The Young Hearts @ The Lighthouse, Deal – 23/07/22

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It’s been a long two and a half years since The Young Hearts graced the stage with their nostalgic punk rock tones. In that time a lot has happened to the band including the release of their debut album The Modern State (you can read our review here) and more recently they announced the departure of Aaron and AJ their guitarist and drummers respectively. The Young Hearts have set about to put this right with an intimate show at the locally renowned The Lighthouse which sits nestled along the seafront of their hometown. Lined up with support from Killing Giants and Moron Butler, and a sell-out crowd to support them, did The Young Hearts deliver on their return?


Killing Giants

To get the home crowd warmed up was Killing Giants. They offered a relentless set in the modern British rock tradition to a surprisingly full crowd for an opening band at a local show. This could partly be down to the band’s quality.  They played a tight set with strong lead vocals and plenty of interesting dynamics to their set to keep tonight’s appreciative crowd intrigued. The band did use some triple harmonies and swapped lead vocals occasionally, this was probably the weaker part of their set. However, this was mostly due to the strength in Killing Giants lead vocalist. Switching away from him felt a little jarring as a lot of the drive of their sound is in his rugged and powerful tone, but letting him loose away from the mic did allow him to add some great stage presence for a band that were already exciting to watch.  Great opener – 4/5.


Moron Butler

Next up to support were Moron Butler who are probably a bit of an obscure choice on this line up. They were described as drone, post-punk and poetry and that’s pretty much it! This is the second time I’ve seen Moron Butler and like before it seemed to divide the crowd, however this time most people stuck at it and there was an element of interest in what they were offering. Personally, I like it. The whole thing is held up by singer Troy who, demands attention without explicitly asking for it, and holds the stage on his own. The rest of the band do feel like his backing band, lacking some presence but it’s the poetic spoken lyrics that pull you in to listen further. It reminds me of some of ‘At the Drive In’s’ earlier work. I think Moron Butler’s live presence relies a lot the element of surprise as their set was more enjoyable first-time round, but it was still great to see again. 3/5.


The Young Hearts

Now time for the main event. The Young Hearts have already achieved a dream of many by selling out a home town show and they did not disappoint this energetic crowd. It didn’t feel like a ‘local scene’ show.

The Young Hearts haven’t had a chance to promote their album, but tonight those tracks sounded big. Craig’s vocals sounded well-polished as he always does and the band look like they had been playing together for years, despite a 50% member change. The new line-up has slotted in place and bring some great presence on stage.

The band were clearly enjoying themselves and this filtered back into the crowd who only got more involved as the set went on. There was a nice flow to the set, which only took breaks to change tuning and didn’t allow for the crowd to lose their energy. The addition of a couple of covers to the set was a welcome treat and were played as if their own. We also got to sample a couple of new tracks as a taster of what’s to come, and it’s more of the same well craft tracks you would expect from The Young Hearts.

But it was the singles such as ‘London’ and ‘Old Familiar’ which stood out. Ever catchy and had everyone jumping around this cosy venue. As vocalist Craig put it, this crowd made them feel like rockstars and The Young Hearts duly delivered up a set worthy of it, even being called back for an encore and a chance to cover The Killers‘ ‘When You Were Young’. Vocalist Craig sounding every bit as good as Brandon Flowers. It’s a welcome return and you should get out to see them when they inevitably head out on the road. 5/5.


📷 All of the photos in this post are credited to James Borley 📸
Why not give him a follow on Instagram or check out his website.


 Setlist

Wild & Reckless (Extended Intro)
The Way Back
Smoke
Easy Life
The Modern State
Still Wander
Left Of The Dial (Replacements Cover)
Old Familiar*
London*
Don’t Tell A Soul
When You Were Young (The Killers Cover)

These songs can be viewed in the YouTube playlist, below.


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Rob Manhire
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#Review: The Young Hearts – The Modern State

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The Young Hearts are an alternative punk rock band from Kent, UK. Recently signed to Year Of The Rat Records, the band have made a name for themselves by extensively touring and sharing stages with the likes of Can’t Swim, Mallory Knox, Junior, Bellevue Days and more. Having already released a string of singles and EPs, 2021 sees the band release their debut album, The Modern State. Here’s what we have to say about it…

The Modern State launches spectacularly with opening track, ‘Wild & Reckless’ – a fast-paced song which is the perfect opener to an album – an epic start with some killer, catchy vocals in the chorus. It’s also the perfect song to open a set with!

