#FeelGoodFriday: P!nk – ‘Walk Me Home’

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P!nk is a truly inspirational artist and is always true to herself, which is why she has just become the very worthy winner (and first ever international artist) of this year’s Outstanding Contribution to Music Award at the Brit Awards 2019.

With 7 albums already under her belt and an upcoming UK tour in support of her last album, Beautiful Trauma (2017), it seems a fitting time for her to put out a new song.

‘Walk Me Home’ is the lead single taken from her upcoming eighth album, Hurts 2B Human. It’s a strong, acoustic-led track with a really cutting vocoder vocal that reverberates right through you. It was even penned with previous duetting partner, Nate Ruess as well as Grammy Award-winner, Scott Friedman, so it’s bound to be a big hit!

Although the track is somewhat somber in tone through the verses, it kicks in to a powerful, all-consuming chorus that just elevates. It’s uplifting and puts out big positive vibes – perfect for a #FeelGoodFriday!

No video has been put out yet but when one does, I’m sure it’ll be epic!

Photo Credit 📸 – Sølve Sundsbø

What are your thoughts of this incredible artist’s latest single, Walk Me Home? Do you have a #FeelGoodFriday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
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‘Walk Me Home’ can be downloaded off iTunes now – https://itunes.apple.com/gb/album/walk-me-home-single/1453199363


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#WildCardWednesday: Jasmine Thompson – ‘Loyal’

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Jasmine Thompson is a London-based singer-songwriter, born to an English father and Chinese mother and says that, “Having one immigrant parent always provides a unique perspective growing up, a sense of one foot in two different worlds.” Maybe that is part of what makes her sound and voice so utterly captivating…or maybe it’s just her undeniable, raw talent.

At just 18 years old, it’s remarkable just how talented she really is, with a voice that sounds soulful beyond her years. And, whilst she might be a new artist to many, she already has a massive following, which was kicked off by her acoustic cover of Chaka Khan‘s ‘Ain’t Nobody’, that was then remixed and re-released by Felix Jaehn in 2015. From there, she has posted and released countless covers and a string of original songs too.

Now, following the ending of a recent relationship, comes her latest single, ‘Loyal’, on which she reunited with songwriter and producer, Eg White. The song actually began life a year prior to the relationship ending, but was written about the trust issues from within it, so this song is bound to resonate with many people. Especially, as despite the way it ended, she still sings, “I will always be loyal babe,” about the person she met at the beginning.

Throughout the track, her voice is ageless, wise and achingly lonely in tone, conveying the emotion to perfection. It’s a progressive track with some crackling, slow jazz-tinted brass from the beginning, sitting on top of a modern beat, before breaking down to a piano-led interlude in the middle, and then breaking out with some epic string sections, to bring the song to a dramatic close. This is an epic tale, told in just under 4 minutes – a true musical masterpiece!

The music video is great too – there’s a very rustic feel to it with it’s interpretive dance elements inside a quirky, captivating timber-frame location, all shot with a home-video style, giving it a very organic feel.

She is definitely going to be one to watch in 2019!

Jasmine’s EP, Colour, will be out 29th March, on Atlantic Records.

Photo Credit 📸 – Kate Bellm

What are your thoughts of this stunning track from the unique singer-songwriter? Got a #WildCardWednesday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
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‘Loyal’ can be downloaded on iTunes now – https://itunes.apple.com/gb/album/loyal-single/1451236610


#TunefulTuesday: Lauv & Troye Sivan – ‘i’m so tired…’

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There’s something instantly gripping about Lauv and Troye Sivan‘s recent collaboration, ‘i’m so tired…’, meaning I just can’t get this song out of my head!

Maybe it’s the repetitiveness of the chorus, the brilliantly-used vocal distortion and electronic harmonies, used periodically throughout, or perhaps it’s the combination of a light guitar tied with the electro drum beat and sharp finger clicks that have created something wonderfully unique, resulting in the song living on repeat for me.

One thing’s for certain – this track is already one of my favourite songs of 2019 and the year has barely begun! I’d love to hear a collaboration album from the pair!

