20 Albums Turning 20 in 2022!

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It’s a new year! It’s new you, new things to try and new starts. Unless you’re a millennial in which case it’s, “give me all the nostalgia you can!” We are the kings/queens of nostalgia and this list aims to wrap you in cosy 2000s comfort. So mix yourself up a snakebite black, attach your keys to a chain and pull on your baggy jeans, these are 20 albums turning 20 years old in 2022!

Happy New Year!!!

Matt & Rob


20. Finch – What it is to Burn

What does Rob say:

What it is to Burn introduced so many of us to the Post Hardcore genre and helped propel it more into the mainstream. Like so many Emo/Post Hardcore bands of the time, Finch never really lived up to the hype past this album, but What it is to Burn is an absolute classic of the time.


19. Alexisonfire – Alexisonfire

What does Rob say:

Three members of Alexisonfire were just 17 when they released their self-titled album! It brought a raw sound to the ‘scene’ beautifully complemented by Dallas Green’s melodic vocals. This album thrust Alexisonfire firmly into the lime light, and they went on to influence so many bands that it had to make our list!


18. Queens of the Stone Age – Songs for the Deaf

What does Rob say:

QOTSA rocketed to mainstream with Songs for the Deaf. Singles like ‘No One Knows’ and ‘Go with the Flow’ were brilliant rock anthems in their own right, but as an album Songs for the Deaf was wonderfully crafted with interlude tracks to make it a now old-school full, album listening experience.


17. Craig David – Slicker Than Your Average

What does Matt say:

Craig David returned with his second album in 2002 and whilst it didn’t reach Number 1, like his debut, this is actually packed with some pretty cool bangers; ‘What’s Your Flava?’ and ‘Hidden Agenda’ are my favourites on the record and some of the poppiest tracks but then you’ve got some real urban-influenced songs like ‘Fast Cars’ and ‘Eenie Meenie’ too.


16. Toploader – Magic Hotel

What does Matt say:

Magic Hotel was Toploader‘s second album and the follow-up to 1999’s Onka’s Big Moka – although it actually charted higher than their debut. The record is filled with big song after big song and is one of those albums that I just couldn’t get enough of. If you’re looking for stand-out songs, I’d say try ‘Time of My Life’, ‘Cloud 9’, ‘Only Desire’ and ‘Some Kind of Wonderful’.


15. Hundred Reasons – Ideas Above Our Station

What does Rob say:

We had to include this really as it epitomises UK alternative bands of the early 2000s. Hundred Reason’s debut album had emotionally felt lyrics spilled over upbeat guitar licks; it was a wonderful mashup. Twenty years on and I still find myself humming the opening guitar riff to ‘Silver’ because it is just that good!


14. Taking Back Sunday – Tell All Your Friends

What does Rob say:

How can I describe this album in such few words?! For me this is one of the most influential albums of the 2000’s emo scene. TBS’s clever writing got us either clambering to scrawl down our own clumsy metaphors or trying our best to chase down Adam Lazarra at ‘Give it a Name’ (just me, no?). Either way this album started a huge trend for the US emo scene to go global.


13. Vanessa Carlton – Be Not Nobody

What does Matt say:

Vanessa Carlton is often only known for the massive hit taken from this album, ‘A Thousand Miles’ (remember the video with the travelling piano too?!), however this album is actually packed with some pretty terrific songs, including ‘Ordinary Day’, ‘Unsung’ and a cover of The Rolling Stones‘Paint it Black’. It’s an album well worth a listen past the obvious hit.


12. Brandy – Full Moon

What does Matt say:

Brandy‘s Full Moon is actually probably one of my favourite albums on this list. I remember I actually bought it on CD whilst on holiday in France with my parents and remember listening to it on repeat the whole holiday. It’s actually quite a revolutionary R&B record with some seriously funky bass lines and synth sounds. Produced mostly by Darkchild, it’s a banger of a record. Besides the title track, other must-listens include, ‘I Thought’, ‘Apart’ and ‘What About Us?’.


