#Review: Chromeo – Head Over Heels ūüφ


   

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Muzik Speaks Loves Atlantic Records - SmallerChromeo are an electro-funk duo from Canada, consisting of David “Dave 1” Macklovitch and Patrick “P-Thugg” Gemayel. To date, the pair have released four studio albums, but Head Over Heels marks their fifth album and debut release with our pals over at Atlantic Records.

Chromeo - Head Over Heels.jpg

The first I knew of Chromeo, was their remix of Maroon 5‘s ‘Wait’ (as featured on our re:MIXTAPE playlist), so I must be forgiven for not having heard much of their back catalogue. However, taking this album at face value, it is a strong release with a stunningly contemporary take on disco and funk music.

Having worked together for the past 15 years, it’s clear to see that these guys have perfected their sound, which is a perfect amalgamation of modern, electro-pop music with synth-driven disco and bass-slapping funk.

This is certainly an album that doesn’t take itself too seriously – it’s intentionally fun and funky, with its saucy innuendos and genre-perfect production qualities, the likes of Giorgio Moroder and Nile Rogers would be proud of.

The album kick-starts with the tantalising¬†‘Must’ve Been’¬†(featuring¬†DRAM) – a slap bass, groovy-guitar, vocoder-infused anthem, that excellently demonstrates what’s in store throughout the rest of the record.

With the music up and a house to yourself (…or packed with friends), there really will be no holding you back!

Other memorable moments include the wonderfully repetitive¬†‘Don’t Sleep’ (featuring French Montana¬†and¬†Stefflon Don)¬†with its laid-back 80s vibes and sensational vocal harmonies, whilst¬†‘One Track Mind’¬†is an understated yet seriously catchy track consisting of beautiful talk box, vocal melodies towards the end – it’s very similar to something you might hear by¬†Charlie Puth.

Meanwhile,¬†‘Bad Decision’¬†is all about splashing the cash on a girl and has a definite¬†Prince-esque vibe to it; high-pitched vocals on top of some superb little guitar riffs and¬†‘Right Back Home To You (Interlude)’¬†is a track you can get surprisingly hooked on – think funky soul meets jazz lounge, topped with sweeping high-pitched vocals; there’s a real 70s quality to it.

Towards the end of the album, it all comes together on the two-part, ‘Bedroom Calling’. Part One is a truly anthemic mellow jam with atmospheric, reverb-driven bass notes and slow drum beats, whilst Part Two¬†(featuring The-Dream) is a much more upbeat, pop tune that is oozing with shimmering synths.

To those who say quality disco music doesn’t get made any more, I would simply reply, “Chromeo”. This is definitely not an album you can listen to without, at the very least, bobbing your head and tapping you toe, but in reality, with the music up and a house to yourself (…or packed with friends), there really will be no holding you back!

Rating


‘Head Over Heels’¬†is out now and can be downloaded from iTunes –¬†https://itunes.apple.com/gb/album/head-over-heels/1380944674


Head Over Heels on Spotify

Must’ve Been featuring DRAM (Official Video)

Juice (Official Video)


We hope you’ve enjoyed this review! What do you think of this duo’s latest record? Does it fulfil all your funk needs or leave you wanting more? What would you rate it? Please leave your thoughts in a comment or via our social media.


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#Review: Matt Maltese – Bad Contestant


   

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Muzik Speaks Loves Atlantic Records - SmallerMatt Maltese is a piano-led, 21-year-old, singer-songwriter, who pens songs that are both emotionally intelligent and satirical at the same time. Having recently toured with¬†Isaac Gracie (review), he is now releasing his debut album,¬†Bad Contestant, through Atlantic Records. Here are our thoughts…

Matt Maltese - Bad Contestant.jpg

Matt Maltese‘s debut,¬†Bad Contestant, is jam packed full of wisdom beyond his years but served up with equal doses of cutting humour, hilarious irony and pure over-exaggeration. This is an artist who merges, at times, understated yet sultry melodies and retro sounds with stunning lyrical craftsmanship to create his own unique style.

Album-opener,¬†‘Greatest Comedian’,¬†begins with an unassuming introduction before launching into a fantastic set of back-handed compliments topped off with some intriguing instrumentation and beautiful higher-pitched vocals in the chorus; very similar to something by label-mate, Will Joseph Cook.

