#MellowMonday: Jolé – ‘Alpine Green’

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Jolè (aka Joshua Oliver) first arrived on the scene in early 2016 with his breathtaking brand of folk music. It wasn’t unil 2019 that he released his self-titled debut album, Jolé, on which, the singer-songwriter displayed his talents and abilities to use both electric and acoustic folk to tell personal tales, going on to amass over 2 million streams of the record.

Now, the London singer-songwriter is back with the lead single from his forthcoming Silver Lake EP (out 21st August 2020). ‘Alpine Green’ perfectly captures the power of memory, with this poetic folk song about heartache and longing for someone lost.

This is a track that will not only resonate with those who have lost a loved one but also with those who have experienced profound disconnection from family and friends during the coronavirus pandemic. Its composition is beautiful and sound is nostalgic – a true folk masterpiece, perfect for #MellowMonday.

Unfortunately, no music video exists for this track just yet, but we’ll be sure to keep you updated if one is released – if one were to exist though, I imagine something truly cinematic and beautiful to reflect the imagery of the lyrics. What do you invisage?

What are your thoughts of this singer-songwriter’s latest single? Do you have a #MellowMonday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
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‘Alpine Green’ can be downloaded off iTunes now – https://music.apple.com/gb/album/alpine-green-single/1518095638


Jolé · Alpine Green

#FeelGoodFriday: Jonas Blue & MAX – ‘Naked (Club Mix)’

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Since its release a couple weeks ago, the anthemic ‘Naked’ has amassed over 13 million global audio and video streams, but now the hit-maker Jonas Blue and exciting young talent MAX are releasing the club mix of their collaboration, which sees Jonas create a mix true to his roots.

This particular track is a high-octane display of the pop hitmaker’s specialist production talents. Armed with pumping kick drums and euphoric piano keys, the club mix adds a fresh dimension to the already, highly-infectious original, making it the perfect track for this week’s #FeelGoodFriday.

No music video has been released for the club mix but the original music video can be seen below, featuring the pair performing amongst neon and silhouetted ladies.

What are your thoughts of the club mix of this pair’s new single, ‘Naked’? Do you have a #FeelGoodFriday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
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‘Naked (Club Mix)’ can be downloaded off iTunes now – https://music.apple.com/gb/album/naked-club-mix-single/1520494645


#Review: Paul Weller – On Sunset 🌅

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Paul Weller is an English singer-songwriter and musician, who first achieved fame as part of the band, The Jam between 1972 and 1982. It was then until 1989 that he was part of the blue-eyed soul group,  The Style Council, before establishing himself as a solo artist in 1991. Since 1992, the artist has released a whole string of albums, with 2020’s latest record, On Sunset, being his fifteenth studio album. Here’s what we have to say about it…

Paul Weller - On Sunset.jpg

Paul Weller has a career spanning more than four-and-a-half decades and it can only be admired just how active and contemporary he still remains at 62 years old.

Right from the opening moments of ‘Mirror Ball’; a seven-and-a-half minute epic that starts out with ethereal synths before breaking into a vast soundscape of overdriven guitars and juddering synths married with melodic pop elements, some distorted vocals and even some crowd applause thrown in; it’s clear that this is going to be an exciting record.

This rather avante-garde opener is quickly followed by ‘Baptiste’ – a rather safe, summery, soulful number that has become a familiar sound for the songwriter.

However the experimentalism of this record is once again demonstrated on tracks like ‘More’ – an extended, progressive soulful track that features female French vocals; the almost psychedelic title track, ‘On Sunset’; or on the very synth-driven and rather trippy ‘Earth Beat’, that seems to ever build, beautifully.

This is something of a captivating collection of contemporary songs.

It’s clear that there is a whole load of inspiration on this record – from rock to soul and folk to funk – this is something of a captivating collection of contemporary songs. Weller‘s vocals are sublime too – he has both smoothness and raspiness in all the right places.

There’s definitely a sense of reflection and revisiting sounds too – ‘Village’ is a beautiful number that soars and leaves a sense of nostalgia on the listener, whilst tracks like ‘Rockets’ and ‘Equanimity’ have a strong sense of early David Bowie and The Kinks (respectively), emanating a certain relaxed, contemporary appeal too.

‘Old Father Tyme’ can’t go unmentioned either – its fading in and out of a drum machine with funky guitars, brass notes and echoing vocals make it one of the focal points of the album.

