#MuzikSpeaks: An Interview with Amy Studt

facebook_logos_PNG19751.png    ios_homescreen_icon.png   app-icon2.png


Having just released her third, honest, open and diary-like studio album, Happiest Girl In The Universe (read our review), we had the pleasure of talking to Amy Studt about how it felt to write such a personal record, who she’d most like to work with and even found out about something embarrassing that’s happened to her. It’s all here…

Amy Studt - Happiest Girl In The World


Hey Amy, how’s it going?
Really good actually, thanks! I am really happy and busy. I’m feeling very grateful.

So you’re just releasing your third studio album, Happiest Girl In The Universe. How do you feel prior to dropping a new album and what do you get excited and fear most about it?
Really it is just happiness as the dominant feeling. I have very little to fear as I have very little to lose. I’m excited to tour this album and to generally show it. I feel fairly invincible in a weird way because the things that could be deemed as scary or fearful are things that I am not frightened of losing. It was made for me and in that sense I have already achieved what I was hoping for. I’m not expecting charting or any of that. It was made for me and is a document/book of my journey, thoughts and exorcisms. I feel nothing but joy.

That’s great to hear and it must be a really great feeling, going into the release! The vibe on this record is a lot different to some of your earlier releases. It’s honest, open and pretty dark – like a diary of what you’ve been through mentally and emotionally. What was it like to put pen to paper and write about some of your innermost feelings, so candidly?
It is cathartic. I go into a sort of space where everything else fades out and I am just floating somewhere in words, ideas, thoughts and sounds. It’s this space where nothing and no one else exists (unless invited) and I have complete freedom.

I was always a fairly honest, upfront person, blurting things out but I don’t know prior to the last ten years, how honest within myself/about myself I really was. I had to and wanted to confront myself, shine a light on all of the parts of me that were hiding and causing me and the people around me pain. I had had a lot of partners who were pretty far from honest people, kept a lot of secrets, lied a lot. And when I met Toby Kidd – who I worked on this record with, but who was also initially and for a long time my romantic partner – he was such a breath of fresh air to me. However painful the truth was from him, at times it was like he was incapable of not telling it how it was, logically, intelligently, brutally but beautifully. I found it inspiring. And in a way it released me. So within myself, this desire for raw honesty and self-awareness and self-knowledge, however ugly, disorientated, selfish, broken, vulnerable, whatever it might be, filtered into my writing. I wanted to express what I was going through to try to move on, to get it out of me somehow. And to hopefully find some kind of peace.

Well I think it’s wonderful and hope you are able to find that peace from this masterpiece. Your vocals are very raw in places and you’ve even used some spoken word poetry. What inspired you to be more experimental on this album?
I’ve always been interested in more experimental music. Even as a child, I always liked the more left of centre stuff, though I like all sorts of music, but as I grew older and found my group of people, my group of outsiders and my artistic family, I learnt more, discovered more artists, more music, more genres even, that I connected with. My mind started opening to the possibilities and my style began to naturally shift and re-form simply during the creating process itself.

In the studio my desire to experiment fully took flight during the writing of my second album but I always felt I was slightly restricted somehow by the professional atmosphere and my ideas would rarely be fully formed because of this. I couldn’t just grab an inanimate object from my kitchen to try to use as percussion, or jump into my bed with a microphone under the duvet to record the vocals in the same way. Banging everything in the house or studio to see if it might make an interesting sound. I didn’t have that real, “no limits to express” feeling that I longed for and although I am very proud of that second album, I still feel like it was, to an extent, a compromise.

The things I naturally write at the piano are somewhere between the hooky, singer-songwriter world and the experimental world. And although I am inspired and influenced by many artists, writers, I still think I maintain my own sound. With this album my influences had been more diverse. I’ve always written poetry, so that seemed like a natural fit to include that part of me also. Really, me and Toby and Finn were just enjoying experimenting as much as possible, from playing tuned jars full of water from the house as percussion, to dictaphone recordings from the writing process and us talking, mixed into the final song. Playing with mic’ing techniques or whatever it was that “broke the rules” of what you get told is “correct” or taught at production school. Working with whatever we had and working on the basis of the only rule being the Joe Meek quote, “If it sounds right, it’s right!” It was a lot of pain, a lot of work and a lot of fun.

I love that. I definitely think you have maintained your own sound, and it’s a very refreshing way to go into recording an album…and actually, it’d be nice to see more people experimenting with organic techniques. So, if you could collaborate with any other singers/bands, who would they be and why?