Title-track,¬†‘Bad Contestant’, has some seriously funky synth sounds and sees Maltese take on the character of an overly honest and confessional yet fruitless game show contestant.

This is very much an album where jazz and a touch of britpop meet funky, organ-led soul.

Meanwhile, ‘Nightclub Love’ is deeply satirical look at how Maltese sees the realities of clubbing and finding love there, whilst ‘Less & Less’ is an extremely saddening break-up song that is both beautiful and also attempts to put a positive spin on the situation. Of course we can’t go without mentioning the wonderful track, ‘As The a World Caves In’; a hysterical tale of the unlikely hooking up of Donald Trump and Theresa May, watching the nuclear destruction of the world as they do it; genius!

Other key tracks worth taking note of, include; ‘Sweet Sixteen’, an organ-led track taking a twisted look at a modern relationship – the sound is very much somewhere between Kaiser Chiefs and Blur, ‘Like A Fish’ which sounds like the opening to an old, 80s, British TV show and ‘Misery’ which is a dark and intense track with some reverse-sounding vocals on the chorus. In fact, the latter half of the album appears to get darker as it goes on.

The album features production and collaboration by a combination of Jonathan Rado, Hugo White (Maccabees) & Alex Burey.

This is very much an album where jazz and a touch of britpop meet funky, organ-led soul, all dressed up in a hipster outfit and sung with a deep, crisp and crooning vocal. Picture¬†Blur,¬†Pulp and¬†Jamiroquai creating some sort of spliced-together lovechild that’s been brought into the modern, contemporary age and you get¬†Matt Maltese‘s debut,¬†Bad Contestant. A truly alluring debut that is sure to pave the way for an exciting career ahead.

Rating
4


‘Bad Contestant’¬†is out now and can be downloaded from iTunes –¬†https://itunes.apple.com/gb/album/bad-contestant/1365077870


Bad Contestant on Spotify

Greatest Comedian (Official Video)

As The World Caves In (Official Video)


We hope you’ve enjoyed our review! What do you think of this singer-songwriter’s uniquely captivating debut album? What would you rate it? Please leave your thoughts in a comment below or via our social media.


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#Review: Ben Howard – Noonday Dream


   

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Ben Howard is an English singer-songwriter and musician, most notable for winning the¬†Brit Award for¬†British Male Solo Artist at¬†the¬†2013 Brit Awards. Since then, his second album,¬†I Forget Where We Were, reached the Number 1 spot in the UK album charts. Now, with the buzz surrounding the release of his third album,¬†Noonday Dream, it could see him reach that same success. Here’s what we had to say about it…

Ben Howard - Noonday Dream.jpg

Ben Howard‘s latest album,¬†Noonday Dream, sees another change to his ever adapting sound, keeping this artist fresh and showing just how diverse he can be. Having seen 4 years pass since his previous album and now at the age of 31, Howard has proven that he won’t be bound to time constraints but instead, ensured he make the time to mature his songwriting and develop a new sound for his next record.

It all begins with the truly haunting and melancholic, ‘Nica Libres At Dusk’ ; a dark and reflective song at the start before emerging into bursts of peaceful reprieve and ecstatic, almost whale song, guitars. It certainly depicts imagery of an American desert, similar to that of the album artwork. Then during the last minute, it transforms into a dreamy, piano-led clearing; a beautiful transformation into a more euphoric sound of hope.

Other songs to take note of include; ‘Towing¬†The Line’¬†which is an almost Celtic-sounding, folk song with guitars that echo and seem to envelop you;¬†‘What The Moon Does’¬†which conjures up imagery of camping out under the stars of the Deep South in America;¬†‘Someone In The Doorway’,¬†a track that sounds almost like spoken verse, in places, but is probably one of the most upbeat songs on the album and somehow seems like it goes hand in hand with¬†‘The Defeat’; another similarly half-spoken, half-sung track that has a really rock edge to it.

Noonday Dream is an exquisitely atmospheric, richly textured and highly visual album that is sure to kick off the next chapter in Ben Howard’s career, with meteoric success.

The album was produced by Ben himself, alongside¬†long-time collaborator Mickey Smith, who between them, have done a superb job of capturing subtle nuances that make this such a stunning record. From the warm reverb of his acoustic guitars to the drawn out, whale-like sounds of his electric guitars (as on¬†‘Nica Libres At Dusk’) and the distinctive piano key strokes to subtle snippets of conversations (among many other captured sounds), this is a truly captivating record.