11. Darren Hayes – Spin

What does Matt say:

2002 saw the release of Darren Hayes‘ debut solo album, following the split of Savage Garden and what an incredible record it was too! Still in a similar vein to his Savage Garden days on certain tracks, this wasn’t too much of a departure for him but there are some truly stunning tracks on the record, including my personal favourite, ‘I Miss You’. Others to listen to are ‘Crush (1980 Me)’, ‘Strange Relationship’ and ‘Creepin’ Up On You’ as well as the album’s lead single, ‘Insatiable.


10. Feeder – Comfort in Sound

What does Matt say:

Comfort in Sound is the fourth album from Welsh rock band, Feeder, (and the first following the suicide of their drummer, Jon Lee) and what an incredible rock album it is! It’s the perfect mixture of melodic vocals with grungy guitars and cool synth sounds too. ‘Forget About Tomorrow’ and ‘Find the Colour’ are definite favourites of mine.


9. Good Charlotte – The Young and the Hopeless

What does Matt say:

I can’t believe Rob didn’t let me put this higher on the list to be honest! This was certainly one of my favourite albums to come from 2002 as it not only propelled Good Charlotte into the mainstream but it paved the way for so many other pop punk bands to gain attention too. In fact it’s one of those albums that introduced me to the world of pop punk. The Young and the Hopeless was actually GC‘s second album but it‘s the one that really propelled them into the limelight with the singles ‘Lifestyles of the Rich & Famous’, ‘The Anthem’ and ‘Girls & Boys’ but this album is so much more than that – it’s quite frankly incredible from start to finish!


8. Simple Plan – No Pads, No Helmets… Just Balls

What does Rob say:

It is quite simple, good old, jump up and down pop-punk. Everyone (even secretly) loves Simple Plan. Every track on this album is catchy as fuck and speaks to our inner 13-year-old, even to this day (I’m still a kid and life is a nightmare!). It graced every house party from its release until we all went away to uni or on to proper life and jobs. It still gets a spin whenever we meet up again.


7. Box Car Racer – Box Car Racer

What does Rob say:

Some say this was the beginning of the end for Blink (I’m team Mark btw, get well soon!) others, like me, say it allowed Blink-182 to write their greatest album. Box Car Racer was a strong departure for Tom and Travis from their usual comical stylings. Box Car Racer was serious, angry and spoke to many of us at the time. It’s a great album with many emotional tracks… and one ‘punk’ song.


6. The All-American Rejects – The All-American Rejects

What does Matt say:

The All-American Rejects originally released their self-titled debut album back in 2002 via Doghouse Records before re-releasing it on DreamWorks Records in 2003. The album was incredible and although production-wise it obviously wasn’t recorded on the highest budget, it was packed full of some real gems and wonderful quirks. It’s a stunning debut from another pop-punk band that I now follow and love.


5. Foo Fighters – One by One

What does Rob say:

Whilst the Foo Fighters need no introduction, they weren’t always the powerhouse of Rock they are considered today. Not saying that they weren’t popular before this album, but One by One was the driving force that allowed the Foo Fighters to stamp their influence on a decade and a generation of rock lovers. It’s just a straight up rock album and that’s why so many of us loved it. Done, and I’m onto the next one…


4. Justin Timberlake – Justified

What does Rob say:

I am no pop fan, anyone who knows me will testify to that, but a friend once told me to be less snobbish about pop music and shoved Justified into my ears. I love this album because every song is different but it still holds together as an album. It showed me and lots of others that pop music didn’t have to be shit, and the coming out of the 90s there was a lot of shit. This album, is full of great sing-a-long beauties.


3. New Found Glory – Sticks and Stones

What does Rob say:

Matt! Why isn’t this number one?! Ok I am bias when it comes to Pop Punk but this album influenced so many amazing bands that went on to even greater things than NFG managed at their peak. EVERY song is jump up and down excitement with great hooks and the introduction of breakdowns outside of metal. In a year where the other big hitters in pop punk weren’t releasing any new albums, New Found Glory stepped in and filled the void. It’s peak Warped Tour, Drive-Thru Records and giant skater shoes. If you know what those things are then 2002 was definitely your year!


