#Review: Becky Hill @ Brighton Dome, Brighton – 11/10/21

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On Monday 11th October 2021, Becky Hill arrived in Brighton to perform at Brighton Dome in support of her album, Only Honest On The Weekend. She was supported by Richard Fairlie. Here’s what we have to say about the incredible event…


Richard Fairlie

Richard Fairlie took to the stage, giving rise to intrigue and applause from the audience, especially as he was accompanied by just a drum stick and pads that provided his instrumentation. His voice was captivating as it was raspy yet he could also show off some impressive falsetto vocals. He performed a mixture of rocky tracks, mellow, guitar-driven ballads and more urban-tinted songs. He has even been supported publicly by Becky Hill herself and so it made sense that he supported her on this tour.

Highlight: His set diversity is something brilliant to watch – from slower, falsetto-driven guitar ballads to up-tempo urban anthems, he is an interesting watch and one to keep an eye on.


Becky Hill

As the intro music rumbled through the speakers, Becky Hill took to the stage to rapturous applause from the audience. The energy was electrifying and she instantly had the crowd in the palm of her hand, and singing back every word of ‘Heaven On My Mind’.

Her outfit glistened beautifully too; one which she later told the crowd she had been saving specially for her Brighton show. In fact, it was this outfit that she revealed she was worried about tripping over in, due to the long legs, so took a quick break from performing to safety-pin it up (with a little help from her team).

The setlist comprised of a string of her well-known hits as well as cuts from her debut album, Only Honest On The Weekend. Her vocals were not only on point, but wonderfully powerful throughout, wowing the audience with every word she sung.

The set was brilliantly diverse too, with many up-tempo tracks performed to begin with (an excellent mixture of new and old songs) but what made it interesting was a break in the middle to perform some acoustic hybrid renditions of ‘Lessons’ and ‘Business’ (an INCREDIBLE duet with one of her backing vocalists). She even picked up her acoustic guitar to perform the track, ‘Perfect People’, which showed everyone just how talented a performer she is.

After the quieter breakdown in the set, the tempo was then picked back up and had everyone partying right up until the very end; even those in the seats upstairs were all up on their feet, jumping up and down to performances of ‘My Heart Goes (La Di Da)’,‘Gecko (Overdrive)’, ‘Wish You Well’ and ‘Remember’. There was no encore to the set either as she said she will not do an encore until she’s selling out arenas.

If you haven’t seen Becky Hill live yet, I can’t recommend seeing her, highly enough! This was my first time seeing her live and it certainly won’t be my last – she is a pop/dance powerhouse of a lady that has been working incredibly hard to get to where she is. She puts on one hell of a show and creates a vibe throughout the audience that is thoroughly infectious and has everyone dancing from start to finish.

Highlights:

  • Becky Hill‘s energy throughout her performance was astounding and even when she performed slower songs, her voice was truly powerful and a wonder to behold.
  • The cool set design made for an interesting watch too – four colour-changing cubes were a great addition to the performance.
  • Her interactions with the audience were always genuine and heartfelt, especially when she talked about getting over the pandemic and all coming together in one room to celebrate live music again.

📷 All of the photos in this post are credited to myself, Matt Wright  📸
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 Setlist

Intro
Heaven On My Mind
Afterglow
Through The Night
False Alarm
I Could Get Used To This
I Got You*
Lessons (Acoustic Hybrid)
Business (Acoustic Hybrid)
Distance
Perfect People (Becky Hill on Guitar)
Lose Control
My Heart Goes (La Di Da)*
Gecko
Last Time (Biscits Remix)
Better Off Without You
Wish You Well*
Remember*

These songs can be viewed in the YouTube playlist, below.


Finally, I want to say a HUGE thanks to Warren at Chuff Media for sorting out this review for me.


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Matt – Muzik Speaks
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#Review: Alan Walker – Different World 🌍


   

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Alan Walker is a young, Norwegian DJ and record producer who burst onto the scene with his 2015 single, ‘Faded’ (featuring uncredited vocals by Iselin Solheim) – now platinum certified in over 10 countries and as of December 2018, the music video has received well over 2 billion views! Since then, he has had many successful singles which have received tons of attention online, through countless YouTube views and Spotify streams. Alan has also collaborated with and remixed music for likes of Noah Cyrus, Sia, Bruno Mars, Avicii, Coldplay, Miley Cyrus, Kygo, Charli XCX, Julia Michaels and more. Now, December 2018 sees the release of his debut album, Different World. Here’s what we have to say about it…

Alan Walker - Different World

Alan Walker‘s debut album makes an atmospheric opening with the haunting use of synths and wordless vocal melodies, building continuously, however, just as you think it’s reaching a crescendo that will surely lead into the first track…it goes quiet! Don’t get me wrong, I’m all for atmospheric album tracks that build into the next but the 3 tracks on the album (out of 15), that are intended to prelude something bigger, just drop off like this, leaving a lot to be desired in this respect – they should flow right into the next track, seamlessly!

