#Review: Fickle Friends – You Are Someone Else


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Fickle Friends are a Brighton-based, indie-pop band who have gone from strength to strength, since their humble beginnings. Now signed to Polydor, they are releasing their long awaited, debut album, You Are Someone Else. Here’s what we have to say about it…

Fickle Friends - You Are Someone Else.jpg

It’s been a long time coming, but Fickle Friends have finally released their eagerly anticipated, debut album and it certainly doesn’t disappoint! This is an album packed to bursting point with catchy choruses, groovy guitar licks and salacious synth sounds.

The record opens with the darkly addictive and super chant-able, Wake Me Up’ and manages to maintain momentum throughout, whether it be the huge pop anthems like ‘Glue’ (a personal favourite!) and ‘Swim’ or the more placid, mellow offerings such as ‘In My Head. This is an incredibly diverse album that has a little something for everyone, yet still manages to come together as a superb collection of hard work, perfectly crafted and super skilled songwriting. It is also nice to see that the band haven’t followed the current trend of putting out a standard 10-track album, with a special deluxe edition, but instead have just the one version with a very decent, 16 tracks.

There are strong resemblances with the likes of The 1975 (on ‘Say No More’ and ‘Bite’), MUNA (on ‘Hard To Be Myself’ and ‘In My Head’), Shura (as with ‘Hello Hello’) and Rae Morris (on ‘Swim’) and it would certainly fit well with fans of theirs, but could equally find a place in any trendy, pop or indie-lover’s music collection too!

This is an album packed to bursting point with catchy choruses, groovy guitar licks and salacious synth sounds.

One thing is for certain, the band have managed to produce a fantastic sound that is both contemporary, modern pop yet strongly 80s tinted at the same time; something which is even reflected in their music video imagery and album artwork.

Although the sound throughout is fun and uplifting, that is contrary to the deeply personal lyricism, which finds singer, Natti Shiner, touching upon topics like self-doubt and anxiety, as can be heard on ‘Hard To Be Myself’ or rocky relationships, like that of ‘Wake Me Up’.

Other songs to take note of include the beautifully soothing ‘Paris’, the incredibly pop-tastic, ‘Bite’, the incredibly funky ‘Lovesick’ and the mammoth banger that is ‘Glue’. However, ‘Rotation’ is the only track I find to be somewhat disappointing; it’s quite repetitive and stands out from the rest of the album (and not in a particularly good way). That’s not to say it’s bad, it’s just not particularly memorable and doesn’t seem to fit nicely amongst the rest of the, otherwise perfect, album.

Fickle Friends have undoubtedly created one heck of a masterpiece; this is not simply shallow, meaningless, throw-away chart hits but rather, relatable pop music with a purpose. The band have made good-quality and fun songs with real depth and meaning, that is definitely going to get stuck in your head. This is sure to be just the beginning for the band. I’m certain this will pave the way for a long and successful career; one which I can’t wait to witness as they continue to grow.


‘You Are Someone Else’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/you-are-someone-else/1312920152

You Are Someone Else on Spotify

Hard To Be Myself (Official Video)

Glue (Official Video)

Brooklyn (Official Video)

Swim (Official Video)

We hope you’ve enjoyed our review of Brighton-based, Fickle Friends’ debut album, You Are Someone Else! What do you think of it? Are you as much of a fan as us? What would you rate it? Please leave your thoughts in a comment or chat to us about it via our social media.

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Matt – Muzik Speaks


#Review: Editors – Violence


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Editors are an English rock band from Birmingham who have enjoyed many career successes, including two platinum studio albums (out of five, to date), a Mercury Prize nomination and two albums entering the charts at Number 1. Now, in 2018, the band are releasing their sixth studio album, Violence. Here’s what we think of it…

Editors - Violence.jpg

Let’s just start by saying that this album is a far cry from their post-punkesque, 2005 debut, The Back Room, yet somehow they’re still recognisable…but then maybe that’s the beauty of this band; they’re always growing and always changing, but manage to still be the same, iconic band.

