#Review: Trophy Eyes – The American Dream ūüáļūüáł


   

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Muzik Speaks Loves Hopeless Records - SmallerTrophy Eyes are an Australian pop punk band consisting of John Floreani (lead vocals), Jeremy Winchester (bass guitar & backing vocals), Andrew Hallett (lead guitar), Kevin Cross (rhythm guitar) and Blake Caruso (drums). To date, the band have released 2 albums and an EP through Hopeless Records and this,¬†The American Dream, is their third full-length album. Here’s what we have to say…

Trophy Eyes - The American Dream.jpg

The American Dream has a much more mature sound to it than either of the band’s previous releases. It’s somewhere in the vein of¬†Sugarcult‘s¬†Lights Out¬†and You Me At Six‘s Cavalier Youth¬†with some of¬†Thirty Seconds To MarsThis Is War¬†epicness thrown in.

The first track,¬†‘Autumn’, launches the album with a life-spanning and reflective tune that whilst it doesn’t quite burst into frantic action like so many other pop punk albums, sets a more impressive tone for the rest of the record.

Next comes¬†‘Something Bigger Than This’, a rather emotive track about being something more than we perceive and how life will make more sense at the end. It’s not crass or overly indulgent in insincerity like so many other bands – this feels real and honest.

In my opinion, ‘Friday Forever’ is by far the best track on the record – from it’s frantic, guitar-driven verses, to its suspenseful build-up into the powerhouse that is the chorus, this track just bursts at the seems with euphoric pop punk at its best. This is definitely a track to keep on repeat!

From epic choruses to emotive lyrics and powerful, pained vocals to punchy guitars, The American Dream is an album that will drive this band forward in their career.

Some of the other, most notable songs include:¬†‘More Like You’¬†which is certainly a crowd-pleaser, with its “woah ohs” but has the added depth of scream vocals;¬†‘You Can Count On Me’ is a definite summer anthem with its massive crescendo and satirical look at band life with the chorus hook, “Some of my friends sell drugs but I just sell sad songs to the ones who feel alone”;¬†‘Broken’ is a beautiful, ballad-esque track that has a understated yet very catchy chorus – a brilliantly-written track that’s very different to some of the other tracks on the album and¬†‘Lavender Bay’ feels very nostalgic with mellow, melodic verses and a big gang-vocal chorus singing about how the band won’t rest until they’ve “made it” with the addition of a key change!

The album has a beautifully rich and diverse tone to it – ‘A Cotton Candy Sky’ is an intensely dark and haunting song that feels a little out of place but it’s eerily captivating whilst¬†‘Tip Toe’ is a great little ballad.

‘I Can Feel It Calling’ is a monumental track, coming in at over 6 minutes in length and going through a range of sounds and displaying a variety of influences, bringing this stunning album to a wonderful close.

This is certainly an album you’ll have on repeat as there’s just so much to love about it! From epic choruses to emotive lyrics and powerful, pained vocals to punchy guitars,¬†The American Dream¬†is an album that will drive this band forward in their career, taking a slightly new direction but picking up new fans along the way. 2018 should be an exciting time for the Australian quintet!

Rating
4-5


‘The American Dream’¬†is out 27/07/18¬†and can be downloaded from iTunes –¬†https://itunes.apple.com/gb/album/the-american-dream/1382478709


The American Dream on Spotify

Available Friday 27th July 2018.

You Can Count On Me (Official Music Video)

https://www.youtube.com/watch?v=gs_7y0ToBcU


We hope you’ve enjoyed our review! What do you think of the band’s latest album, The American Dream? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment below or via our social media.


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#Review: Between You & Me – Everything Is Temporary ‚úä


   

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Muzik Speaks Loves Hopeless Records - SmallerBetween You & Me are a pop punk band from Melbourne, Australia. With the success of their stand alone single, ‘Overthinking’, after signing to Hopeless Records, the band are releasing their debut album, Everything Is Temporary. Here are our thoughts on the record…

Between You & Me - Everything Is Temporary

The pop punk genre is saturated with bands that often sound the same, all pumping out new albums constantly, making it pretty difficult to stand out in the market. I actually only gave this one listen before starting to write the review and have to say on first listen I thought this could just be another one of those bands. I’m pleased I gave it a second listen though as this truly is a strong debut.

It kicks off with the punchy ‘Twice Shy’ that shows off some fancy finger work on the guitars, though I would say this is quite a typical album opener for a pop punk band.

