#Review: The Dangerous Summer – Mother Nature 🌊

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Muzik Speaks Loves Hopeless Records - SmallerThe Dangerous Summer are a rock band from Maryland, USA who formed back in 2006.

The band released 3 studio albums before parting ways in 2014. However, since reforming in 2017, and releasing their fourth, self-titled album (The Dangerous Summer), the band are now unleashing their fifth studio album to the world, Mother Nature. Here are our thoughts on the record…

The Dangerous Summer - Mother Nature.jpg

This feels very much like the album that should have arrived in 2018 to mark the band’s resurrection, because this album is pretty sublime. It’s a unique brand of melodic and mature emo-esque rock that isn’t afraid to talk about feelings in a direct way.

It opens with ‘Prologue’ a track led with a positive voice message from a female, letting the recipient know that she’s there for them. It’s actually a nice, uplifting message that somehow manages to feel personal to us, the listener. Pretty quickly, we’re then catapulted seamlessly into ‘Blind Ambition’, a track with a pretty amazing guitar line that somehow feels forcefully positive, to the point it gives me goosebumps.

There is something quite beautifully simplistic about the way difficult, even tumultuous events in our own lives can be compared to the unstoppable forces of Mother Nature, at times, leaving us weak and powerless – it’s truly poetic. This is displayed with wonderful imagery on tracks such as ‘Virginia’ and ‘Bring Me Back To Life’ with powerful lyrics like “I must be weak, if you couldn’t tell, I couldn’t breathe, bring me back to life now, bring me back to peace, give me back the sun now, can you give it back to me?”

It’s not quite a concept album, yet at the same time kind of is; whatever it is, it works…really well!

‘Mother Nature’ itself is a track that really encapsulates the tone of the record. It’s a song about having hope, accepting changes we face in life and being bold enough to embrace changes within ourself. Perdomo successfully evokes powerful imagery of mother earth and nature, and sells his own willingness to become a part of it.

Equally, the album’s lead single, ‘Where Were You When The Sky Opened Up’, has an apocalyptic feel to it, describing facing demons head-on and attempting to mature.

Other tracks to pay attention to include: ‘Starting Over / Slow Down’ a track of two halves – the first half is slow and melodic with vocals that cross over each other, whilst the second half is more synth-driven and up tempo with an amazing, all-consuming, drum ending. ‘It Is Real’ see Perdomo sing of drug-taking and trying to understand the world with a deep sense of nostalgia. The metronome sound throughout is pretty cool too. ‘Better Light’ has this amazing vocoder-esque intro that sounds somewhat like an Imogen Heap track that builds with soaring falsetto vocals – it’s very euphoric and ethereal. Lastly, there’s ‘Consequence Of Living’, an almost a positive look back at the end of your life and being able to observe how you lived your life.

One major thing that can’t go unnoticed is AJ Perdomo‘s sensational vocals throughout the album! He delivers emotion with utter sincerity from incredible falsetto to aching melancholy with some seriously angst-ridden screams on the likes of ‘Way Down’ – an angry, heavy rock song about dark thoughts; possibly one of the best tracks on the record?!

Mother Nature is an exciting return for the band – it feels like they’ve found a sound and style that works for them. It’s not quite a concept album, yet at the same time kind of is; whatever it is, it works…really well! I defy people not to find themselves drawn to this record time and again to indulge on its honesty to reflect on life’s big events. There’s a real feeling of excitement I get from listening to this album and I can’t wait to see what the band do next!

Rating


‘Mother Nature’ is out now and can be downloaded from iTunes – https://music.apple.com/gb/album/mother-nature/1458152823


Mother Nature on Spotify

Where Were You When The Sky Opened Up (Official Music Video)

Way Down (Official Music Video)

Bring Me Back To Life (Official Music Video)


We hope you’ve enjoyed our latest review! What do you think of this band’s fifth record, Mother Nature? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


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#Review: As It Is @ Concorde 2, Brighton – 15/03/19

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On Friday 15th March 2019, As It Is arrived in Brighton for the final date of their The Intimate Depression Tour, in support of their latest album release, The Great Depression. The band were supported by Modern ErrorBellevue Days and Klae. It was an extra-special evening, not only because it was the last night of the tour, but it was a return to the city they started in! Here’s what we thought of the evening…


Klae

Klae are five-piece, female-fronted band from Brighton, who kicked off the evening with their blend of gritty pop rock. They have a tight, commercial sound to them, and clearly a loyal following is already building for them. They’ll be a local band to keep an eye out for with their atmospheric, airy guitar melodies and honest lyricism…though at times, some of the dancing seems a little contrived.