The songs are so well-written and focus on central themes of contentment and growing into oneself. You would have a hard time debating that this album doesn’t work as collective body, despite all the fluctuating influences and whilst it feels like there could be more experimental sounds to come from him, Paul Weller should be proud of his fifteenth release.

Rating
4


‘On Sunset’ is out now and can be downloaded from iTunes – https://music.apple.com/gb/album/on-sunset-deluxe/1503362089


On Sunset on Spotify

Earth Beat (Lyric Video)

Village (Lyric Video)

More (Lyric Video)


We hope you’ve enjoyed our review! What do you think of this singer-songwriter’s fifteenth studio album? What would you rate it? Please leave your thoughts in a comment or via our social media.


Enjoyed this? Check out some of our other reviews here:

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Matt – Muzik Speaks
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#FeelGoodFriday: Big Wild – ‘Touch’

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Singer, songwriter and producer Big Wild (aka Jackson Stell) is back with his first new music since his 2019 debut album, Superdream, in the form of brand new single, ‘Touch’. This time he has taken on a new edge with a blend of almost western movie soundtrack vibes and electronic production, creating something perfect for Feel-Good Friday.

‘Touch’ is a disco-infused, bright indie single with seriously catchy pop undertones that really increase the rich, colourful emotion that Big Wild has become known for.

Although it was written before the current coronavirus pandemic, the song is about longing for a loved one – something that will probably resonate all too well with people during lockdown.

Speaking on the new single, Stell added: “I’m sure with the current state of the world ‘Touch’ will take on a different meaning than I intended but that’s the best part of writing music, seeing where a song goes. I can’t claim any foresight, but the feeling of deep longing and desire is universal. It’s interesting because I was writing from a personal place but this theme is something we’re feeling on a societal level right now. People need connection.”

The lyric video suits this song perfectly too with it’s spaghetti western edge to it. No music video has been released as yet.

What are your thoughts of this producer’s latest single? Do you have a #FeelGoodFriday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt Wright – Muzik Speaks
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‘Touch’ can be downloaded off iTunes now – https://music.apple.com/gb/album/touch-single/1501740551


#Review: RAC – BOY 🔴

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RAC (aka André Allen Anjos) is a Portland-based, Portuguese-American Grammy Award-winning songwriter, musician and record producer. To date, he has released a couple of studio albums and already had a career spanning 10 years. Now, 2020 marks the release of his third album, BOY, featuring a wealth of guest talent. Here’s what we have to say about it…

RAC - BOY.jpg

BOY is best described by Anjos himself, who pushed his artistic limits by navigating his way through his complex childhood. “This album is about growing up,” writes Anjos. “I was tapping into melodies that remind me of that period of my life. Rooted in a sense of nostalgia, growing pains and coming of age. It’s an elusive feeling but I tried to capture it and ultimately re-interpret it through a modern lens.”

This nostalgia is evident throughout the album, with a series of 80s synths and funky guitar vibes to bring together this collective body of work, whilst still maintaining a contemporary edge to it. Plus, the wealth of guest talent across the album is a testament to RAC’s creative magnetism. “It’s conversational,” he says of his working style with the artists he features. “We find shared experiences and I give them space to tell their story through my lens.”

Whether it’s the bittersweet melodic ‘Boomerang’ (featuring Luna Shadows); the guitar-heavy ‘MIA’ with captivating vocals from Danny Dwyer or the sweet-sounding ‘Oakland’ (featuring Winnetka Bowling League) about leaving someone behind to start somewhere new, there is something for everyone on this rather summery record.

[RAC has] created a wonderful collection of contemporary pop songs that are beautifully understated yet superbly powerful!

Standout tracks would have to be: ‘Passion’ (featuring Louis The Child) for its light, funkiness, vibing along the lines of Foster The People or Two Door Cinema Club‘Together’ (featuring Evalyn) which is not only a catchy tropical house-like track but the beat almost double-times part way through, making it quite different; and ‘Sweater’ (featuring Maddie Jay) – a straight-up funk track with great guitar melodies that run alongside the vocals yet both give each other space to play in the gaps between them.

That’s not to forget the previously-released singles from the record: ‘Carefree’ (featuring LeyeT) that has crisp, sometimes fast-paces vocals and simplistic production melodies that make it really stand out; ‘Stuck On You’ (featuring Phil Good) with rap-esque verse vocals and a clearly catchy chorus; and ‘Change The Story’ (featuring Jamie Lidell) – a very bass-heavy track with horns and a David Bowie meets Prince vocal to top it off.