Noonday Dream is an exquisitely atmospheric, richly textured and highly visual album that is sure to kick off the next chapter in Ben Howard’s career, with meteoric success. Whilst it might not be to everyone’s specific tastes, any person who has an appreciation for skilful musicianship, poetic lyricism and stunning production, will find this to be a real gem of an album.

Rating
4


‘Noonday Dream’¬†is out 01/06/18 and can be downloaded from iTunes –¬†https://itunes.apple.com/gb/album/noonday-dream/1364401352


Noonday Dream on Spotify

Nica Libres At Dusk (Official Video)


We hope you’ve enjoyed our review! What do you think of Ben Howard’s third album? What would you rate it? Please leave your thoughts in a comment below or via our social media.


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#Review: Now, Now – Saved


   

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Now, Now are an American indie duo originally from¬†Blaine, Minnesota (USA), now¬†based in¬†Minneapolis. The band now consists of founding members, KC Dalager (vocals/guitar/keyboard) and Brad Hale (drums/backing vocals) after a recent departure from their line-up. To date, they have had two, somewhat heavier albums and this,¬†Saved, will be their third, full-length release. Here’s what we have to say about it…

Now, Now - Saved.jpg

It’s been a decade since their more thrashy, emo-esque debut album,¬†Cars, was released (back when they were called¬†Now, Now Every Children)¬†but since then,¬†Now, Now have clearly been working hard on mastering the art of slick production.

This is an album that successfully merges emotive, thought-provoking lyricism based upon relatable topics, with warm, summery production; it’s credible songwriting with certain mainstream, pop sensibilities.

Saved is a stunning record. It has everything from catchy choruses and atmospheric synths to chugging guitars and heavy beats.

It kicks off with the acoustic-led, summer tune ‘SGL’ (short for Shot-Gun Lover) which would be the perfect road trip track, through the open roads of America. From there, you’ve got the captivating ‘MJ’, which makes reference to Michael Jackson‘s ‘Billie Jean’ topped off with a galloping beat (somewhat similar to MJ‘s ‘A Place With No Name’ from 2014’s Xscape)

Another significant track is ‘Window’, with its shimmering synths and manipulated vocals, that continually ascend. It’s a song about desperation for someone;‚ÄúEvery night I‚Äôm at your window, Wonder when you‚Äôre gonna let me in.‚ÄĚA truly atmospheric track.

Just listening to this album, puts you in an instantly good mood due to its stunning production and uplifting vibes.

‘Powder’ is a massive tune and a superbly powerful and passionate close to the album; it has a catchy, fun start with delicate guitars and subtle synths but as it goes on, descends into a very interesting and heavy breakdown with gritty synths.

There are certainly a lot of resemblances that can be made across the album too: ‘Can’t Help Myself’ has whispery vocals, somewhat similar to Geowulf; ‘Knowme’ is a house-like track with calm, electronica vibes, with elements of Chicane to it; ‘Set It Free’ makes cheeky reference to “wandering hands” and has a certain something about it that reminds me of a cross between The Cardigans and Sixpence None The Richer; ‘Drive’ has a beachy, Lana Del Rey vibe and ‘Holy Water’ is a song which I find merges MUNA with early Dido (with the use of industrial-like sounds) – it’s beautiful and euphoric. That’s in no way saying that they are copying other artists but perhaps making a nod to them; if anything it just goes to show what an eclectic record they have managed to create, with a little something for everyone.

As far as albums go, this is diverse and interesting with a real excitement about it. Just listening to it, puts you in an instantly good mood due to its stunning production and uplifting vibes. They have managed to craft a sound that is somewhere between airy beach-pop and grungy rock, evoking nostalgia and varying emotions throughout. This is fantastic record that is sure to be the soundtrack to many people’s summers this year.

Rating


‘Saved’¬†is out now and can be downloaded from iTunes –¬†https://itunes.apple.com/gb/album/saved/1365088448


Saved on Spotify

AZ (Official Video)

SGL (Official Video)

Yours (Official Video)


We hope you’ve enjoyed our review; what do you make of this band’s latest album, Saved? Are you as much of a fan as us? What would you rate it? Please leave your thoughts in a comment or via our social media.