‘Move On’ is another great track that continually builds into the final chorus after a stunning little euphoric breakdown. It’s filled with some superb pushes and there are even some subtle happy hardcore vibes going on.

A mixture of angry and heartfelt lyrics, thrashing guitars you can mosh to and highs and lows in all the right doses.

Some of the best tracks on the record have to be: ‘Dakota’ for being an angry break-up anthem with amazing melodies and a hella catchy chorus; ‘Good Intentions’ which completely changes pace and tone part way through – it’s a wonderfully interesting track; ‘Floral Glass’ is a powerful song about losing someone and remaining strong and the “don’t-give-a-fuck anthem, ‘Everything Is Temporary’, all about living life in the moment and having no regrets, knowing that you have to make the most of the good things in life, as they won’t last forever, whilst also knowing that neither will the bad.

There are a few clich√©s here and there, but that’s almost to be expected with this genre; ‘I Can’t Help It…’ is a short, self-indulgent cry for help and whilst it’s a great song, ‘Friends From ’96’ is an emotive reflection on times passed, starting with a mellow, acoustic intro before building into a full-band song.

That said, it has a bit of everything you could want from an album of this genre; a mixture of angry and heartfelt lyrics, thrashing guitars you can mosh to and highs and lows in all the right doses.

The album is a solid effort and a strong debut from the Aussie pop punkers; it doesn’t necessarily push the boundaries of the genre, but it will certainly have a place in every pop punk fan’s collection. It’s a real shame it’s only just over half an hour long as it’d be good to hear what more they have to offer, but this is surely the start of something great for the quintet!

Rating


‘Everything Is Temporary’¬†is out now and can be downloaded from iTunes –¬†https://itunes.apple.com/gb/album/everything-is-temporary/1372365918


Everything Is Temporary on Spotify

Dakota (Official Music Video)

Friends From ’96 (Official Music Video)


We hope you’ve enjoyed our review! What do you think of the band’s debut album? What would you rate it? Please leave your thoughts in a comment below or via our social media.


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#Review: The Wonder Years – Sister Cities


   

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Muzik Speaks Loves Hopeless Records - SmallerThe Wonder Years are an an American pop punk band from Pennsylvania, USA that formed in July 2005. Since their humble beginnings, the band have released five full-length albums, two EPs, and had several split releases with other bands. Now, 2018 sees their sixth album release and possibly their most unique record to date. Here are our thoughts on Sister Cities

One thing is for certain; with this album, the band have all but shed their iconic pop punk sound and become more of an alternative rock outfit. That’s not necessarily a bad thing as it shows a certain maturity and evolution, but with that comes a much darker tone to their sound and far heavier themes to their songs. This is something fresh and rare for the genre.

The conception of this album stems from the band’s huge, 2 year tour in support of their 2015 release,¬†No Closer To Heaven, which had¬†frontman Dan Campbell (or¬†‚ÄúSoupy‚ÄĚ, as he’s known to his close friends) reflecting about life on the road. It was whilst touring that he experienced heartbreak and took a somewhat emotional beating and this can be heard by the cracks and subtle imperfections in his vocals, showing a very real and very raw set of emotions.

From the thunderous and kinetic energy of opening track,¬†‘Raining In Kyoto’, we are taken on a journey from the bustling heights of Japan, through the catchy-as-hell choruses of title track ‘Sister Cities’ before ultimately ending on the thought-provoking, ‘The Ocean Grew Hands To Hold Me’.

The poetic lyricism and excellent musicianship make this an inspiring collection of eleven, achingly mesmerising tracks.

This is an album that is steeped with references of death and a genuine sense of nostalgia. Its realness is altogether dark; it’s both tense and intense. From the wonderful lyrics, ‚ÄúThere‚Äôs a bird inside your rib cage,” on ‘Pyramids of Salt’, which starts as quite a twisted and emo ballad, before becoming a desperate plea for forgiveness, to the beautifully poetic language and crisp-sounding voice of the passionate ‘Flowers Where Your Face Should Be’, the band have captured their raw emotions with perfection.

The sounds on the record lie somewhere along the lines of Brand New but married up with a grittier sounding Panic! At The Disco vocal (as on ‘Raining In Kyoto’) and the melancholic intensity of Sonny Moore‘s days in From First To Last (like that of the rather heavy track, ‘The Ghosts Of Now’).

