#Review: Editors – Violence


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Editors are an English rock band from Birmingham who have enjoyed many career successes, including two platinum studio albums (out of five, to date), a Mercury Prize nomination and two albums entering the charts at Number 1. Now, in 2018, the band are releasing their sixth studio album, Violence. Here’s what we think of it…

Editors - Violence.jpg

Let’s just start by saying that this album is a far cry from their post-punkesque, 2005 debut, The Back Room, yet somehow they’re still recognisable…but then maybe that’s the beauty of this band; they’re always growing and always changing, but manage to still be the same, iconic band.

The lead single, ‘Magazine’ is a bold, electro-rock song that is like something you might expect from Depeche Mode, whilst ‘Hallelujah (So Low)’ is acoustic and melodic in places, yet very heavy and industrial-sounding in others; it’s like the lovechild of Coldplay and Nine Inch Nails – not two bands you’d ever expect to be put together, but oddly…it works! Whilst the album has moments of purposeful, off-key darkness, there is just as much positivity and lightheartedness. ‘Darkness At The Door’ is probably the most out-and-out electro-indie/pop song on the album, whilst ‘Cold’ is a stadium-filling, lighter-waving ballad.

This feels like something very different, very new and very exciting for the band.

In other places, this album has similarities with Take That (‘Nothingness’) and even a melody from Chicane‘s ‘Come Back’ struck me in the title track, ‘Violence’. That’s not to say the band are copying from others; they’ve actually just produced an incredibly diverse and eclectic album, that truly has a bit of something for everyone. It has been largely supported by a guy called Blanck Mass (aka Benjamin John Power), who is known for making heavy electronic music and produced by a man named Leo Matthew Abrahams, who has worked with the likes of Imogen Heap, Brian Eno and Florence And The Machine. That’s perhaps why this album has so much distinctiveness to it.

Having worked closely with the two, singer, Tom Smith, said, “When it’s electronic, it’s very electronic. But then when it’s guitar-y, it’s very band driven. I think we’ve managed to find the balance of those two things better than we have done before.” He goes on to say, “I think there’s a balance here between melody and brutality that I don’t think we’ve managed to get before,” and that’s very true; this feels like something very different, very new and very exciting for the band.

This is an incredibly strong album from a well-established band. For so many others, it’s easy to slip under the radar by your sixth album but that won’t be a worry for Editors with this release. Whilst the band have not had a Number 1 album since their third record, In This Light and on This Evening, they’ve managed to create something special with Violence. In fact it would be very surprising if this doesn’t reach enter the charts inside the Top 3, if not Number 1.


‘Violence’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/violence/1328602125

Violence on Spotify

Magazine (Official Video)

Hallelujah (So Low) [Official Video]

We hope you’ve enjoyed our review of Editors’ sixth album, Violence! What do you think of it? Are you as much of a fan as us? What would you rate it? Please leave your thoughts in a comment or chat to us about it via our social media.

Enjoyed this? Check out some of our other reviews here:

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Matt – Muzik Speaks


#Review: George FitzGerald – All That Must Be


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George FitzGerald is an English, electronic musician who previously worked for London label, Black Market Records, but after relocating to Berlin in 2010, began recording and releasing his own music. 2015 saw the release of his debut album, Fading Love, and now in 2018, he’s releasing his second record, All That Must Be. Here’s what we have to say about it…

George FitzGerald - All That Must Be.jpg

The album opens to the sounds of the hustle and bustle outside FitzGerald’s London studio, nicely setting the theme for the rest of the record, which very much echos the thrum of urban life.

In amongst the production, vocals are present, however, save for the tracks with guest vocalists, Lil Silva and Tracey Thorn (Everything But The Girl), they are barely recognisable, through much distortion and production wizardry. This is executed perfectly though, as they blend so well with the instrumentation, that it actually takes a few listens to properly realise they are in fact vocals.

George further explains, “In many of the songs the vocals are disembodied and processed to the point you can’t make out what they’re saying. I wanted that to mirror the uncanniness you feel when a massive event happens in your life. Everything looks and sounds the same but it’s somehow different. Your surroundings are less intelligible.” This is very much reflected in the album’s lead single ‘Burns’, which was also played regularly on Radio 1.

This album is a complete body of artistic work that has a unique story-like quality to it.

