#Review: The Dangerous Summer – Mother Nature 🌊

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Muzik Speaks Loves Hopeless Records - SmallerThe Dangerous Summer are a rock band from Maryland, USA who formed back in 2006.

The band released 3 studio albums before parting ways in 2014. However, since reforming in 2017, and releasing their fourth, self-titled album (The Dangerous Summer), the band are now unleashing their fifth studio album to the world, Mother Nature. Here are our thoughts on the record…

The Dangerous Summer - Mother Nature.jpg

This feels very much like the album that should have arrived in 2018 to mark the band’s resurrection, because this album is pretty sublime. It’s a unique brand of melodic and mature emo-esque rock that isn’t afraid to talk about feelings in a direct way.

It opens with ‘Prologue’ a track led with a positive voice message from a female, letting the recipient know that she’s there for them. It’s actually a nice, uplifting message that somehow manages to feel personal to us, the listener. Pretty quickly, we’re then catapulted seamlessly into ‘Blind Ambition’, a track with a pretty amazing guitar line that somehow feels forcefully positive, to the point it gives me goosebumps.

There is something quite beautifully simplistic about the way difficult, even tumultuous events in our own lives can be compared to the unstoppable forces of Mother Nature, at times, leaving us weak and powerless – it’s truly poetic. This is displayed with wonderful imagery on tracks such as ‘Virginia’ and ‘Bring Me Back To Life’ with powerful lyrics like “I must be weak, if you couldn’t tell, I couldn’t breathe, bring me back to life now, bring me back to peace, give me back the sun now, can you give it back to me?”

It’s not quite a concept album, yet at the same time kind of is; whatever it is, it works…really well!

‘Mother Nature’ itself is a track that really encapsulates the tone of the record. It’s a song about having hope, accepting changes we face in life and being bold enough to embrace changes within ourself. Perdomo successfully evokes powerful imagery of mother earth and nature, and sells his own willingness to become a part of it.

Equally, the album’s lead single, ‘Where Were You When The Sky Opened Up’, has an apocalyptic feel to it, describing facing demons head-on and attempting to mature.

Other tracks to pay attention to include: ‘Starting Over / Slow Down’ a track of two halves – the first half is slow and melodic with vocals that cross over each other, whilst the second half is more synth-driven and up tempo with an amazing, all-consuming, drum ending. ‘It Is Real’ see Perdomo sing of drug-taking and trying to understand the world with a deep sense of nostalgia. The metronome sound throughout is pretty cool too. ‘Better Light’ has this amazing vocoder-esque intro that sounds somewhat like an Imogen Heap track that builds with soaring falsetto vocals – it’s very euphoric and ethereal. Lastly, there’s ‘Consequence Of Living’, an almost a positive look back at the end of your life and being able to observe how you lived your life.

One major thing that can’t go unnoticed is AJ Perdomo‘s sensational vocals throughout the album! He delivers emotion with utter sincerity from incredible falsetto to aching melancholy with some seriously angst-ridden screams on the likes of ‘Way Down’ – an angry, heavy rock song about dark thoughts; possibly one of the best tracks on the record?!

Mother Nature is an exciting return for the band – it feels like they’ve found a sound and style that works for them. It’s not quite a concept album, yet at the same time kind of is; whatever it is, it works…really well! I defy people not to find themselves drawn to this record time and again to indulge on its honesty to reflect on life’s big events. There’s a real feeling of excitement I get from listening to this album and I can’t wait to see what the band do next!

Rating


‘Mother Nature’ is out now and can be downloaded from iTunes – https://music.apple.com/gb/album/mother-nature/1458152823


Mother Nature on Spotify

Where Were You When The Sky Opened Up (Official Music Video)

Way Down (Official Music Video)

Bring Me Back To Life (Official Music Video)


We hope you’ve enjoyed our latest review! What do you think of this band’s fifth record, Mother Nature? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


Enjoyed this? Check out some of our other reviews here:

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#Review: Yonaka – Don’t Wait ‘Til Tomorrow

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Yonaka are one of the hottest bands to come out of Brighton in recent years. The rock quartet, comprised of Theresa Jarvis (vocals), George Edwards (guitar), Alex Crosby (bass guitar) and Robert Mason (drums) formed in our home town, some four years ago. The band have been busy touring and recording, making big waves in the industry, even signing to Asylum Records (part of Warner Music Group). Now, 2019 sees the release of their debut album, Don’t Wait ‘Til Tomorrow. Here’s what we have to say about it…

Yonaka - Don't Wait 'Til Tomorrow.jpg

Having already received a lot of favourable press and released the successful EP, Creature, in 2018, the pressure was on for Yonaka to produce a hard-hitting debut album. Luckily though, the band have delivered a piece of work that really packs a punch, demonstrating just how much potential they have and what a great career they have ahead of them.