Klae


Bellevue Days

Next up, was the rather slick Bellevue Days – their performance was flawless and they have obviously honed their songwriting skills to perfection, with little fills and quirks in all the right places; whilst it makes their songs stand out, at times they change pace a little too often, meaning you can’t quite get into the groove, or the song appears to end, just as it seems to be building up to something more.

Personally, I preferred the backing singer’s voice, when he took the lead on ‘Faith’ and think he should definitely take the lead a little more, however, between the three vocalists, their harmonies are sensational!

They’re very much Weezer meets Brand New with a little Blur thrown in…one song in particular was almost like a carbon copy of Brand New though. All round, they’re a great live band and certainly have a good stage presence…even if the drummer did look petrified throughout the performance.


Modern Error

The last support to take to the stage was the intense, high-energy, Modern Error – an in-your-face, scream-metal band with solid production (in the form of atmospheric backing tracks) interwoven seamlessly with their skilful performance.

The band are nicely topped off with the lead singer’s screaming vocal which seems to come so effortlessly – though his attempts at more melodic singing weren’t quite as strong.

It’s clear that this band have found inspiration in the likes of Underoath‘s album, They’re Only Chasing Safety, as far as synth sounds merging with post-hardcore or metal sensibilities go.

The band’s octane-infused set really ignited the audience into a frenzy, creating swirling circle-pits and people manically moshing around. Modern Error are a well-rounded band with a clearly well-rehearsed stage presence and really know how to work a crowd; the only criticism…a little too much reaching out with one hand.


As It Is

Finally, As It Is took to the stage! Although each of the supports were well-rehearsed and their performances polished, the quality of this band is truly next-level impeccable, instantly demonstrating just how professional they are at this.

It might well have been the last night of their UK tour, and by their own admission, they were exhausted, but you definitely couldn’t tell…the energy they brought was magical, captivating even. The band are very much at home on stage – standing on speakers, thrashing round wildly, swinging the microphone round, for some perfectly-timed manoeuvres and Ronnie Ish even pulled off a little crowd-surfing…simply put, they owned that stage!

Having started out in this very city, the band shared their gratitude (a few times) for finally being able to headline their own show at the iconic Concorde 2, having watched some of the bands that inspired them, performing on that very stage. It was special thanks that went out to their fans, throughout the show, for getting them to where they are today and you could tell, their appreciation is genuine.

They may have visually changed their style since their last record, and their sound may have got a touch heavier than before, but at their core, they’re still quite the pop punk band they always were – they just have a little more ’emo’ edge to them now. They’re writing and singing about more taboo subjects, like anxiety, depression, self-harm, etc. but are managing to do so with sincerity and integrity. You can tell that their fans admire it too, singing back every word with equal the passion that Patty Walters sings out to them.

Watching this set, truly felt like watching the early days of the iconic punk rock/pop punk/emo bands I used to love, growing up – the likes of Good CharlotteNew Found GloryMy Chemical RomanceThe Used, etc. It was really something special and I’m certain that if this show was anything to go by, this band are only going to continue to grow to new heights in their career, from here. I would highly recommend seeing them live – they’ll draw you in and have you moshing around in an instant!

Highlights:

  • The way the band use the whole stage, to jump and spin around, interact with each other and even swing the microphone round, made the show something spectacular to behold.
  • Whilst the set was predominantly filled with material from their latest album, The Great Depression, there was also a good deal of older songs to please fans old and new.
  • Patty Walters‘ honest out-pouring of emotion and sharing of personal anecdotes with the audience, let them know that this is more like a family than just a band and their fanbase, even referring to them as family. His speech around mental health, and the way talking about this is sometimes perceived within the genre, was actually very touching and heart-felt – things like this can so often be cringey, when delivered by someone in his position, but actually, I found myself hanging on his every word, and if this is enough to save even one life, then it can only be a good thing!
  • The audience’s love for this band is raw and emotionally-driven too, making the atmosphere in the venue, electric. A few people were even brought to tears by their presence, their lyrics and the passion the band pour into their art.
  • It was actually a highlight in itself, just to see this band (who could so easily sell out a larger venue) performing to a smaller audience, in a more intimate setting, but without compromising any of the quality of their set and stage presence. It was a truly marvellous event!

