#Review: Fickle Friends – You Are Someone Else


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Fickle Friends are a Brighton-based, indie-pop band who have gone from strength to strength, since their humble beginnings. Now signed to Polydor, they are releasing their long awaited, debut album, You Are Someone Else. Here’s what we have to say about it…

Fickle Friends - You Are Someone Else.jpg

It’s been a long time coming, but Fickle Friends have finally released their eagerly anticipated, debut album and it certainly doesn’t disappoint! This is an album packed to bursting point with catchy choruses, groovy guitar licks and salacious synth sounds.

The record opens with the darkly addictive and super chant-able, Wake Me Up’ and manages to maintain momentum throughout, whether it be the huge pop anthems like ‘Glue’ (a personal favourite!) and ‘Swim’ or the more placid, mellow offerings such as ‘In My Head. This is an incredibly diverse album that has a little something for everyone, yet still manages to come together as a superb collection of hard work, perfectly crafted and super skilled songwriting. It is also nice to see that the band haven’t followed the current trend of putting out a standard 10-track album, with a special deluxe edition, but instead have just the one version with a very decent, 16 tracks.

There are strong resemblances with the likes of The 1975 (on ‘Say No More’ and ‘Bite’), MUNA (on ‘Hard To Be Myself’ and ‘In My Head’), Shura (as with ‘Hello Hello’) and Rae Morris (on ‘Swim’) and it would certainly fit well with fans of theirs, but could equally find a place in any trendy, pop or indie-lover’s music collection too!

This is an album packed to bursting point with catchy choruses, groovy guitar licks and salacious synth sounds.

One thing is for certain, the band have managed to produce a fantastic sound that is both contemporary, modern pop yet strongly 80s tinted at the same time; something which is even reflected in their music video imagery and album artwork.

Although the sound throughout is fun and uplifting, that is contrary to the deeply personal lyricism, which finds singer, Natti Shiner, touching upon topics like self-doubt and anxiety, as can be heard on ‘Hard To Be Myself’ or rocky relationships, like that of ‘Wake Me Up’.

Other songs to take note of include the beautifully soothing ‘Paris’, the incredibly pop-tastic, ‘Bite’, the incredibly funky ‘Lovesick’ and the mammoth banger that is ‘Glue’. However, ‘Rotation’ is the only track I find to be somewhat disappointing; it’s quite repetitive and stands out from the rest of the album (and not in a particularly good way). That’s not to say it’s bad, it’s just not particularly memorable and doesn’t seem to fit nicely amongst the rest of the, otherwise perfect, album.

Fickle Friends have undoubtedly created one heck of a masterpiece; this is not simply shallow, meaningless, throw-away chart hits but rather, relatable pop music with a purpose. The band have made good-quality and fun songs with real depth and meaning, that is definitely going to get stuck in your head. This is sure to be just the beginning for the band. I’m certain this will pave the way for a long and successful career; one which I can’t wait to witness as they continue to grow.


‘You Are Someone Else’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/you-are-someone-else/1312920152

You Are Someone Else on Spotify

Hard To Be Myself (Official Video)

Glue (Official Video)

Brooklyn (Official Video)

Swim (Official Video)

We hope you’ve enjoyed our review of Brighton-based, Fickle Friends’ debut album, You Are Someone Else! What do you think of it? Are you as much of a fan as us? What would you rate it? Please leave your thoughts in a comment or chat to us about it via our social media.

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Matt – Muzik Speaks


#Review: Editors – Violence


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Editors are an English rock band from Birmingham who have enjoyed many career successes, including two platinum studio albums (out of five, to date), a Mercury Prize nomination and two albums entering the charts at Number 1. Now, in 2018, the band are releasing their sixth studio album, Violence. Here’s what we think of it…

Editors - Violence.jpg

Let’s just start by saying that this album is a far cry from their post-punkesque, 2005 debut, The Back Room, yet somehow they’re still recognisable…but then maybe that’s the beauty of this band; they’re always growing and always changing, but manage to still be the same, iconic band.

The lead single, ‘Magazine’ is a bold, electro-rock song that is like something you might expect from Depeche Mode, whilst ‘Hallelujah (So Low)’ is acoustic and melodic in places, yet very heavy and industrial-sounding in others; it’s like the lovechild of Coldplay and Nine Inch Nails – not two bands you’d ever expect to be put together, but oddly…it works! Whilst the album has moments of purposeful, off-key darkness, there is just as much positivity and lightheartedness. ‘Darkness At The Door’ is probably the most out-and-out electro-indie/pop song on the album, whilst ‘Cold’ is a stadium-filling, lighter-waving ballad.