From opening track, ‘Bad Company’, with Theresa’s wonderful falsetto vocals and the captivating, accompanying instrumental, the album never fails to impress!

For a fledgling band, it’s so easy for their songwriting to be immature and instrumentation to be lacking in diversity, but that’s where Don’t Wait ‘Til Tomorrow truly stands out. ‘Awake’ is a truly grungy, lyrically cutting track, whilst ‘Guilty (For Your Love)’ displays anthemic rock song qualities, sure to have crowds singing it back to them.

Some other songs to really take note of: ‘Lose Our Heads’ is a rather commercial offering and could easily find its way to mainstream radio, ‘Creature’ has a rock-out feeling that is sure to get audiences moving and ‘Punch Bag’ is a high-energy, no holds barred, knockout track that shows Theresa is just not someone you mess with!

Don’t Wait ‘Til Tomorrow is ambitious and undoubtedly a strong debut, delivered with conviction and tenacity…

Title track, ‘Don’t Wait ‘Til Tomorrow’, very much feels like a modern-day incarnation of Blondie and ‘Fired Up’ could easily be a new direction taken by No Doubt; all of which just goes to show how this could easily be the album a band with a lengthy career already behind them…not their debut!

‘Wake Up’ is a surprising track with its dreamy, almost ethereal feel and is a song to get completely lost in – it could happily sit on repeat and never get boring.

However, probably the best track on the record has to be ‘Rockstar’; the song wonderfully encapsulates Yonaka right now and manages to be chaotic and exhilarating, whilst also be cool and composed. It’s a song that could suit so many moods and sees Theresa forcefully singing, “I just wanna be a rock star, baby,” something the band can rest assured that this debut is sure to help them achieve.

The album draws to a synth-driven close with ‘The Cure’ – a track which leaves the listening hanging and certain to come back for another listen.

Don’t Wait ‘Til Tomorrow is ambitious and undoubtedly a strong debut, delivered with conviction and tenacity and certain to pave the way for one of Britain’s newest and most exciting rock bands! Bring on the tours and roll on album number 2!

Rating
4-5


‘Don’t Wait ‘Til Tomorrow’ is out now and can be downloaded from iTunes – https://music.apple.com/gb/album/dont-wait-til-tomorrow/1451808477


Don’t Wait ‘Til Tomorrow on Spotify

Lose Our Heads (Official Live Video)

Don’t Wait ‘Til Tomorrow (Official Live Video)


We hope you’ve enjoyed our review! What do you think of this band’s debut album, Don’t Wait ‘Til Tomorrow? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


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#Review: Frank Iero And The Future Violents – Barriers

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Frank Iero initially rose to fame as the rhythm guitarist and backing vocalist of My Chemical Romance but following the break-up of the band in 2013, Iero set off on his own with his first solo project, in 2014. So far, the project has changed incarnations with each album (first as frnkiero and the cellabration, then Frank Iero and the Patience) and this third album is no different. 2019 sees him return as Frank Iero and the Future Violents with his third album, Barriers. Here’s what we have to say about it…

For this album, Frank and the band recorded 17 songs in just 15 days, all of which were recorded live and directly on to tape, giving the whole record a very raw feel.

The album opens with the aptly-named, ‘A New Day’s Coming’ – an organ led opening that serves as a sort of religious sermon before becoming slightly Country-tinted and like a song you might hear at a dive bar in the Deep South of America. The pairing of Frank’s vocal with a female’s makes for a great sound and the guitar solo is pretty epic too!

‘Young and Doomed’ (the lead single for the album) quickly follows, changing the pace of the record with a definite grungy, garage-rock anthem sound and a little nod to his My Chemical Romance days in the line, “And I promise that I’m not OK (Oh, wait, that’s the other guy.”