The lead single, ‘Magazine’ is a bold, electro-rock song that is like something you might expect from Depeche Mode, whilst ‘Hallelujah (So Low)’ is acoustic and melodic in places, yet very heavy and industrial-sounding in others; it’s like the lovechild of Coldplay and Nine Inch Nails – not two bands you’d ever expect to be put together, but oddly…it works! Whilst the album has moments of purposeful, off-key darkness, there is just as much positivity and lightheartedness. ‘Darkness At The Door’ is probably the most out-and-out electro-indie/pop song on the album, whilst ‘Cold’ is a stadium-filling, lighter-waving ballad.

This feels like something very different, very new and very exciting for the band.

In other places, this album has similarities with Take That (‘Nothingness’) and even a melody from Chicane‘s ‘Come Back’ struck me in the title track, ‘Violence’. That’s not to say the band are copying from others; they’ve actually just produced an incredibly diverse and eclectic album, that truly has a bit of something for everyone. It has been largely supported by a guy called Blanck Mass (aka Benjamin John Power), who is known for making heavy electronic music and produced by a man named Leo Matthew Abrahams, who has worked with the likes of Imogen Heap, Brian Eno and Florence And The Machine. That’s perhaps why this album has so much distinctiveness to it.

Having worked closely with the two, singer, Tom Smith, said, “When it’s electronic, it’s very electronic. But then when it’s guitar-y, it’s very band driven. I think we’ve managed to find the balance of those two things better than we have done before.” He goes on to say, “I think there’s a balance here between melody and brutality that I don’t think we’ve managed to get before,” and that’s very true; this feels like something very different, very new and very exciting for the band.

This is an incredibly strong album from a well-established band. For so many others, it’s easy to slip under the radar by your sixth album but that won’t be a worry for Editors with this release. Whilst the band have not had a Number 1 album since their third record, In This Light and on This Evening, they’ve managed to create something special with Violence. In fact it would be very surprising if this doesn’t reach enter the charts inside the Top 3, if not Number 1.


‘Violence’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/violence/1328602125

Violence on Spotify

Magazine (Official Video)

Hallelujah (So Low) [Official Video]

We hope you’ve enjoyed our review of Editors’ sixth album, Violence! What do you think of it? Are you as much of a fan as us? What would you rate it? Please leave your thoughts in a comment or chat to us about it via our social media.

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Matt – Muzik Speaks

#Review: Vance Joy – Nation Of Two


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Vance Joy is an Australian, folk singer-songwriter who, having released his debut solo album, Dream Your Life Away, back in 2014, is now back with his sophomore offering, Nation Of Two; a powerful tale of a couple’s love.

Vance Joy - Nation Of Two.jpg

Vance Joy has crafted his own unique brand of folk-pop, using instruments such as the ukulele and banjo to make his style stand out and Nation Of Two continues with this tradition; this time telling a story throughout the 13-track collection.

Vance himself explains that “Nation of Two describes a perfectly self-contained couple; their world beginning and ending at the bed they share, the car they ride in, or any other place where they’re together… the idea that their love for each other gives them their bearings; a point of reference that makes sense of life.” (Reference)

The album, as a collection, tells the tale of two lovers across a beautiful array of styles.

The album starts out very strong with stand-out songs, including leading single, ‘Lay It On Me’ (with it’s funky brass sections), plus ‘We’re Going Home’ and the fun-filled, ‘Saturday Sun’. Other great songs include the punchy, almost alt-rock-like ‘One Of These Days’ and the beautiful banjo ballad, Where We Start’. The album, as a collection, tells the tale of two lovers across a beautiful array of styles, however a couple of the tracks, I felt, could easily be skipped, but as a whole body, it is great.

This is definitely going to sit well with fans of Mumford & SonsRay LaMontagne, Seth Lakeman and possibly even Ed Sheeran – it’s folky, pop-tinted and got a real honest feel to it. It’s well produced but not over-produced and stands out as a quality, folk-pop album.

The first half of the album is strong and I certainly think this album will bring new success to Vance Joy, but the second half is lacking in a couple of places. This is however, as a whole, a wonderful way to tell the story of a couple’s love and life together and is well worth a listen.


‘Nation Of Two’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/nation-of-two/1325861276

Nation Of Two on Spotify

We’re Going Home (Official Video)

Lay It On Me (Official Video)

We hope you’ve enjoyed our latest review of Vance Joy’s second album, but what are your thoughts? Are you a huge fan or do you think it will go straight in to the bargain bin? What would you rate it? Please leave your thoughts in a comment or share your feelings with us, via our social media accounts.