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 📸 All of the photos of As It Is are credited to Chloe Hashemi – CCZH Photography 📷
Go and give her a follow on Instagram and Twitter, and visit her website.


 Setlist

The Wounded World
The Two Tongues (Screaming Salvation)
The Great Depression
The Reaper
The Handwritten Letter
No Way Out
The Fire, The Dark
The Haunting
Cheap Shots & Setbacks
Such Great Heights (The Postal Service cover)
The Truth I’ll Never Tell
You, The Room & The Devil On Your Shoulder
The Question, The Answer
Winter’s Weather
Patchwork Love

Encore
Okay
Dial Tones
The Stigma (Boys Don’t Cry)*

This song can be viewed in the YouTube video, below.


Finally, I want to say a big thanks to Patrick Marsden at Lout Promotions for enabling this review to happen but also to As It IsModern ErrorBellevue Days and Klae for making the evening such a special one!


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#Review: Avril Lavigne – Head Above Water 🌊

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It’s hard to believe that Avril Lavigne dropped her first single, ‘Complicated’, back in 2002 but since then, the songstress has had 5 studio albums, 23 singles, 27 music videos (including ‘Girlfriend’, which became the “first music video to reach 100 million views on YouTube”) and has even appeared on several television shows and films. Now, six years since her last, self-titled album, 2019 sees the singer-songwriter putting out her sixth studio album, Head Above Water; a personal account of the trials and tribulations she been through over the past few years. Here’s what we have to say about it…

Avril Lavigne - Head Above Water.jpg

Head Above Water is probably Avril Lavigne‘s most mature album to date, seeing a real evolution in her songwriting. Throughout the record, she paints a candid, honest and deeply introspective portrait of a truly tumultuous period in her life.

It all begins with the album’s title track, ‘Head Above Water’, which is in fact the song that kick-started the writing of the whole album. She stated, “One night, I thought I was dying, and I had accepted that I was going to die. My mom laid with me in bed and held me. I felt like I was drowning. Under my breath, I prayed, ‘God, please help to keep my head above the water.’ In that moment, the song writing of this album began. It was like I tapped into something. It was a very spiritual experience. Lyrics flooded through me from that point on.” In this truly stunning track alone, Avril Lavigne documents her fight with Lyme Disease (as a result of which, she set up The Avril Lavigne Foundation, to raise awareness of the condition – visit http://www.TheAvrilLavigneFoundation.org for more information), showing her strength of character to fight and overcome it.

As if that song wasn’t different enough, ‘Birdie’ demonstrates a diverse instrumental with intricate production where stripped-back moments show off her voice beautifully and a distorted vocal break adds another dimension to the track in which compares herself to a caged bird.

Equally, ‘I Fell In Love With The Devil’ and ‘Tell Me It’s Over’ are both tinted with Lana Del Rey-esque vibes. The first blends both high and low-pitched vocal harmonies to create an ominous tone to the track, perfectly mirroring the theme of a toxic relationship, whilst the latter’s sultry vocals and brass elements in the verses lead into a massive, soulful chorus, making it possibly the most unique song Avril has ever released.

There is a bit of a lull in the uptempo vibes towards the middle-end of the record (but still great tracks!) ‘Souvenir’ is a cute little love song that although a touch juvenile, is actually very endearing, whilst ‘Crush’ is a sparkly-sounding, soulful number.

It might not be her most obviously banging release, but it certainly packs a punch on the emotive side, with such wonderfully poetic lyricism.

‘Bigger Wow’ isn’t the most memorable song though it’s incredibly catchy and unequivocally pop, however I can’t help but feel it’s virtually a carbon copy of Hailee Steinfeld‘s single, ‘Starving’ with Zedd.

That said, although on the whole Head Above Water is quite the far cry from any of her previous releases, there are definite nods to her former sounds. ‘Dumb Blonde’ (featuring none other than Nicki Minaj – which was clearly a last-minute addition to the track, as the review version of the album did not feature her at all) takes a massive leaf out of her 2007 smash hit, ‘Girlfriend’. Additionally, ‘It Was In Me’ has a massive throwback vibes to her 2002 hit, ‘I’m With You’, but nevertheless, it’s amazing and the build up at the end is truly goosebump-inducing!