Kudos must go to¬†The Wonder Years¬†for taking a brave step away from a more mainstream sound and venturing into a more post-hardcore realm with certain emo qualities, to ultimately create a somewhat concept album; something that’s no mean feat to achieve. You won’t necessarily walk away from this album feeling as uplifted as you would after hearing bop-along, perfectly-(over)produced pop punk record, but the poetic lyricism and excellent musicianship make this an inspiring collection of eleven, achingly mesmerising tracks, documenting a 2-year insight into the band’s lives.

Rating


‘Sister Cities’¬†is out now¬†and can be downloaded from iTunes –¬†https://itunes.apple.com/gb/album/sister-cities/1337276526


Sister Cities on Spotify

Sister Cities (Official Video)

Pyramids of Salt (Visual Video)


We hope you’ve enjoyed our review! What do you think of the band’s latest album,¬†Sister Cities? Are you a fan? What would you rate it? Please leave your thoughts in a comment or talk to us about it via our socials.


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#Review: Story Untold – Waves


   

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Muzik Speaks Loves Hopeless Records - SmallerStory Untold are a pop punk five-piece band based in¬†Montreal, Canada, who formed back in 2012. In 2016, not long after signing to¬†Hopeless Records, the band released their debut, self-titled EP. Now, they’re releasing their first full-length album,¬†Waves, and here’s what we have to say about it…

Story Untold - Waves

The opening track, ‘In Or Out’, is a well-written, punchy, pop rock song with an uber-catchy, sing-along chorus that instantly had me excited for what more was to come, and rightly so…this is a very strong debut album!

Citing some of their influences as Green Day, Blink-182, Sum 41 and Fall Out Boy, it’s easy to hear how they have become the type of band they have. Think early Simple Plan meets more recent All Time Low but recorded in an even more polished way – that is this album! It’s superbly produced, filled with catchy songs and has highs and lows in all the right places.

Some of the main themes across the album include relationships and break-ups – pretty standard stuff – but the delivery is very current, with songs like ‘Delete’ referencing modern technologies (“Now you’re just a photo on my iPhone screen.”). Usually I find this sort of thing in songs a little cringe, but somehow the melodies the band have used and the conviction with which Janick Thibault sings the lyrics is so well executed that I really don’t mind it.

The band have compiled a sound, well-written, pack-a-punch, pure pop punk album…and it’s glorious.

Overall, this is an incredible debut and each track has their own great qualities but in my opinion, some of the best tracks on this record include; ‘In Or Out’ as it is just a fantastic opener for the record, ‘The 3ND’ has a great push in the chorus accompanied by quite choppy lyrics and varied vocals, ‘Drown In My Mind’ as it has a very intricate quality to it and ‘California’ for being a straight-up pop punk anthem (very Simple Plan-esque). To be honest it’s quite hard to pick stand-out songs as almost all of them are incredible – it’s even got your typical piano-style ballad, ‘Invisible’. The only track I thought let down the album a bit, was the last track, ‘Chasing Feelings’ – I loved the way the album began with a huge kick and I actually wanted it to end the same way; with a massive, all-out pop punk track – I felt that it was a bit of a weak end to such a great album. Other than that, it’s superb!

This is definitely an record I would love to see played live – from listening to their recording alone, you get a real sense of what their performances would be like. The band have compiled a sound, well-written, pack-a-punch, pure pop punk album…and it’s glorious – I haven’t been this excited about a new pop punk band for quite a while. With the sound they have created for themselves and the energy and buzz about them, I’m sure there will be a lot more to come from them in the future. Well done guys!

Rating
4.5.jpg


‘Waves’¬†is out now and can be downloaded from iTunes –¬†https://itunes.apple.com/gb/album/waves/1298835393


Waves on Spotify

In Or Out (Official Music Video)

Delete (Official Music Video)

Drown In My Mind (Official Music Video)

All The Same (Once A Liar, Always A Liar) (Official Music Video)


We hope you’ve enjoyed our review of Story Untold’s debut album,¬†Waves. What do you think of it? Are you as much of a fan as us? Would you give it the same rating as us or rate it differently? Please leave your thoughts in a comment or hit us up via our socials.


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#Review: The Dangerous Summer ‚Äď The Dangerous Summer (Self-Titled)


   

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Muzik Speaks Loves Hopeless Records - SmallerThe Dangerous Summer are a rock band from Maryland, USA who formed back in 2006. Since then, they have had 3 main studio albums (if you exclude the acoustic version of their debut), making this, self-titled album (The Dangerous Summer), their fourth.

The Dangerous Summer Cover.jpg

After frontman AJ Perdomo took some time away to concentrate on fatherhood, and having cut down to a trio, the band are back with their fourth full-length album, to much excitement from fans.