The album has a couple of fillers that could easily have been left off, ‘Next To You’ (featuring Emerson Leif) is fairly mumble sung whilst Solo’ (featuring Gothic Tropic) is chaotic in places and not the best track on the album, by far. ‘Better Days’ (featuring St. Lucia) is a little disappointing too – it’s a strong 80s power ballad and though the blend of male and female vocals is nice, St. Lucia is not featured much.

The album is stitched together by a series of musical intros and interludes all around off-key sorts of melodies with nonsensical vocals. ‘Gomas’ is very much 80s meets Game Boy, whilst ‘Dolores Park’ is probably the most beautiful of them all.

It’s easy to see how this producer has taken the theme of growing up and collaborated with others to tell his story with a deep sense of nostalgia, creating a wonderful collection of contemporary pop songs that are beautifully understated yet superbly powerful! It’ll be interesting to see where RAC takes his next album – will it be as thematic or something different?

Rating
4


‘BOY’ is out now and can be downloaded from Apple Music – https://music.apple.com/gb/album/boy/1500009251


BOY on Spotify

Stuck On You featuring Phil Good (Music Video)

Carefree featuring LeyeT (Music Video)


We hope you’ve enjoyed our review! What do you think of this songwriter and producer’s latest album? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


Enjoyed this? Check out some of our other reviews here:

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Matt – Muzik Speaks
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#Review: Zebrahead @ Patterns, Brighton – 18/01/20

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On Saturday 18th January 2020, Zebrahead arrived in Brighton to perform the first of three, intimate UK shows, whilst on a break from their tour with Sum 41. The band were supported by Welsh rock band, Maddison. Here’s what we had to say about the show…


Maddison

Welsh rockers, Maddison, put on one hell of a show with their heavy guitars, powerful vocals and superb production (with some pretty epic backing tracks, which truly added to the atmosphere).

Their sound is massive – it’s stadium metal meets melodic rock and their onstage chemistry radiates throughout their performance.

The only criticism is that their onstage banter sometimes became tricky to hear when they talked over each other. Other than that, despite not knowing any of their songs, I thoroughly enjoyed their set.

Highlight: It would have to be the incredible use of backing tracks to create a wonderfully full sound – a real quality production.


Zebrahead

As always, Zebrahead arrived on stage to an epic intro – this time it was the Team America theme song – before bursting into their first song, ‘All My Friends Are Nobodies’.

Despite the venue being smaller than some they might be used to, the band used the space to their full advantage. They worked the crowd into a frenzy by performing a string of their hits – both old and new – and getting everyone in the place involved!

They certainly know how to have a good time too – the band have a pair of guitar techs who dress up as aliens and come on stage intermittently, getting involved in a variety of hilarious antics – from doing a drinking competition between the two of them, to one of them crowd-surfing on a giant rubber ring (as can be seen in the ‘Hello Tomorrow’ live video below). Possibly the most fun part of their set though, was their cover of ‘Baby Shark’ but changed to ‘Let’s Do Shots, during which the aliens passed shots around the band (see the video below).

The band members are tight – their performance is strong, well-timed and they clearly have a great relationship on stage – the chemistry between them is light-hearted and jokey and they just look like they’re having the best time.

If you haven’t had the chance to see Zebrahead live yet, then frankly you haven’t lived yet – they always deliver a high-energy show and regardless of whether you know many of their songs or not, they never fail to get the audience involved.

Zebrahead are a must-see!

Highlights:

  • During one song, Ali asked the crowd to see how many people they could get crowd-surfing during one song – security did not look happy, but it was manic and hilarious.
  • During ‘Worse Than This’, the band brought up two people in the crowd to try and out-drink each other, causing chaos on stage, followed by getting the pair to stage dive off the stage, after the song.
  • ‘Let’s Do Shots’ (‘Baby Shark’ cover)…enough said!
  • The aliens’ antics were pretty funny – in particular the crowd-surfing on the rubber ring.
  • Ali’s powerful scream/rapping is incredible to witness live and Matty (although sometimes not always pitch-perfect) has a great live vocal too.
  • Dan’s moustache!
  • The way the band include the audience and get a real crowd interaction going means that whether you know their material or not, you will always feel swept-up and included at one of their shows.

