#Review: Avril Lavigne – Head Above Water ūüĆä

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It’s hard to believe that Avril Lavigne dropped her first single, ‘Complicated’, back in 2002 but since then, the songstress has had 5 studio albums, 23 singles, 27 music videos (including ‘Girlfriend’, which became the ‚Äúfirst music video to reach 100 million views on YouTube‚ÄĚ) and has even appeared on several television shows and films. Now, six years since her last, self-titled album, 2019 sees the singer-songwriter putting out her sixth studio album, Head Above Water; a personal account of the trials and tribulations she been through over the past few years. Here’s what we have to say about it…

Avril Lavigne - Head Above Water.jpg

Head Above Water is probably Avril Lavigne‘s most mature album to date, seeing a real evolution in her songwriting. Throughout the record, she paints a candid, honest and deeply introspective portrait of a truly tumultuous period in her life.

It all begins with the album’s title track, ‘Head Above Water’, which is in fact the song that kick-started the writing of the whole album. She stated, ‚ÄúOne night, I thought I was dying, and I had accepted that I was going to die. My mom laid with me in bed and held me. I felt like I was drowning. Under my breath, I prayed, ‚ÄėGod, please help to keep my head above the water.‚Äô In that moment, the song writing of this album began. It was like I tapped into something. It was a very spiritual experience. Lyrics flooded through me from that point on.‚ÄĚ In this truly stunning track alone, Avril Lavigne documents her fight with Lyme Disease (as a result of which, she set up The Avril Lavigne Foundation, to raise awareness of the condition – visit http://www.TheAvrilLavigneFoundation.org for more information), showing her strength of character to fight and overcome it.

As if that song wasn’t different enough, ‘Birdie’ demonstrates a diverse instrumental with intricate production where stripped-back moments show off her voice beautifully and a distorted vocal break adds another dimension to the track in which compares herself to a caged bird.

Equally, ‘I Fell In Love With The Devil’ and ‘Tell Me It’s Over’ are both tinted with Lana Del Rey-esque vibes. The first blends both high and low-pitched vocal harmonies to create an ominous tone to the track, perfectly mirroring the theme of a toxic relationship, whilst the latter’s sultry vocals and brass elements in the verses lead into a massive, soulful chorus, making it possibly the most unique song Avril has ever released.

There is a bit of a lull in the uptempo vibes towards the middle-end of the record (but still great tracks!) ‘Souvenir’ is a cute little love song that although a touch juvenile, is actually very endearing, whilst ‘Crush’ is a sparkly-sounding, soulful number.

It might not be her most obviously banging release, but it certainly packs a punch on the emotive side, with such wonderfully poetic lyricism.

‘Bigger Wow’ isn’t the most memorable song though it’s incredibly catchy and unequivocally pop, however I can’t help but feel it’s virtually a carbon copy of Hailee Steinfeld‘s single, ‘Starving’ with Zedd.

That said, although on the whole Head Above Water is quite the far cry from any of her previous releases, there are definite nods to her former sounds. ‘Dumb Blonde’ (featuring none other than Nicki Minaj – which was clearly a last-minute addition to the track, as the review version of the album did not feature her at all) takes a massive leaf out of her 2007 smash hit, ‘Girlfriend’. Additionally, ‘It Was In Me’ has a massive throwback vibes to her 2002 hit, ‘I’m With You’, but nevertheless, it’s amazing and the build up at the end is truly goosebump-inducing!

The album draws to a close with ‘Warrior’, thematically bringing us back full circle to where we began. The lyrics possibly aren’t the most imaginative on the record but they certainly show the strength she has found within herself, to get through some of the toughest years of her life and with that comes an audible gratitude and renewed lease of life.

Whatever you think of Avril Lavigne‘s previous incarnations, you can’t hear this album and deny that it’s a passionate and very personal offering from the star and although there isn’t a completely cohesive style throughout, it’s refreshing to hear her trying something new. The break has done her voice good too – there‚Äôs a renewed power and technique behind it and she‚Äôs using it in ways she hasn‚Äôt much before.