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#Review: Vance Joy – Nation Of Two


   

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Muzik Speaks Loves Atlantic Records - SmallerVance Joy is an Australian, folk singer-songwriter who, having released his debut solo album, Dream Your Life Away, back in 2014,¬†is now back with his sophomore offering,¬†Nation Of Two; a powerful tale of a couple’s love.

Vance Joy - Nation Of Two.jpg

Vance Joy has crafted his own unique brand of folk-pop, using instruments such as the ukulele and banjo to make his style stand out and Nation Of Two continues with this tradition; this time telling a story throughout the 13-track collection.

Vance¬†himself explains that¬†“Nation of Two¬†describes a perfectly self-contained couple; their world beginning and ending at the bed they share, the car they ride in, or any other place where they’re together… the idea that their love for each other gives them their bearings; a point of reference that makes sense of life.” (Reference)

The album, as a collection, tells the tale of two lovers across a beautiful array of styles.

The album starts out very strong with stand-out songs, including leading single,¬†‘Lay It On Me’¬†(with it’s funky brass sections), plus¬†‘We’re Going Home’ and the fun-filled,¬†‘Saturday Sun’. Other great songs include the punchy, almost alt-rock-like¬†‘One Of These Days’ and the beautiful banjo ballad,¬†Where We Start’. The album, as a collection, tells the tale of two lovers across a beautiful array of styles, however a couple of the tracks, I felt, could easily be skipped, but as a whole body, it is great.

This is definitely going to sit well with fans of Mumford & Sons,¬†Ray LaMontagne, Seth Lakeman and possibly even Ed Sheeran¬†– it’s folky, pop-tinted and got a real honest feel to it. It’s well produced but not over-produced and stands out as a quality, folk-pop album.

The first half of the album is strong and I certainly think this album will bring new success to¬†Vance Joy, but the second half is lacking in a couple of places. This is however, as a whole, a wonderful way to tell the story of a couple’s love and life together and is well worth a listen.

Rating
3.5


‘Nation Of Two’¬†is out now and can be downloaded from iTunes –¬†https://itunes.apple.com/gb/album/nation-of-two/1325861276


Nation Of Two on Spotify

We’re Going Home (Official Video)

Lay It On Me (Official Video)


We hope you’ve enjoyed our latest review of Vance Joy’s second album, but what are your thoughts? Are you a huge fan or do you think it will go straight in to the bargain bin? What would you rate it? Please leave your thoughts in a comment or share your feelings with us, via our social media accounts.


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#Review: Dashboard Confessional – Crooked Shadows


   

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Dashboard Confessional are¬†an American rock¬†band from Boca Raton, Florida, led by frontman, singer and principle songwriter, Chris Carrabba. Since their debut album release, back in 2000, the band have gained a massive, loyal following and are now releasing their seventh album,¬†Crooked Shadows. Here’s what we have to say about it…

Dashboard Confessional -Crooked Shadows.jpg

It’s been eight years since the band’s last album but Chris Carrabba and the rest of Dashboard Confessional are back with a new studio album, however this one has just 9 tracks, making it more of a mini album. Also, traditionally known to be a fairly emo band, this album sees them venturing into slightly newer territories.

It all kicks off with ‘We Fight’, which is an all-out, scream-it-at-the-top-of-your-lungs anthem for anyone and everyone that’s got something to fight for…or against, whilst ‘Heartbeat Here’ is a mellower, acoustic, crowd pleaser that is just begging for an audience to chant along with it. ‘Catch You’ and ‘About Us’ have some simply stunning yet powerful vocal harmonies, epic choruses and great, subtle use of synths. Then there’s ‘Belong’ (a collaboration with Cash Cash) – this is the most unique track on the album, and sees the band take on a much more modern sound (almost venturing into Maroon 5 territory). On first listen, I actually felt like it was almost confusing the direction of the album a bit, but it’s actually become one of my favourite tracks on the record…plus it provides a welcome change in vibe at the midway point. However, I’m certain that this track will be divisive amongst fans and that many will not like tropical-house feel or over-produced nature.

Crooked Shadows is very much an album that has something for everyone – it demonstrates that they aren’t afraid to update their sound with the times.