‘London’ and ‘Old Familiar’ are possibly the highlights of the album with their sing-along-ability, plus they really give you that urge to want to be packed into a crowded venue, jumping along with others in the audience and singing at the top of your lungs.

‘Cold Nights’ takes on a slightly slower pace in the verses but the chorus is still superbly powerful (like much of the rest of the album). ‘Still Wander’ has some great guitar breakdowns throughout whilst ‘Fool’s Gold’ is a nearly five-minute masterpiece that reminds me of the likes of The Fray yet entirely changes pace around 3 and a half minutes in, to something quite ethereal.

As far as debut albums go, this isn’t perfect, but it’s not far off!

Unfortunately, ‘Swim’ and ‘Anchors’ are somewhat forgettable and that’s not just because they’re slower-paced – they just don’t quite have the same edge as the rest of the album, which is the main reason for the rating below.

However, the album draws to a spectacular conclusion with ‘Don’t Tell A Soul’ – another monumental track that in its last minute, breaks down into a piano and guitar-led epic close that would make the perfect end to a perfect set.

As far as debut albums go, this isn’t perfect, but it’s not far off! It’s got repeat listenability and has a certain quality that keeps you coming back for more. It’s well-produced, catchy and has a diversity of tracks that are highly entertaining to listen to. I would strongly recommend a few listens of this masterpiece debut to really let it sink in, just how brilliant it is.

Rating
4


‘The Modern State’ is out now and can be downloaded from iTunes – https://music.apple.com/gb/album/the-modern-state/1544490658

Or physical copies can be bought from the band’s website – https://www.theyounghearts.co.uk/shop


The Modern State on Spotify

London (Official Music Video)

Fool’s Gold (Official Music Video)


We hope you’ve enjoyed our review! What do you think of the band’s debut album? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


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Matt – Muzik Speaks
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#Review: ONE OK ROCK @ Roundhouse, London – 10/05/19

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On Friday 10th May 2019, the massive Japanese band – ONE OK ROCK – arrived in London. It was only the second date on their EU leg, of the Eye Of The Storm World Tour and they performed at none other than London’s renowned Roundhouse. The band put on a night to remember, supported by British pop outfit, Anteros.


Anteros

The band took to the stage with their vibrant personas and glitzy 80s synths, further reinforced by lead singer, Laura Hayden’s sparkly red dress. This band are a wonderful blend of indie, pop and new wave – think Blondie meets modern-day contemporary pop; along a similar vein to Fickle Friends. There are certain punk-like trends to Hayden’s stage presence, with her almost “don’t-give-a-damn” flounces around the stage, equally met with gusto – it’s quite mesmerising. The music is good and their energy was captivating to watch.

Highlight: The high-energy end to the band’s set made for a chaotic last impression, certain to leave people wanting more.


ONE OK ROCK

The band have only played in the UK a couple of handfuls of times but it was clear from their loyal fan base, just how much their performances are looked forward too, with a queue that lined up all round the streets, prior to the show.

As ONE OK ROCK took to the stage, the crowd whipped themselves up into a frenzy as the Japanese band launched into their opening track, ‘Push Back’. This was a set that despite the relatively small stage in comparison, felt just like an arena show…complete with pyros!

The set was teeming with a few older hits, plus a whole bunch of songs from their latest record, Eye Of The Storm (<— review here) – all of which had the crowd singing at the top of their lungs! Their energy was truly infectious from start to finish.

I was particularly impressed by Taka’s live vocals – so often you can hear little flaws in a singer’s voice when they’re performing live, but the power and effort he put into his performance was virtually flawless…even if he did keep fiddling with his in-ear throughout the show.

The quartet know just how to put on a show though; from Taka’s ability to capture the crowd by holding a particular stance and Toru’s rocking out with his guitar to Ryota’s powerful bass moves and Tomoya’s face poking up over the drums, as he beats away at them effortlessly – this is a band that you need to see live. It’s clear that they have spent a long time practising and perfecting their set – there isn’t too much between-song banter, but instead just packing in the songs, to give the audience a great time.

