re weaving it in with variations to their style of rock by experimenting with subtle style differences.

It may be a brand new album but it’s packed with tracks which are sure to become classics.

There are some lovely (and at times comedic) gems throughout the album, such as Justin’s Southern American accent on ‘All The Pretty Girls’, while the verses of ‘Lay Down With Me, Barbara’ are reminiscent of smooth jazz – something you might find in some sort of chill-out lounge. Then you’ve got ‘Buccaneers Of Hispaniola’ which contains some insanely great vocal harmonies; ‘Happiness’ which is quite the stadium-filling, chant-along anthem and it all comes to a close with the beautiful and intricate, ‘Stampede Of Love’, which descends into chaos by the end, making for a fitting end to the album.

The entire record was recorded in Cornwall, with award-winning producer and engineer Adrian Bushby (who’s worked with the likes of Foo FightersMuse and My Bloody Valentine) at the helm. He’s done an excellent job of managing to capture the band’s well-known sound but still put his mark on it too – the drums are a lot more prominent than on some of their previous albums and there are lovely elaborate parts to some of the tracks which he really brings out well in the production.

I would recommend this album to anyone who’s about to embark on a long journey and needs something heavy to spice up their travels. Once you know the words, it’s definitely a record you will want to sing along to, especially in a car packed with mates. It’s a witty, punchy and an interesting direction for the band – well worth getting/listening to.

Rating
4


‘Pinewood Smile’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/pinewood-smile-deluxe/id1259927517


‘Pinewood Smile’ on Spotify

Solid Gold (Official Video)

Southern Trains (Official Video)


We hope you’ve enjoyed our review of the band’s latest album! What are your thoughts on it? What would you rate it? Please leave your thoughts in a comment or let us know via our social media.


Enjoyed this? Check out some of our other reviews here:

Muzik Speaks Album Reviews


Matt – Muzik Speaks
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