#FeelGoodFriday: Kesha – ‘Raising Hell’ featuring Big Freedia

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It’s been a couple of years now since Kesha released her rather open, honest and clearly very healing 2017 album, Rainbow.

Now, 2019 sees the pop songstress release a downright catchy-as-hell new single, ‘Raising Hell’ (featuring Big Freedia), which also comes alongside the announcement of her next record, High Road.

This latest song sees Kesha return to a more fun-filled pop sound but with a fresh feel and something seriously uplifting about it! The brass-led breakdowns are funky and will get a crowd moving, whilst gospel-like moments really raise the spirit of the track. It’s definitely the kind of track you can keep on repeat.

It also arrives with a music video directed by Luke Gilford, where Kesha assumes the role of a big-haired, ’80s-style televangelist, preaching her own unique message and making the congregation speak in tongues…that is before things take a very dark turn! Well worth a watch (below)!

Her new album, High Road, comes out 10th January 2020, and is set to feature the likes of Sturgill Simpson, Brian Wilson, Dan Reynolds (of Imagine Dragons) and Nate Ruess (of fun.) – personally, I can’t wait!!!

What are your thoughts of this pop songstress’ new track? Are you as much of a fan as us? Do you have a #FeelGoodFriday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
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‘Raising Hell’ can be downloaded off iTunes now – https://music.apple.com/gb/album/raising-hell-feat-big-freedia/1484385866?i=1484385869


#Review: Kate Nash @ Concorde 2, Brighton – 31/07/19

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On Wednesday 31st July 2019, Kate Nash returned to Brighton to put on another outstanding show, following the release of her 2018 album, Yesterday Was Forever and was supported by the punk quintet, The Menstrual Cramps.


The Menstrual Cramps

The band took to the stage, instantly packing a punch with their all-female brand of punk – think traditional punk rock but with some kick-ass girls showing who’s boss! The lead singer, Emilia Elfrida, was consistently hilarious with her crowd banter between songs and even shared some more personal insights, such as sexual assault she experienced and a song she wrote about it. As per traditional punk, there’s a lot of political messages behind their songs but one I loved in particular was a song, ‘Neo-Nazi’, written specifically for the crowds of an upcoming festival they’re playing at, to get back at them for the death threats and general unpleasantness they received the last time they played there!

Highlight: The energy of the band’s set (in particular the wit of Emilia) and the no-holds-barred approach to their lyricism and addressing of political and social issues! Well worth a watch.


Kate Nash

Right from the offset, there was something instantly better and more high energy about this set than the last time Kate Nash performed in Brighton. That’s not to say she wasn’t great back in 2017, but this time, there seemed to be a real buzz of excitement and a new lease of life to her set, which just instantly created an electric atmosphere throughout the crowd.

Following the release of her 2018 album, Yesterday Was Forever, the audience were treated to a whole host of new and old material in all the right doses. On several occasions, Kate shared the gratitude for her fans’ continued support throughout what has recently been shared (in her rather personal documentary – Kate Nash: Underestimate the Girl – via BBC3) as quite a tumultuous period in her life. She also addressed her own personal struggles with mental health and how she believes that everyone should take time to talk about their own mental well-being, before performing, ‘Musical Theatre’ – a wonderfully personal account of her inner-most thoughts.

Naturally, in amongst her newer songs, the performance was interwoven with traditional hits such as ‘Mouthwash’, ‘Pumpkin Soup’, ‘Dickhead’ and ‘Foundations’. There was even a little medley thrown in for good measure, followed by an insanely fast version of ‘Mariella’ and just had the audience going crazy! The speed she performed it at was actually very impressive to behold!

Even though she is already a professional performer, this particular set/tour demonstrated just how much she’s grown as an artist and songwriter but also how much she has honed her live shows. I strongly recommend catching her at your earliest opportunity – you don’t even need to know all her songs, she’s just instantly bewitching!

