#Review: Paloma Faith @ Brighton Centre, Brighton – 16/10/21

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On Saturday 16th October 2021, Paloma Faith arrived in Brighton to perform a string of her biggest hits, fan favourites and cuts from her latest album, Infinite Things, with support from Josef Salvat. Here’s what we had to say about the show…


Josef Salvat

Josef Salvat is an Australian singer and songwriter, who graced the stage with his wonderfully quirky shirt and trouser combo and thrilled the audience with his unique brand of pop music. The performer had a diverse vocal style and even did a rendition of Rihanna‘s ‘Diamonds’.

Highlight: Closing the set with his latest single, ‘I’m Sorry’, was a brilliant ending to his performance; the song is upbeat and catchy as hell so really worked the crowd up before Paloma Faith.


Paloma Faith

As the lights dimmed, Paloma Faith took to the stage to perform ‘Last Night On Earth’ with an eruption of applause and cheering from the audience. During the first song, she addressed the crowd and spoke about how after the pandemic we should focus on the here and the now as we don’t know what tomorrow might bring; truly meaningful words from the singer-songwriter.

She performed the first song in front of a curtain for the majority of the track before it came down to reveal a rather simplistic stage set (for her). Accompanying her, was a largely female-dominated group of musicians and backing singers; all of whom were incredibly talented in their own right.

Dressed in an edgy, backless leather dress and a vibrant red pixie wig, the singer wowed her crowd with not only her superbly powerful vocals but wonderful anecdotes behind some of her songs and of motherhood and getting older too. She even made reference to her skin’s elasticity having gone and it being perfect in a plane crash to help her land safely.

Paloma‘s set was engaging on an interactive level, as her personality and charisma shone through, plus she packed it full of songs not only from her latest album, Infinite Things, but a massive selection of fan favourites and huge hits were spread across the duration of the show too.

At one point, she tells the crowd that her latest album is her favourite as it’s more personal than others she’s put out and reveals it’s probably the only one she’s released that she’d actually buy herself. That said, she knows how to have fun with a lot of her older material too, stunning the audience with cuts all the way back to her first album.

She even performs a cover of Chaka Khan‘s ‘I’m Every Woman’ and tells us how she was once invited to share the stage with the iconic singer but knew none of the words, bring her to face her fears and perform the song herself.

The great thing is that from about half way through the set, no one is sitting down any longer as the singer encourages everyone to get up and dance and you can see people are truly living in the moment.

Paloma is a character, that’s for sure, but her powerful voice only adds to the enjoyment of the show. She is someone who needs to be seen live as she not only knows how to put on an incredible show, but she will have you singing and dancing in no time. If you haven’t caught her on this tour, then grab yourself some tickets for her 2022 tour, ‘Age of Optimism Tour’.

Highlights:

  • The between-song interactions with the audience were wonderful; they were genuine and truly witty, making the crowd feel closer to her as a person.
  • Getting everyone out of their seats and on their feet and dancing made for a great experience.
  • ‘Gold’, Crybaby’, ‘Picking Up The Pieces’, ‘Changing’ and ‘Lullaby’ were definitely some of the highlights from the set.

ūüď∑ All of the photos in this post are credited to Michael Hundertmark ūüďł
Why not give him a follow on Instagram and Twitter or check out his website.


 Setlist

Last Night On Earth
Gold*
Crybaby
Infinite Things
Guilty
Beautiful & Damned
If Loving You Was Easy (with Josef Salvat)
Stone Cold Sober / Stargazer / 30 Minute Love Affair / New York / Upside Down
Picking Up The Pieces*
Monster
Can’t Rely On You
I’m Every Woman (Chaka Khan Cover)*
Changing*
If This Is Goodbye

Encore
Better Than This
Lullaby*
Only Love Can Hurt Like This

These songs can be viewed in the YouTube playlist, below.


Finally, I want to say a MASSIVE thanks to Warren from Chuff Media for sorting out this review for me.


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Matt – Muzik Speaks
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#Review: Yonaka – Don‚Äôt Wait ‚ÄėTil Tomorrow

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Yonaka are one of the hottest bands to come out of Brighton in recent years. The rock quartet, comprised of Theresa Jarvis (vocals), George Edwards (guitar), Alex Crosby (bass guitar) and Robert Mason (drums) formed in our home town, some four years ago. The band have been busy touring and recording, making big waves in the industry, even signing to Asylum Records (part of Warner Music Group). Now, 2019 sees the release of their debut album, Don’t Wait ‘Til Tomorrow. Here’s what we have to say about it…

Yonaka - Don't Wait 'Til Tomorrow.jpg

Having already received a lot of favourable press and released the successful EP, Creature, in 2018, the pressure was on for Yonaka to produce a hard-hitting debut album. Luckily though, the band have delivered a piece of work that really packs a punch, demonstrating just how much potential they have and what a great career they have ahead of them.

From opening track, ‘Bad Company’, with Theresa’s wonderful falsetto vocals and the captivating, accompanying instrumental, the album never fails to impress!

For a fledgling band, it’s so easy for their songwriting to be immature and instrumentation to be lacking in diversity, but that’s where Don’t Wait ‘Til Tomorrow truly stands out. ‘Awake’ is a truly grungy, lyrically cutting track, whilst ‘Guilty (For Your Love)’ displays anthemic rock song qualities, sure to have crowds singing it back to them.