Whilst I wouldn’t say this is an emo band per se, they are a far cry from their slightly more light-hearted debut,¬†Reach For The Sun, with vocals that sound more beaten and weathered and lyrics that feel as though AJ Perdomo is carrying the weight of the world on his shoulders.

There is something very nostalgic and reminiscent about this album (both sonically and lyrically) and it appears that a lot of self-reflection has gone into the writing of it. Some of the intricate work and echoing effects on the guitars of¬†‘This Is Life’ and ‘Fire’¬†leave audible space for the listener to be taken in and reflect too – something I believe was done deliberately, in order to allow the lyrics to reach out, for maximum effect.

It is an album of poetic melancholy, even in some of its lighter moments –¬†a solid, interesting and well-rounded collection of songs that work brilliantly together and will be appreciated by fans new and old.

Some of the stand-out tracks for me, include:¬†‘Color’ for the sheer force with which it launches the album, starting off as a mellow but tortured cry before descending into a more chaotic scream of atmospheric noise with the lyrics “I’m not quite myself”¬†ringing aptly; as mentioned before,¬†‘This Is Life’¬†and¬†‘Fire’ for their beautiful sound and wonderful lyricism,¬†‘Luna’,¬†which is a touching dedication to his daughter – I particularly love the lyric,¬†“You are the architect to all your dreams,”¬†and lastly,¬†‘When I Get Home’ which is a welcome break in the record, for its slightly more up-beat yet still edgy pop punk feel (and appreciation for their friends and the place they call home) and whilst it’s quite different to the other tracks on the album, somehow it manages not to feel out of place.

This album is definitely not one which is pushing the boundaries of the genre by any means, but that’s not necessarily a bad thing – sticking to what they know and doing it well, shows that they are a band who know themselves. It is an album of poetic melancholy, even in some of its lighter moments, so if you’re feeling like indulging in a little self-loathing or reflecting on darker times and trying to find solace in them, then this is an album for you. It is a solid, interesting and well-rounded collection of songs that work brilliantly together and will be appreciated by fans new and old. Whether you’re into edgy, alternative rock with a large portion of emo lyricism and a gravelly vocalist or you simply enjoy the sonic beauty of a band like this, then you’re bound to love it. I honestly do think it’s a fantastic album; a triumphant returning record for the band and I thoroughly enjoy listening to it – the only reason I’ve rated it 3.5/5 is purely because I’m not sure how well it’ll stand out, over time.

Rating
3.5


‘The Dangerous Summer’¬†is out now and can be downloaded from iTunes –¬†https://itunes.apple.com/gb/album/the-dangerous-summer/1297025337


The Dangerous Summer on Spotify

Fire (Official Music Video)

Ghosts (Official Music Video)


We hope you’ve enjoyed our latest album review! What do you think of The Dangerous Summer’s latest album? What would you rate it? Please leave your thoughts in a comment or join the conversation via our social media.


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#Review: Super Whatevr – Never Nothing


   

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Muzik Speaks Loves Hopeless Records - SmallerSuper Whatevr is the brainchild of singer and guitarist,¬†Skyler McKee. Self-confessed as a project by a ‘kid [that] left the old band [and] started a new band, telling stuff (using words and sounds),’ he has created a cracking debut!

Super Whatevr - Never Nothing.jpg

The album opens with the intricate and melodic track,¬†‘Ah Oo Oh (Interlude)’, which features the vocals of singer, Skyler McKee, singing the aptly-titled name of the track, over some airy yet grungy instrumentals, that I find somewhat reminiscent in style to Nirvana. It’s then ‘Bloomfield’ that really kicks the album into gear; there’s something The Automatic-esque about the song, with a hint of¬†Arctic Monkeys¬†too but it’s most definitely unique, in it’s own right! It’s certainly a track to rock out to and is sure to be a real crowd-pleaser at shows.

I find that the most stand-out tracks on this record include, the get-up-and-danceable ‘Why Do I Wonder Why’ (which has some almost ska flavours to it); the punchy-in-all-the-right-places,¬†‘For You’, with it’s chaotic, rock-out chorus;¬†‘When Doesn’t The World End?’ with its sombre lyrics and atmospheric instrumentation and¬†‘Telelelevision’, which feels nostalgic and would fit perfectly in a resolution scene towards the end of an emotionally driven movie…or even over the credits.¬†‘Misquote’¬†and¬†‘Katherin With A K’ are also great album tracks too.