Other songs to take note of include: ‘Basement Eyes’ which is sort of like an early My Chemical Romance track – it’s a melodic, sorrowful and impactful track; ‘The Unfortunate’ has a folky vibe with violin and piano instrumentation making it a rather beautiful track and ‘Moto Pop’ conjures up images of the circle pits that will ensue when this track is played live. It’s possibly one of the best tracks on the record for its edgy, intense and fast-paced demeanour.

There’s a lot to be admired about what Frank stands for in terms of his writing and recording process and certainly a lot of magic is captured by the process this was recorded with.

There are other rather magical moments throughout the album, such as off-key harmonies on ‘Medicine Square Garden’, the haunting piano and a vocal reminiscent of the Deja Entendu days of Brand New on ‘Police Police’ and ‘The Host’ which is a dreamy, mellow rock track.

There are a few tracks however that seem to merge into one and don’t quite stand out from the rest; ‘Great Party’ displays somewhat naive songwriting – it’s rather angsty and stroppy as it details lusting after someone you miss whilst ‘Fever Dream’ and ‘Ode to Destruction’ are more traditional, screamy punk songs.

The final two tracks on the record particularly make for a memorable impact on the listener though. ‘Six Feet Down Under’ addresses the accident Frank Iero had in Australia a couple of years back that proved nearly fatal. It has interesting vocal intonation on the verses, that are almost conversational. Finally, ’24k Lush’ brings Barriers to a rather epic-sounding close – it starts off mellow and even a little drab but builds to a rather melodic close, making the album appear to come full circle.

Barriers certainly has a garage rock band feel to it and a raw edginess of bands gone by, where albums were not over-produced to perfection. Flaws in Frank’s voice are able to stand out, meaning there’s a real vulnerability to the whole record.

There’s a lot to be admired about what Frank stands for in terms of his writing and recording process and certainly a lot of magic is captured by the process this was recorded with. It’s got a lot of wonderfully unique moments, however you certainly have to be someone that appreciates imperfections.

That said, some of the songs sound fairly similar in places, perhaps because the speed of recording and writing did not allow for much time to really tweak the sounds of the instruments and therefore differentiate between tracks?

However, there’s enough to be enjoyed about the unique, rawness of the songs that make it worth listening to and appreciating the craftsmanship.

Rating


‘Barriers’ is out now and can be downloaded from iTunes – https://music.apple.com/gb/album/barriers/1454839419


Barriers on Spotify

Young and Doomed (Official Music Video)


We hope you’ve enjoyed our review! What do you think of Frank Iero’s latest incarnation for his third full-length album release? Do you love it or loathe it? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


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#Review: Siamese – Super Human 🦸‍♂️

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Siamese are a 4-piece metal-pop band from Denmark (read our interview with Mirza here) who made serious waves on the scene with their 2018 album, Shameless. Since touring with that album, the band have once again, been busy in the studio and now return with their latest record, Super Human, alongside a mini UK tour too. Here are our thoughts on the album.

Siamese - Super Human

At times, Siamese have found it difficult to be taken seriously within the genre and it’s easy enough to see why – they are not just a straightforward metal band, and Super Human is no exception. They merge Metal with genres like Pop, R&B and Dance and for die-hard fans of metal, this just doesn’t cut it. However, the band have stuck to their guns with their unique take on the genre and that shows conviction for what they believe in…and it’s a good thing!

From the opening track and lead single, ‘B.A.N.A.N.A.S’, with its reference to Gwen Stefani‘s, ‘Hollaback Girl’, on top of an intense metal instrumental – the pace for the record is set.

Other tracks that really stand out, include ‘Ocean Bed’ – an intensely emotive song with a grungy, heavy metal breakdown; the incredibly unique ‘Super Human’ – an urban-tinted affair with powerful lyrics about inner strength and guest vocals from Olivio Antonio and ‘Unified’ – a very personal track on which Mirza opens up about his background as a refugee.

Super Human is a good album and certainly isn’t lacking in musical diversity throughout. Siamese have managed to successfully amalgamate different genres to create a really cohesive body of work.