There are also couple of slower, more emo-style, heartstring-pullers, ‘Open My Eyes’ and the almost ‘Time Of My Life’-esque (Green Day), ‘Just What To Say’ (featuring Chrissy Costanza) that expose Carrabba’s raw emotion and vulnerable lyric-writing abilities. Whilst the title track, ‘Crooked Shadows’ and ‘Be Alright’ are big, rock-out songs.

Crooked Shadows is very much an album that has something for everyone and whilst it’s probably never going to quite live up to the fans’ love of A Mark, A Mission, A Brand, A Scar, it really is a fantastic new release and a great comeback record. It demonstrates that they aren’t afraid to update their sound with the times. I thoroughly enjoyed it; it’s just a shame that there aren’t more tracks.

Rating


‘Crooked Shadows’¬†is out now and can be downloaded from iTunes –¬†https://itunes.apple.com/gb/album/crooked-shadows/1334380586


Crooked Shadows on Spotify

We Fight (Official Video)


We hope you’ve enjoyed our review! What do you think of Dashboard Confessional’s seventh studio album? Do you agree with our rating? What would you rate it? Please leave your thoughts in a comment or share your feelings about it with us on our socials.


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#Review: Story Untold – Waves


   

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Muzik Speaks Loves Hopeless Records - SmallerStory Untold are a pop punk five-piece band based in¬†Montreal, Canada, who formed back in 2012. In 2016, not long after signing to¬†Hopeless Records, the band released their debut, self-titled EP. Now, they’re releasing their first full-length album,¬†Waves, and here’s what we have to say about it…

Story Untold - Waves

The opening track, ‘In Or Out’, is a well-written, punchy, pop rock song with an uber-catchy, sing-along chorus that instantly had me excited for what more was to come, and rightly so…this is a very strong debut album!

Citing some of their influences as Green Day, Blink-182, Sum 41 and Fall Out Boy, it’s easy to hear how they have become the type of band they have. Think early Simple Plan meets more recent All Time Low but recorded in an even more polished way – that is this album! It’s superbly produced, filled with catchy songs and has highs and lows in all the right places.

Some of the main themes across the album include relationships and break-ups – pretty standard stuff – but the delivery is very current, with songs like ‘Delete’ referencing modern technologies (“Now you’re just a photo on my iPhone screen.”). Usually I find this sort of thing in songs a little cringe, but somehow the melodies the band have used and the conviction with which Janick Thibault sings the lyrics is so well executed that I really don’t mind it.

The band have compiled a sound, well-written, pack-a-punch, pure pop punk album…and it’s glorious.

Overall, this is an incredible debut and each track has their own great qualities but in my opinion, some of the best tracks on this record include; ‘In Or Out’ as it is just a fantastic opener for the record, ‘The 3ND’ has a great push in the chorus accompanied by quite choppy lyrics and varied vocals, ‘Drown In My Mind’ as it has a very intricate quality to it and ‘California’ for being a straight-up pop punk anthem (very Simple Plan-esque). To be honest it’s quite hard to pick stand-out songs as almost all of them are incredible – it’s even got your typical piano-style ballad, ‘Invisible’. The only track I thought let down the album a bit, was the last track, ‘Chasing Feelings’ – I loved the way the album began with a huge kick and I actually wanted it to end the same way; with a massive, all-out pop punk track – I felt that it was a bit of a weak end to such a great album. Other than that, it’s superb!

This is definitely an record I would love to see played live – from listening to their recording alone, you get a real sense of what their performances would be like. The band have compiled a sound, well-written, pack-a-punch, pure pop punk album…and it’s glorious – I haven’t been this excited about a new pop punk band for quite a while. With the sound they have created for themselves and the energy and buzz about them, I’m sure there will be a lot more to come from them in the future. Well done guys!

Rating
4.5.jpg


‘Waves’¬†is out now and can be downloaded from iTunes –¬†https://itunes.apple.com/gb/album/waves/1298835393


Waves on Spotify

In Or Out (Official Music Video)

Delete (Official Music Video)

Drown In My Mind (Official Music Video)

All The Same (Once A Liar, Always A Liar) (Official Music Video)


We hope you’ve enjoyed our review of Story Untold’s debut album,¬†Waves. What do you think of it? Are you as much of a fan as us? Would you give it the same rating as us or rate it differently? Please leave your thoughts in a comment or hit us up via our socials.


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