The video for the song is pretty cool too – I love how it’s stylised to be like an old 70s/80s camcorder capturing home video-style footage, such as Troye Sivan riding on top of a car, through the neighbourhood. Equally, the lyrics are brilliantly reflected, with Lauv performing amongst various couples, as though he’s not there; a great little storyboarding idea!

What are your thoughts of this incredible collaboration between Lauv and Troye Sivan? Do you have your own #TunefulTuesday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
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‘i’m so tired…’ can be downloaded from iTunes now – https://itunes.apple.com/gb/album/im-so-tired/1448700180?i=1448700185


#Review: Millencolin – SOS 🚀🆘

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Millencolin are a punk rock band from Sweden, consisting of all four original members, Nikola Sarcevic (vocals & bass), Mathias Färm (lead guitar), Erik Ohlsson (rhythm guitar) and Fredrik Larzon (drums). To date, the band have had eight studio albums and played all around the world, including at America’s prestigious Warped Tour. Now, 2019 marks the release of SOS, the band’s ninth studio album since their 1992 inception, some 27 years later! Here’s what we have to say about the record…

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SOS kicks straight in with the intense, apocalyptic-sounding title track, gripping you with its chugging guitars and haunting vocal chants, making it instantly clear that this is very much a punk rock album and not a commercialising into the pop punk realm.

That said, there is something very commercial about the album’s glistening production; vastly different from that of some of the band’s earlier records.

Additionally, there’s actually something very traditional about this album, like Millencolin have followed the recipe for the perfect skate rock record – ‘For Yesterday’ and ‘Nothing’ are perfect examples of this and particularly reminiscent of early Goldfinger or Alkaline Trio. However, in saying this, it also demonstrates that the band have not quite made any moves to vary their sound or try to push the boundaries of the genre, though there are bound to be countless fans that will appreciate this.

‘Sour Days’ and ‘Reach You’ particularly stand out, and although some of the most “radio friendly” tracks on the record due to their big choruses, they’re possibly the most vocally and instrumentally interesting with great harmonies and pristine changes in tempo across both.

It’s definitely a well-produced record with some strong choruses and impeccable instrumentation.

‘Yanny & Laurel’ is a good, story-telling song and interestingly named after the 2018 debate about whether a sound clip was saying the word ‘yanny’ or ‘laurel’ and is cleverly reflected with an auto-tuned chorus around the two words.

Sadly, there are some songs that just lack sincerity and would sit better on blink-182 or Green Day album (though don’t get me wrong I love both those bands), like ‘Do You Want War’ and ‘Caveman’s Land’. Both tracks have strong instrumentals but lyrically border on cringe-worthy.

‘Carry On’ really brings the album home with a strong, nostalgic-feeling chorus, which sounds almost like an audible farewell. The drums at the start, instantly draw you in and by the end of the track, it’s descended into just the right amount of chaos that you’re both satisfied and left wanting more.

Overall, SOS is a politically charged public service announcement, and takes a rather negative take on the current state of the world, even referencing the decline in society and impending end of the world as we know it. But then isn’t that what all punk rock is about?

It’s definitely a well-produced record with some strong choruses and impeccable instrumentation, however there are certainly the odd lyrical improvements and risk-taking elements that could be adopted by the band, going forward. I guess it could just be put down to, “If it ain’t broke, don’t fix it.”

Rating
3.5


‘SOS’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/sos/1441157359


SOS on Spotify

SOS (Official Video)

Nothing (Audio Video)


We hope you’ve enjoyed our review! What do you think of Millencolin’s latest album, SOS? Are you a fan? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


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Matt – Muzik Speaks
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#Review: Avril Lavigne – Head Above Water 🌊

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It’s hard to believe that Avril Lavigne dropped her first single, ‘Complicated’, back in 2002 but since then, the songstress has had 5 studio albums, 23 singles, 27 music videos (including ‘Girlfriend’, which became the “first music video to reach 100 million views on YouTube”) and has even appeared on several television shows and films. Now, six years since her last, self-titled album, 2019 sees the singer-songwriter putting out her sixth studio album, Head Above Water; a personal account of the trials and tribulations she been through over the past few years. Here’s what we have to say about it…

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Head Above Water is probably Avril Lavigne‘s most mature album to date, seeing a real evolution in her songwriting. Throughout the record, she paints a candid, honest and deeply introspective portrait of a truly tumultuous period in her life.

