On Wednesday 31st July 2019, Kate Nash returned to Brighton to put on another outstanding show, following the release of her 2018 album, Yesterday Was Forever and was supported by the punk quintet, The Menstrual Cramps.

The Menstrual Cramps

The band took to the stage, instantly packing a punch with their all-female brand of punk – think traditional punk rock but with some kick-ass girls showing who’s boss! The lead singer, Emilia Elfrida, was consistently hilarious with her crowd banter between songs and even shared some more personal insights, such as sexual assault she experienced and a song she wrote about it. As per traditional punk, there’s a lot of political messages behind their songs but one I loved in particular was a song, ‘Neo-Nazi’, written specifically for the crowds of an upcoming festival they’re playing at, to get back at them for the death threats and general unpleasantness they received the last time they played there!

Highlight: The energy of the band’s set (in particular the wit of Emilia) and the no-holds-barred approach to their lyricism and addressing of political and social issues! Well worth a watch.

Kate Nash

Right from the offset, there was something instantly better and more high energy about this set than the last time Kate Nash performed in Brighton. That’s not to say she wasn’t great back in 2017, but this time, there seemed to be a real buzz of excitement and a new lease of life to her set, which just instantly created an electric atmosphere throughout the crowd.

Following the release of her 2018 album, Yesterday Was Forever, the audience were treated to a whole host of new and old material in all the right doses. On several occasions, Kate shared the gratitude for her fans’ continued support throughout what has recently been shared (in her rather personal documentary – Kate Nash: Underestimate the Girl – via BBC3) as quite a tumultuous period in her life. She also addressed her own personal struggles with mental health and how she believes that everyone should take time to talk about their own mental well-being, before performing, ‘Musical Theatre’ – a wonderfully personal account of her inner-most thoughts.

Naturally, in amongst her newer songs, the performance was interwoven with traditional hits such as ‘Mouthwash’, ‘Pumpkin Soup’, ‘Dickhead’ and ‘Foundations’. There was even a little medley thrown in for good measure, followed by an insanely fast version of ‘Mariella’ and just had the audience going crazy! The speed she performed it at was actually very impressive to behold!

Even though she is already a professional performer, this particular set/tour demonstrated just how much she’s grown as an artist and songwriter but also how much she has honed her live shows. I strongly recommend catching her at your earliest opportunity – you don’t even need to know all her songs, she’s just instantly bewitching!

Highlights:

Kate’s energy level was consistently high and her interaction with both the audience and her incredible band, made for a great watch all round. She always makes sure that her band are as much in the forefront as she is.
Kate’s vocal performance was stunning; from her beautifully powerful high notes to the delivery of her quirky, trademark, too-many-words-for-one-line lyricism, she was on point throughout.
I particularly loved watching her personal performance of ‘Musical Theatre’ – it’s not only got a strong message but her delivery of the song’s lyrics was sensational.
Her sense of style was as to be expected – interesting and out there, but oh so perfect.
At the end of the set (before the encore), Kate even got off the stage and into the front of the crowd to sing amongst her fans, which made them go wild.

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📷 All of the photos of The Menstrual Cramps and Kate Nash are credited to Michael Hundertmark 📸
Why not give him a follow on Instagram and Twitter or check out his website.

Setlist

Play
Life In Pink
Mouthwash*
Sister
Trash
Always Shining
Musical Theatre
Agenda
We Get On
Kiss That Grrl / Shit Song / Later On
Mariella
My Little Alien
Pumpkin Soup
Foundations*

Encore
Dickhead
Underestimate The Girl

* These songs can be viewed in the YouTube playlist, below.

Finally, I want to say a great big thanks to Patrick from Lout Promotions for sorting out this review, to Michael Hundertmark for his snaps and lastly, to Kate Nash, her band and The Menstrual Cramps for their amazing performances!

Enjoyed this? Check out some of our other live reviews here:

Muzik Speaks Live Reviews

Matt – Muzik Speaks
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On Friday 15th March 2019, As It Is arrived in Brighton for the final date of their The Intimate Depression Tour, in support of their latest album release, The Great Depression. The band were supported by Modern Error, Bellevue Days and Klae. It was an extra-special evening, not only because it was the last night of the tour, but it was a return to the city they started in! Here’s what we thought of the evening…

Klae

Klae are five-piece, female-fronted band from Brighton, who kicked off the evening with their blend of gritty pop rock. They have a tight, commercial sound to them, and clearly a loyal following is already building for them. They’ll be a local band to keep an eye out for with their atmospheric, airy guitar melodies and honest lyricism…though at times, some of the dancing seems a little contrived.