  1. Scott Walker, if I could  somehow bring him back from the dead. He has been such an inspiration to me an incredible writer and pusher of boundaries and what a life he had.
  2. P J Harvey or Polly – however you want to say her name – is the queen of experimental, alternative, female singer-songwriters for me. It would blow my mind to work with her as I have followed and adored her work for years.
  3. Angel Olsen is someone currently, that I love, and is making magic right now. She has this lonesome quality that pulls you in and I’d like to see what we created together.
  4. And here is just a list of others that I would love to work with because there are so many:- Bjork, Amanda PalmerFeist, Cat Power, Aldous Harding, Jesus And Mary Chain, Annie Lennox, Adele (cos I think we could write an epic ballad together), Mazzy Star/Hope Sandoval, etc, etc, etc.

Wow, some amazing people there and some collaborations I’d love to hear! How do we make them happen? Haha. Can you tell me what your usual process for writing/recording is like?
I normally start at the piano. Lots of scraps of paper that I don’t mind wasting, with shit and good lyrics and lots of scratched out and edited ideas. Press record on my voice recorder or dictaphone or if in the studio, the computer with me mic’d up. Then I just play piano for hours non-stop. I shift and move through ideas I’ve had previously, shapes and progressions I’ve never explored before, things I want to see how they sound turned inside out and back to front, until I start to find these nuggets of music that I really like and then eventually focus my attention on those more powerful nuggets and start to develop them. I help them expand and connect with other nuggets I have. It’s like puzzle-making for me. Then with the lyrics, there are usually a few different parts to that. Some are written on train rides in my lyric books, ideas/thoughts I know and feel are strong that have just been waiting for their right time and place to come forward. I usually fairly lovingly keep them quite organised. A lot of lyric ideas are on my phone in a lyrics doc (you never know when it’ll hit and you need to write something down quite quickly) and then there are my messy pages on the piano. I might write in some from my book or phone onto them that feel right with the precious musical nuggets I’m developing. What does this music feel like it’s about? What is the mood? Could I make this work with this idea I’ve been longing to try out. Etc. But I almost never ever think about melody. My melodies all come from improvising the lyrics to the music. It just comes out of me with no pre-thought and is connected to the other components. That’s pretty much how I do it… never written that out before! Must sound boring…

Amy Studt - Press Shot

No, it’s really interesting to hear about how people write their music and yours seems to be quite an experimental, yet methodical process. Besides your own music, what else have you been listening to most recently?
Angel Olsen‘s new album album All Mirrors, Sabina Sciubba, Taylor Swift‘s Lover album, Nina Simone, The Velvet Underground, Janis Ian, The Murder CapitalLykke Li, Kate Bush, Amanda PalmerThere Will Be No Intermission, Chet Baker, James Chance & The Contortions, Heather Woods Broderick, Julia Jacklin, Sharon Van Etten & Max Richter (Thank you iTunes).

Haha, wow what a comprehensive and eclectic mix! Some I will have to check out, for sure! If you had to cover a recent chart song, which song would it be and why?
I literally have no idea what has been in the charts for maybe a decade… I live fairly under a rock. I like to surround myself with the things, music, objects, people, art, films, family, friends the world I have created for myself within this world. I don’t like to read newspapers, and anytime I’ve popped my head out and heard ‘chart’ music I haven’t understood it…which confirms to me that I must now be old. BUT saying that I’m assuming that Taylor Swift’s song ‘Lover’ has been in the charts… gonna check now… yes, it appears it is Number 1 in the States haha. God, I’m so out of the loop. Ok, so I would cover that. I really like that song. I think I could make it my own and it means something between me and my husband as he travels solo sometimes to Iceland and such, and I am always working away from home so we miss each other a lot. I’d like to cover it secretly and send it to him in a letter while I’m away somewhere.

Aw, that’s really cute!!! I bet he’d love it, and I’d love to hear your version of that too! So, when you go out on the road, where are some of your favourite places to perform at?
Scotland is always wonderful vibes. The crowd is always so supportive and powerful to play to. I also had an amazing show in Leeds once, which went completely nuts and really took us by surprise. My old hometown, Bournemouth, is always a strange kind of magic to return to. A mixed crowd of people who want to hate me but find they struggle to and those who have known and loved my music for years and have grown up with me and know things about me that no one else would. They might have lived in the house next to mine or known a boy I dated as a teen etc. But it is always, always nice to play in London. Quiet, connected, respectful, attentive audiences full of love.