This feels like something very different, very new and very exciting for the band.

In other places, this album has similarities with Take That (‘Nothingness’) and even a melody from Chicane‘s ‘Come Back’ struck me in the title track, ‘Violence’. That’s not to say the band are copying from others; they’ve actually just produced an incredibly diverse and eclectic album, that truly has a bit of something for everyone. It has been largely supported by a guy called Blanck Mass (aka Benjamin John Power), who is known for making heavy electronic music and produced by a man named Leo Matthew Abrahams, who has worked with the likes of Imogen Heap, Brian Eno and Florence And The Machine. That’s perhaps why this album has so much distinctiveness to it.

Having worked closely with the two, singer, Tom Smith, said, “When it’s electronic, it’s very electronic. But then when it’s guitar-y, it’s very band driven. I think we’ve managed to find the balance of those two things better than we have done before.” He goes on to say, “I think there’s a balance here between melody and brutality that I don’t think we’ve managed to get before,” and that’s very true; this feels like something very different, very new and very exciting for the band.

This is an incredibly strong album from a well-established band. For so many others, it’s easy to slip under the radar by your sixth album but that won’t be a worry for Editors with this release. Whilst the band have not had a Number 1 album since their third record, In This Light and on This Evening, they’ve managed to create something special with Violence. In fact it would be very surprising if this doesn’t reach enter the charts inside the Top 3, if not Number 1.


‘Violence’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/violence/1328602125

Violence on Spotify

Magazine (Official Video)

Hallelujah (So Low) [Official Video]

We hope you’ve enjoyed our review of Editors’ sixth album, Violence! What do you think of it? Are you as much of a fan as us? What would you rate it? Please leave your thoughts in a comment or chat to us about it via our social media.

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Matt – Muzik Speaks

#Review: George FitzGerald – All That Must Be


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George FitzGerald is an English, electronic musician who previously worked for London label, Black Market Records, but after relocating to Berlin in 2010, began recording and releasing his own music. 2015 saw the release of his debut album, Fading Love, and now in 2018, he’s releasing his second record, All That Must Be. Here’s what we have to say about it…

George FitzGerald - All That Must Be.jpg

The album opens to the sounds of the hustle and bustle outside FitzGerald’s London studio, nicely setting the theme for the rest of the record, which very much echos the thrum of urban life.

In amongst the production, vocals are present, however, save for the tracks with guest vocalists, Lil Silva and Tracey Thorn (Everything But The Girl), they are barely recognisable, through much distortion and production wizardry. This is executed perfectly though, as they blend so well with the instrumentation, that it actually takes a few listens to properly realise they are in fact vocals.

George further explains, “In many of the songs the vocals are disembodied and processed to the point you can’t make out what they’re saying. I wanted that to mirror the uncanniness you feel when a massive event happens in your life. Everything looks and sounds the same but it’s somehow different. Your surroundings are less intelligible.” This is very much reflected in the album’s lead single ‘Burns’, which was also played regularly on Radio 1.

This album is a complete body of artistic work that has a unique story-like quality to it.

All That Must Be is very much an album of music that brilliantly depicts urban life. It is almost a soundtrack to the commotion of a city and represents the rhythm and heartbeat that so many cities often seem to have.

On first listen it’s easy to feel like all the tracks on the album are quite similar and that it stays the same from start to finish. However, it’s only when you listen again that you can truly appreciate just what a remarkable piece George FitzGerald has created, with subtle, intricate variations and changes in atmosphere. This is a complete body of artistic work that has a unique story-like quality to it. It might not be to everyone’s taste but it is astounding how an almost entirely instrumental album, can so clearly illustrate a picture in the mind and audibly represent so many moods. It’s both hypnotic and melancholic in places and there is a real sense of motion about it; it certainly doesn’t stand still.

Some of the most stand-out tracks are ‘Frieda’ for its meditative quality, ‘Burns’, for simply being the monster track that it is and ‘Roll Back’ and ‘Half-Light (Night Version)’ for their collaborations with Lil Silva and Tracey Thorn, respectively.