The album draws to a close with ‘Warrior’, thematically bringing us back full circle to where we began. The lyrics possibly aren’t the most imaginative on the record but they certainly show the strength she has found within herself, to get through some of the toughest years of her life and with that comes an audible gratitude and renewed lease of life.

Whatever you think of Avril Lavigne‘s previous incarnations, you can’t hear this album and deny that it’s a passionate and very personal offering from the star and although there isn’t a completely cohesive style throughout, it’s refreshing to hear her trying something new. The break has done her voice good too – there’s a renewed power and technique behind it and she’s using it in ways she hasn’t much before.

Of course, there are bound to be people that will slate her for moving away from her old sound and those who will criticise her for trying something new, but personally I love and commend this record for being evolutionary and so clearly therapeutic. It might not be her most obviously banging release, but it certainly packs a punch on the emotive side, with such wonderfully poetic lyricism. Now it’s time to return to the top Avril Lavigne – welcome back!

Rating
4-5


‘Head Above Water’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/head-above-water/1442724476


Head Above Water on Spotify

Head Above Water (Official Video)

Tell Me It’s Over (Official Video)

Dumb Blonde featuring Nicki Minaj (Lyric Video)


We hope you’ve enjoyed our review! What do you think of Avril’s sixth studio album, Head Above Water? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


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#Review: Hold Close – Time 🕐

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Muzik Speaks Loves Hopeless Records - SmallerHold Close are a Pop Punk band hailing from Springfield, Missouri in the USA. To date, they have had a couple of EP releases through Hopeless Records, across 2016 and 2017 but now, 2019 sees the release of their debut album, Time. Here’s what we have to say about it…

Hold Close - Time

We’re eased into the album with title track, ‘Time’ – an intro-style song, which starts off calm and rather understated, with a nice little gang vocal, riding on top of the acoustic guitar. It has quite a wholesome sound to the opening, with the lyrics, “You know time will always heal,” but by half way, bursts into a chaotic moment and a slightly heavier tone, giving us a sense of what’s to come…before calming back to the way it begins. It doesn’t last long before swiftly leading into ‘Hang Tight’, dramatically picking up the pace.

‘Hang Tight’ has an intense beat, you can’t help but get swept up in, especially as there’s a huge sense of ecstasy in the calmer moments. Near the end of the track, there’s a note that’s almost screamed before a moment of calm that comes back round as if the track is starting again – it’s marvellous.

The best tracks on the record have to be: ‘Breath’ – a beautiful track about losing someone. It’s so stunningly passionate and heartfelt that you hang on every word. The line, “Sometimes I pretend like you’re still here,” really gets me; ‘Tropical Depression’ is deeply engrossing track due to the vocal effects and the metaphor of a relationship being a-likened to a tropical depression is wonderfully poetic; ‘Here Again’ depicts a longing for someone you miss. Subtle synths swirl around powerful vocals in the chorus, which makes for a touching outpouring of emotion; lastly, ‘Separation’ makes for an epic close to the album – hauntingly beautiful guitar melodies in the chorus are met with great instrument pushes and gang vocals to really hit it home, dropping into a long, synth outro and subtle vocals.

Other tracks include: ‘Cast Me Away’ which makes for a slightly more traditional pop punk track, ‘Absent To Reality’ has a much darker tone than most on the record whilst ‘Cloud9’ has something similar about the synth sound and melody to Keane’s ‘She Has No Time’ – it’s the lyrics that mostly resonate with me; “Will I ever learn to dream again, Escape from all the things I fear and then, Find my path to seeing clear again, Make my way through what’s to come from this.”

The only real drawback about Time is that 3 of the 11 tracks are pretty short, acting as intros/interludes – sure they are haunting and give the listener a few seconds to pause, but it would have just been amazing if there were more tracks.

There’s a real maturity to this record that a lot of bands can only dream of – it’s not quite pop punk, it’s not quite alternative rock – it’s just damn good!

The occasional echo effects on the vocals, interspersed throughout the album, alongside the diverse song-writing and instrumentation, induce real moments and feelings of euphoria – it’s the kind of album you can just turn up loud and get completely lost in – engulfed by the melodies and production.