There are other moments to enjoy throughout the album though; ‘Animals’ begins with a church-like organ and builds like a Dance track would before launching into chugging metal; ‘You’re Not Alone’ is an uplifting song not only lyrically but reflected in the instrumental too, plus there are great vocal harmonies at the end (even if they are heavily autotuned) and ‘Give Me Up’ has Asian-tinted drums to open and a monasterial gang-vocal breakdown at the end – it’s very confessional in tone.

The only track which feels slightly out of place is ‘Party Monster’. It makes almost tongue-in-cheek jibes at vacuous pop songs however it feels like it might be trying to be serious too – it just doesn’t quite land.

The album is brought to a close by ‘Not Coming Home’ – 90s/00s-style Prodigy-esque Dance opening and drum beat that ends in chaos, leaving the listener wanting more.

Super Human is a good album and certainly isn’t lacking in musical diversity throughout. Siamese have managed to successfully amalgamate different genres to create a really cohesive body of work, mostly self-produced, allowing them freedom to create what they want. However, there are moments when the integrity behind the lyrics is not always sincerely delivered, focusing more on the style than the substance. Plus, one or two of the songs sound fairly similar – overall though, it’s a pretty solid record. The artwork is unusually well-matched to the album too, with several of the songs having an underlying religious or spiritual undertone to them, even if, in parts, it’s just in the musical composition rather than the lyrical content.

This album is surely going to further cement the band’s place within the genre though and demonstrates that they are seriously players on the scene. Personally, the genre-bending brings something interesting to the table, meaning they stand out from the rest, and it’s intriguing to see where they take their style next!

Rating


‘Super Human’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/super-human/1455133470


Super Human on Spotify

B.A.N.A.N.A.S (Official Video)

Super Human featuring Olivio (Official Video)

Animals (Official Video)

Ocean Bed (Official Lyric Video)


We hope you’ve enjoyed our review! What do you think of this band’s latest album? Is Super Human going to be your soundtrack to 2019? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


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#NewMusic: Angels & Airwaves – ‘Rebel Girl’

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Angels & Airwaves are back!

Hands down, this is my all-time favourite band, ever and I am so pleased to see they are making a triumphant return to music!

Today (Tuesday 30th April), Tom Delonge and co, have released their first single in 3 years, ‘Rebel Girl’, marking somewhat of a return to their trademark, sci-fi meets industrial, stadium rock sound. However, there is definitely still a large amount of their more recent (The Dream Walker) influences too – probably in part due to Ilan Rubin and Aaron Rubin‘s hands in the writing. What’s more, it looks like David Kennedy and Matt Wachter are back too….though Matt doesn’t appear to be in the promo shots…curious!

“‘Rebel Girl’ is a space-age love song that combines my enduring obsession for New Wave, pop punk and anthemic rock and roll music,” says DeLonge. This would appear to be the signs of the band’s upcoming album release, and is believed to also coincide with a feature film too…it’s all very exciting!

It seems that in the 3 years since the band released their last EP, they have now signed a deal with Rise Records, also announcing their first live shows in seven years! Sadly, at the moment it would appear to be just a North American tour, but I have just about everything crossed for a mini UK tour…or even just a London date or two!

Unfortunately no music video has emerged yet, but we’ll keep you updated when one drops…in the meantime, enjoy the visual below.

All I have left to say is just, ‘Hell yeah!’ They’re back, the track is awesome and I can’t wait for the latest era of Angels & Airwaves to really take off!!!

What are your thoughts of the band’s latest single, ‘Rebel Girl’? Please leave your thoughts or similar song suggestions in a comment or hit us up via our social media.

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‘Rebel Girl’ can be downloaded off iTunes now – https://itunes.apple.com/gb/album/rebel-girl-single/1460052992


#Review: Wallows – Nothing Happens

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Muzik Speaks Loves Atlantic Records - SmallerWallows are a 3-piece, indie rock band from Los Angeles, consisting of actors Dylan Minnette (13 Reasons Why) and Braeden Lemasters (Men of a Certain Age) plus drummer, Cole Preston. The trio first formed under their current moniker back in 2017, self-releasing their debut single, before signing to Atlantic Records in early 2018. Now, 2019 sees the release of the band’s debut album, Nothing Happens. Here’s what we have to say about it…

Wallows have successfully crafted a blend of 80s new wave, alternative rock and indie, right from the very first notes of the intense opening track, ‘Only Friend’, that instantly engage the listener and force you to turn it up, before blending seamlessly into second track, ‘Treacherous Doctor’; by far the best track on the record – it’s catchy as hell and ballsy with its heavy interludes, making it really stand out.