Highlights:

  • Kate’s energy level was consistently high and her interaction with both the audience and her incredible band, made for a great watch all round. She always makes sure that her band are as much in the forefront as she is.
  • Kate’s vocal performance was stunning; from her beautifully powerful high notes to the delivery of her quirky, trademark, too-many-words-for-one-line lyricism, she was on point throughout.
  • I particularly loved watching her personal performance of ‘Musical Theatre’ – it’s not only got a strong message but her delivery of the song’s lyrics was sensational.
  • Her sense of style was as to be expected – interesting and out there, but oh so perfect.
  • At the end of the set (before the encore), Kate even got off the stage and into the front of the crowd to sing amongst her fans, which made them go wild.

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📷All of the photos of The Menstrual Cramps and Kate Nash are credited to Michael Hundertmark 📸
Why not give him a follow on Instagram and Twitter or check out his website.


 Setlist

Play
Life In Pink
Mouthwash*
Sister
Trash
Always Shining
Musical Theatre
Agenda
We Get On
Kiss That Grrl / Shit Song / Later On
Mariella
My Little Alien
Pumpkin Soup
Foundations*

Encore
Dickhead
Underestimate The Girl

These songs can be viewed in the YouTube playlist, below.


Finally, I want to say a great big thanks to Patrick from Lout Promotions for sorting out this review, to Michael Hundertmark for his snaps and lastly, to Kate Nash, her band and The Menstrual Cramps for their amazing performances!


Enjoyed this? Check out some of our other live reviews here:

Muzik Speaks Live Reviews


Matt – Muzik Speaks
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#TunefulTuesday: Will Joseph Cook – ‘Hey Brother’

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It’s been a couple of years now since Will Joseph Cook released his debut album, Sweet Dreamer, but the catchy indie-pop, anthem-writer is back with a brand new single… and it would appear he’s parted ways with Atlantic Records.

His latest offering, ‘Hey Brother’, comes following a witty video announcement hinting not only of this single release, but a forthcoming album too!

‘Hey Brother’ is still distinctly Will Joseph Cook – his ethereal high vocals in the choruses are married with his more apathetic tones in the verses. One thing’s for sure, his voice remains unique and captivating, as ever.

This track also demonstrates his marvellous songwriting talent, as he uses a simplistic yet catchy guitar melody and loops it, bringing it in and out of the focus, whilst also continually layering up the track to bring it to a great, harmony-driven climax.

This layering is reflected in the music video for the track too, which sees multiple versions of the singer appearing throughout. He’s not one to settle for something visually drab and so this too shows that he’s remaining true to his artistic nature, once again showing how powerful it can be when coupling music and interesting visuals. Check it out below!

What are your thoughts of this indie singer-songwriter’s latest single? Do you have your own #TunefulTuesday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
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‘Hey Brother’ can be downloaded off iTunes now – https://music.apple.com/gb/album/hey-brother-single/1469264663


#Review: Tom Walker – What A Time To Be Alive

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Tom Walker is a Scottish-born, singer-songwriter that has continued to grow and rise to fame over the past 12 months or so. Aside from relentless touring, he started gathering mainstream attention with the BBC putting him in the running for their Sound of 2018 accolade. Then came the release of his massive single, ‘Leave A Light On’, which received heavy radio airplay, leading to a performance on X Factor. Now 2019 has kicked off with in style, with him winning the Brit Award for 2019’s British Breakthrough Act…and all of this has happened before the release of his debut album! Well, it’s finally here, What A Time To Be Alive and here’s what we have to say about it…

Tom Walker - What A Time To Be Alive.jpg

Passion. Power. Personal. Three words that can’t help but swim through my mind as I listen to Tom Walker‘s debut album, What A Time To Be Alive. All three qualities are beautifully and intricately interwoven too – there is passion and power behind his vocals – both in what he sings and the way he sings it – and the personal songwriting leads to their prominence…and this wouldn’t be such a remarkable record without even one of those elements.

We’re catapulted into the album with ‘Angels’; a track starting out raw and edgy but endlessly continuing to build to a huge crescendo, complete with bells and strings, becoming an intricately layered behemoth of a track by the end, topped off with Tom’s intensely passionate and gritty vocals.