Of course, there are bound to be people that will slate her for moving away from her old sound and those who will criticise her for trying something new, but personally I love and commend this record for being evolutionary and so clearly therapeutic. It might not be her most obviously banging release, but it certainly packs a punch on the emotive side, with such wonderfully poetic lyricism. Now it’s time to return to the top Avril Lavigne – welcome back!

Rating
4-5


‘Head Above Water’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/head-above-water/1442724476


Head Above Water on Spotify

Head Above Water (Official Video)

Tell Me It’s Over (Official Video)

Dumb Blonde featuring Nicki Minaj (Lyric Video)


We hope you’ve enjoyed our review! What do you think of Avril’s sixth studio album, Head Above Water? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


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#Review: Hold Close – Time ūüēź

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Muzik Speaks Loves Hopeless Records - SmallerHold Close¬†are a Pop Punk band hailing from Springfield, Missouri in the USA. To date, they have had a couple of EP releases through¬†Hopeless Records, across 2016 and 2017 but now, 2019 sees the release of their debut album,¬†Time. Here’s what we have to say about it…

Hold Close - Time

We’re eased into the album with title track,¬†‘Time’ – an intro-style song, which starts off calm and rather understated, with a nice little gang vocal, riding on top of the acoustic guitar. It has quite a wholesome sound to the opening, with the lyrics, ‚ÄúYou know time will always heal,” but by half way, bursts into a chaotic moment and a slightly heavier tone, giving us a sense of what‚Äôs to come…before calming back to the way it begins. It doesn’t last long before swiftly leading into ‘Hang Tight’, dramatically picking up the pace.

‘Hang Tight’ has an intense beat, you can‚Äôt help but get swept up in, especially as there’s a huge sense of ecstasy in the calmer moments. Near the end of the track, there‚Äôs a note that’s almost screamed before a moment of calm that comes back round as if the track is starting again – it’s marvellous.

The best tracks on the record have to be: ‘Breath’ – a beautiful track about losing someone. It‚Äôs so stunningly passionate and heartfelt that you hang on every word. The line, ‚ÄúSometimes I pretend like you‚Äôre still here,‚ÄĚ really gets me; ‘Tropical Depression’ is deeply engrossing track due to the vocal effects and the metaphor of a relationship being a-likened to a tropical depression is wonderfully poetic; ‘Here Again’ depicts a longing for someone you miss. Subtle synths swirl around powerful vocals in the chorus, which makes for a touching outpouring of emotion; lastly, ‘Separation’ makes for an epic close to the album – hauntingly beautiful guitar melodies in the chorus are met with great instrument pushes and gang vocals to really hit it home, dropping into a long, synth outro and subtle vocals.

Other tracks include: ‘Cast Me Away’ which makes for a slightly more traditional pop punk track, ‘Absent To Reality’ has a much darker tone than most on the record whilst ‘Cloud9’ has something similar about the synth sound and melody to Keane‚Äôs ‚ÄėShe Has No Time‚Äô – it’s the lyrics that mostly resonate with me; ‚ÄúWill I ever learn to dream again, Escape from all the things I fear and then, Find my path to seeing clear again, Make my way through what‚Äôs to come from this.”

The only real drawback about Time is that 3 of the 11 tracks are pretty short, acting as intros/interludes – sure they are haunting and give the listener a few seconds to pause, but it would have just been amazing if there were more tracks.

There‚Äôs a real maturity to this record that a lot of bands can only dream of – it‚Äôs not quite pop punk, it‚Äôs not quite alternative rock – it’s just damn good!

The occasional echo effects on the vocals, interspersed throughout the album, alongside the diverse song-writing and instrumentation, induce real moments and feelings of euphoria – it’s the kind of album you can just turn up loud and get completely lost in – engulfed by the melodies and production.