There’s a real maturity to this record that a lot of bands can only dream of – it’s not quite pop punk, it’s not quite alternative rock – it’s just damn good! The instrumentation is intricate and well-crafted, with deeply considered, honest and relatable lyrics that must have taken a lot of self-reflection.

There is a lot of emphasis placed on memories of love and people lost, right across the album and a very clear theme of time passing, reminiscing and some degree of healing coming from that. “Time will always heal” is very much a repeated phrase. A mantra.

Time is very much like the record of a pop punk band who have already had a lengthy career and matured, going on to create an album of well-considered, thought-provoking and sonically captivating music to push the boundaries of the genre…it’s just that Hold Close have achieved it early on in their career than others. The band have produced something wonderful with this album and I truly can’t wait to hear what they create next.

Rating

4-5


‘Time’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/time/1437338395


Time on Spotify

Tropical Depression (Official Music Video)

Breath (Official Music Video)


We hope you’ve enjoyed our review! What do you think of Hold Close’s album, Time? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


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#ThrowbackThursday: Goldfinger – ‘Get Up’


   

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I can’t believe it’s already been a decade since Goldfinger released their sixth album, Hello Destiny… (SideOneDummy Records, 2008) but it has.

The first single to be taken from the album was in fact ‘One More Time’, which although a great track, I couldn’t resist sharing ‘Get Up’ in all of its pop punk/ska punk glory! In fact, on iTunes, it is actually the most popular track on the record!

It actually wasn’t released as a single, so no music video exists but it’s chock full of political messages that really pack a punch! It’s the sort of song you can really visualise a politically-driven video for though; the kind that would feature news clips, etc.!

Great song, great message, incredible band!

What are your thoughts of this 2008 pop punk/ska punk belter? Are you still a fan of the track, 10 years on? Do you have a #ThrowbackThursday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
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‘Get Up’ can be downloaded off iTunes now – https://itunes.apple.com/gb/album/get-up/993329380?i=993329394


#Review: You Me At Six – VI


   

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You Me At Six are an English rock band from Surrey. Since forming in 2004, the band have enjoyed various successes with all of their albums (except their first) reaching the Top 5 of the UK Album Charts and their fourth album, Cavalier Youth, reached Number 1! Now, 2018 sees the band return with their aptly-named sixth studio album, VI. Here’s what we have to say about it…

You Me At Six - VI.jpg

One thing is for certain, this band are superb at adapting their sound and have continued to evolve throughout their already pretty lengthy career. Their previous album, Night People, received rather mixed reviews suggesting it was a rather disjointed effort – although credit to them for trying something new! However, this is all about to change with VI!

The album bursts into life with the very gritty and rather explosive ‘Fast Forward’, which sees Franceschi screaming, “Pour some gasoline on,” with his trademark gravelly voice. The track has highs and lows in all the right places – prominent, grungy synths make this a strong album opener…think U2 but heavier!

Next to follow is the hugely atmospheric, stadium-filler, ‘Straight To My Head’ with 80s-style synths, strong bass lines and an incredibly catchy, chant-able chorus – possibly the best track on the record.

There is a distinctly indie meets disco sound across the album too. Lead single ‘3AM’ epitomises the vibe of the record; like something by The KillersThe Maccabees or even Bastille maybe, with a running rhythm to the vocals, whilst ‘Back Again’ is possibly the most pop-like track on the album, seeing Franceschi using his falsetto – a great, feel-good track.

They’ve once again diversified their sound, kept it fresh and refused to stick to a sound that’s previously brought them success.

Possibly the weakest songs have to be ‘I O U’ – a bass-led affair that feels disjointed in places; it’s quite experimental, in that it changes pace and sound throughout. Also, ‘Predictable’ is quite similar to something by Arctic Monkeys; it’s a little droning and not particularly memorable. Whilst ‘Pray For Me’ is a wonderfully euphoric song but throughout feels like it’s going to a place that it never actually goes.

‘Danger’ instantly grabs your attention with a beat that starts almost identically to Toni Basil‘s ‘Mickey’, but quickly demonstrates it’s much more edgy than that. It’s an upbeat track with some incredible, diverse vocals – a really strong track!

Probably the most controversial song on the album, is closing track, ‘Losing You’ – it builds beautifully with some captivating vocal effects and all-consuming reverb on the synths and guitars. It is bound to be a real mixed-bag with the fans.