It was my first time seeing the band live and I had an amazing time – it’s so often that the UK send great bands and artists over to Japan to perform but it’s great to see a Japanese band coming over to the UK for a change! I strongly recommend catching this band live, the next time they make a rare appearance in the UK – you won’t be sorry, I promise!

Highlights:

  • Taka’s effortless vocals and stage presence alone, made the show thrilling to watch.
  • Having not heard too much of the band’s back catalogue, it was great to hear a lot of tracks from their most recent album, Eye Of The Storm.
  • There was an instrumental break during which Taka left the rest of the band to rock out on stage, demonstrating just how talented these musicians are – it was nice to see him let some of the other’s in the band have some of the limelight for a while, particularly a little drum solo from Tomoya.
  • The sheer polished-precision with which the band delivered their set, showed just how much rehearsing must have gone in to perfecting their live shows.
  • The loyalty of the crowd, singing back every word of every song, showed just how far-reaching their fan-base is.
  • PYROS! Pyrotechnics just make a show even better! It was great because they weren’t overused, just boosted a couple of songs when you least expected it.

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 Setlist

Push Back
We Are
Taking Off
Unforgettable
Clock Strikes
Head High
Take What You Want
Stand Out Fit In*
(Instrumental)
Giants
I Was King
Change*
The Beginning
Jaded
Mighty Long Fall

Encore
Wasted Nights

These songs can be viewed in the YouTube playlist, below.


Finally, I want to say an absolutely HUGE thanks to Robbie Peacock for enabling this review to happen and to both ONE OK ROCK and Anteros for putting on a fantastic show.


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#MellowMonday: No Rome – ‘Do It Again’

 


 

   

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No Rome is a recent, electro, synth-pop signing for London-based label, Dirty Hit (also home to the likes of The 1975 and The Japanese House). In fact, his upcoming EP, RIP Indo Hisashi, was produced by none other than The 1975‘s Matty Healy and George Daniel.

The first single to be taken from the upcoming release, is Do It Again. It certainly has a very similar vibe to that of his label mates, with its echoing vocals, atmospheric and cascading synths and richly textured production.

There’s no doubt that with this team behind him, No Rome will be about to embark on an exciting new phase in his musical career and I expect to be hearing a lot more from him in the months to come.

No music video has been released as yet, but I’m sure when one emerges, it’ll be artistic and mesmerising, if some of his photo shoot pictures are anything to go by.

What are your thoughts of this up and comer? Do you like his similar vibes to The 1975? Have you got a #MellowMonday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
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‘Do It Again’ can be downloaded off iTunes now – https://itunes.apple.com/gb/album/do-it-again/1384849862?i=1384850054


#MellowMonday: Blakey – ‘Prism Of Love’ featuring JONES


   

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Blakey is a mysterious new artist and producer from London, who’s recently released his stunning debut single, ‘Prism Of Love’, featuring the incredible JONES.

The song has some seriously beautiful vocal melodies, with Blakey showing off a diverse range; from rumbling deep notes to ghostly falsetto vocals as well as a powerful, full voice, with JONES‘ delicate voice, weaving in between.

The production is top-notch too; there are subtle sounds and melodies throughout that make this debut powerful and fragile all at the same time; it’s perfect!

The music video is basic but pretty interesting – well worth a watch!

What are your thoughts of this stunning electronic track? Do you have a #MellowMonday track for recommend us? Please leave your thoughts or song suggestions in a comment or talk to us about it via our socials.

Matt – Muzik Speaks
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‘Prism Of Love’ can be downloaded off iTunes now – https://itunes.apple.com/gb/album/prism-of-love-feat-jones-single/1345629694


#WildCardWednesday: PAULi – ‘WAITING (Getting On This Train)’


   

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Having seen PAULi support Rae Morris at Concorde 2 recently (review here)…I have been utterly obsessed! This is an artist who delivers a live performance which is both exciting and captivating; he has crafted something truly unique!

‘WAITING (Getting On This Train)’ is an intense blend of London’s urban music scene, with chaotic dance elements and a certain quality to his voice that is somewhat reminiscent of something Prince would have done, in his more recent years.