All That Must Be is very much an album of music that brilliantly depicts urban life. It is almost a soundtrack to the commotion of a city and represents the rhythm and heartbeat that so many cities often seem to have.

On first listen it’s easy to feel like all the tracks on the album are quite similar and that it stays the same from start to finish. However, it’s only when you listen again that you can truly appreciate just what a remarkable piece George FitzGerald has created, with subtle, intricate variations and changes in atmosphere. This is a complete body of artistic work that has a unique story-like quality to it. It might not be to everyone’s taste but it is astounding how an almost entirely instrumental album, can so clearly illustrate a picture in the mind and audibly represent so many moods. It’s both hypnotic and melancholic in places and there is a real sense of motion about it; it certainly doesn’t stand still.

Some of the most stand-out tracks are ‘Frieda’ for its meditative quality, ‘Burns’, for simply being the monster track that it is and ‘Roll Back’ and ‘Half-Light (Night Version)’ for their collaborations with Lil Silva and Tracey Thorn, respectively.

This is a record that could easily be experienced and enjoyed on a long drive at night, with the warm summer air breezing through the open windows or as something to ultimately sit back, relax and chill out to.


‘All That Must Be’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/all-that-must-be/1322664114

All That Must Be on Spotify

Roll Back featuring Lil Silva (Official Video)

Burns (Official Audio)

George FitzGerald Tour Dates

All tickets are on general sale now, via www.george-fitzgerald.com.

19 March – Munich, DE – Ampere
20 March – Berlin, DE – Schwuz
21 March – Cologne, DE – Yuca
22 March – Paris, FR – Nouveau Casino
23 March – Brussels, BE – AB Club
24 March – Utrecht, NL – Catch Festival
26 March – Brighton, GB – The Haunt
27 March – London, GB – Islington Assembly Hall
28 March – Glasgow, GB – The Art School
29 March – Manchester, GB – Gorilla
09 May – San Francisco, US – The Independent
10 May – Echo Park, US – The Echo
12 May – Salt Lake City, US – Kilby Court Gallery
13 May – Denver, US – Larimer Lounge
15 May – Chicago, US – Subterranean
16 May – Toronto, CA – Drake Hotel
17 May – Montreal, CA – Bar le Ritz PDB
18 May – Boston, US – Great Scott
19 May – New YorkUS – Rough Trade

We hope you’ve enjoyed our review of George FitzGerald’s second album, All That Must Be! What do you think of it and what would you rate it? Please let us know your thoughts in a comment or share your feelings about it via our social media.

Enjoyed this? Check out some of our other reviews here:

Muzik Speaks Album Reviews

Matt – Muzik Speaks

#Review: Geowulf – Great Big Blue


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Geowulf is a duo comprised of members Star Kendrick and Toma Banjanin, originally from Australia. They started writing music a few years ago and released their first track, ‘Saltwater’, in July 2016, which now features on their debut album, Great Big Blue. Here’s what we had to say about it…

Geowulf - Great Big Blue.jpg

Self-described as ‘Beach Pop’, this album is exactly that; it’s hypnotic, easy listening music with a brilliant blend of laid-back guitars, floaty vocals, subtle synths, down-tempo beats and all-round melancholic vibes.

This album is Americana through and through and could quite happily be the soundtrack to a lazy afternoon around a Californian pool-side or whilst hitting the open road in a big convertible, wind through your hair, driving down an American highway. It has a strong resemblance to some of Lana Del Rey‘s music too…just with a slightly more light-hearted feel to it.

Great Big Blue is hypnotic, easy listening music with a brilliant blend of laid-back guitars, floaty vocals, subtle synths, down-tempo beats and all-round melancholic vibes

Prior to its release, the album enjoyed several successful singles but some of biggest highlights on the record include; ‘Sunday’, which is a beautifully mellow ballad, setting the tone for what’s to come (plus the opening lyric gives the album its title), ‘Saltwater’, is slightly more up-tempo with a real summery warmth to it, ‘Get You’, has an almost African rhythm, topped off with Star’s long, drawn-out notes, whilst ‘Drink Too Much’ is probably one of the most conventionally pop tracks, with a tongue-in-cheek look at how drinking a little more than you should, whilst on a night out, can land you in trouble when you get home, with the simplistic yet honest lyrics; ‘Coz I get myself in trouble when I drink too much, Think too much, And you’re somehow on my mind when I drink too much, Think too much.‘ At face value, it sounds cheerful and uplifting but when you listen to the lyrics, it’s a real oxymoron to the sound.