It has to be said that You Me At Six have done a superb job with this record – they’ve once again diversified their sound, kept it fresh and refused to stick to a sound that’s previously brought them success. They’re a band that press forward and continue to grow and VI clearly shows that the band have made an album they wanted to make – for that, they should be very proud.

Rating
3.5


‘VI’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/vi/1380831965


VI on Spotify

3AM (Official Video)

https://www.youtube.com/watch?v=lrELmjpktYE


We hope you’ve enjoyed our review! What do you think of this band’s…? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


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#Review: Against The Current – Past Lives 👁


   

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Against The Current are an American pop rock band from New York, who formed in 2011. The band is made up of Chrissy Costanza (lead vocals), Dan Gow (guitars) and Will Ferri (drums). The band are notable for regularly posting covers on YouTube as well as delighting fans with original tracks too. In 2016, after signing to Fueled By Ramen, the band released their debut album, In Our Bones. Now, 2018 sees the band releasing their second full-length record, Past Lives. Here’s what we have to say about it…

Against The Current - Past Lives.jpg

This stunningly diverse and charming record opens with the almost haunting ‘Strangers Again’, dealing with getting over a relationship and cutting ties. The guitar line is dreamy and the vocal breakdown towards the end is a rather quiet and personal moment that really draws you in. It’s a brilliant way to open a record; it doesn’t go in all guns blazing but instead captivates the audience with its beautiful soundscapes.

Next is probably the best track on record, ‘The Fuss’. With Daft Punk-esque, 80s synths, funky guitar rhythms and one hell of a catchy chorus, this is a track you will just want to play really loud and dance like mad to!

Other significant songs include: ‘I Like The Way’ – a track all about new love that almost reaches EDM territory with its strong piano line. It’s something you might expect from the likes of Sigala‘s Easy Love or Sweet Lovin’; ‘Voices’ is a slightly more grungy offering about being self-conflicted and trying to ignore the internal voices (which is reflected perfectly with whispering backing vocals) – it’s very Paramore meets Fickle Friends, whilst ‘Scream’ is a rather floaty and dreamy song – for some reason it evokes images of the perfect all-American family from the 1960s (no idea why!) It’s an uplifting yet subtle track; I keep finding myself going back for more.

‘Personal’ has a Taylor Swift-like quality to it and the production is incredible – the vocal harmonies sit beneath the rest of the production in the chorus, but it’s truly enchanting. ‘P.A.T.T.’ (short for Pretty All The Time) is an out and out female empowerment anthem – it’s fast-paced, punchy and relatively simplistic but the message is fun and powerful about girls feeling like they should be allowed to be themselves without having to look “pretty all the time”…calling all, “Girls!”

It’s an impeccably well-crafted record which has very successfully merged the boundaries between dance, pop and rock music, with a sprinkling of 80s vibes on top.

Lastly, ‘Friendly Reminder’ is another notable song, it’s certainly an album track rather than a potential single but the use of a phaser effect on the vocals and an epic clap-along chorus towards the end make it really stand out…again, there’s a big 80s vibe to it.

What Against The Current manage to do so well throughout, is take you on a journey with them; when they’re soaring high, you’ll feel all the sparks of excitement with them brought about with big synth sounds, intense beats and tons of reverb but equally when melancholy reigns, you’ll feel their heartache too.

Whilst I could say something about every track on the record, I won’t – you just need to experience it for yourself. I really can’t recommend this highly enough…the only reason it didn’t get a 5 is because there are one or two less stand-out, album-fillers but even those are pretty damn good. It is very much an album which marks a band that have found their feet; they’ve created something wonderfully catchy yet utterly credible with sincere lyricism, interesting melodies and top-notch production.

It’s an impeccably well-crafted record which has very successfully merged the boundaries between dance, pop and rock music, with a sprinkling of 80s vibes on top; it’s difficult to pigeonhole this band…in a good way! It’s a truly exciting time for the band; this will certainly make waves in the genre and undoubtedly pave an exciting path for their future!

Rating
4-5


‘Past Lives’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/past-lives/1425108766


Past Lives on Spotify

Almost Forgot (Official Video)


We hope you’ve enjoyed our review! What do you think of this band’s sophomore release, Past Lives? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


Enjoyed this? Check out some of our other reviews here:

Muzik Speaks Album Reviews


Matt – Muzik Speaks
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