PAULi is an artist that has worked hard to produce a complete package; artistic music videos, quirky single/album artwork and a unique genre-blending sound. Unfortunately, no music video exists for this track but if you ever get the chance to see him live, there’s something in the energy of this song that is just astounding!

This is most definitely an artist to watch out for; I’m predicting big things for him!

What are your thoughts of this incredibly unique artist? Have you got a #WildCardWednesday track to recommend us? Please leave your thoughts or song suggestions in a comment or hit us up via our socials.

Matt – Muzik Speaks
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‘WAITING (Getting On This Train)’ can be downloaded off iTunes now – https://itunes.apple.com/gb/album/waiting-getting-on-this-train/1180156800?i=1180157170


#MuzikSpeaks: An Interview with Georgie


   

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On Tuesday 13th March 2018, Georgie came to Brighton, as the sole support on Jake Bugg‘s acoustic, UK tour (review here). We were lucky enough to get some time to chat to her backstage at the Brighton Dome. I cannot thank her and her tour manager (Mark) enough for their hospitality and making us feel so welcome and sharing a couple of beers with us; it was a real pleasure!

📸 Cover photo by Damon Peirce 📷
Why not give him a follow on Instagram and Twitter or check out his website.


Hey, how’s it going?
Yeah, good thanks.

So you are about to release your EP, ‘Impacts’, how do you feel prior to a new release? Is it nerve-wracking or exciting?
Yeah, excited. I mean, it’s always kind of nerve-wracking to see what the response is going to be but it’s exciting because you’ve kind of been at the very start of the song, so it’s nice to write it, record it and then get it out. So yes, it’s always exciting.

Awesome! So, where did the idea for the title come from and what’s the meaning behind it?
Well the main single on it’s called, ‘Too Much TV’, so it came from that really and what the song’s about.

It’s a 3-track EP, isn’t it?
Yeah.

Is there one track you’re kind of really excited for people to hear, other than ‘Too Much TV’, which is already out?
Both of them really, yeah, because they’re both songs that I wrote ages ago, about 2 or 3 years ago so I’m kind of excited to get them both out.

What’s your usual writing and recording process like?
I haven’t really got one to be fair; I kind of write in different waves. Sometimes I’ll write like here, just on my computer or I’ll have an idea and I’ll write at home or just have an idea on the bus and I’ll get my phone out and like hum into my phone a little melody and I’ll write the lyrics. It’s all different really; if an idea comes I just try and get it down as quickly as possible. Well like a lot of the time I do write the music first and then the lyrics kind of go on top.

That’s awesome. If you could collaborate with anyone, who would it be and why?
Oh…dead or alive?

Either. Or go for one of each?!
Oh…one of each. That’s a good question. I’d probably collaborate with Elvis for the dead one…just because it’s Elvis and just to be in the same room as him would be amazing! Alive; at the moment, I love Chance The Rapper; that album, Coloring Book it’s just so good, it’s like chaotic and beautiful, it’s amazing so I think I’d have to go with Chance The Rapper, yeah.

Nice, good choice…and different it would be quite a nice collaboration.
Yeah (laughs).

What music have you been listening to most recently?
Loads. I’ve got like a little playlist that I have on tour which I always add to. So, I really like Bruno Major at the minute, Rex Orange CountyChance The Rapper…I listen to a lot of old stuff as well, like a lot of old blues like Johnny Hooker and bands like Fleetwood Mac and Led Zeppelin and stuff, so it’s quite varied.

Yeah, quite an eclectic mix! If you had to cover a recent chart song, which song would it be and why?
That’s a good question…um…I don’t listen to the charts that much so I don’t really know what’s in the charts. Like, that Dua Lipa song, ‘New Rules’, is quite good, but she smashes it so I don’t think I could cover it and do justice to it.

I feel like it’s a grower that one, because I hated when I first heard it.
Me too! Me too! I was the exact same, I mean you can’t get away from it at the minute.

Yeah, it’s everywhere! So how’s it been touring with Jake Bugg? What’s that been like?
Yeah, amazing. Like this is my third tour with Jake now so it’s kind of like [I’m] used to it now. It’s like I’ve become part of the team, so it’s quite nice. I’ve probably made myself too comfortable.