Catchy melodies are not lacking on this record either! Lead single, ‘Are You Bored Yet?’ (featuring Clairo) demonstrates perfectly, the sort of thing to expect from the album, and is a great marriage of male and female vocals. Whilst second single, ‘Scrawny’, would sit well on a soundtrack, switching up the tone, part way through the song. Then there’s ‘What You Like’ with its electronic, 80s vibes – a strong verse vocal and intense reverb, like something by Sparks, and ‘Remember When’ offers a hook that will stay with you for days. ‘Ice Cold Pool’ offers a musically uplifting tempo and shimmering guitar lines.

There’s no doubt that this is a summer soundtrack and would fit well in a teen programme, like The OC, conjuring up images of a road trip in a convertible, with friends, shot with a vintage camera. It’s the sort of record that you could either sit back and relax to, or get lost in at a summer BBQ – it’s dynamic and delightfully enthralling.

This is quite possibly one of the most interesting and exciting, American indie bands I’ve heard for some time.

Generally, this is a fairly fast-paced album but ‘Sidelines’ offers a more downtempo reprieve and a synth line that reminds me of Caesars’ ‘Jerk It Out’ (just not as upbeat), as does the album closer, ‘Do Not Wait’ – a haunting, dream-like instrumentation in the first half, that builds to a more frantic, psychedelic close, with it’s spoken-word vocal.

The whole album is written solely by the band themselves and produced by John Congleton (Lana Del Rey, Franz Ferdinand & Jamie T) – this might explain why the record sets them up as the kings of interesting breakdowns and unusual soundscapes that weave their way throughout the record. They take unexpected, sonically captivating twists and turns throughout and Dylan’s vocals are, at times, monotonous and somewhat apathetic, but it works so delightfully well! It’s definitely an album for all ages – millennials are bound to love it, as will original fans of 80s synth rock.

I’m sure some people will turn their noses up at Wallows for the fact that they’re established actors, but that shouldn’t detract from what a great record, and band, this is! Nothing Happens is a very strong, well-written and well-produced album that although very indie on the surface, at its core, takes a lot of influence from a fair few 70s and 80s tracks. Having listened to this captivating record several times now, I am left excited for what more they have to offer, and if their next album is as strong as this, they will continue to pave a great career for themselves. This is quite possibly one of the most interesting and exciting, American indie bands I’ve heard for some time.

Rating
4


‘Nothing Happens’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/nothing-happens/1450670646


Nothing Happens on Spotify

Scrawny (Official Music Video)

Are You Bored Yet? (Official Music Video)


We hope you’ve enjoyed our review! What do you think of this band’s debut album? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


Enjoyed this? Check out some of our other reviews here:

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#Review: Tom Walker – What A Time To Be Alive

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Tom Walker is a Scottish-born, singer-songwriter that has continued to grow and rise to fame over the past 12 months or so. Aside from relentless touring, he started gathering mainstream attention with the BBC putting him in the running for their Sound of 2018 accolade. Then came the release of his massive single, ‘Leave A Light On’, which received heavy radio airplay, leading to a performance on X Factor. Now 2019 has kicked off with in style, with him winning the Brit Award for 2019’s British Breakthrough Act…and all of this has happened before the release of his debut album! Well, it’s finally here, What A Time To Be Alive and here’s what we have to say about it…

Tom Walker - What A Time To Be Alive.jpg

Passion. Power. Personal. Three words that can’t help but swim through my mind as I listen to Tom Walker‘s debut album, What A Time To Be Alive. All three qualities are beautifully and intricately interwoven too – there is passion and power behind his vocals – both in what he sings and the way he sings it – and the personal songwriting leads to their prominence…and this wouldn’t be such a remarkable record without even one of those elements.

We’re catapulted into the album with ‘Angels’; a track starting out raw and edgy but endlessly continuing to build to a huge crescendo, complete with bells and strings, becoming an intricately layered behemoth of a track by the end, topped off with Tom’s intensely passionate and gritty vocals.