Sounds awesome. I remember meeting and seeing you in Guildford once – I do enjoy your shows. I was wondering though, has anything really scary ever happened to you on tour? If so, what?
Not really… I did do a rowdy show in a pub-type building once; very strange gig and got offered a lot of money to play to some very angry drunks. Shouting and talking too loudly so they couldn’t hear us play or me sing. Just shouting “PLAY MISFIT! PLAY MISFIT!!” at me. I just ignored them but when one of the big guys lunged towards me, for whatever his reason (it did look a bit aggressive), thankfully I had my dear best friend Connor MacDonald (who was at that time, my guitarist) who is actually shockingly tough, grabbed him and stopped him mid-song. But I didn’t find it particularly scary. Just carried on singing. Just one of those things that can happen on tour. You never know what each gig will be.

That sounds kind of scary. Why someone would lunge for you on stage is bizarre! So, do you have any pre- or post-show rituals?
Pre-gig everyone has to be as relaxed and normal as possible. If anyone is trying to hype me up pre-gig, they have to go. As little talking as possible so I don’t wear out my voice before the show. Casual chat is fine. I want to walk out onto the stage as if I’m walking into my living room to play piano.

And post-show the first thing I do is have a cigarette, then I head straight out to talk to people who have come out to the show. Some people travel a long way to be there and others it means a lot to them to have a conversation with me as it might be such a long-standing relationship to my music, and in a sense me also. I love hearing about their lives and getting to meet them.

That’s really nice and such a genuine thing to do – not enough artists do that with their fans, though I think more are starting to. I imagine your fans really appreciate your time and dedication to meeting them. OK, so have you got any weird habits we should know about?
I shake a lot naturally from the adrenaline in my body from my anxiety disorder. And one way I deal with my anxiety is biting and picking at everything on me. I’m really very gross. Scabs. I chew the skin off my fingers when my nails run out, I eat my crispy eye sleepy stuff, I’m one of those people that loves watching those videos of people popping giant cysts or of them being removed. I had one on my head once and it was possibly one of the best things that’s ever happened to me. I still miss it and touch the area on my head, hoping it’ll come back. Very little grosses me out about the human body. Haha.

Haha. That’s hilarious! I think a lot of people secretly (or not-so-secretly in yours and my case) enjoy watching pimple-popping videos. What are some of your other passions outside of music?
Well apart from giant cysts I guess… I am completely obsessed and passionate about acting, film and theatre. I studied Method acting a few years ago and Meisner Technique all of last year at The Salon Collective at the Cockpit Theatre and it was honestly life-changing. Lit up every part of me and every day I would come home completely alive and raving about what I was learning about the craft and about myself. I made some very special friends also. So I would like to continue my love of those three things moving forward. Acting, Film and Theatre. I used to be obsessed with horror movies growing up and that’s my winning genre for quiz games but when I started getting anxiety, I just couldn’t watch them anymore. But I adore films. Completely nerd out on character study and subtext.

Nice! Love a bit of nerdyness in people and I could see you being a good actress. I hope you get to continue all those passions. Go on then, what really grinds your gears?
Rude people. People who make a mistake and turn around to blame the innocent person. Injustice. Sexism. Racism. Chauvinism. Unkind people.

I agree with all those! What’s one of the most embarrassing things that’s ever happened to you, in life?
Oh so, so many. I’m probably about 11 years old, very self-conscious and terrified of boys at the time, especially older and ‘cute’ boys.

So, there was a phone booth down the road from my house. One fine, summer’s day, I was walking down my road to the shops and a group of older boys crossed the road and began walking towards. Sniggering in hushed voices in anticipation of the dreaded ‘WALK PAST’. God being a kid is so fraught with emotions. Anyway, I couldn’t take the pressure of the build-up, so I decided to dart into the phone booth and pretend to be having a conversation with someone using my very best acting skills. I don’t know about my acting skills, but when the boys walked past they burst into laughter at me, pointing… and to my horror, I realised the phone cable had been cut. So I was talking to an imaginary person on a phone with a cable cut and swaying in the breeze.

That’s amazing! Poor, poor you, but so, so funny.
I have so many other embarrassing stories it could take up a whole article…. Such has been my life and existence as myself.