(Laughs)
Like go in and take milk from his fridge and stuff (laughs). But yeah, it’s good. He’s a great artist; he’s one of the best of what England has to offer of this generation, so it’s really cool to be on tour with him.

That’s cool. What have been some of your favourite cities to perform at?
Brighton! Which is true, like I love Brighton; it’s one of my favourite cities, just to go for a night out in. London’s cool – I do like playing London. I mean, the London crowd are very like sit there silent – they just want to be impressed.

Like, it’s your time. Impress me. Go! (Laughs)
Exactly, it is totally that. I guess they’ve just had everything come through the city so they’ve heard it all and seen it all. Up North’s cool; Manchester’s great, Nottingham, Glasgow’s always good fun – everyone’s like drunk. So yeah, they’re probably a few of my favourite cities.

Do you get much time off to go and explore them?
A little bit, yeah, a little bit. I did the Europe run with Jake (Bugg) at the beginning of this tour and I had like 3 days in Stockholm which was cool and here you get a few mornings off. I got a free morning in Margate the other day so I just had a run on the beach, which was pretty nice.

That’s pretty cool; nice to take some time.
Yeah.

What makes a show particularly amazing for you?
The crowd. I mean a gig for me is never just about the artist on stage, it’s about everybody in the room, so like the crowd are just as important as the artist, so if the crowd have really got a nice feeling, then they’re always my favourite kind of gigs. And the venues themself as well, like some venues just have something magical about them. Like tonight’s venue’s beautiful, like a lot of history as well.

Yeah, the Dome’s a good one!
Yeah, I saw Abba played here!

Yeah.
That’s it, I’m made. I don’t need to play anywhere else now (laughs).

(Laughs) Has anything really scary ever happened to you on tour? If so, what?
Scary? I don’t know…When I was in Dublin…yeah (laughs), actually two things in Dublin. I nearly set myself on fire in Dublin.

Oh my god! (Laughs)
(Laughs) Yeah it was the last show of the tour with Jake (Bugg) and I was with my band and he was with his band and I had a whiskey in my hand and I lit a cigarette and poured the whiskey down my scarf while I lit the cigarette.

Oh no! (Laughs)
And my scarf just went up in flames. I could still smell my burnt hair for like a week afterwards. Someone came outside and was like, “I can smell something burning,” and I like, “Yeah that was me.” (Laughs). Yeah that was probably the scariest thing, I would say, yeah.

(Laughs) Yeah, that’s pretty bad! Do you have any pre-show or post-gig rituals that you do?
Not really. I probably just drink a whiskey. I go to the bathroom and say a little prayer, um, and then I’ve also like, just started dancing a little bit, like ten minutes before. I can’t dance; I put like Sheryl Crow on or Shania Twain and just let loose (laughs).

I like that, that’s fun! Have any of you got any weird habits?
I probably have got loads! Before I go to sleep, I always have to say to someone, “Goodnight, God bless, love you, see you in the morning.” I’m like OCD with that, it’s like weird. Even if I’m on my own, I’ll ring someone up and be like, “Just ringing to say, goodnight, God bless, love you, see you in the morning.” (laughter) And it has to be the last thing I say, so as soon as I say that, I put the phone down (laughter). But that’s more OCD than a weird habit.

It counts as a weird habit! (Laughs) Do you have any other passions outside of music?
Yeah, sport I guess. I love football. I used to play football. I love playing tennis. I used to be really sporty before I did music, but I’ve only recently just got back into playing sports. And film, I love film. I just watch films all the time.

Ah, that lines up my next question very nicely. What’s the best film you’ve seen lately?
I watched Spotlight recently, that was good; that’s disturbing though.

I’ve not seen it, but I’ll have to watch it.
It’s good, yeah, it’s good. I also watched that one on Netflix which is like Adam Sandler and Ben Stiller, but I can’t remember what it’s called. They’re like a Jewish family. I can’t remember what it’s called but it was really good. Like the characters are great and Emma Thompson is in it as well and she’s like one of my favourite actresses.