There‚Äôs a real maturity to this record that a lot of bands can only dream of – it‚Äôs not quite pop punk, it‚Äôs not quite alternative rock – it’s just damn good! The instrumentation is intricate and well-crafted, with deeply considered, honest and relatable lyrics that must have taken a lot of self-reflection.

There is a lot of emphasis placed on memories of love and people lost, right across the album and a very clear theme of time passing, reminiscing and some degree of healing coming from that. ‚ÄúTime will always heal‚ÄĚ is very much a repeated phrase. A mantra.

Time is very much like the record of a pop punk band who have already had a lengthy career and matured, going on to create an album of well-considered, thought-provoking and sonically captivating music to push the boundaries of the genre…it’s just that Hold Close have achieved it early on in their career than others. The band have produced something wonderful with this album and I truly can’t wait to hear what they create next.

Rating

4-5


‘Time’¬†is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/time/1437338395


Time on Spotify

Tropical Depression (Official Music Video)

Breath (Official Music Video)


We hope you’ve enjoyed our review! What do you think of Hold Close’s album, Time? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


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#ThrowbackThursday: Goldfinger – ‘Get Up’


   

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I can’t believe it’s already been a decade since¬†Goldfinger released their sixth album,¬†Hello Destiny…¬†(SideOneDummy Records, 2008) but it has.

The first single to be taken from the album was in fact¬†‘One More Time’, which although a great track, I couldn’t resist sharing¬†‘Get Up’¬†in all of its pop punk/ska punk glory! In fact, on iTunes, it is actually the most popular track on the record!

It actually wasn’t released as a single, so no music video exists but it’s chock full of political messages that really pack a punch! It’s the sort of song you can really visualise a politically-driven video for though; the kind that would feature news clips, etc.!

Great song, great message, incredible band!

What are your thoughts of this 2008 pop punk/ska punk belter? Are you still a fan of the track, 10 years on? Do you have a #ThrowbackThursday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
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‘Get Up’¬†can be downloaded off¬†iTunes now – https://itunes.apple.com/gb/album/get-up/993329380?i=993329394


#Review: You Me At Six – VI


   

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You Me At Six are an English¬†rock¬†band from¬†Surrey. Since forming in 2004, the band have enjoyed various successes with all of their albums (except their first) reaching the Top 5 of the UK Album Charts and their fourth album,¬†Cavalier Youth, reached Number 1! Now, 2018 sees the band return with their aptly-named sixth studio album,¬†VI. Here’s what we have to say about it…

You Me At Six - VI.jpg

One thing is for certain, this band are superb at adapting their sound and have continued to evolve throughout their already pretty lengthy career. Their previous album, Night People, received rather mixed reviews suggesting it was a rather disjointed effort Рalthough credit to them for trying something new! However, this is all about to change with VI!

The album bursts into life with the very gritty and rather explosive¬†‘Fast Forward’,¬†which sees Franceschi screaming, “Pour some gasoline on,”¬†with his trademark gravelly voice.¬†The track has highs and lows in all the right places – prominent, grungy synths make this a strong album opener…think¬†U2¬†but heavier!

Next to follow is the hugely atmospheric, stadium-filler,¬†‘Straight To My Head’ with 80s-style synths, strong bass lines and an incredibly catchy, chant-able chorus – possibly the best track on the record.

There is a distinctly indie meets disco sound across the album too. Lead single¬†‘3AM’ epitomises the vibe of the record; like something by¬†The Killers,¬†The Maccabees¬†or even Bastille maybe,¬†with a running rhythm to the vocals, whilst¬†‘Back Again’ is possibly the most pop-like track on the album, seeing Franceschi using his falsetto – a great, feel-good track.

They’ve once again diversified their sound, kept it fresh and refused to stick to a sound that’s previously brought them success.

Possibly the weakest songs have to be¬†‘I O U’ – a bass-led affair that feels disjointed in places; it’s quite experimental, in that it changes pace and sound throughout. Also,¬†‘Predictable’ is quite similar to something by¬†Arctic Monkeys; it’s a little droning and not particularly memorable. Whilst¬†‘Pray For Me’ is a wonderfully euphoric song but throughout feels like it’s going to a place that it never actually goes.