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 📸 All of the photos in this post are credited to Elliot McRae  📷
Please go and give him a follow on Twitter and Instagram.


 Setlist

All My Friends Are Nobodies
Call Your Friends
The Perfect Crime
Drink Drink
Save Your Breath
We’re Not Alright
Mike Dexter
Seven Nation Army / Wake Me Up
Sirens
Worse Than This*
Hell Yeah!
When Both Sides Suck
Hello Tomorrow*
Let’s Do Shots (Baby Shark)*
Keep It To Myself
Rescue Me*
Party Party

Encore
Falling Apart
Anthem*

These songs can be viewed in the YouTube playlist, below.


Finally, I want to say a massive thanks to Zebrahead and Maddison for putting on a killer show, and to Lout Promotions for enabling the review to happen!


Enjoyed this? Check out some of our other live reviews here:

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Matt – Muzik Speaks
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#FeelGoodFriday: Midnight Skies – ‘Falling Apart’

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When Matt emailed me to say we had some Pop-Punk to review, I was on it like skaters on a freshly waxed library fire escape. Anyone who knows me, knows I love Pop-Punk and I’ve ruined a fair few Spotify algorithms whilst DJing in the passenger seat, to prove the point (sorry Allen!). Here’s what we had to make of ‘Falling Apart’ from Pop-Punkers Midnight Skies

‘Falling Apart’ is the third single from Seattle’s Midnight Skies. The trio only formed in the summer of 2018 but have been steadily releasing content and building a decent following in that time. As always, the Pop-Punk scene is awash with bands claiming “energetic live shows”, “fun-loving” and “always up for a party” but at the end of the day, good tracks in this genre need three things and this review is broken down across such things:

Thing #1It needs to be “short and sweet” – and unfortunately ‘Falling Apart’ is a full 4 minutes long. Now it would be wrong to judge purely on the length of a song but it doesn’t feel like the track uses the time well. This single could have easily ended prior to its middle 8 and no one would have noticed, but the change of pace here is welcome and worth the wait. The song then classically falls back into its chorus, as it should, but rather than ending here, there is a 30-second outro that dampens the energy of the song by drawing it out for too long. It feels like the band are trying to crowbar in all the features we enjoy in a good Pop-Punk song, some of which really work, others not so much.

Thing #2It’s gotta be catchy! All great Pop-Punk anthems have great hooks and this is no exception. The chorus has a great melodic and lyrical hook which I haven’t stopped humming around the house since my first listen. Its initial repetitiveness, followed by the falling melody with the title lyrics bring memories back to classics from Hit The Lights and Forever The Sickest Kids, leaning slightly more towards the pop than punk element of the genre. This also comes through in the production of the track, which contains many effects across the track, especially on the vocals. Personally, I have never been a big fan of this, but I know some will love it!

Finally Thing #3Does it get the party started? Absolutely! It’s definitely a track that will at least get your head nodding, but stick it on at a party and I think it would get people dancing. Mostly this is down to the driving rhythm and the use of the double snare hits on the drums that give the track a lot of pace. This only relents within that middle 8 section which slows the pace down and adds some nice dynamics to the track.

Overall, this is a good track but it struggles to stand out in an already dominated field. However, if you saw these guys live and heard this track, you would remember it and hearing it again would send you back to a good night out. It feels like a blank canvas ready for you to attach your own good times and every time you put it on, I hope it would cast you back to a good night out with friends.

For Fans Of:
Forever The Sickest Kids, All Time Low, The Summer Set

3

What are your thoughts of this Pop-Punk band? Do you have a #FeelGoodFriday track to recommend us? Please leave your thoughts or song suggestions in a comment or via our social media.

Rob Manhire
http://www.twitter.com/RobManhire
http://www.instagram.com/robmanhire


‘Falling Apart’ is out on We Are Triumphant and can be downloaded off iTunes now – https://music.apple.com/gb/album/falling-apart/1485448144?i=1485448820


#Review: MUNA @ Concorde 2, Brighton – 02/12/19

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On Monday 2nd December 2019, MUNA arrived in Brighton to perform the first date of their Saves The World Tour – their first ever headline UK tour. They band were supported by Fake Laugh. Here’s what we had to say about the incredible evening…


Fake Laugh

Armed with a fellow band member and a laptop of backing tracks, it’s incredible how Kamran Khan (aka Fake Laugh) creates such a full sound – as if he had an entire band with him. The set was filled with original tracks that could easily sit well in an American teen drama (think maybe The O.C.?!) due to his interesting brand of dreamy indie-pop. That said, he also pulled out a couple of excellent, more rocky guitar riffs that added another interesting depth to the set. Although he is somewhat awkward with his crowd interactions, that doesn’t stop him from getting the crowd moving.