Yeah, she’s cool. If a film was made about your life, in like 20 years time, who would you want to play you?
It would probably be…I dunno…I love Emma Stone, but she’s too cool to play me.

(Laughs) I love Emma Stone, she’s cool.
Yeah! (Laughs) Yeah, she’s great! Or Judy Dench as well – just put a brown wig on Judy Dench (laughs).

(Laughs) If you were a chocolate bar, which one would you be and why? Nice random question for you!
This is literally the best interview I’ve had. (Laughs) Yeah, this is so good, these questions.

Aw thank you, that’s very nice to hear.
Um, I’d say a Twirl, because you get two of them. They’re like flaky on the inside and crispy on the outside.

A Twirl is a good one actually. What really grinds your gears?
Loud chewing.

Oh God, I’m sitting here chewing gum! (Laughs)
No, you’re not chewing loud, don’t worry. You’d know about it if you were. (Laughs) It’s more like crunching. Like my dad’s terrible, like he’s just got the loudest crunch ever, so maybe that.

I can relate to that! What’s the most embarrassing thing that’s ever happened to any of you, in life? Setting your hair on fire? (Laughs)
I remember when I was like 13, I’d just started playing the guitar and where I’m from, Mansfield, there’s like a big, steep hill going down into the town and I had my guitar on my back and I was just toddling along and it was icy and I slipped over onto my back but because my guitar was on my back, I couldn’t get up. I was just like a turtle and everyone was walking past. I was like there for a good 5 minutes just like, “Help!” (Laughs) This old guy came and helped me up, so that was embarrassing.

That’s hilarious! I’ve just got one more question: What’s the best advice you’ve ever been given?
I guess, “Don’t give up” – the obvious one. Like my tour manager said one to me the other day, which was really good; it was like, “For every 50th brick wall, you build a Taj Mahal.” It was something like that. So you have to build lots of brick walls and it can sometimes feel like it’s taking forever but at the end you’ll get the Taj Mahal, if you keep building the walls.

That’s good advice; I like that! Well thank you very much for taking the time to talk!
No, thank you very much for having me!


Georgie‘s releases are all available:

  • To purchase on iTunes – Georgie
  • To listen to on Spotify –

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#Review: George FitzGerald – All That Must Be


   

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George FitzGerald is an English, electronic musician who previously worked for London label, Black Market Records, but after relocating to Berlin in 2010, began recording and releasing his own music. 2015 saw the release of his debut album, Fading Love, and now in 2018, he’s releasing his second record, All That Must Be. Here’s what we have to say about it…

George FitzGerald - All That Must Be.jpg

The album opens to the sounds of the hustle and bustle outside FitzGerald’s London studio, nicely setting the theme for the rest of the record, which very much echos the thrum of urban life.

In amongst the production, vocals are present, however, save for the tracks with guest vocalists, Lil Silva and Tracey Thorn (Everything But The Girl), they are barely recognisable, through much distortion and production wizardry. This is executed perfectly though, as they blend so well with the instrumentation, that it actually takes a few listens to properly realise they are in fact vocals.

George further explains, “In many of the songs the vocals are disembodied and processed to the point you can’t make out what they’re saying. I wanted that to mirror the uncanniness you feel when a massive event happens in your life. Everything looks and sounds the same but it’s somehow different. Your surroundings are less intelligible.” This is very much reflected in the album’s lead single ‘Burns’, which was also played regularly on Radio 1.

This album is a complete body of artistic work that has a unique story-like quality to it.

All That Must Be is very much an album of music that brilliantly depicts urban life. It is almost a soundtrack to the commotion of a city and represents the rhythm and heartbeat that so many cities often seem to have.

On first listen it’s easy to feel like all the tracks on the album are quite similar and that it stays the same from start to finish. However, it’s only when you listen again that you can truly appreciate just what a remarkable piece George FitzGerald has created, with subtle, intricate variations and changes in atmosphere. This is a complete body of artistic work that has a unique story-like quality to it. It might not be to everyone’s taste but it is astounding how an almost entirely instrumental album, can so clearly illustrate a picture in the mind and audibly represent so many moods. It’s both hypnotic and melancholic in places and there is a real sense of motion about it; it certainly doesn’t stand still.

