#ThrowbackThursday: Bloodhound Gang – ‘The Bad Touch’

facebook_logos_PNG19751.png    ios_homescreen_icon.png   app-icon2.png


Who doesn’t remember this song from 20 years ago?! Bloodhound Gang released ‘The Bad Touch’ in the UK back in April 2000 and, with their unique brand of comedic hip-hop that had slightly punk rock tendencies too, the band went on to score a Top 5 hit, reaching Number 4 in the UK Charts.

The quintet filmed a rather hilarious video to accompany the track too – seeing the band dressed in “MonkeyRat” costumes causing havoc around Paris by capturing various stereotypes and putting them in a cage before releasing them to dance in formation with their captives.

The video caused some controversy due to some versions featuring a French gay couple being hit over the heads with baguettes, however lead singer, Jimmy Pop was quoted a saying, “I would give any gay man two tickets to the Andrew Lloyd Webber musical of his choice if he could describe exactly who’s going to become violent based on that scene”.[1] Is this “gay bashing” or simply a bit of light-hearted comedy? I’d suggest the latter given the rather witty nature of a lot of their back catalogue and if titles of their albums, such as Hooray For Boobies, are anything to go by.

What are your thoughts of this band’s banterous single, 20 years on? Did you love or hate it back then? What do you think of it now? Do you have a #ThrowbackThursday track from 20 years ago, to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
www.facebook.com/muzikspeaks
www.twitter.com/muzik_speaks


‘The Bad Touch can be downloaded off iTunes now – https://music.apple.com/gb/album/the-bad-touch/1440807607?i=1440808397


#Review: Belmont – Reflections (EP)

facebook_logos_PNG19751.png    ios_homescreen_icon.png   app-icon2.png


Chicago, IL outfit Belmont are about to drop a new EP of tracks they describe as “a collection of new ideas, experimentation and an opportunity to lay down anything we’ve ever wanted to musically”. This make for an interesting prospect for a band who are quite progressive in their approach.

Belmont - Reflections.jpg

I’ve been following the progress of Belmont for a while and really enjoyed their offerings so far. The progressive-punk 5-piece have an appeal for fellow musicians by demonstrating some great technicality in their music, however I always felt they lacked an attraction for a wider audience.

Reflections looks like it’s addressing this. Firstly, there is a good use of synth and samples like those used in the opener ‘By My Side’ and its follow up ‘Deadweight’. This really pulls the tracks towards those big chart hitters you hear when accidently cycling through the radio in the car. If it’s not your thing, it won’t put you off as Belmont incorporate it well into the tracks as it fits nicely with their signature, driving drum lines. ‘Deadweight’ also brings in some quieter sections for the verses which adds to the more radio-friendly appeal – for some reason it reminds me of the likes of Owl City.

The band hasn’t lost any of their progressive nature that they are known for. ‘Back and Forth’ highlights Belmont’s ability to throw you around rhythmically. The fast-changing guitar sections alongside drummer Brian Lada’s ever surprising and chaotic drum fills keep you interested in everything that going on but don’t over power any of the tracks on the EP. This really shows up in ‘Hideout’, which has a beautifully calming verse, but ‘Lada’ can still bring the grooving rhythm without spoiling it.

This EP is a great example of moving a band onto a bigger stage, without losing the essence of what got them there in the first place.

The pop punk vibe shines throughout the EP too. ‘Stay Up’ has that classic, fast-pace feel and gang vocals that are bound to get a crowd up, moving and screaming “Stay Up, Stay Up!”. It’s felt across the EP, with truly catchy chorus lines that really stick with you. It’s not just the catchiness that give it that punk feel, ‘Move Along’ shows Belmont’s pop punk influences further with an awesome verse riff that throw you back to early days of blink-182 and New Found Glory.