This is soon followed by the hit single, ‘Leave A Light On’, which despite being such a massive single, is interestingly, probably one of my least favourite tracks on the album. It’s a great song lyrically and thematically and I can see exactly why it was such a hit but I honestly preferred the original version, before the off-key synth sounds became so prominent. Also, there’s so much more to love about the album!

He has successfully crafted an outstanding debut album that takes elements from many different genres and styles, mashing them up into the perfect concoction of contemporary pop.

The biggest tracks on the record have to be: ‘Not Giving In’ – haunting wind chimes trickle delicately into the intense track, where echoing vocals and programmed drums lead the verses into the passionate chorus that seems to swirl around you, engulfing with its honest emotion; ‘How Can You Sleep At Night?’ is vocally one of the most diverse songs on the album – quiet, low tones in the verses are pushed by thunderous drums to a chorus of what could be described as vocal hoots and a downward zigzagging of his voice. Melodically, it’s a rather playful track, even though it’s about an intimate subject.

‘My Way’ is a real genre-bender; hip-hop-style drum beats, oriental-tinted synths, a repetitive hook and wonderful production trills, such as subtle, underlying female vocals, make this one of the best songs on the record. An effortless breakdown calms the mood right before bursting back into the repetitive, yet highly addictive chorus. Think EDM elements meet rock with a slightly Asian-flavoured edge.

And of course there’s ‘Fade Away’ which has a very Tom Odell-sounding melody, in places. It’s an emotionally devastating, piano and string-led track, that honestly brings tears to the eyes. Naturally, in its more heightened moments, Tom’s signature, raspy vocals shine through but during the quieter parts, his interesting annunciation and poetic lyricism make this track truly bewitching.

This is a stunning, diverse album that is sure to make massive waves throughout the industry and I’m certain will be a benchmark album for years to come.

‘Now You’re Gone’ featuring Zara Larsson is very electronic in tone with laser-like bass notes and a broken-up rhythm, ‘Blessings’ has an Ed Sheeran vibe and takes a candid look at the modern lifestyle, whilst ‘Dominoes’ is a very political track and another honest take on the state of the world right now, becoming wonderfully chaotic and grungy by the end.

Intrigue doesn’t stop there either, ‘Cry Out’ is like a dark western soundtrack (somewhat reminding me of the Peaky Blinders theme) with chain-clinking sounds giving it a laborious edge and ‘Just You And I’ is an old fan favourite – a big, positive love song. Possibly the most captivating track on the record has to be ‘The Show’ – a story-like track about London that really gives the sense of physically moving through the city streets, just listening to it. It has a real jazzy feel which sound effects weaving throughout the storytelling.

One thing’s for certain, Tom Walker has a very unique blend of styles throughout his music; reggae and urban vibes, with subtle hip-hop undertones are met by electronic synth elements and drum pads, combined with real instruments and rock-tinted vocals all underpinned by sincere, heartfelt (and even occasionally political) lyrical themes. I think I can even detect Bob Marley influences in places – reggae sounds and political themes…or is that just me? Sure, at times his voice is quirky and high-pitched but that is met in equal measure by the grittier, growlier and more powerful moments.

You can’t help but want to compartmentalise him as a singer-songwriter or a pop star but he truly breaks every mould you try to apply him to. He has successfully crafted an outstanding debut album that takes elements from many different genres and styles, mashing them up into the perfect concoction of contemporary pop. Despite being an eclectic collection, it still manages to be entirely cohesive. This is a stunning, diverse album that is sure to make massive waves throughout the industry and I’m certain will be a benchmark album for years to come.

It can only get bigger for him from here and I can’t wait to see what new heights Tom Walker soars to next…I’m just pleased I got to see him at The Green Door Store in Brighton (review here) before it all took off.

Rating
5


‘What A Time To Be Alive’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/what-a-time-to-be-alive/1435094194


What A Time To Be Alive on Spotify

Leave A Light On (Official Video)

Just You and I (Official Video)

Angels (Official Video)


We hope you’ve enjoyed our review! What do you think of Tom Walker’s stunning debut, What A Time To Be Alive? Are you as much of a fan as us? What would you rate it? Please leave your thoughts in a comment or via our social media.


Enjoyed this? Check out some of our other reviews here:

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Matt – Muzik Speaks
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