Bellevue Days

Next up, was the rather slick Bellevue Days – their performance was flawless and they have obviously honed their songwriting skills to perfection, with little fills and quirks in all the right places; whilst it makes their songs stand out, at times they change pace a little too often, meaning you can’t quite get into the groove, or the song appears to end, just as it seems to be building up to something more.

Personally, I preferred the backing singer’s voice, when he took the lead on ‘Faith’ and think he should definitely take the lead a little more, however, between the three vocalists, their harmonies are sensational!

They’re very much Weezer meets Brand New with a little Blur thrown in…one song in particular was almost like a carbon copy of Brand New though. All round, they’re a great live band and certainly have a good stage presence…even if the drummer did look petrified throughout the performance.

Modern Error

The last support to take to the stage was the intense, high-energy, Modern Error – an in-your-face, scream-metal band with solid production (in the form of atmospheric backing tracks) interwoven seamlessly with their skilful performance.

The band are nicely topped off with the lead singer’s screaming vocal which seems to come so effortlessly – though his attempts at more melodic singing weren’t quite as strong.

It’s clear that this band have found inspiration in the likes of Underoath‘s album, They’re Only Chasing Safety, as far as synth sounds merging with post-hardcore or metal sensibilities go.

The band’s octane-infused set really ignited the audience into a frenzy, creating swirling circle-pits and people manically moshing around. Modern Error are a well-rounded band with a clearly well-rehearsed stage presence and really know how to work a crowd; the only criticism…a little too much reaching out with one hand.

As It Is

Finally, As It Is took to the stage! Although each of the supports were well-rehearsed and their performances polished, the quality of this band is truly next-level impeccable, instantly demonstrating just how professional they are at this.

It might well have been the last night of their UK tour, and by their own admission, they were exhausted, but you definitely couldn’t tell…the energy they brought was magical, captivating even. The band are very much at home on stage – standing on speakers, thrashing round wildly, swinging the microphone round, for some perfectly-timed manoeuvres and Ronnie Ish even pulled off a little crowd-surfing…simply put, they owned that stage!

Having started out in this very city, the band shared their gratitude (a few times) for finally being able to headline their own show at the iconic Concorde 2, having watched some of the bands that inspired them, performing on that very stage. It was special thanks that went out to their fans, throughout the show, for getting them to where they are today and you could tell, their appreciation is genuine.

They may have visually changed their style since their last record, and their sound may have got a touch heavier than before, but at their core, they’re still quite the pop punk band they always were – they just have a little more ’emo’ edge to them now. They’re writing and singing about more taboo subjects, like anxiety, depression, self-harm, etc. but are managing to do so with sincerity and integrity. You can tell that their fans admire it too, singing back every word with equal the passion that Patty Walters sings out to them.

Watching this set, truly felt like watching the early days of the iconic punk rock/pop punk/emo bands I used to love, growing up – the likes of Good Charlotte, New Found Glory, My Chemical Romance, The Used, etc. It was really something special and I’m certain that if this show was anything to go by, this band are only going to continue to grow to new heights in their career, from here. I would highly recommend seeing them live – they’ll draw you in and have you moshing around in an instant!

Highlights:

The way the band use the whole stage, to jump and spin around, interact with each other and even swing the microphone round, made the show something spectacular to behold.
Whilst the set was predominantly filled with material from their latest album, The Great Depression, there was also a good deal of older songs to please fans old and new.
Patty Walters‘ honest out-pouring of emotion and sharing of personal anecdotes with the audience, let them know that this is more like a family than just a band and their fanbase, even referring to them as family. His speech around mental health, and the way talking about this is sometimes perceived within the genre, was actually very touching and heart-felt – things like this can so often be cringey, when delivered by someone in his position, but actually, I found myself hanging on his every word, and if this is enough to save even one life, then it can only be a good thing!
The audience’s love for this band is raw and emotionally-driven too, making the atmosphere in the venue, electric. A few people were even brought to tears by their presence, their lyrics and the passion the band pour into their art.
It was actually a highlight in itself, just to see this band (who could so easily sell out a larger venue) performing to a smaller audience, in a more intimate setting, but without compromising any of the quality of their set and stage presence. It was a truly marvellous event!

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📸 All of the photos of As It Is are credited to Chloe Hashemi 📷
Go and give her a follow on Instagram and Twitter, and visit her website.