It all begins with the album’s title track, ‘Head Above Water’, which is in fact the song that kick-started the writing of the whole album. She stated, “One night, I thought I was dying, and I had accepted that I was going to die. My mom laid with me in bed and held me. I felt like I was drowning. Under my breath, I prayed, ‘God, please help to keep my head above the water.’ In that moment, the song writing of this album began. It was like I tapped into something. It was a very spiritual experience. Lyrics flooded through me from that point on.” In this truly stunning track alone, Avril Lavigne documents her fight with Lyme Disease (as a result of which, she set up The Avril Lavigne Foundation, to raise awareness of the condition – visit http://www.TheAvrilLavigneFoundation.org for more information), showing her strength of character to fight and overcome it.

As if that song wasn’t different enough, ‘Birdie’ demonstrates a diverse instrumental with intricate production where stripped-back moments show off her voice beautifully and a distorted vocal break adds another dimension to the track in which compares herself to a caged bird.

Equally, ‘I Fell In Love With The Devil’ and ‘Tell Me It’s Over’ are both tinted with Lana Del Rey-esque vibes. The first blends both high and low-pitched vocal harmonies to create an ominous tone to the track, perfectly mirroring the theme of a toxic relationship, whilst the latter’s sultry vocals and brass elements in the verses lead into a massive, soulful chorus, making it possibly the most unique song Avril has ever released.

There is a bit of a lull in the uptempo vibes towards the middle-end of the record (but still great tracks!) ‘Souvenir’ is a cute little love song that although a touch juvenile, is actually very endearing, whilst ‘Crush’ is a sparkly-sounding, soulful number.

It might not be her most obviously banging release, but it certainly packs a punch on the emotive side, with such wonderfully poetic lyricism.

‘Bigger Wow’ isn’t the most memorable song though it’s incredibly catchy and unequivocally pop, however I can’t help but feel it’s virtually a carbon copy of Hailee Steinfeld‘s single, ‘Starving’ with Zedd.

That said, although on the whole Head Above Water is quite the far cry from any of her previous releases, there are definite nods to her former sounds. ‘Dumb Blonde’ (featuring none other than Nicki Minaj – which was clearly a last-minute addition to the track, as the review version of the album did not feature her at all) takes a massive leaf out of her 2007 smash hit, ‘Girlfriend’. Additionally, ‘It Was In Me’ has a massive throwback vibes to her 2002 hit, ‘I’m With You’, but nevertheless, it’s amazing and the build up at the end is truly goosebump-inducing!

The album draws to a close with ‘Warrior’, thematically bringing us back full circle to where we began. The lyrics possibly aren’t the most imaginative on the record but they certainly show the strength she has found within herself, to get through some of the toughest years of her life and with that comes an audible gratitude and renewed lease of life.

Whatever you think of Avril Lavigne‘s previous incarnations, you can’t hear this album and deny that it’s a passionate and very personal offering from the star and although there isn’t a completely cohesive style throughout, it’s refreshing to hear her trying something new. The break has done her voice good too – there’s a renewed power and technique behind it and she’s using it in ways she hasn’t much before.

Of course, there are bound to be people that will slate her for moving away from her old sound and those who will criticise her for trying something new, but personally I love and commend this record for being evolutionary and so clearly therapeutic. It might not be her most obviously banging release, but it certainly packs a punch on the emotive side, with such wonderfully poetic lyricism. Now it’s time to return to the top Avril Lavigne – welcome back!