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Matt – Muzik Speaks

#MuzikSpeaks: An Interview with Everywhere


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Everywhere released their most recent single, ‘Moments’, back in 2017 and their fantastic EP, Fiction Act back in 2016, but have been busy doing a whole range of things, from writing to gigging and much more, since then. We were lucky enough to get some time to catch up with them and chat about a few things. Here’s what they had to say…

Hey, how’s it going?
Hey man! Awesome, how about you??

Very well thank you. Obviously you recently released your awesome new single, ‘Moments’, and the reception seems to have been great. Is this a sign of a new EP or album in the pipeline?
Thank you so much! Yes, ‘Moments’ was a sort of in the middle kind of track to keep the juice flowing. We’re currently penning another bunch of tunes that should end up on another EP, hopefully around this fall!

What other future plans have you guys got?
We’re looking at getting out on another tour to promote some new music, also doing loads of writing for film and TV in Hollywood. We’ve become kind of a factory 🙂

That sounds incredible! Where do you take inspirations from when writing your music?
We recently discovered a pretty neat trick, think it was Taylor Swift who said it. Basically, we write down fun and cool titles as they come to mind and during our daily writing sessions, we work these titles around tracks that we make. It’s an easy was to stay creative and never let the process stall.

What’s your usual process for writing/recording?
Our frontman Max has his daily sessions, when he sits down and builds tracks in Logic, he then takes those tracks into writing sessions with London writers and producers and builds demos. He then takes those demos to the rest of the band who expands on those arrangements. When we have a good amount of songs, or sketches we then head into a bigger studio such as Abbey Road, or if we happen to be over in LA we go to East West where we create the final master.

Wow! Abbey Road…pretty cool. So, if you could do a collaboration with anyone, who would it be and why?
It would be a pure pleasure to work with Max Martin. Just for the pure fact that he’s had so many Billboard hits and is a fellow Swede.

What music have you been listening to most recently?
Mostly our own, as we’re currently doing loads of writing. Other than that it’s the usual suspects, a good mix of classic rock and top 40 hits. Recently rediscovered Echo & the Bunnymen, The Cure and loads of other nice little nuggets from the past.

If you had to cover a recent chart song, which song would it be and why?
It would probably be ‘Rockstar’ by Post Malone, such a masterpiece.

What makes a great show for you?
One where people turn up and go nuts. A sold-out show is always a great one.

Do you have any pre-show or post-show rituals?
The singer, Max, always stays sober but drinks a Red Bull while the rest of the band get hammered.

Haha! Has anything scary ever happened to you on tour?
This would be a perfect place to deliver a well crafted lie, but unfortunately, besides a few heavily overweight old women going for a good grab from behind, that large disaster is yet to arrive *knock on wood*

Do you have any other passions outside of music?
Politics, painting and reading.

What really grinds your gears?
Death Metal, not the greatest thing since bread. Wouldn’t categorically call it bad but generally it’s not up our street.

What’s the best film you’ve seen lately?
I must say The Disaster Artist was amazing, just had me nailed from beginning to end and would warmly recommend it to anyone.

If, in say 20 years time, a film was made about your life, who would you want to play you?
Brad Pitt, Tom Cruise, Edward Norton and Mark Wallberg, directed by Michael Bay.

Haha! That’d be one EPIC movie! If you could be any chocolate bar, which one would you be?

What’s the best advice you’ve ever been given?
Focus on your craft and the rest will follow. People tend to overestimate their skills and always wonder why the success never happens.

Everywhere‘s releases are all available:

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#Review: Super Whatevr – Never Nothing


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Muzik Speaks Loves Hopeless Records - SmallerSuper Whatevr is the brainchild of singer and guitarist, Skyler McKee. Self-confessed as a project by a ‘kid [that] left the old band [and] started a new band, telling stuff (using words and sounds),’ he has created a cracking debut!

Super Whatevr - Never Nothing.jpg

The album opens with the intricate and melodic track, ‘Ah Oo Oh (Interlude)’, which features the vocals of singer, Skyler McKee, singing the aptly-titled name of the track, over some airy yet grungy instrumentals, that I find somewhat reminiscent in style to Nirvana. It’s then ‘Bloomfield’ that really kicks the album into gear; there’s something The Automatic-esque about the song, with a hint of Arctic Monkeys too but it’s most definitely unique, in it’s own right! It’s certainly a track to rock out to and is sure to be a real crowd-pleaser at shows.