This is a record that could easily be experienced and enjoyed on a long drive at night, with the warm summer air breezing through the open windows or as something to ultimately sit back, relax and chill out to.


‘All That Must Be’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/all-that-must-be/1322664114

All That Must Be on Spotify

Roll Back featuring Lil Silva (Official Video)

Burns (Official Audio)

George FitzGerald Tour Dates

All tickets are on general sale now, via www.george-fitzgerald.com.

19 March – Munich, DE – Ampere
20 March – Berlin, DE – Schwuz
21 March – Cologne, DE – Yuca
22 March – Paris, FR – Nouveau Casino
23 March – Brussels, BE – AB Club
24 March – Utrecht, NL – Catch Festival
26 March – Brighton, GB – The Haunt
27 March – London, GB – Islington Assembly Hall
28 March – Glasgow, GB – The Art School
29 March – Manchester, GB – Gorilla
09 May – San Francisco, US – The Independent
10 May – Echo Park, US – The Echo
12 May – Salt Lake City, US – Kilby Court Gallery
13 May – Denver, US – Larimer Lounge
15 May – Chicago, US – Subterranean
16 May – Toronto, CA – Drake Hotel
17 May – Montreal, CA – Bar le Ritz PDB
18 May – Boston, US – Great Scott
19 May – New YorkUS – Rough Trade

We hope you’ve enjoyed our review of George FitzGerald’s second album, All That Must Be! What do you think of it and what would you rate it? Please let us know your thoughts in a comment or share your feelings about it via our social media.

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Matt – Muzik Speaks

#Review: Geowulf – Great Big Blue


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Geowulf is a duo comprised of members Star Kendrick and Toma Banjanin, originally from Australia. They started writing music a few years ago and released their first track, ‘Saltwater’, in July 2016, which now features on their debut album, Great Big Blue. Here’s what we had to say about it…

Geowulf - Great Big Blue.jpg

Self-described as ‘Beach Pop’, this album is exactly that; it’s hypnotic, easy listening music with a brilliant blend of laid-back guitars, floaty vocals, subtle synths, down-tempo beats and all-round melancholic vibes.

This album is Americana through and through and could quite happily be the soundtrack to a lazy afternoon around a Californian pool-side or whilst hitting the open road in a big convertible, wind through your hair, driving down an American highway. It has a strong resemblance to some of Lana Del Rey‘s music too…just with a slightly more light-hearted feel to it.

Great Big Blue is hypnotic, easy listening music with a brilliant blend of laid-back guitars, floaty vocals, subtle synths, down-tempo beats and all-round melancholic vibes

Prior to its release, the album enjoyed several successful singles but some of biggest highlights on the record include; ‘Sunday’, which is a beautifully mellow ballad, setting the tone for what’s to come (plus the opening lyric gives the album its title), ‘Saltwater’, is slightly more up-tempo with a real summery warmth to it, ‘Get You’, has an almost African rhythm, topped off with Star’s long, drawn-out notes, whilst ‘Drink Too Much’ is probably one of the most conventionally pop tracks, with a tongue-in-cheek look at how drinking a little more than you should, whilst on a night out, can land you in trouble when you get home, with the simplistic yet honest lyrics; ‘Coz I get myself in trouble when I drink too much, Think too much, And you’re somehow on my mind when I drink too much, Think too much.‘ At face value, it sounds cheerful and uplifting but when you listen to the lyrics, it’s a real oxymoron to the sound.

On first listen, the songs tend to blur a little into one, however it’s after a few plays through that you can begin to detect the differences between each track and truly admire Star’s euphoric vocals, Banjanin’s stunning melodies and understand the complexity behind the simplistic-sounding, psychedelic production, appreciating just how much time and effort must have gone into producing Great Big Blue. I have to say, whilst I really did enjoy this record, from start to finish, it is not necessarily an album that you will want on repeat for weeks on end; it’s a very good album but will it stand the test of time? Sadly, I’m not convinced.


‘Great Big Blue’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/great-big-blue/1316527015

Great Big Blue on Spotify

‘Saltwater’ (Official Video)

‘Don’t Talk About You’ (Official Video)

‘Get You’ (Official Video)

We hope you’ve enjoyed our review of Geowulf’s debut album! What do you think of it? What would you rate it? Please leave your thoughts in a comment or hit us up via our social media to talk about it.