Overall, Reflections feels like it’s bridging a gap for Belmont, in connecting with more fans, although I don’t think this was their intention. As they head out on some bigger tours, alongside big hitters like Tiny Moving Parts, this will only put them in great stead to grown their fan base… and deservedly so. This EP is a great example of moving a band onto a bigger stage, without losing the essence of what got them there in the first place.

For fans of: Tiny Moving Parts, Knuckle Puck, Neck Deep.

Rating
4


‘Reflections’ is out now on Pure Noise Records and can be downloaded from iTunes – https://music.apple.com/gb/album/by-my-side/1498675814?i=1498675818


Reflections on Spotify

Deadweight (Official Music Video)


We hope you’ve enjoyed our review! What do you think of the band’s latest EP? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


Enjoyed this? Check out some of our other reviews here:

Muzik Speaks Album Reviews


Rob Manhire
http://www.twitter.com/RobManhire
http://www.instagram.com/robmanhire

#FeelGoodFriday: Midnight Skies – ‘Falling Apart’

facebook_logos_PNG19751.png    ios_homescreen_icon.png   app-icon2.png


When Matt emailed me to say we had some Pop-Punk to review, I was on it like skaters on a freshly waxed library fire escape. Anyone who knows me, knows I love Pop-Punk and I’ve ruined a fair few Spotify algorithms whilst DJing in the passenger seat, to prove the point (sorry Allen!). Here’s what we had to make of ‘Falling Apart’ from Pop-Punkers Midnight Skies

‘Falling Apart’ is the third single from Seattle’s Midnight Skies. The trio only formed in the summer of 2018 but have been steadily releasing content and building a decent following in that time. As always, the Pop-Punk scene is awash with bands claiming “energetic live shows”, “fun-loving” and “always up for a party” but at the end of the day, good tracks in this genre need three things and this review is broken down across such things:

Thing #1It needs to be “short and sweet” – and unfortunately ‘Falling Apart’ is a full 4 minutes long. Now it would be wrong to judge purely on the length of a song but it doesn’t feel like the track uses the time well. This single could have easily ended prior to its middle 8 and no one would have noticed, but the change of pace here is welcome and worth the wait. The song then classically falls back into its chorus, as it should, but rather than ending here, there is a 30-second outro that dampens the energy of the song by drawing it out for too long. It feels like the band are trying to crowbar in all the features we enjoy in a good Pop-Punk song, some of which really work, others not so much.

Thing #2It’s gotta be catchy! All great Pop-Punk anthems have great hooks and this is no exception. The chorus has a great melodic and lyrical hook which I haven’t stopped humming around the house since my first listen. Its initial repetitiveness, followed by the falling melody with the title lyrics bring memories back to classics from Hit The Lights and Forever The Sickest Kids, leaning slightly more towards the pop than punk element of the genre. This also comes through in the production of the track, which contains many effects across the track, especially on the vocals. Personally, I have never been a big fan of this, but I know some will love it!

Finally Thing #3Does it get the party started? Absolutely! It’s definitely a track that will at least get your head nodding, but stick it on at a party and I think it would get people dancing. Mostly this is down to the driving rhythm and the use of the double snare hits on the drums that give the track a lot of pace. This only relents within that middle 8 section which slows the pace down and adds some nice dynamics to the track.

Overall, this is a good track but it struggles to stand out in an already dominated field. However, if you saw these guys live and heard this track, you would remember it and hearing it again would send you back to a good night out. It feels like a blank canvas ready for you to attach your own good times and every time you put it on, I hope it would cast you back to a good night out with friends.

For Fans Of:
Forever The Sickest Kids, All Time Low, The Summer Set

3

What are your thoughts of this Pop-Punk band? Do you have a #FeelGoodFriday track to recommend us? Please leave your thoughts or song suggestions in a comment or via our social media.