2. Avril Lavigne – Let Go

What does Matt say:

Let Go was the debut album from pop punk princess, Avril Lavigne and was credited as the biggest pop debut of 2002; it was certified seven-times Platinum in the United States alone! Let Go had sold over 16 million copies worldwide becoming Lavigne’s biggest-selling album to date and the best selling album of the 21st century by a Canadian artist. It’s packed with huge tracks that are pure gold; from ‘Complicated’, ‘Sk8er Boi’ and ‘I’m With You’, to ‘Anything But Ordinary’ and ‘Things I’ll Never Say’ this is a massive debut album that has stood the test of time.


1. Coldplay – A Rush of Blood to the Head

What does Matt say:

Well, we’re at the Number 1 spot and who else could we have chosen but the superb Coldplay and their remarkable second album, A Rush of Blood to the Head. This record makes greater use of the electric guitar and piano than the band’s debut and scored the band 3 Grammy Awards. It’s packed to the brim with beautiful melodies and euphoric soundscapes from the likes of ‘In My Place’, ‘The Scientist’ and of course, the massive single, ‘Clocks’. This deserves top spot on our list for being so wonderfully crafted and such a brilliant album, from a cracking British band that have gone from strength to strength since their debut.


HAPPY NEW YEAR TO YOU ALL!

We hope you’ve enjoyed our review of 20 albums turning 20 years old in 2022! What do you think of them? How would you have rated and ranked them? Are there any other albums you’d have included on the list? Please leave your thoughts in a comment or via our social media.


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#Review: Mallory Knox – Mallory Knox

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Mallory Knox are an alternative rock band from Cambridge and began as a five-piece back in 2009. Following the release of their third album, Wired, news came that lead vocalist, Mikey Chapman, was leaving the band in 2018. With co-lead vocalist, Sam Douglas, taking up the post of lead vocals, alongside the other three original band members; James Gillett (rhythm guitar & backing vocals), Joe Savins (lead guitar & backing vocals) and Dave Rawling (drums), the band are back with their self-titled fourth album (Mallory Knox) as a four-piece. Here’s what we have to say about it…

Mallory Knox - Mallory Knox.jpg

It was a brave choice for Sam Douglas to step into the position of lead vocals, as vocally he is quite different to Mikey Chapman, but he’s certainly come in all guns blazing on lead track, ‘Psycho Killer’ – a massive, garage rock sounding track with a hint of Foo Fighters about the vocals throughout, before careening into a heavy guitar breakdown at the end.

This is certainly a more raw and gritty album than some of their previous releases, with tracks like ‘The World I Know’ taking sonic influences from noughties punk rock and adding in grungy elements and ‘Wherever’ with its muscle guitars and intense drums, giving the illusion of travelling at speed.

Lead single, ‘White Lies‘, has a bit more of an indie feel to it than a lot of the rest of the record and is clear to see why it was chosen to launch the album.

Also, ‘4’ is quite commercial with its “Na, na, nas” and lyrics about vacuous pop market and record labels, such as, “You never mattered anyway.” Is it addressing negativity they have faced and the fact they band went from 5 members to 4, as the track title might suggest? Not sure. You’ll have to make up your own mind on that.

Possibly some the best tracks on the album are: ‘Livewire’ which has changes in pace throughout and echoing breakdowns to really get the listener going; ‘Freaks’ has some really interesting melodies with guitar frills, captivating (and sometimes aggressive) vocal acrobatics (with some serious power behind them) and a great all-round tone to it and ‘Black Holes’ with its chugging guitars and yet more, distinctly Foo Fighters vibes in the intense, shouty chorus.

It’s a risk to continue as a four-piece, with someone new taking up the role of lead vocalist, but it appears to have paid off.

By far, the best track on the album is ‘Gut’ – it’s an intense, fast-paced close to the album, with some insane vocal harmonies, brilliant drums and fast guitars – it’s a generally chaotic moment of ecstatic mosh-out madness that fans are sure to love live.

There are definitely moments when you can tell Douglas doesn’t quite have the power behind his voice that he might have liked and even one track (‘Heartbreak Lover’) that feels like his vocal is lacking in energy – albeit it’s a very commercial-sounding track with a guitar line that plays around the same melody as the chorus.