I find that the most stand-out tracks on this record include, the get-up-and-danceable ‘Why Do I Wonder Why’ (which has some almost ska flavours to it); the punchy-in-all-the-right-places, ‘For You’, with it’s chaotic, rock-out chorus; ‘When Doesn’t The World End?’ with its sombre lyrics and atmospheric instrumentation and ‘Telelelevision’, which feels nostalgic and would fit perfectly in a resolution scene towards the end of an emotionally driven movie…or even over the credits. ‘Misquote’ and ‘Katherin With A K’ are also great album tracks too.

Whilst I don’t think it’s necessarily revolutionary within its genre, it’s brilliantly well-crafted…artistic even, with subtle production flourishes; it feels like it was a real labour of love to create.

There is definitely an almost British indie vibe throughout this record but it’s been turned up to 11 with edgier guitars and deeper lyrics. The lyrics throughout are very self-reflective and honest, telling the tale of a tortured past, however the album feels therapeutic in its approach to tackling these topics.

If I’m completely honest, the album actually didn’t instantly grab me, but over the space of a week, I found myself being automatically drawn back to it, every day, and listening to it all over again…and thoroughly enjoying it! Whilst I don’t think it’s necessarily revolutionary within its genre, and there are still a couple of tracks that I could take or leave, it’s brilliantly well-crafted…artistic even, with subtle production flourishes; it feels like it was a real labour of love to create. That being said, it is most definitely worth a listen (several times through) and I guarantee that there will be at least a couple of tracks for everyone to want to listen to over and over again.


‘Never Nothing’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/never-nothing/1291111449

‘Never Nothing’ on Spotify

Bloomfield (Official Video)

For You (Official Video)

We hope you’ve enjoyed our review of this band’s debut album! What are your thoughts on it? What would you rate it? Please leave your thoughts in a comment, or hit us up via our social media.

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Matt – Muzik Speaks

#Review: Prides – A Mind Like The Tide, Pt. 1 (EP)




Prides are a Scottish indie band who originally formed in Glasgow, in 2014, as a three-piece. The act is now comprised of Stewart Brock (lead vocals and keys) and Callum Wiseman (guitar, keys and backing vocals). Since releasing their debut album, The Way Back Up, in July 2015, the pair have worked hard on creating their next release; a two-part album, starting with this, the first half, A Mind Like The Tide – Pt. 1.

A Mind Like The Tide, Pt. 1

The EP opens with ‘Every Story Of Mine Is A Story Of Yours…’ – led by an ethereal synth, the track builds beautifully to a quite cinematic climax comprised of chest-rumbling bass notes, Stewart’s trademark crooning and a collection of people speaking the title of the track, repeatedly. This is surely going to become the song which opens the set for the pair’s live performances, for the foreseeable future and it’s easy to see why…it’s just oozing with atmosphere!

Overall, this EP is an eclectic mix of songs, from the unashamedly feel-good pop qualities of lead single ‘Let’s Stay In Bed All Day’ to the slightly more chaotic and almost grungy moments found in ‘Sweet Time’. I particularly love the energy and catchiness of ‘You’re The Drug’ (which could easily be another single), whilst both ‘A Wilder Heart’ and ‘I Know That I Can Change’ are emotionally charged and ascend to euphoric climaxes. My only criticism of the EP is the fact that ‘I Don’t Ever Want To Live Without You’ feels a little like an interlude (though it’s still a track which remains true to the essence of the band). That, paired with the opening track being more of an intro, you’ve essentially got 5 brilliant, new, sing-a-long tracks. It’s still a great release though and I’m certainly left intrigued to hear the second part of the album, around March next year.

The quality of the production throughout is remarkable and it’s a really comprehensive collection of tracks. Towards the end of ‘You’re The Drug’ there is an incredible break in the beat and just when you think it’s going to drop back in (as is predictable in so many songs), it doesn’t…it keeps you waiting and I love the originality of this! The calming, break in ‘Sweet Time’ is bewitching and melodic with it’s acoustic guitar, synths and falsetto vocals, right before it kicks back in to the heavy guitars and punchy chorus. Lastly, the delicate way ‘I Know That I Can Change’ begins with it’s atmospheric sounds and gradually becomes a massive stadium-filling anthem – it is just the perfect way to close the EP.