Highlight: There was one particular song towards the end of the set, which I don’t believe is online, but the guitar riff and melody, paired with Kamran’s smooth vocal, was a tremendous thing to watch and dance to.


MUNA

Following a beautiful, instrumental intro, MUNA took to the stage and launched straight into ‘Number One Fan’ to rapturous applause from the crowd! They proceeded to play a string of songs, both old and new, from their debut (About U) and sophomore (Saves The World) albums.

Their Saves The World Tour marks the first headline, UK tour for the band and the Brighton show was their first date of the tour. To say the set was outstanding would be an understatement – the band really were jaw-droppingly brilliant, from their tight performance and engaging stage presence to Katie’s incredible, powerful vocals and they played to a room filled with nothing but love!

It doesn’t matter if you are a massive MUNA fan and know all the words to every one of their songs, or if you are new to them, because the vibes from both the band and the crowd are electric and every single person is able to feel welcome, accepted and a part of something special.

The relationship between the trio is genuine and packed with honest banter – at one point Katie made a small mistake and the others joked with her about it openly to the crowd but it was all taken in good fun and the audience found it hilarious too.

What possibly struck me most about seeing this band perform is the live interpretations of their tracks and just how genre-bending they really are! On some songs you can hear an almost country twinge to their style whilst on others they rock out, with one track even having a metal-style moment to it, which sent the crowd cheering. However at their core, this band are still a dark pop powerhouse with an 80s throwback feel to them.

Whether you’re a long-time MUNA fan or only just hearing about them, I cannot recommend highly enough, to try and catch them live – they will not disappoint and you will not stop moving throughout their entire set!

Highlights:

  • The stunning vocal performance from Katie (Gavin) throughout was breath-taking!
  • The chemistry between the trio (and their touring drummer and bassist) was electric – their actual performance was impeccable too!
  • The energy coming from the band was reflected throughout the crowd, filling the room with love, excitement and a truly euphoric energy.
  • The undertones of various genres being blended together, makes the band a real pleasure to watch – and as Naomi even said at one point, she “really believes [they] are the best f**king band in the world!”
  • It was a really nice touch that the band requested the venue make their toilets gender neutral for the event, to ensure everyone feels comfortable – a really caring touch for their very diverse fanbase.

 📸 All of the photos of MUNA are credited to Chloe Hashemi 📷
Go and give her a follow on Instagram and Twitter, and visit her website.


 Setlist

Number One Fan*
Stayaway
Crying On The Bathroom Floor
Around U
Never
Navy Blue
Everything
Winterbreak
Taken
Pink Light
Good News (Ya-Ya Song)
Hands Off
Loudspeaker*
I Know A Place*
It’s Gonna Be Okay, Baby

These songs can be viewed in the YouTube playlist, below.


Finally, I want to say massive thanks to xyz and also Chloe Hashemi for her incredible live photos of the show!


Enjoyed this? Check out some of our other live reviews here:

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Matt – Muzik Speaks
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#Review: Snow Patrol @ Brighton Centre, Brighton – 24/11/19

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On Sunday 24th November 2019, Snow Patrol arrived in Brighton to perform a wonderful show at Brighton Centre, on their Reworked Tour. Due to performing two sets, the band opted to have no support act. Here’s what we had to say about the show…


Snow Patrol

As a way of celebrating 25 years of Snow Patrol, the band recently recorded new versions of some of their biggest tracks, on their latest record, Reworked. To accompany the new release and further celebrate their milestone anniversary, the band embarked on the Reworked Tour, stopping for a date in Brighton.

The set was split into two halves – the first with a mellow, stripped-back ambience whilst following a short interval, the second half picked up the pace with a more full-on, upbeat vibe. However, throughout both sets, the band stuck with the “reworked” style, breathing new life into some of their best-loved hits and deepest cuts from their back catalogue.