Some of the best tracks on the record include: ‘I Don’t Wanna Go’ (featuring Julie Bergan) with its really interesting, low vocals throughout the verses before breaking out into a wonderfully powerful chorus yet it’s obviously very Alan Walker in style, with the almost bubbly synths. Then you’ve got ‘Lily’ (featuring K-391 & Emelie Hollow), an almost story-like track, with a rather dark undertone to it. The high-pitched vocals contrast incredibly with somewhat sinister-sounding electronic elements to the instruments.

‘Do It All For You’ (featuring Trevor Guthrie) begins with a haunting, nursery rhyme vibe to the instrumental; its warbling chime sounds and hip-hop-style beat bring something fresh to the ears. It isn’t an instantly or obviously catchy track yet it’s very well written and you quite easily find yourself singing it several hours later. ‘Sing Me to Sleep’ (also featuring uncredited vocals by Iselin Solheim) is a very powerful song containing shakingly beautiful vocals (somewhat like Ellie Goulding), accompanied by the haunting sounds of children playing throughout the start and verse. Meanwhile, the synths a like a blend of some well-know Chicane and Owl City instrumentals.

However, possibly the best, most commercial-sounding song on the album, is single, ‘All Falls Down’ (featuring Noah Cyrus, Digital Farm Animals & Juliander). It’s just catchy, fun and despite the slightly down-hearted subject matter, is strangely uplifting.

It’s actually an album that depicts a rarely heard, somewhat dark and edgy side of EDM and it’s brilliant!

Both ‘Lost Control’ (featuring Sorana) and ‘Lonely’ (featuring Steve Aoki, ISÁK & Omar Noir) have an urban/Indian edge to them, mashed up with a gritty, broken quality to the synth sounds. Whilst, ‘Darkside’ (featuring Au/Ra & Tomine Harket) sounds a lot like ‘I’d Do Anything’ from the musical, Oliver! in the chorus – it has sensational production with a lot of subtle flourishes underlying the main melodies and ‘Diamond Heart’ (featuring Sophia Somajo) makes good use of rain sounds to add to the atmosphere, topped off with a strong vocal like Dua Lipa meets Sia.

Unfortunately, ‘Alone’ is nothing more than a solid album track, that I am certain fans will love, but it’s not the most memorable track, by far, despite the typical Alan Walker-style synth breaks.

Of course, it wouldn’t be right not to mention ‘Faded’; the track that really launched the producer and songwriter into the limelight – as with a couple of my favourite debut albums released by fellow EDM producers this year, it’s a really touching way to end a debut album; bringing it all back round full-circle to where their career began. A great little touch!

It’s clear that Walker likes to use real sounds to enhance the soundscapes he creates, which really add to the ambience throughout the record – it might just be one of the saving graces of the record, making him stand out from so many other EDM producers.

All in all, it’s actually an album that depicts a rarely heard, somewhat dark and edgy side of EDM and it’s brilliant! As I’ve previously stated, if Sigala‘s album was the soundtrack to the party and Jonas Blue‘s was the soundtrack to the after party, then Alan Walker‘s debut album is the soundtrack to the gritty underground club after that!

Whilst I think there are several things lacking in this record, he has certainly spent a long time crafting a production-perfect debut with some interesting sounds or synth choices here and there that add just enough variety to delight your ears and make it stand out.

After the success of ‘Faded’ and the loyal online following he’s built up, I’m sure Alan Walker will have an illustrious career ahead within the genre…it’ll be interesting to see how he develops and grows from here.

Rating


‘Different World’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/different-world/1445140820


Different World on Spotify

Faded (Official Video)

All Falls Down featuring Noah Cyrus, Digital Farm Animals and Juliander (Official Video)

Darkside featuring Au/Ra and Tomine Harket (Official Video)

Diamond Heart featuring Sophia Somajo (Official Video)


We hope you’ve enjoyed our review of Alan Walker’s debut album, Different World! What do you make of it? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or hit us up via our social media.


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