This is soon followed by the hit single, ‘Leave A Light On’, which despite being such a massive single, is interestingly, probably one of my least favourite tracks on the album. It’s a great song lyrically and thematically and I can see exactly why it was such a hit but I honestly preferred the original version, before the off-key synth sounds became so prominent. Also, there’s so much more to love about the album!

He has successfully crafted an outstanding debut album that takes elements from many different genres and styles, mashing them up into the perfect concoction of contemporary pop.

The biggest tracks on the record have to be: ‘Not Giving In’ – haunting wind chimes trickle delicately into the intense track, where echoing vocals and programmed drums lead the verses into the passionate chorus that seems to swirl around you, engulfing with its honest emotion; ‘How Can You Sleep At Night?’ is vocally one of the most diverse songs on the album – quiet, low tones in the verses are pushed by thunderous drums to a chorus of what could be described as vocal hoots and a downward zigzagging of his voice. Melodically, it’s a rather playful track, even though it’s about an intimate subject.

‘My Way’ is a real genre-bender; hip-hop-style drum beats, oriental-tinted synths, a repetitive hook and wonderful production trills, such as subtle, underlying female vocals, make this one of the best songs on the record. An effortless breakdown calms the mood right before bursting back into the repetitive, yet highly addictive chorus. Think EDM elements meet rock with a slightly Asian-flavoured edge.

And of course there’s ‘Fade Away’ which has a very Tom Odell-sounding melody, in places. It’s an emotionally devastating, piano and string-led track, that honestly brings tears to the eyes. Naturally, in its more heightened moments, Tom’s signature, raspy vocals shine through but during the quieter parts, his interesting annunciation and poetic lyricism make this track truly bewitching.

This is a stunning, diverse album that is sure to make massive waves throughout the industry and I’m certain will be a benchmark album for years to come.

‘Now You’re Gone’ featuring Zara Larsson is very electronic in tone with laser-like bass notes and a broken-up rhythm, ‘Blessings’ has an Ed Sheeran vibe and takes a candid look at the modern lifestyle, whilst ‘Dominoes’ is a very political track and another honest take on the state of the world right now, becoming wonderfully chaotic and grungy by the end.

Intrigue doesn’t stop there either, ‘Cry Out’ is like a dark western soundtrack (somewhat reminding me of the Peaky Blinders theme) with chain-clinking sounds giving it a laborious edge and ‘Just You And I’ is an old fan favourite – a big, positive love song. Possibly the most captivating track on the record has to be ‘The Show’ – a story-like track about London that really gives the sense of physically moving through the city streets, just listening to it. It has a real jazzy feel which sound effects weaving throughout the storytelling.

One thing’s for certain, Tom Walker has a very unique blend of styles throughout his music; reggae and urban vibes, with subtle hip-hop undertones are met by electronic synth elements and drum pads, combined with real instruments and rock-tinted vocals all underpinned by sincere, heartfelt (and even occasionally political) lyrical themes. I think I can even detect Bob Marley influences in places – reggae sounds and political themes…or is that just me? Sure, at times his voice is quirky and high-pitched but that is met in equal measure by the grittier, growlier and more powerful moments.

You can’t help but want to compartmentalise him as a singer-songwriter or a pop star but he truly breaks every mould you try to apply him to. He has successfully crafted an outstanding debut album that takes elements from many different genres and styles, mashing them up into the perfect concoction of contemporary pop. Despite being an eclectic collection, it still manages to be entirely cohesive. This is a stunning, diverse album that is sure to make massive waves throughout the industry and I’m certain will be a benchmark album for years to come.

It can only get bigger for him from here and I can’t wait to see what new heights Tom Walker soars to next…I’m just pleased I got to see him at The Green Door Store in Brighton (review here) before it all took off.

Rating
5


‘What A Time To Be Alive’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/what-a-time-to-be-alive/1435094194


What A Time To Be Alive on Spotify

Leave A Light On (Official Video)

Just You and I (Official Video)

Angels (Official Video)


We hope you’ve enjoyed our review! What do you think of Tom Walker’s stunning debut, What A Time To Be Alive? Are you as much of a fan as us? What would you rate it? Please leave your thoughts in a comment or via our social media.