Rating
4-5


‘Head Above Water’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/head-above-water/1442724476


Head Above Water on Spotify

Head Above Water (Official Video)

Tell Me It’s Over (Official Video)

Dumb Blonde featuring Nicki Minaj (Lyric Video)


We hope you’ve enjoyed our review! What do you think of Avril’s sixth studio album, Head Above Water? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


Enjoyed this? Check out some of our other reviews here:

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Matt – Muzik Speaks
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#Review: Emarosa – Peach Club 🍑

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Muzik Speaks Loves Hopeless Records - SmallerEmarosa are an alternative rock band from Kentucky, consisting of only original founding member, ER White (lead guitar), as well as Bradley Walden (lead vocals), Robert Joffred (bass) and Matthew Marcellus (rhythm guitar). The band have been through quite a few line up changes since their inception in 2006 and in 2016, signed to their current label, Hopeless Records. Now, 2019 sees the release of the band’s fifth studio album (and second through Hopeless Records), Peach Club. Here’s what we have to say about it…

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From the start of the opening track, ‘Givin’ Up’, it’s clear that Emarosa have made a definitive departure from their previous, alternative rock sound, favouring a moreretro synth, heavy bass and ascending pop-chorus sound on this latest record. What’s more, they’ve done it so effortlessly with the opening, no holds barred, funky guitar-drive pop anthem that even has a saxophone solo!

It’s very much a record of two halves – the first half is both strong and diverse but the second half, by comparison, is somewhat lacking in the same depth.

80s synths and vibes run prominently throughout the album – ‘Don’t Cry’ is a very synth-heavy track with some incredible, underlying guitar riffs and this wonderful, descending vocal melody to the chorus, whilst ‘So Bad’ has a glossy, 80s funk to it, both in terms of the guitar and beat, topped off with an overtly catchy chorus.

Possibly the best track on the record has to be ‘Cautious’ – the calm verse, with great falsetto vocals leads into an all-consuming and powerful chorus – the passion behind the lines, “I believe in ecstasy, but you might never love me,” honestly gives you goosebumps!

A couple of the tracks even give off a similar feel to You Me At Six – ‘Get Back Up’ has a vocal style like that of Josh Franceschi but there’s a hip hop-like beat behind the song – I hate to say it, but a rapper feature would actually sit quite well on this. Equally, the heavier parts of ‘Help You Out’ have those same YMAS vibes – dreamy falsetto vocal parts and a great clap-along breakdown.

Sonically, this is an album that’s about as far from their former selves as it can be, but it is also a record that demonstrates huge growth from the band and a relentless willingness to try out new sounds.

‘xo’ kind of marks a break and turning point in the record. It’s a song made up of just vocals and an electric guitar but it really shows off Bradley Walden‘s raw vocal talent. It’s a very different vibe to the rest of the album and has a soulful feel to it.

I hate to say it, but it’s from here on that things get a little weaker. ‘Hell Of It’ is definitely an album filler, and although it is a slight nod to their alternative rock roots, it’s very repetitive. ‘Comfortable’ somehow reminds of Seal’s ‘Kiss From A Rose’ in places – it’s rather atmospheric but never quite goes to the places it’s aiming to reach, and then kind of just fades out. ‘IW2DWY’ (aka I Wanna Die With You) also feels quite empty, lacking any sincerity. Instrumentally it’s probably the weakest track on the record too.

That being said, the album finishes a lot stronger, with ‘Wait, Stay’. It features delicate falsetto vocals and intricate guitar lines, building up into a far more full-on sound, than the previous few tracks, making for an epic close to the album. Its subtly catchy chorus makes it quite an understated yet big song.

Sonically, this is an album that’s about as far from their former selves as it can be, but it is also a record that demonstrates huge growth from the band and a relentless willingness to try out new sounds. They haven’t lost their credibility though – they’re still packing a vulnerability to their lyricism and putting enough edginess into the tracks to still show parts of their previous incarnations and due to its diversity, Peach Club is bound to have something you’ll love.

It’s been really interesting to see this band’s evolution with this latest release and it’s bound to pick up a whole new fan base along the way. I’ll be intrigued to see where the band take their sound next!