‘Danger’¬†instantly grabs your attention with a beat that starts almost identically to¬†Toni Basil‘s¬†‘Mickey’, but quickly demonstrates it’s much more edgy than that. It’s an upbeat track with some incredible, diverse vocals – a really strong track!

Probably the most controversial song on the album, is closing track,¬†‘Losing You’ – it¬†builds beautifully with some captivating vocal effects and all-consuming reverb on the synths and guitars. It is bound to be a real mixed-bag with the fans.

It has to be said that¬†You Me At Six¬†have done a superb job with this record – they’ve once again diversified their sound, kept it fresh and refused to stick to a sound that’s previously brought them success. They’re a band that press forward and continue to grow and¬†VI clearly shows that the band have made an album they wanted to make – for that, they should be very proud.

Rating
3.5


‘VI’¬†is out now and can be downloaded from iTunes –¬†https://itunes.apple.com/gb/album/vi/1380831965


VI on Spotify

3AM (Official Video)

https://www.youtube.com/watch?v=lrELmjpktYE


We hope you’ve enjoyed our review! What do you think of this band’s…? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


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#Review: Against The Current – Past Lives ūüĎĀ


   

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Against The Current are¬†an American¬†pop rock¬†band from¬†New York, who formed in 2011. The band is made up of Chrissy Costanza (lead vocals), Dan Gow (guitars)¬†and Will Ferri (drums). The band are notable for regularly posting covers on YouTube as well as delighting fans with original tracks too. In 2016, after signing to¬†Fueled By Ramen, the band released their debut album, In Our Bones. Now, 2018 sees the band releasing their second full-length record,¬†Past Lives. Here’s what we have to say about it…

Against The Current - Past Lives.jpg

This stunningly diverse and charming record opens with the almost haunting ‘Strangers Again’, dealing with getting over a relationship and cutting ties. The guitar line is dreamy and the vocal breakdown towards the end is a rather quiet and personal moment that really draws you in. It’s a brilliant way to open a record; it doesn’t go in all guns blazing but instead captivates the audience with its beautiful soundscapes.

Next is probably the best track on record, ‘The Fuss’. With Daft Punk-esque, 80s synths, funky guitar rhythms and one hell of a catchy chorus, this is a track you will just want to play really loud and dance like mad to!

Other significant songs include: ‘I Like The Way’ – a track all about new love that almost reaches EDM territory with its strong piano line. It’s something you might expect from the likes of Sigala‘s¬†Easy Love or¬†Sweet Lovin’; ‘Voices’ is a slightly more grungy offering about being self-conflicted and trying to ignore the internal voices (which is reflected perfectly with whispering backing vocals) – it’s very¬†Paramore¬†meets¬†Fickle Friends,¬†whilst¬†‘Scream’ is a rather floaty and dreamy song – for some reason it evokes images of the perfect all-American family from the 1960s (no idea why!) It’s an uplifting yet subtle track; I keep finding myself going back for more.

‘Personal’ has a Taylor Swift-like quality to it and the production is incredible – the vocal harmonies sit beneath the rest of the production in the chorus, but it’s truly enchanting.¬†‘P.A.T.T.’ (short for Pretty All The Time)¬†is an out and out female empowerment anthem – it’s fast-paced, punchy and relatively simplistic but the message is fun and powerful about girls feeling like they should be allowed to be themselves without having to look “pretty all the time”…calling all, “Girls!”

It’s an impeccably well-crafted record which has very successfully merged the boundaries between dance, pop and rock music, with a sprinkling of 80s vibes on top.

Lastly,¬†‘Friendly Reminder’ is another notable song, it’s certainly an album track rather than a potential single but the use of a phaser effect on the vocals and an epic clap-along chorus towards the end make it really stand out…again, there’s a big 80s vibe to it.