Some other songs to really take note of:¬†‘Lose Our Heads’¬†is a rather commercial offering and could easily find its way to mainstream radio,¬†‘Creature’ has a rock-out feeling that is sure to get audiences moving and¬†‘Punch Bag’ is a high-energy, no holds barred, knockout track that shows Theresa is just not someone you mess with!

Don’t Wait ‘Til Tomorrow is ambitious and undoubtedly a¬†strong debut, delivered with conviction and tenacity…

Title track,¬†‘Don’t Wait ‘Til Tomorrow’, very much feels like a modern-day incarnation of¬†Blondie¬†and¬†‘Fired Up’ could easily be a new direction taken by¬†No Doubt; all of which¬†just goes to show how this could easily be the album a band with a lengthy career already behind them…not their debut!

‘Wake Up’ is a surprising track with its dreamy, almost ethereal feel and is a song to get completely lost in – it could happily sit on repeat and never get boring.

However, probably the best track on the record has to be ‘Rockstar’;¬†the song wonderfully encapsulates¬†Yonaka¬†right now and manages to be chaotic and exhilarating, whilst also be cool and composed. It’s a song that could suit so many moods and sees Theresa forcefully singing, “I just wanna be a rock star, baby,” something the band can rest assured that this debut is sure to help them achieve.

The album draws to a synth-driven close with ‘The Cure’ – a track which leaves the listening hanging and certain to come back for another listen.

Don’t Wait ‘Til Tomorrow is ambitious and undoubtedly a¬†strong debut, delivered with conviction and tenacity and certain to pave the way for one of Britain’s newest and most exciting rock bands! Bring on the tours and roll on album number 2!

Rating
4-5


‘Don’t Wait ‘Til Tomorrow’¬†is out now and can be downloaded from iTunes – https://music.apple.com/gb/album/dont-wait-til-tomorrow/1451808477


Don’t Wait ‘Til Tomorrow¬†on Spotify

Lose Our Heads (Official Live Video)

Don’t Wait ‘Til Tomorrow¬†(Official Live Video)


We hope you’ve enjoyed our review! What do you think of this band’s debut album, Don’t Wait ‘Til Tomorrow? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


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#Review: Matt Maltese – Bad Contestant


   

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Muzik Speaks Loves Atlantic Records - SmallerMatt Maltese is a piano-led, 21-year-old, singer-songwriter, who pens songs that are both emotionally intelligent and satirical at the same time. Having recently toured with¬†Isaac Gracie (review), he is now releasing his debut album,¬†Bad Contestant, through Atlantic Records. Here are our thoughts…

Matt Maltese - Bad Contestant.jpg

Matt Maltese‘s debut,¬†Bad Contestant, is jam packed full of wisdom beyond his years but served up with equal doses of cutting humour, hilarious irony and pure over-exaggeration. This is an artist who merges, at times, understated yet sultry melodies and retro sounds with stunning lyrical craftsmanship to create his own unique style.

Album-opener,¬†‘Greatest Comedian’,¬†begins with an unassuming introduction before launching into a fantastic set of back-handed compliments topped off with some intriguing instrumentation and beautiful higher-pitched vocals in the chorus; very similar to something by label-mate, Will Joseph Cook.

Title-track,¬†‘Bad Contestant’, has some seriously funky synth sounds and sees Maltese take on the character of an overly honest and confessional yet fruitless game show contestant.

This is very much an album where jazz and a touch of britpop meet funky, organ-led soul.

Meanwhile, ‘Nightclub Love’ is deeply satirical look at how Maltese sees the realities of clubbing and finding love there, whilst ‘Less & Less’ is an extremely saddening break-up song that is both beautiful and also attempts to put a positive spin on the situation. Of course we can’t go without mentioning the wonderful track, ‘As The a World Caves In’; a hysterical tale of the unlikely hooking up of Donald Trump and Theresa May, watching the nuclear destruction of the world as they do it; genius!

Other key tracks worth taking note of, include; ‘Sweet Sixteen’, an organ-led track taking a twisted look at a modern relationship – the sound is very much somewhere between Kaiser Chiefs and Blur, ‘Like A Fish’ which sounds like the opening to an old, 80s, British TV show and ‘Misery’ which is a dark and intense track with some reverse-sounding vocals on the chorus. In fact, the latter half of the album appears to get darker as it goes on.

The album features production and collaboration by a combination of Jonathan Rado, Hugo White (Maccabees) & Alex Burey.

This is very much an album where jazz and a touch of britpop meet funky, organ-led soul, all dressed up in a hipster outfit and sung with a deep, crisp and crooning vocal. Picture¬†Blur,¬†Pulp and¬†Jamiroquai creating some sort of spliced-together lovechild that’s been brought into the modern, contemporary age and you get¬†Matt Maltese‘s debut,¬†Bad Contestant. A truly alluring debut that is sure to pave the way for an exciting career ahead.

Rating
4


‘Bad Contestant’¬†is out now and can be downloaded from iTunes –¬†https://itunes.apple.com/gb/album/bad-contestant/1365077870


Bad Contestant on Spotify

Greatest Comedian (Official Video)

As The World Caves In (Official Video)


We hope you’ve enjoyed our review! What do you think of this singer-songwriter’s uniquely captivating debut album? What would you rate it? Please leave your thoughts in a comment below or via our social media.


Enjoyed this? Check out some of our other reviews here:

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Matt – Muzik Speaks
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