Rating
3.5


‘Peach Club’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/peach-club/1439380906


Peach Club on Spotify

Givin’ Up (Official Music Video)

Don’t Cry (Official Music Video)


We hope you’ve enjoyed our review! What do you think of the band’s latest album, Peach Club? Are you a fan? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


Enjoyed this? Check out some of our other reviews here:

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Matt – Muzik Speaks
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#Review: Big Wild – Superdream 🏜

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Big Wild is the moniker of American producer, composer and DJ, Jackson Stell. Having been producing music since he was just 14 years old, it wasn’t until 2012 that he began producing music under the name Big Wild. It was in 2015 that the electronic music duo, ODESZA, asked him to support them on a couple of dates of their tour, having discovered him on SoundCloud. Now, 2019 sees the release of his debut album, Superdream. Here’s what we have to say about it…

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From the very beginning, Superdream is an album the doesn’t let up for a minute and has some of the most intricately crafted and beautifully delicate production, I’ve ever heard on a record.

‘City Of Sound’ launches straight in, with a funky, disco-like quality and big vocal harmonies that are very reminiscent of Foster The People‘s ‘Pumped Up Kicks’. From there, we’re almost immediately led into single, ‘Joypunks’ – a bouncy, uplifting instrumental track which uses broken-up vocal sounds to create a really unique-sounding, nonsensical hook which you can’t help but try to sing along with.

I could go on because there is just so much to love about this album, however there are four tracks that really stand out above the rest:

‘6’s To 9’s’ is a huge track; the production is truly top-notch – there are these wonderfully understated verse vocals, married with high-pitched harmonies that build from a calm intro and verse into a gargantuan chorus, with sensational, gospel-like elements – it’s a truly epic track with a stunning performance from Rationale. There’s something almost sensual about the song.

‘No Words’ has some serious St Lucia qualities to it, with a big, gang-vocal chorus and some natural, night sounds during the breakdown.

The whole record feels as though there are religious undertones throughout; maybe it’s just because it sets such a high standard for the genre?!

‘Alley-Oop’s infectious beat courses right through you, giving off some reggae-like vibes and features vocals from iDA HAWK. The chorus is huge, which a big instrumental push behind the “Oop” to really emphasise it. There’s something a little Paloma Faith about the vocal, in places.

The last of the four biggest tracks has to be ‘Purple Sand (My Home)’, a song with broken-up pan flute/whistle sounds riding throughout, giving it a real organic feel and tropical flavours. It’s a very reflective song, looking back to a place you miss and long to be.

There’s lots of other things to love about Superdream too – ‘Pale Blue Dot’ is a bizarrely captivating instrumental that weaves together a gritty bass line, retro, horror organ notes and a chopped-up accordion-like sound. ‘Maker’ is truly ethereal and sounds like a modern-day ABBA track, with the vocal melodies and some of the instrumentals. ‘Heaven’ features a big drop and is pretty club-like but with more depth and diversity than most modern club tunes – it’s very refreshing.

The album draws to a close with ‘Awaken’, another instrumental that has large, spacious moments to it and a modern, religious-like style to the big moments. In fact the whole record feels as though there are religious undertones throughout; maybe it’s just because it sets such a high standard for the genre?!

Some of the best things about Big Wild‘s production are the way he takes ordinary sounds and distorts them, to the point they’re almost unrecognisable, yet become instantly captivating. It’s also quite evident that he loves big bass booms to really hit the listener, but they’re used just the right amount, making for a massive impact!

This is already a contender for album-of-the-year, within the genre, and 2019’s only just begun! Big Wild has set the bar high for himself with this truly electrifying debut and this is surely set to catapult his career to new heights. I just can’t wait to see what he puts out next and watch as he continues to grow and evolve. Superdream is super sensational!

Rating
4-5


‘Superdream’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/superdream/1438818174


Superdream on Spotify

Superdream (Audio Video Playlist)


We hope you’ve enjoyed our review! What do you think of this producer’s debut album? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


Enjoyed this? Check out some of our other reviews here:

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Matt – Muzik Speaks
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