Additionally, there are the odd places here and there that lyrically feel a bit flat and not quite written with as much depth or maturity as perhaps you might like (‘Fine Lines’ with its candid take on a relationship breakdown) and other tracks, such as ‘Radio’ that are a little forgettable but overall, it’s a solid effort from the now quartet.

It’s been a risk to continue as a four-piece, with someone new taking up the role of lead vocalist, but it appears to have paid off. The album is consistently confident in its approach and hopefully with have old fans excited and on board for the ride as well as pick up new fans with their edgier sound.

Rating


‘Mallory Knox’ is out 16/08/19 and can be downloaded from iTunes – https://music.apple.com/gb/album/mallory-knox/1461295820


Mallory Knox on Spotify

White Lies (Official Music Video)

Livewire (Official Music Video)


We hope you’ve enjoyed our review! What do you think of the band’s fourth album? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


Enjoyed this? Check out some of our other reviews here:

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#Review: The Darkness – ‘Pinewood Smile’


   

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The Darkness are an English rock band from Lowestoft, Suffolk who first came to the public’s attention in 2003, with their debut album, Permission to Land. In particular, their debut single, ‘I Believe in a Thing Called Love’, was a monster hit, reaching Number 2 in the UK Charts. Now, 14 years on, and with a string of other successful singles and albums, the band have just released their fifth studio album, Pinewood Smile.

Pinewood Smile Cover.jpg

Right from the offset of the opening track, ‘All The Pretty Girls’, you get the feeling that this album is somewhat similar in style to their debut (Permission To Land); the guitars are layered and punchy and they’ve managed to re-create the magic of what made them so popular back in 2003, but this time with the incredible drumming talents of Rufus Tiger Taylor (son of Queen‘s Roger Taylor).

Pinewood Smile is without a doubt a more grown-up and darker record from the band. It definitely still has a lot of the charm that The Darkness have become so loved for (in terms of their mash up of classic rock with obvious pop qualities) but they’re taking on more political views (‘Southern Trains’) and cynical stances and clear frustrations of the modern music industry (‘Solid Gold’). Having said that, while it may be a brand new album, it’s packed with tracks which are sure to become classics. There’s still a lot of that tongue-in-cheek lyricism but they’re weaving it in with variations to their style of rock by experimenting with subtle style differences.

It may be a brand new album but it’s packed with tracks which are sure to become classics.

There are some lovely (and at times comedic) gems throughout the album, such as Justin’s Southern American accent on ‘All The Pretty Girls’, while the verses of ‘Lay Down With Me, Barbara’ are reminiscent of smooth jazz – something you might find in some sort of chill-out lounge. Then you’ve got ‘Buccaneers Of Hispaniola’ which contains some insanely great vocal harmonies; ‘Happiness’ which is quite the stadium-filling, chant-along anthem and it all comes to a close with the beautiful and intricate, ‘Stampede Of Love’, which descends into chaos by the end, making for a fitting end to the album.

The entire record was recorded in Cornwall, with award-winning producer and engineer Adrian Bushby (who’s worked with the likes of Foo FightersMuse and My Bloody Valentine) at the helm. He’s done an excellent job of managing to capture the band’s well-known sound but still put his mark on it too – the drums are a lot more prominent than on some of their previous albums and there are lovely elaborate parts to some of the tracks which he really brings out well in the production.

I would recommend this album to anyone who’s about to embark on a long journey and needs something heavy to spice up their travels. Once you know the words, it’s definitely a record you will want to sing along to, especially in a car packed with mates. It’s a witty, punchy and an interesting direction for the band – well worth getting/listening to.

Rating
4


‘Pinewood Smile’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/pinewood-smile-deluxe/id1259927517


‘Pinewood Smile’ on Spotify

Solid Gold (Official Video)

Southern Trains (Official Video)


We hope you’ve enjoyed our review of the band’s latest album! What are your thoughts on it? What would you rate it? Please leave your thoughts in a comment or let us know via our social media.


Enjoyed this? Check out some of our other reviews here:

Muzik Speaks Album Reviews


Matt – Muzik Speaks
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