What’s the best film you’ve seen lately?
Tangerine probably.. I found it really beautiful in all it’s grime and grit but the lives of these people and I felt truly on their side. Great film.

OK, I will definitely check that out – I have heard of it but yet to watch it. If, in say 30 years time, a film was made about your life, who would you want to play you?
Oh Jesus…maybe Juno Temple or Jemima Kirk, Elliot Sumner could probably play me well, Chloe Sevigny, Ellen Page, maybe Eva Green…, Helena Bonham Carter, That should be enough….  I wish someone would make a movie of my life. I don’t think anyone has any idea how crazy my life has actually been… ha

Those would all be cool to see! Weird one now…if you were a chocolate bar, which one would you be and why?
This question is mental. Ok, I would be a gluten and nut free chocolate bar made from raw cacao and coconut butter. Cos yes, I’m one of those.

HA! What’s the best advice you’ve ever been given?
“Don’t practice till you get it right. Practice till you can’t get it wrong.”
“It’ll all be alright in the end. And if it isn’t alright, then it isn’t the end.”
Both courtesy of my father Richard Studt.

Great advice, I love those. Well done Father Studt – wise words! Thanks very much for taking the time to chat. All the best with the new album release and upcoming launch show. Next time you’re in Brighton, or nearby, I’d love to watch you perform.
That would be great! Give my Songkick a follow and it’ll let you know first as soon as any new dates come in! And thank you so much!


Amy Studt‘s releases are all available:


Enjoyed this? Check out some of our other interviews here:

Muzik Speaks Interviews


#EventSpeaks: John Newman @ Concorde 2, Brighton – 15/10/19

facebook_logos_PNG19751.png    ios_homescreen_icon.png   app-icon2.png


On Tuesday 15th October 2019, John Newman arrived in Brighton, to play a sold out show at Concorde 2, to promote his new EP, A.N.i.M.A.L. He was supported by sibling trio, Tors. Here’s what we have to say about the show…


Tors

I remember being fascinated when I first saw Tors support Tom Walker a couple of years ago, so was pleasantly surprised to see the trio of brothers return to Brighton. They still amaze me with just how full their sound is, despite there just being three of them, partially due to the (standing) drummer and his clever use of drum pads.

The three-piece sibling outfit produce some captivating sounds and somehow evoke a sense of nostalgia – they could easily fit on an emotive film soundtrack. If you haven’t seen them; I would highly recommend at least giving them a listen on Spotify, or heading to a show of theirs, near you.

Highlight: The three-part vocal harmonies produced by the guys is remarkable and adds a really interesting depth to their performance. It’s a wonderfully special thing to hear done live.


John Newman

The lights went down as an evocative instrumental and rhythmic lighting got the crowd pumped up for John Newman to take to the stage. As the track came to an end, he arrived to great applause and did something quite unexpected and unusual, performing the first part of ‘Not Giving In’ as just him and an acoustic guitar – upbeat but not a full-on sound to arrive on stage to…but it worked so well! It really showcased his incredible talents, before the full band joined him on stage to finish the rest of the track.

He proceeded to play a range of his biggest, most well-known tracks, including his collaborations with the likes of Rudimental and Sigala, all the while, getting the crowd singing and dancing along. He sure likes to move himself too, as he constantly puts his utmost energy into every song, including busting out his rather quirky yet distinctive dancing.

His vocals were fantastic as well – although a little raspy in places (however this is somewhat part of his trademark sound). He was accompanied by two brilliant female, backing vocalists and a tight band too.

However, possibly one of the best bits about the show, was his candid sharing of anecdotes and opening up about his feelings. He talked about his recent struggles with his physical health, as well as issues with his mental health too; making promises that he will get stronger and never allow people to take control of his creative processes again (which comes after a couple of songs he released that he felt were not true to himself). He also shared how he is coming out of himself a lot more now and wanting to perform more intimate shows and chat more to fans, than he did in the past – showing a great deal of growth.

One thing’s for certain, John Newman could quite easily pack a small, local venue or a huge stadium but regardless, he would have everyone in the place dancing and singing like mad, the whole way through. His energy is relentless and set list is packed with upbeat songs which you can’t help but lose yourself in. You must go and see him live when you get the chance!