What actually made the night even more special, was the fact that quite a few of the “reworked” versions of the songs they performed, were not even on the new album (Reworked), so just by being at a show on this tour. you get to experience something very special – these one-off gems may never be heard performed or recorded in the same way again.

The audience diversity at a Snow Patrol show is very interesting too – whilst there are typically middle-aged listeners who have undoubtedly followed the length of the band’s career to date, there are also children being accompanied by their parents, equally pouring their lyrics back to them. It’s quite bewitching to see such a range of fans, across a few generations, and is testament to the timelessness of the band’s work. That, and/or perhaps the newer versions of the band’s back catalogue have picked up a new generation of fans on the way. Either way, they are a band that can be enjoyed by everyone.

The effort and craftsmanship that went into the band’s performance was a wonderful experience and whilst they could easily sell out huge arenas, it was nice to see them playing the smaller scale of (still) big venues without compromising the quality and production of the show. The addition of both string and brass sections as well as an additional percussionist to the lineup, really added an interesting new depth to the songs too.

If you haven’t had the chance yet, there are only a handful of shows left on this incredible tour, to experience this unique take on the band’s long-standing career and I would highly recommend trying to catch one of them, if you can.

Highlights:

  • The banter between songs from Gary Lightbody was pretty dry, honest and hysterical. One of the best moments was during the start of ‘Run’ when someone screamed, “I love you,”, completely throwing him off by making him laugh. He then restarted the song but not before telling a witty anecdote about how he once ruined a television performance of the song, after which one person on Twitter had a go at him for, for “ruining Leona Lewis’ song.”
  • The addition of string and horn sections as well as a percussionist really added an interesting depth to the performance. Furthermore, having the two main producers of Reworked performing on the tour with them was quite a unique idea too.
  • Gary Lightbody took time to introduce all of the various extra instrumentalists on the stage with him, really showing his gratitude for their skills and performances with the band.
  • The energy and new life to the band’s back catalogue of songs was invigorating to watch, demonstrating that even after 25 years, this band are still enjoying performing to audiences…and still have so much to give!

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📷 All of the photos are credited to Michael Hundertmark 📸
Why not give him a follow on Instagram and Twitter or check out his website.


 Setlist

First Set
You’re All I Have*
New York
You Could Be Happy
Warmer Climate
I Think Of Home
Crack The Shutters
Lifening
Take Back The City

Second Set
Spitting Games*
Chocolate
A Dark Switch
Run
Heal Me
Set The Fire To The Third Bar*
Empress
Called Out In The Dark
Shut Your Eyes
Chasing Cars
Open Your Eyes

Encore
What If This Is All The Love You Ever Get?
Just Say Yes

These songs can be viewed in the YouTube playlist, below.


Finally, I want to say a HUGE thanks to Warren Higgins and Charleigh Egan from Chuff Media for sorting out this review and to Snow Patrol themselves for putting on such a remarkable show.


Enjoyed this? Check out some of our other live reviews here:

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Matt – Muzik Speaks
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#FeelGoodFriday: Kesha – ‘Raising Hell’ featuring Big Freedia

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It’s been a couple of years now since Kesha released her rather open, honest and clearly very healing 2017 album, Rainbow.

Now, 2019 sees the pop songstress release a downright catchy-as-hell new single, ‘Raising Hell’ (featuring Big Freedia), which also comes alongside the announcement of her next record, High Road.

This latest song sees Kesha return to a more fun-filled pop sound but with a fresh feel and something seriously uplifting about it! The brass-led breakdowns are funky and will get a crowd moving, whilst gospel-like moments really raise the spirit of the track. It’s definitely the kind of track you can keep on repeat.

It also arrives with a music video directed by Luke Gilford, where Kesha assumes the role of a big-haired, ’80s-style televangelist, preaching her own unique message and making the congregation speak in tongues…that is before things take a very dark turn! Well worth a watch (below)!

Her new album, High Road, comes out 10th January 2020, and is set to feature the likes of Sturgill Simpson, Brian Wilson, Dan Reynolds (of Imagine Dragons) and Nate Ruess (of fun.) – personally, I can’t wait!!!

What are your thoughts of this pop songstress’ new track? Are you as much of a fan as us? Do you have a #FeelGoodFriday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
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www.twitter.com/muzik_speaks


‘Raising Hell’ can be downloaded off iTunes now – https://music.apple.com/gb/album/raising-hell-feat-big-freedia/1484385866?i=1484385869