This is undoubtedly a brilliant release from the pair and certainly doesn’t disappoint. It may have been a couple of years since their debut album but it’s clear they have spent time working on their songwriting and developing their style. It’s also nice to see that despite a string of stand-alone singles, they haven’t just piled them onto this EP, to pad it out. It’s a beautiful release, crafted with major love and fine attention to detail.


‘A Mind Like The Tide, Pt. 1’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/a-mind-like-the-tide-pt-1/id1295669547

‘A Mind Like The Tide, Pt. 1’ on Spotify

Let’s Stay In Bed All Day (Official Audio Video)

Hopefully you have enjoyed our review of Prides‘ latest EP release! What are your personal thoughts of the EP? What would you rate it? Please leave your thoughts in a comment below or via our social media and don’t forget to share this think. Thanks 😀

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Matt – Muzik Speaks

#EventSpeaks: Will Joseph Cook @ The Haunt, Brighton – 17/10/17




On Tuesday 17th October 2017, Will Joseph Cook, came to Brighton to perform a set in support of his debut album, Sweet Dreamer, as well as play a couple of new songs from his upcoming EP. He was supported by Indigo Husk at the popular Brighton venue, The Haunt.

Indigo Husk

The band took to the stage with their grungy, give-a-damn appearance and although the crowd seemed a bit reticent to begin with, after a couple of songs, they had been worked up a treat, with the band’s funky brand of grunge-pop. The lead singer’s occasional ‘whoops’ and sarcastic quips were amusing, whilst the drummer was possibly one of the most engaging band members I’ve ever seen – he was witty, enthusiastic, provided great backing vocals and oozed personality through his crowd interaction. Sadly the same can’t quite be said for the bassist, who barely cracked a smile throughout and the concentration on Flynn’s face looked almost uncomfortable for him, at times. That’s not to say it was a bad performance or that they’re not a good band; it makes them who they are and they were certainly fun to watch.


The drummer – he was captivating and I particularly enjoyed the moments he stood up whilst drumming, taking every opportunity to interact with the audience.

Will Joseph Cook

Will Joseph Cook is a fantastic performer and his unique blend of indie vibes, electronic synths and pop hooks make for one heck of a funky, dance-infused performance.

The moment he appeared on stage, the audience burst into rapturous applause – one thing’s for sure, Will Joseph Cook has worked incredibly hard to build up a dedicated and loyal following, evidenced by the fact that the show had sold out.

His vocals were on point and his working of the stage was controlled and at times even mesmerising. I like that he is able to switch between playing the guitar and singing (which can be quite static) on some songs, whilst on others, he ditches the guitar and works the crowd – it’s great to see this diversity in his performance.

The songs he played sounded just as good as his recordings and at times, Will and the band added a nice leading intro into a song, adding something unique that you could only see and hear if you watch him live.

Not only has Will Joseph Cook produced an incredibly strong debut album (Sweet Dreamer) but his performances are remarkably captivating too. He is definitely worth watching live – make sure you catch his show next time he’s near you.


  • Usually I like it when there’s a lot of between-song banter from the band or artist, but Will kept this to a minimum, playing song after song, keeping the audience dancing and singing along.
  • Getting to hear a couple of his new tracks, live, was great!
  • His performances of ‘Plastic’‘Girls Like Me’ and new song, ‘If You Want To Make Money’, all really stood out to me.
  • Will and the band’s abilities to make the live renditions sound just as good as the recordings.

 📷 All of the fantastic photos in this post are credited to Elliot McRae. 📷
Go on and give him a follow – @EMcraePhoto


Biggest Fan
Sweet Dreamer
Treat Me Like A Lover*
Take Me Dancing
If You Want To Make Money*
Daisy Chains

Girls Like Me*

*These songs can be viewed in the YouTube playlist, below.

Finally, I want to say a MASSIVE thanks to Isobel Williams from Whiteboard PR for setting up this review and to Will Joseph Cook and Indigo Husk for putting on a great evening.

Matt – Muzik Speaks