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Matt – Muzik Speaks

#MuzikSpeaks: An Interview with Weesp


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Weesp are an electronic/alternative rock band from Minsk, Belarus, that have formed their own unique style. Since 2008, the band have received numerous publications and performed many concerts around the world, including festivals in Belarus, Russia and Poland. They’ve taken time out of their busy schedule to chat to us about their upcoming album, Black Sails, and here’s what they had to say…

Hey Stak, how’s it going?
We all are in great mood and can’t wait to share our news with you!

That’s awesome! What future plans have you got? Any new singles or an album in the pipeline?
We’ve already written a new album named Black Sails. Right now we are finishing the mastering, and pushing out new music videos, to support the release of this album. It is going to [be released] 24th March 2018. We released the first single, ‘Illumination’, and three more are coming!

Where do you take inspirations from when making your music?
It comes from everyday. All the events and people around. We like catching a mood, a condition of mind, a feeling – you know, all that short moments when you feel alive. All our songs are created from feelings, emotions, experiences that guided us. Each song has some kind of history or strong experience under it – this is the main source of musical inspiration. When we just started we also found an inspiration in such bands as Tool, Deftones, Nine Inch Nails and this kind of stuff.

What’s your usual process for writing/recording?
We divide the process of writing and the recording process very much. Often there is a long enough time between composing a track and recording it. Maybe a couple of months, maybe a year! Writing music from track to track always goes differently. Sometimes it starts from a jam, sometimes everyone composes his own part at home, sometimes we all get together and do the musical brainstorm.

As for recording, for the second time we recorded an album at the magnificent studio ‘Hertz’ in Poland. We lived there for a few weeks until all the instruments were recorded.

If you could do a collaboration with anyone, who would it be and why?
On the LP, The Void, we made two tracks featuring Cory Brandon of Norma Jean as guest vocals. We really like these tracks and we are very happy with how they turned out. For the new LP, we decided not to invite guests, although there were very interesting options. And of course, I would really like to get a feature with Jonathan Davis.

That would be cool! So what music have you been listening to most recently?
I use Last.FM Scrobbler, so it will not be difficult to answer this question – I just have to look…so, this is Lil Peep with album Hellboy.

If you had to cover a recent chart song, which song would it be and why?
I’m thinking about ‘Triple Beam’ by Machine Head or ‘Less Than’ by Nine Inch Nails. These songs are pretty new and absolutely amazing. I don’t know about positions in any charts, but I don’t give a shit about charts anyway.

Haha! Fair enough. So what makes a great show for you?
Of course, first of all it is a crowd. The mood of the audience is quickly transferred to the musicians. And to play a show with a good mood is what makes a great show.

Do you have any pre-show or post-show rituals?
Before the show our singer Lex always drinks 4cl of brandy, and everybody does a lot of sport exercises. And after the show – we bow, as in a fucking theatre.

Haha! I love it! Has anything scary ever happened to you on tour?
Returning from the last tour, we’ve got in a car accident and have seriously damaged the rental bus, and all because the car-rental forgot to give us a bus without a working ABS. This was really scary, especially since I have never been in a traffic accident before.

Yeah, that sounds really scary! Do you have any other passions outside of music?
Each of the members of course has other interests besides music. Mi, our Bassist, is fond of super low cars and builds his STANCE project. I like to humiliate enemies in the Call of Duty playing online on my PS4, and Lex is a big fan of drinking =)

What really grinds your gears?
You know, nothing grinds my gears worse than some chowderhead that doesn’t know when to keep his big trap shut… like that movie said!

Haha! What’s the best film you’ve seen lately?
For sure it’s ‘The Greatest Showman’ with Hugh Jackman and Zac Efron in the main roles. We’ve even decided to add some musical dances to one of our new videos, inspired with this film!

Wow, that’s pretty cool! I wasn’t expecting that answer either. I’ve still not seen it but heard amazing things about it. If, in say 20 years time, a film was made about your life, who would you want to play you?
I would say – young Jackie Chan, but I’m too fat to pretend…so I’ll choose Sammo Hung!

Ha! If you could be any chocolate bar, which one would you be?
Because me and my brother (he plays bass in our band) are twins, so it’s going to be delicious white chocolate Twix!

What’s the best advice you’ve ever been given?
Stand your ground whatever is happening! And listen to Weesp!

Haha! Love a shameless plug! Well thanks very much for taking the time to chat to us today.
Thank you.