Some of the most stand-out tracks are ‘Frieda’ for its meditative quality, ‘Burns’, for simply being the monster track that it is and ‘Roll Back’ and ‘Half-Light (Night Version)’ for their collaborations with Lil Silva and Tracey Thorn, respectively.

This is a record that could easily be experienced and enjoyed on a long drive at night, with the warm summer air breezing through the open windows or as something to ultimately sit back, relax and chill out to.

Rating
4


‘All That Must Be’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/all-that-must-be/1322664114


All That Must Be on Spotify

Roll Back featuring Lil Silva (Official Video)

Burns (Official Audio)

George FitzGerald Tour Dates

All tickets are on general sale now, via www.george-fitzgerald.com.

19 March – Munich, DE – Ampere
20 March – Berlin, DE – Schwuz
21 March – Cologne, DE – Yuca
22 March – Paris, FR – Nouveau Casino
23 March – Brussels, BE – AB Club
24 March – Utrecht, NL – Catch Festival
26 March – Brighton, GB – The Haunt
27 March – London, GB – Islington Assembly Hall
28 March – Glasgow, GB – The Art School
29 March – Manchester, GB – Gorilla
09 May – San Francisco, US – The Independent
10 May – Echo Park, US – The Echo
12 May – Salt Lake City, US – Kilby Court Gallery
13 May – Denver, US – Larimer Lounge
15 May – Chicago, US – Subterranean
16 May – Toronto, CA – Drake Hotel
17 May – Montreal, CA – Bar le Ritz PDB
18 May – Boston, US – Great Scott
19 May – New YorkUS – Rough Trade


We hope you’ve enjoyed our review of George FitzGerald’s second album, All That Must Be! What do you think of it and what would you rate it? Please let us know your thoughts in a comment or share your feelings about it via our social media.


Enjoyed this? Check out some of our other reviews here:

Muzik Speaks Album Reviews


Matt – Muzik Speaks
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#WildCardWednesday: YONAKA – ‘Bubblegum’


   

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YONAKA are a fantastic Brighton-based band who consist of Theresa Jarvis (Vocals), George Edwards (Guitar), Alex Crosby (Bass/Keys) and Robert Mason (Drums). The band refer to themselves as ‘Dark Alt Pop with heavy riffs’ and I couldn’t agree more; their latest track, ‘Bubblegum’ fuses electro-pop vibes with grungy guitars and it’s all topped off with Theresa‘s vocals (which I find have similarities to Charli XCX).

The video has just been released and it really depicts just what YONAKA are all about – it’s visually intriguing and oddly artistic; what more can you expect from a Brighton-grown band eh?!

You must check out this wonderful song and accompanying video – it’s well worth it!

What are your thoughts of this up-and-coming band? Have you got a #WildCardWednesday track to recommend us? Please leave your thoughts or song suggestions in a comment or chat to us about it via social media, using the #WildCardWednesday hashtag.

Matt – Muzik Speaks
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‘Bubblegum’ can be downloaded off iTunes now – https://itunes.apple.com/gb/album/bubblegum/1289319076?i=1289319088


#WildCardWednesday: Cazzette – ‘Handful Of Gold’ featuring JONES


   

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Swedish electronic music duo, Cazzette, have recently released an exciting new track that is catching a lot of people’s attention, particularly from the dance music community.

‘Handful Of Gold’ features London-born vocalist, JONES, who released her debut album last year. The track features a rather light beat, enhanced with dreamy guitars before dropping into a rather intense, horn-sounding slam. The whole track is topped off stunningly, by JONES‘ soaring vocals. It’s a song I can picture massive crowds dancing to at big dance festivals this summer.

The track will also be featured on Cazzette’s upcoming EP, ‘Time’, which is scheduled to be released on June 23rd 2017. No official video has been released but for now, we have another video featuring the track, below.

What are your thoughts of this club-like banger? Got a #WildCardWednesday track to recommend us? Please leave your thoughts or your own song suggestions in a comment or hit us up via our social media.

Matt – Muzik Speaks
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‘Handful Of Gold’ can be downloaded off iTunes now – https://itunes.apple.com/gb/album/handful-of-gold-feat-jones/id1223012347?i=1223012349