Highlights:

  • The sheer energy John Newman gives the audience is highly infectious and his vocals are incredible to hear live!
  • The set list was sensational and packed with hits to get the crowd moving, constantly!
  • His honest and open approach to interacting with the crowd is refreshing and to talk about his own struggles makes him very relatable – and he clearly has a lot of love for it, as people constantly call out, “I love you John!”
  • It may sound odd, but the stage lighting really made the performance stand out too – Concorde 2 is a great, local venue with about 600 capacity but the lighting could easily have worked in a stadium, but it was amazing to see that work at a smaller venue.
  • The backing band and vocalists just make the experience even better – it would be quite easy for him to use backing tracks but it adds something for him to vibe off.

This slideshow requires JavaScript.


📷 All of the photos are credited to Michael Hundertmark 📸
Why not give him a follow on Instagram and Twitter or check out his website.


 Setlist

Intro
Not Giving In
Give Me Your Love*
Feelings
Cheating
Losing Sleep
The Hardest Word Is Goodbye
Forever’s Not Long Enough
Mama
Animal
Tiring Game
Come And Get It*
Blame
Feel The Love*

Encore
Without You
Stand By Me
Love Me Again

These songs can be viewed in the YouTube playlist, below.


Finally, I want to say an absolutely HUGE thanks to John Newman and Tors for putting on incredible performances and to Warren Higgins from Chuff Media for setting this review up for me.


Enjoyed this? Check out some of our other live reviews here:

Muzik Speaks Live Reviews


Matt – Muzik Speaks
www.facebook.com/muzikspeaks
www.twitter.com/muzik_speaks

#EventSpeaks: Marianas Trench @ The Haunt, Brighton – 13/05/17


   

facebook-like

Instagram


On Saturday 13th May 2017, Marianas Trench arrived in Brighton to conclude their tour around the UK and the band blew me away. With support from Club Drive, the evening was full of fun, laughter and much dancing.


Club Drive

Club Drive were an excellent support band – they have a unique blend of pop, funk and rock that sure know how to pack a punch on the stage. They captivated the audience well and really got them pumped for Marianas Trench. It was clear to see just why the BBC Introducing team have decided to add their song, ‘Spare Time’ to their playlists.

Highlight:

  • The fact that the band really knew how to get the crowd warmed up and had everyone jumping.
  • When Josh (from Marianas Trench) came on stage to give the band drinks to down was brilliant.

Marianas Trench

The band’s set began with the blasting of Michael Jackson‘s ‘The Way You Make Me Feel’ which got the audience dancing their socks off right away. As the song drew to a close, the band took to the stage with their album opener, ‘Astoria’. Josh was dressed with a hood up so you couldn’t see his face. Part way through the opening song, he whipped back the hood to a rapturous applause from the crowd. It was instantly clear that this lead singer knew just how to work a crowd.

The audience was also one of the most diverse-looking crowds I’ve ever seen at a show – you had a blend of older rocker types; younger scene kids; geeks; even trendy folk – they are evidently a band for misfits and that can’t be a bad thing.

The set just produced hit after hit and had the audience going crazy throughout. Everyone danced and sung their hearts out, knowing the lyrics to every song.

The between-song banter was great too – Josh expressed his gratitude and shock at how the audiences throughout the tour have been so supportive and known so much of their music despite very little promotion over here.

Highlights:

  • Josh’s vocals were so spot-on – he demonstrated really impressive control over his voice and the sheer power he has is remarkable.
  • The interaction with the crowd was great and you could see just how pleased the band were to have such a supportive and loving fanbase.
  • The Haunt has a massive pillar on one side of the stage which was blocking out Matt but the jokes about it were fantastic – Josh told the crowd Matt suggested putting two iPads on either side of the pillar and FaceTiming between them so the crowd could see him.
  • All the fans knew that during the song ‘One Love’ they were to produce paper hearts with the song title written on and hold them up – it’s one of those great moments that only a band and their fans know about. True fan loyalty.
  • Josh getting the fans to do some impressive vocal acrobatics was hilarious – he taught them how to vocally warble before getting carried away but at the same time demonstrated just how diverse his vocals are.
  • Josh’s rather camp and extroverted gestures are brilliant to behold – he’s such a good frontman.
  • When Matt and Mike took lead vocals on the track ‘This Means War’.
  • Josh taking time to do a solo performance to really draw the crowd in to his world.
  • Club Drive returning the favour and rushing the stage to tip shots down the band’s throats. Josh then responded mid-song by singing about how gross the shot was, was genius.

This slideshow requires JavaScript.