Weesp‘s releases are all available:

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#Review: Rae Morris – Someone Out There


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Rae Morris is an English singer and songwriter, hailing from Blackpool, Lancashire. With an album already under her belt, she’s back with her second full-length offering, Someone Out There, released through Atlantic Records.

Rae Morris - Someone Out There

The album opens with the simplistic yet melodic, ‘Push Me To My Limit’, which feels almost like the starting narration of a musical or a soundtrack, leading up to something epic.

There isn’t a completely running theme throughout the album but each track has a way of telling it’s own little story. Some of the most stand-out tracks on the record include; ‘Atletico (The Only One)’ for its unusual and bold use of choppy vocal hooks and melodies – it’s a really stunning song, ‘Do It’ has a very atmospheric, electro-indie vibe that’s truly catchy, ‘Wait For The Rain’ has a beautiful vocal melody that I love more and more each time I hear it – it also builds up a quite dirty beat to become this massive banger and ‘Dip My Toe’ which is one of the most pop tracks on the album but it has a certain Grimes quality to it. You can’t help but love the vocal hook in the chorus and sing along to it.

It’s not a generic pop record by any means and that’s something to admire – her bravery and conviction to shape her own sound and stand out from the crowd is truly refreshing.

Throughout the album, there are strong similarities with Björk (on the track ‘Rose Garden’), Imogen Heap (on ‘Lower The Tone’) and (on ‘Reborn’) – there’s a ton of quirkiness in Rae’s vocals (she’s certainly not afraid to utilise her voice in weird and wonderful ways!) and a real boldness in the instrumentation, provided by collaborator Fryars – the clever use of subtle sounds that somehow stand out, make a real impression. There is plenty of space for the vocals to shine through in the production and vice versa.

One thing is for certain; whilst this is a major label pop artist’s release, it has a uniqueness about it and there’s a real essence that she was given license to create something that suited her style and make the record she wanted to make. It’s not a generic pop record by any means and that’s something to admire – it’d be so easy for her to pump out something to fit the mould of current trends but her bravery and conviction to shape her own sound and stand out from the crowd is truly refreshing. This is a pretty awesome album, that with each listen I’ve become more and more fond of – I think it has a lot to offer and it certainly shows that Rae Morris knows exactly the sort of artist she wants to be.


‘Someone Out There’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/someone-out-there/1299762265

Someone Out There on Spotify

Reborn (Official Video)

Do It (Official Video)

Atletico (The Only One) (Official Video)

We hope you enjoyed our review of Rae’s second studio album. What do you have to say about it? Would you rate it the same as us? Please leave your thoughts in a comment or share your feelings with us via our socials.

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Matt – Muzik Speaks

#WildCardWednesday: Bexey – ‘Suitcase’


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Bexey Swan is currently an unsigned British rapper, who was born August 3rd 1996. Bexey‘s previous stage name was Zehtroid Vzn, before he changed it to his current cognomen.

The rapper posts the majority of his music on his SoundCloud account, where he is close to 20k followers.

Some of his most popular songs include ‘Suitcase’ as well as ‘MYTH KILLA’ and ‘YOUNG HEARTBREAKER.’ Before the tragic and unpredicted passing of rapper Lil Peep, the two were close friends and posted frequent collaborations as well as Bexey supporting Peep on his most recent European tour.

Screen Shot 2018-01-15 at 11.11.10
Source: Spotify.com

In the song ‘Suitcase’, Bexey paints the picture of the struggles and challenges his fast-paced tour and music producing life can present to him. He also talks about how he has grown as a musician, when people doubted him.

“My boy’s ain’t slept in like two days, no way, it’s too late. Life feeling like a movie.”‘Suitcase’, Bexey

The sombre, slightly melancholy vibe of this song is emphasised by his somewhat robotic, synthesised voice. The deep, repetitive beat paired with the guitar gives the track a slow, steady pace which reflects the lyrics where Bexey sings about his lack of sleep, due to the rhythm of his schedule.

What do you think of this unsigned rapper’s honest tune? Have you got anything similar to recommend? Or do you have something of a different genre to recommend us? Use the hashtag, #WildCardWednesday or hit us up via our socials.

Frankie – Muzik Speaks

‘Suitcase’ can be downloaded off iTunes now – https://itunes.apple.com/gb/album/suitcase/1285256440?i=1285257778