Whilst I don’t think it’s necessarily revolutionary within its genre, it’s brilliantly well-crafted…artistic even, with subtle production flourishes; it feels like it was a real labour of love to create.

There is definitely an almost British indie vibe throughout this record but it’s been turned up to 11 with edgier guitars and deeper lyrics.¬†The lyrics throughout are very self-reflective and honest, telling the tale of a tortured past, however the album feels therapeutic in its approach to tackling these topics.

If I’m completely honest, the album actually didn’t instantly grab me, but over the space of a week, I found myself being automatically drawn back to it, every day, and listening to it all over again…and thoroughly enjoying it! Whilst I don’t think it’s necessarily revolutionary within its genre, and there are still a couple of tracks that I could take or leave, it’s brilliantly well-crafted…artistic even, with subtle production flourishes; it feels like it was a real labour of love to create. That being said, it is most definitely worth a listen (several times through) and I guarantee that there will be at least a couple of tracks for everyone to want to listen to over and over again.

Rating
4


‘Never Nothing’¬†is out now¬†and can be downloaded from iTunes –¬†https://itunes.apple.com/gb/album/never-nothing/1291111449


‘Never Nothing’ on Spotify

Telelelevision (Official Music Video)

Bloomfield (Official Music Video)

For You (Official Music Video)


We hope you’ve enjoyed our review of this band’s debut album! What are your thoughts on it? What would you rate it? Please leave your thoughts in a comment, or hit us up via our social media.


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#Review: ROAM – Great Heights & Nosedives


   

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ROAM are a British pop punk band from Eastbourne, consisting of members¬†Alex Costello (vocals), Alex Adam (lead guitar and backing vocals), Matt Roskilly (bass), Sam Veness (rhythm guitar) and Miles Gill (drums). The band formed in 2012 and since then have performed on the Warped Tour ’16, signed to¬†Hopeless Records and have now just released their second album,¬†Great Heights & Nosedives.

ROAM - Great Heights & Nosedives Cover2.png

The band’s new record opens with the hard-hitting track,¬†‘Alive’, and doesn’t really let up from its high-energy, bounce-inducing pop punk for the majority of the album. It is undoubtedly a good effort from the band and a strong follow-up to 2016’s debut,¬†Backbone, however it’s not really taking any great strides to revolutionise the already saturated world of pop punk.

Sadly, ‘Curtain Call’ feels a little like it’s trying too hard to be profound but slightly missing the mark, whilst¬†‘Home’ is quite a letdown – it really doesn’t finish the album in as strong a way as it started, with just a quick fade out at the end, making it feel like the band weren’t sure quite how to finish the track – I really expected some long and explosive grande finale.

This is an album which is undoubtedly going to sit well within a hardcore, pop punk lover’s collection.

Don’t get me wrong, there are some really great moments on the album too, such as the banger that is ‘Alive’,¬†thundering guitars and mosh-inducing rhythm of¬†‘Left For Dead’, the grungy, fast-paced¬†‘Open Water and the varying tempos of the somewhat funky,¬†‘The Rich Life Of A Poor Man’,¬†which overall, make it quite a thrilling record, however I still feel like it’s nothing that hasn’t been done before. I find myself reminiscing some of the earlier days of¬†New Found Glory,¬†All Time Low¬†and¬†We The Kings and at points even¬†Four Year Strong.

The album was produced by Kyle Black (who’s worked with the likes of State Champs, New Found Glory and¬†Comeback Kid) in Los Angeles, California. This explains the authentic American sound to the record and might account for Alex Costello‘s pseudo-American accent throughout. Whilst this is synonymous with the genre, it’d be nice to hear an English-sounding pop punk band, just for a change.

This is an album which is undoubtedly going to sit well within a hardcore, pop punk lover’s collection…and it should; it’s a decent record. I just think that in order to really stand out from the masses of similar bands and achieve longevity in their career, they’re going to have to really push the boundaries of the genre on their next album; consider the likes of¬†Paramore,¬†Fall Out Boy,¬†Good Charlotte¬†and¬†All Time Low.

Rating
3


‘Great Heights & Nosedives’¬†is out now and can be downloaded from iTunes –¬†https://itunes.apple.com/gb/album/great-heights-nosedives/id1270970229


Great Heights & Nosedives on Spotify

Alive (Official Video)

Playing Fiction (Official Video)


We really hope you’ve enjoyed our latest album review! What are your thoughts on ROAM’s Great Heights & Nosedives? What would you rate it? Please leave your thoughts in a comment or chat to us via our social media.


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