On first listen, the songs tend to blur a little into one, however it’s after a few plays through that you can begin to detect the differences between each track and truly admire Star’s euphoric vocals, Banjanin’s stunning melodies and understand the complexity behind the simplistic-sounding, psychedelic production, appreciating just how much time and effort must have gone into producing Great Big Blue. I have to say, whilst I really did enjoy this record, from start to finish, it is not necessarily an album that you will want on repeat for weeks on end; it’s a very good album but will it stand the test of time? Sadly, I’m not convinced.


‘Great Big Blue’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/great-big-blue/1316527015

Great Big Blue on Spotify

‘Saltwater’ (Official Video)

‘Don’t Talk About You’ (Official Video)

‘Get You’ (Official Video)

We hope you’ve enjoyed our review of Geowulf’s debut album! What do you think of it? What would you rate it? Please leave your thoughts in a comment or hit us up via our social media to talk about it.

Enjoyed this? Check out some of our other reviews here:

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Matt – Muzik Speaks

#Review: Rae Morris – Someone Out There


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Rae Morris is an English singer and songwriter, hailing from Blackpool, Lancashire. With an album already under her belt, she’s back with her second full-length offering, Someone Out There, released through Atlantic Records.

Rae Morris - Someone Out There

The album opens with the simplistic yet melodic, ‘Push Me To My Limit’, which feels almost like the starting narration of a musical or a soundtrack, leading up to something epic.

There isn’t a completely running theme throughout the album but each track has a way of telling it’s own little story. Some of the most stand-out tracks on the record include; ‘Atletico (The Only One)’ for its unusual and bold use of choppy vocal hooks and melodies – it’s a really stunning song, ‘Do It’ has a very atmospheric, electro-indie vibe that’s truly catchy, ‘Wait For The Rain’ has a beautiful vocal melody that I love more and more each time I hear it – it also builds up a quite dirty beat to become this massive banger and ‘Dip My Toe’ which is one of the most pop tracks on the album but it has a certain Grimes quality to it. You can’t help but love the vocal hook in the chorus and sing along to it.

It’s not a generic pop record by any means and that’s something to admire – her bravery and conviction to shape her own sound and stand out from the crowd is truly refreshing.

Throughout the album, there are strong similarities with Björk (on the track ‘Rose Garden’), Imogen Heap (on ‘Lower The Tone’) and (on ‘Reborn’) – there’s a ton of quirkiness in Rae’s vocals (she’s certainly not afraid to utilise her voice in weird and wonderful ways!) and a real boldness in the instrumentation, provided by collaborator Fryars – the clever use of subtle sounds that somehow stand out, make a real impression. There is plenty of space for the vocals to shine through in the production and vice versa.

One thing is for certain; whilst this is a major label pop artist’s release, it has a uniqueness about it and there’s a real essence that she was given license to create something that suited her style and make the record she wanted to make. It’s not a generic pop record by any means and that’s something to admire – it’d be so easy for her to pump out something to fit the mould of current trends but her bravery and conviction to shape her own sound and stand out from the crowd is truly refreshing. This is a pretty awesome album, that with each listen I’ve become more and more fond of – I think it has a lot to offer and it certainly shows that Rae Morris knows exactly the sort of artist she wants to be.


‘Someone Out There’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/someone-out-there/1299762265

Someone Out There on Spotify

Reborn (Official Video)

Do It (Official Video)

Atletico (The Only One) (Official Video)

We hope you enjoyed our review of Rae’s second studio album. What do you have to say about it? Would you rate it the same as us? Please leave your thoughts in a comment or share your feelings with us via our socials.

Enjoyed this? Check out some of our other reviews here:

Muzik Speaks Album Reviews

Matt – Muzik Speaks

#Two4Tunesday: Marshmello x Lil Peep – ‘Spotlight’ & Cadell – ‘Create A Career’


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Marshmallow x Lil Peep – ‘Spotlight’

Electronic dance music producer Marshmello has released a new song titled ‘Spotlight’, featuring vocals from the recently deceased rapper and singer, Lil Peep, who passed away late last year (2017). The pair had been previously working on the track before the rapper passed.