 Setlist

Astoria
Yesterday
Celebrity Status
Burning Up
All To Myself
Here’s To The Zeros
One Love
This Means War (Matt and Mike on Lead Vocals)
Desperate Measures
Fallout
Stutter
Pop 101
Who Do You Love*
Cross My Heart

Encore
Good To You (Josh Ramsay Solo Performance)
Haven’t Had Enough
End Of An Era

This song can be viewed in the YouTube video, below.


Finally, I want to say a big thanks to Steve from EMMS Publicity for hooking me up to review this show and thanks to Marianas Trench for putting on such an amazing live show; you guys were awesome!

Matt – Muzik Speaks
www.facebook.com/muzikspeaks
www.twitter.com/muzik_speaks

#EventSpeaks: Careless Sons @ The Prince Albert, Brighton – 08/04/16


Like our Facebook page (www.facebook.com/muzikspeaks)

Follow us on Twitter (www.twitter.com/muzik_speaks)


In support of their new EP, Heartbreak MajorCareless Sons came to Brighton to play a show at The Prince Albert in Brighton, with support from Hickory Signals and The Wondersmiths.


Hickory Signals

Hickory Signals are a Brighton-based duo consisting of Laura Ward and Adam Ronchetti. The pair are an incredibly talented, multi-instrumentalist folk act. The singer, Laura has a very powerful voice which she uses to belt out some incredibly hard-hitting notes. She also played the flute and used a little box which emulates the sounds of the Indian sitar (I think!). Meanwhile, Adam sat on top of a cajon, tapped a tambourine with his foot and played the guitar, all at the same time. Some of their songs consisted of poetry which they had put to music, old Irish folk songs and original tracks. They were a marvel to behold and I thoroughly enjoyed it – they’re not my usual cup of tea, but they certainly won me over!

Highlights: The way some of their songs start off low-key and calm and ramp up to an energetic, entrancing crescendo. I personally liked their original track, ‘Take The Window’ best!


The Wondersmiths

Next up were The Wondersmiths; I’ll be honest, I started off definitely not a fan – there was an air of arrogance about this band’s frontman which made me feel slightly scathing towards them, however as the set went on, I actually found it rather endearing and was most definitely entertained by them! Apparently one of their songs was recently featured on This Morning too.

Chris Horncastle (the lead singer) was actually quite comedic and certainly put a lot of energy into the performance, at times jumping into the crowd to get them singing along. The bassist was in fact a stand-in (due to their bassist having an injury) and for only 2 weeks practise in the band, you wouldn’t have known at all! Some of the harmonies provided by the guitarist and keys players were phenomenal too!

I have to say, this band have something unique going on and if you’re into electro-indie music, they’re definitely the band for you.

Highlights: The energy this band put into their performance is commendable and their harmonies were tight! I liked the fact that they got the audience involved too.


Careless Sons

Careless Sons were the headline act and were playing in support of their upcoming EP release, Heartbreak Major. I have only recently discovered the band, after they gave us a follow on Twitter and subsequently managed to get myself invited to their Brighton show.

I was rather impressed by them as they have really honed their skills pretty perfectly – their sound is incredibly tight and they play their instruments with precision timing. They have all the makings of a very successful act!

The harmonies offered by the band were great and it was refreshing to see that while there is clearly a lead singer, the guitarist and bassist took their turn at lead vocals on some songs too. There are some great songs which have been written by the band and it is clear that they must’ve spent quite a long time crafting their sound. While it might not be everyone’s cuppa tea, their abilities and dedication to their art should be admired and if you’re an indie-rock lover, then these guys will definitely be up your alley!

There were a range of dedicated fans and newcomers to the band at the show and it appeared to be enjoyed by all. The guys were all very friendly and made sure to stick around both before and after the show to chat to people. What a great bunch of guys putting on a great evening!

Highlights:

  • High energy in some of their songs.
  • Sharing of lead vocals across several members of the band.
  • The perfect timing with which the members play their instruments.
  • Great vocal harmonies.
  • Clear conviction about what they play.

This slideshow requires JavaScript.

All of the great photos in this post are credited to Elliot McRae.
Go and give him a follow – @EMcraePhoto


 Setlist

Don’t Make Me Do This Again*
Up To My Eyes
GBH
Rosary*
Couldawoulda
That Was Love
It Was Only A Matter Of Time
Bring Out Your Dead
Heartbreak Major
Wasted Avenue
Betty
Carbon Dating*
The Bitter End

These songs can be viewed in the YouTube playlist, below.