What Against The Current manage to do so well throughout, is take you on a journey with them; when they’re soaring high, you’ll feel all the sparks of excitement with them brought about with big synth sounds, intense beats and tons of reverb but equally when melancholy reigns, you’ll feel their heartache too.

Whilst I could say something about every track on the record, I won’t – you just need to experience it for yourself.¬†I really can’t recommend this highly enough…the only reason it didn’t get a 5 is because there are one or two less stand-out, album-fillers but even those are pretty damn good. It is very much an album which marks a band that have found their feet; they’ve created something wonderfully catchy yet utterly credible with sincere lyricism, interesting melodies and top-notch production.

It’s an impeccably well-crafted record which has very successfully merged the boundaries between dance, pop and rock music, with a sprinkling of 80s vibes on top; it’s difficult to pigeonhole this band…in a good way! It’s a truly exciting time for the band; this will certainly make waves in the genre and undoubtedly pave an exciting path for their future!

Rating
4-5


‘Past Lives’¬†is out now and can be downloaded from iTunes –¬†https://itunes.apple.com/gb/album/past-lives/1425108766


Past Lives on Spotify

Almost Forgot (Official Video)


We hope you’ve enjoyed our review! What do you think of this band’s sophomore release, Past Lives? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


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#Review: The Story So Far – Proper Dose ūüŹĒ


   

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The Story So Far are a five-piece band from¬†Walnut Creek, California, consisting of members;¬†Parker Cannon (lead vocals),¬†Kelen Capener¬†(bass), Kevin Geyer¬†(guitar & keyboards), Will Levy (Guitar) and Ryan Torf¬†(drums/percussion). The band are currently signed to¬†Pure Noise Records and¬†Proper Dose¬†(produced by Sam Pura, mixed by Eric Valentine) marks the band’s fourth studio album. Here’s what we have to say about it…

The Story So Far - Proper Dose.jpg

In honesty, this is the first album I’ve listened to by¬†The Story So Far¬†(I’ve failed as a pop punk fan…I know!) but right from the very first listen, you can tell it’s something special; at its core, it is a pop punk album but there is something incredibly mature about its sound too. I remember being blown away by¬†Sugarcult when they released their album, Lights Out; this feels just like that!

This is an album that doesn’t mess around; right from the start, it kicks into gear, exactly as it means to go on! Title track, ‘Proper Dose’, is a beautifully chaotic introduction to the album which continuously builds into a euphoric crescendo that you just can’t help but be consumed by.

It leads straight into ‘Keep This Up’; a personal and intense track that sees singer,¬†Parker Cannon,¬†look at disconnecting himself from the world around him, using drugs to help, but facing the fact that he could lose those around him.

Some of the must-hear tracks include:¬†‘Take Me As You Please’ – a rather enchanting track, led by the hum of the acoustic guitar, seeing¬†Parker Cannon¬†facing some relationship woes;¬†‘Let It Go’ is rich in texture and tone due to the blend of acoustic and electric guitars – it’s a track you just want to play loud, drive fast, windows down, with the sun in your face and wind in your hair whilst¬†‘Need To Know’ is more a traditional pop punk song with it’s fast-paced, double-time drums that are so indicative of the likes of early New Found Glory, yet towards the end it completely changes pace and becomes far more mellow and reflective.

It’s a self-reflective look at finding your way from the person you were and paving the way to the person you want to be.

Other tracks that also grab your attention are¬†‘Out Of It’¬†with its rather in-your-face verses that switch up to a far more epic, drawn-out chorus,¬†‘Upside Down’¬†is a¬†truly tear-jerking ballad that will bring a tear to the eye and¬†‘Line’ is a really wonderful interlude that leads out of¬†‘Need To Know’ – it has great drum pads, beach-like guitars and hauntingly distant vocals; it’s like something you’d expect to hear from the likes of¬†Moby or The¬†Avalanches but it’s a welcome difference from the rest of the record…only adding further dynamism to it.

This is an album that truly takes you on a journey – it’s a self-reflective look at finding your way from the person you were and paving the way to the person you want to be; it’s about transformation. Evolution. Maturity.