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Source: Source: http://globalspin365.com

Marshmello has previously done music collaborations with Omar LinX and Ookay, as well as remixing popular songs by Jack Ü and Zedd. His song ‘Alone’, made it onto the US Billboard Hot 100 chart in January 2017.

“Gus will live forever through his music and that is something we should all be extremely thankful for.” – Marshmello

This song oozes a rap-grunge vibe with Lil Peep admitting his feelings for someone, accompanied by dark chords. The use of light guitar riffs, paired with the melancholy dark vibe of the beat is a sweet juxtaposition, which is extremely satisfying to listen to. Although there is no official music video with either of the individuals in it, so to speak, the image of Peep with a flickering spotlight on him, is haunting yet also artistic. Paying homage to the rapper in this way, regarding the song’s cover art, in my opinion, is a nice gesture.

‘Spotlight’ is on iTunes for downloading now! – https://itunes.apple.com/gb/album/spotlight/1332776796?i=1332776955

Cadell – ‘Create A Career’

Rapper Cadell, is a UK Grime MC from Bow located in East London who was born 17 January 1997. His first mixtape was released back in 2016, titled Hotline, as well as his first debut album, 3 Is The New 6. The rapper is most commonly known for being the younger brother of one of the “godfathers” of grime; Wiley.

‘Create A Career’ (which was originally titled ‘Do It’) is currently his most listened to song on his Spotify reaching over 36,000 listens, with the album it is featured on, L.O.N.D.O.N (Lots Of N****s Don’t Observe Nature), being released at the start of this year (2018).

The song opens with a slightly electronica feel to it and jumping, jittering vocals which are swiftly followed up with a deep bass line. The lyrics are used as a tool for the rapper as he expresses his thoughts and feelings about the growth of his career. The fast-paced rhythm, accompanied with the continual bass and synth backing, makes for a great blood-pumping grime tune.

‘Create A Career’ can also be downloaded from iTunes now! – https://itunes.apple.com/gb/album/create-a-career/1330604716?i=1330604722

Frankie – Muzik Speaks

#MellowMonday: Petit Biscuit – ‘Sunset Lover’


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Petit Biscuit (less frequently known by his real name of Mehdi Benjelloun) is a French DJ and music producer, born November 10th 1999.

His song, ‘Sunset Lover’, was released in 2015 onto the music platform Soundcloud, when he was at the young age of 15. The song has been stripped back in terms of style compared to the mainstream electronica music which you frequently hear in the charts. What we are left with, is a melody that includes a simplistic yet heavily relaxing guitar line, single short notes, a basic kick drum, occasional clapping and strange yet intriguing vocals, which could be seen to mimic an infant sounding out words for the first time.

The song has now reached over 180 million streams on Soundcloud and Spotify combined, as well as it reaching No. 13 on the Hot/Dance/Electronic song chart. It can be found on his newest album titled Presence, which was released last year (2017).

“Sunset Lover is more about the chorus and verse, even if there aren’t lyrics”Petit Biscuit

I personally find that the creative rhythm, melodic presence and unique style of this song is calming, relaxing and thought provoking. I frequently listen to Petit’s music while studying or occasionally when trying to sleep in the evenings after a particularly stressful day.

Frankie – Muzik Speaks

‘Sunset Lover’ can be downloaded off iTunes now – https://itunes.apple.com/gb/album/sunset-lover/1288742033?i=1288743028

#MellowMonday: Zoology – ‘Maroon’




Zoology are a fantastic duo who manage to combine vintage R&B vocals with slick summery beats, with their latest single, ‘Maroon’.

“Maroon was actually the first song we wrote in the same room,” says Zoology’s Emily, “The process flowed so easily being together as opposed to bouncing ideas across the other side of the world.”

‘Maroon’ is a song that manages to take you on a journey, through its brilliantly subtle production, silky vocals and superbly catchy melodies. This is a remarkably rare track as it manages to be much more memorable than your average club banger and it really stands out in a world currently saturated with tropical house.

No official video exists at the moment, but we’ll keep you updated on this.

Zoology was born against the odds. Chance acquaintances Emily and Beau started the project in different countries and released first track, ‘Escape’, in 2016, without having ever met; they are an act like no other right now!

An incredibly hot track right now!

What are your thoughts of this incredible duo? Got a #MellowMonday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks

‘Maroon’ can be downloaded off iTunes now – https://itunes.apple.com/gb/album/maroon-single/id1266271785