Thanks so much to Careless Sons for putting myself and Elliot on the guest list, so we could come and do this review and take snaps! Keep up the great work guys!

Matt – Muzik Speaks
www.facebook.com/muzikspeaks
www.twitter.com/muzik_speaks

#EventSpeaks: Patent Pending @ The Haunt, Brighton – 04/04/16

Here’s our review of the incredibly talented, energetic and fun, Patent Pending’s show in Brighton.


Like our Facebook page (www.facebook.com/muzikspeaks)

Follow us on Twitter (www.twitter.com/muzik_speaks)


On Monday 4th April 2016, I was given the great opportunity to see Patent Pending perform at The Haunt in Brighton, and they were “off da hook” incredible…as usual! The support was Boy Jumps Ship.


The VIP Treatment

I was lucky enough to attend the pre-show VIP experience which honours Patent Pending’s fans with a private, acoustic performance of some of their songs, alongside a meet and greet, photos with the band and even some free merchandise!

It was a unique experience and really does treat the fans to something extraordinary and rewarding! The band then hung around to chat to their devoted “Second Family” (Patent Pending’s fans) and really did make it an exceptional occasion – I was honoured to be a part of it and witness just how dedicated to their fans they are, as the fans are to them!


Boy Jumps Ship

This 4-piece took to the stage and warmed the crowd up a treat, performing a whole range of songs, including their recent single, Burn.

The quartet were powerful performers and took time to promote their upcoming debut album, Wake Up, which is released on April 22nd 2016!

Highlight: The powerful vocals of the lead singer and the great sound they’ve created!


Patent Pending

Where to start with Patent Pending…they’re just amazing!

Since discovering them, when they supported Zebrahead back in November 2015, I have been captivated by Patent Pending! They’re a huge amount of fun and their energy is just immense; it truly is on another level!

The band took to the stage with intensity, ‘Started In My Head’ which chants, “Here we, here we, here we f**king go!”, which had the crowd in the palm of their hands, instantly! They rolled, from there, straight into Let Go, which is just a huge amount of fun – especially when accompanied by Joe’s crazy-cool dancing! The show went on with hilarious moments, both old and new songs and even some emotional moments for Joe.

The Second Family are incredibly devoted too, to the point where some of them turned up in Mario, Princess Peach and Wario costumes and they are always part of the in-jokes and treated just like their name, a second family! One fan, Glen, was brought on stage for a song, which resulted in some hilarious consequences (see the video of ‘The Whisky, The Liar, The Thief’ below).

To tell you how awesome this band are live, is just an impossible task – they have to be seen to be fully appreciated! Coming from a relatively new fan of the band, knowing all their songs doesn’t matter, they just put on an amazing show and make you a part of their vision and their world, for the duration of their set.

This band has many things to offer live; good fun, great music, high energy, comedy, crazy dancing, Super Mario jumps and more! I urge anyone who hasn’t seen them, to do whatever it takes to get a ticket to a show…they’re just f**king AWESOME!

Highlights:

  • Joe’s ability to capture an audience with quick wit and crazy antics.
  • Joe’s awesome crowd swimming – complete with armbands and goggles!
  • Glen (a fan) coming on stage and attempting the Dirty Dancing lift…but in fact dropping Joe!
  • Rob and Marc doing some awesome dance routines!
  • Mario, Wario and Princess Peach on stage!
  • Joe’s awesome Mario jump!

This slideshow requires JavaScript.

All of these photos are credited to Elliot McRae (an awesome, upcoming photographer!) – @EMcraePhoto


 Setlist

Started In My Head*
Let Go*
I Already Know (She Don’t Give a Shit About Me)
Valentine (Abridged Version)
Riot Hearts Rebellion
Psycho In Love*
Last Time That I Saw You
The Whisky, The Liar, The Thief (with snippet of ‘I Will Always Love You’)*
We’re Freakin’ Out (Map To Tahiti)
Spin Me Around*
Classic You*
Six Feet
Therefore, I Party
One Less Heart To Break*
Hey Mario*

Encore
Brighter*
Douchebag*

These songs can be viewed in the YouTube playlist, below.


Finally, I want to say an absolutely HUGE thanks to Patent Pending for putting me on the guest-list, so I could come and do this review and interview!

Check out our interview with Joe Ragosta, backstage at the venue –> here.

Matt – Muzik Speaks
www.facebook.com/muzikspeaks
www.twitter.com/muzik_speaks