I truly believe this record has achieved something incredible – it’s managed to maintain a well-loved and often, over-saturated genre but at the same time, taken it in a completely new direction, with a wonderfully dynamic sound to it. This is sure to be a very exciting time for the band – it is certainly a very exciting record to listen to!

Rating
4.5


‘Proper Dose’¬†is out now and can be downloaded from iTunes –¬†https://itunes.apple.com/gb/album/proper-dose/1412097802


Proper Dose on Spotify

Upside Down (Official Music Video)

https://www.youtube.com/watch?v=jgc8a7ikd2w

Let It Go (Official Audio)

https://www.youtube.com/watch?v=v2hrXCeXtrY


We hope you’ve enjoyed our review! What do you think of this band’s fourth offering? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


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#Review: With Confidence – Love And Loathing ūü•Ä


   

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Muzik Speaks Loves Hopeless Records - SmallerWith Confidence are a pop punk band from Sydney, Australia, who formed back in 2012. Having been through some line-up changes, the band now consists of¬†Jayden Seeley (lead vocals & bass),¬†Inigo Del Carmen¬†(lead guitar & backing vocals) and¬†Joshua Brozzesi (drums).¬†In 2016, the band signed to Hopeless Records and released their debut album¬†Better Weather. Now, in 2018, the¬†band are back with their sophomore record,¬†Love And Loathing. Here’s what we have to say about it…

With Confidence - Love And Loathing.jpg

This feels very much like the band have studied and followed the recipe for making the perfect pop punk record, down to a tee…and that’s not even a bad thing! Somehow, the record feels timeless within the realm of the genre but without sounding like a carbon copy of so many others. After only a couple of listens, it feels just like returning to an old favourite that has been in my collection for years!

Opening track, ‘That Something’, is a stunning way to kick off an album – it’s got catchy vocals (but not obviously so) about finding a new love interest, paired with strong instrumentals of varied tempos, topped off with superb and subtle production flourishes.

Other huge tracks to take note of, include: ‘The Turnaround’ is a massive tune about making a change in your life and grabbing it by the horns, all accompanied by seriously incredible falsetto vocals; ‘Jaded’ which is a fast-paced thrashing track that you might find from the likes of Simple Plan; ‘Better’ is probably my favourite song on the record – about the desire to improve yourself with it’s occasionally satirical lyrics and soaring high-pitched vocal melodies, it’s a track you can easily get lost in.

Diversity spans the record: ‘Spinning’ is much calmer tune that has ‘woohoos’ and the subtle catchiness of a We The Kings or Maroon 5 track;¬†‘P√Ęquerette (Without Me)’ wishes an old love well with mellow acoustic vibes and¬†‘Icarus’ is a far grungier and more aggressive song that bares a resemblance to something by You Me At Six – it’s got heavy guitars and screamy vocals and adds a new depth to the record.

After only a couple of listens, it feels just like returning to an old favourite that has been in my collection for years!

Even in its lower moments, this is an album that feels overall, positive and like a band that’s been revitalised. The tracks each sound unique and interesting in their own ways; some outright pop punk anthems, other mellow, heartfelt ballads and even a couple of slightly more experimental numbers…yet it all still comes together as a cohesive record. Love And Loathing is just that – a record of two halves, covering the excitement of new relationships and hatred of old ones.

It is a tight, well-produced album that, despite some recent, tumultuous events, feels like a band now set for even bigger things! Could this be the next All Time Low or 5 Seconds Of Summer? If you’re a pop punk fan, you will love every second of this record!

Rating
4-5


‘Love And Loathing’¬†is out now and can be downloaded from iTunes –¬†https://itunes.apple.com/gb/album/love-and-loathing/1388719305


Love And Loathing on Spotify

That Something (Official Music Video)

Moving Boxes (Official Music Video)

Jaded (Official Music Video)


We hope you’ve enjoyed our review! What do you think of the band’s second album? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or hit us up via our social media.


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