Enjoyed this? Check out some of our other reviews here:

Muzik Speaks Album Reviews


Matt – Muzik Speaks
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#FeelGoodFriday: P!nk – ‘Walk Me Home’

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P!nk is a truly inspirational artist and is always true to herself, which is why she has just become the very worthy winner (and first ever international artist) of this year’s Outstanding Contribution to Music Award at the Brit Awards 2019.

With 7 albums already under her belt and an upcoming UK tour in support of her last album, Beautiful Trauma (2017), it seems a fitting time for her to put out a new song.

‘Walk Me Home’ is the lead single taken from her upcoming eighth album, Hurts 2B Human. It’s a strong, acoustic-led track with a really cutting vocoder vocal that reverberates right through you. It was even penned with previous duetting partner, Nate Ruess as well as Grammy Award-winner, Scott Friedman, so it’s bound to be a big hit!

Although the track is somewhat somber in tone through the verses, it kicks in to a powerful, all-consuming chorus that just elevates. It’s uplifting and puts out big positive vibes – perfect for a #FeelGoodFriday!

No video has been put out yet but when one does, I’m sure it’ll be epic!

Photo Credit 📸 – Sølve Sundsbø

What are your thoughts of this incredible artist’s latest single, Walk Me Home? Do you have a #FeelGoodFriday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
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‘Walk Me Home’ can be downloaded off iTunes now – https://itunes.apple.com/gb/album/walk-me-home-single/1453199363


#ThrowbackThursday: Lily Allen – ‘The Fear’

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‘The Fear’ was the lead single taken from Lily Allen‘s second studio album, ‘It’s Not Me, It’s You’. It’s incredible to believe but this track was actually UK Number 1 back in 2009…10 years ago! In fact, it stayed at the top of the UK Singles Chart for four consecutive weeks resulting in it being the longest running Number 1 song, in the UK, for 2009.

Despite the glistening, electropop elements to the song that see a barrage of synths weave their way throughout the track, its lyrics are deep, highlighting and poking fun at the problems with consumerism, celebrity lifestyles (and certain well-known tabloids’ obsessions with them) and the postmodern condition of the world.

The song was co-written and produced by monster-hit creator, Greg Kurstin, and saw the starlet adopting a new, ethereal and more mature sound.

The music video is pretty great too, with Lily Allen emerging from a caravan, before returning to reveal the interior of a massive mansion where she is joined by a large group of dancers, eventually performing amongst some giant, brightly-coloured, dancing presents. It’s very dream-like and actually perfectly reflects the tone and topic of the track itself.

It’s an all-round incredible track and easy to see why it reached the Number 1 spot…I just can’t believe it’s already a decade old!

What are your thoughts of this throwback jam by the incredible Lily Allen? Do you have a #ThrowbackThursday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
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‘The Fear’ can be downloaded on iTunes now – https://itunes.apple.com/gb/album/the-fear/731919848?i=731919950


#TunefulTuesday: Lauv & Troye Sivan – ‘i’m so tired…’

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There’s something instantly gripping about Lauv and Troye Sivan‘s recent collaboration, ‘i’m so tired…’, meaning I just can’t get this song out of my head!

Maybe it’s the repetitiveness of the chorus, the brilliantly-used vocal distortion and electronic harmonies, used periodically throughout, or perhaps it’s the combination of a light guitar tied with the electro drum beat and sharp finger clicks that have created something wonderfully unique, resulting in the song living on repeat for me.

One thing’s for certain – this track is already one of my favourite songs of 2019 and the year has barely begun! I’d love to hear a collaboration album from the pair!

The video for the song is pretty cool too – I love how it’s stylised to be like an old 70s/80s camcorder capturing home video-style footage, such as Troye Sivan riding on top of a car, through the neighbourhood. Equally, the lyrics are brilliantly reflected, with Lauv performing amongst various couples, as though he’s not there; a great little storyboarding idea!

What are your thoughts of this incredible collaboration between Lauv and Troye Sivan? Do you have your own #TunefulTuesday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
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www.twitter.com/muzik_speaks


‘i’m so tired…’ can be downloaded from iTunes now – https://itunes.apple.com/gb/album/im-so-tired/1448700180?i=1448700185