Rob Manhire
http://www.twitter.com/RobManhire
http://www.instagram.com/robmanhire


‘Falling Apart’ is out on We Are Triumphant and can be downloaded off iTunes now – https://music.apple.com/gb/album/falling-apart/1485448144?i=1485448820


#Review: Pick It Up – Ska in the 90s

facebook_logos_PNG19751.png    ios_homescreen_icon.png   app-icon2.png


Following the success of his previous feature documentary (Here’s to Life: The Story of the Refreshments), director, Taylor Morden – an on-and-off trumpet player in ska bands for over 20 years – has returned to the world of ska to help bring the story of 90s ska to the masses. With a very successful Kickstarter campaign, the documentary took full flight and could not have been better produced, more thorough or more interesting to watch. Here’s what we had to say about it…

Pick It Up! Cover

From the very start, there are some wonderful aspects to this film, that instantly jump out at the viewer. Firstly, there is the fantastic animation weaving its way seemlessly throughout the documentary – some of it flows over footage of the various interviewees and other sections are entirely animated – but it all works so well! Secondly, is the truly amazing cast of stars from the genre, talking about their experiences with anecdotes and opinions that  they lived through during the ska scene in the 90s. Lastly, is the fact that the film is entirely narrated by Tim Armstrong (best known as the singer/guitarist for the punk rock band Rancid, and before that, the ska band, Operation Ivy – considered instrumental for the genre, despite only ever releasing one album).

But, what is ska?
Well, a lot of the cast of the film, brilliantly sum it up as “fast reggae with horns”.

Near the beginning of the film, we’re treated to a journey through the origins of ska, back in the 1950s, with a beautifully descriptive piece about what nights of ska music would have been like in its native Jamaica and then how it made its way over to the UK, settling in places like Brixton, Notting Hill and Coventry and on from there. This whole segment is accompanied by that wonderful animation, to bring it to life. It’s also interesting to know that reggae music actually wouldn’t exist if it weren’t for ska music being slowed down, and that also two-tone and ska punk both found their origins in ska.

This is a truly engaging film that is easy yet interesting to watch. It’s split into sections, looking at specific aspects of the genre like “skanking” (the very limb-orientated dance); the horn section (in particular, how in magazine photos they would often hold their horns to show it’s a ska band); and the DIY ethic of the genre – from posters to merchandise, bands would do pretty much everything themselves, such as designing logos, posters for shows and more, as cheaply as possible.

It’s fascinating that many consider 90s ska to have been brought to the forefront of the mainstream market due to No Doubt signing to a major label (Interscope Records) and releasing their hit album, Tragic Kingdom – which interestingly wasn’t very ska in style but due to their roots in the genre, helped highlight it to the masses.

I can’t recommend this documentary highly enough – whether you’re into ska or not, if you’re interested in music, this is a film you can learn a lot from.

We also learn that others had a big impact on the genre – Goldfinger were entered into the Guinness Book of World Records for playing 385 gigs in a single year; The Mighty Mighty Bosstones’ made an appearance in the cult movie, Clueless; and the Tony Hawk’s Pro Skater games introduced ska to a new generation too.

The film looks further into the “ska scene” and how instrumental live shows were, not only for bands and their friendships but the fans and creating shared experiences too. Additionally, despite touring extensively, money for ska bands was often in short supply due to the number of members in a band, but often small indie labels would release compilation CDs to showcase some of their band’s best work, to generate further interest in them. A lot of these smaller indie labels would operate as mail order services.

One of the most postive and interesting things about ska is the unity within the genre – black and white people would work in bands together, in harmony, so if anyone demonstrated any racism at shows, bands wouldn’t stand for it, however fights would frequently break out at shows as a result. This is one of the main reasons that the black and white checkers became a thing of ska. Also, there are a fair few women in genre and they address how these women would often have to hold their own with their strong characters and no-nonsense attitudes.

Unfortunately, by the turn of the millennium, as major labels had almost made ska a parody of itself, the ska bubble burst and the scene had become saturated with similar bands. As a result, people started to turn their backs to it and bands themselves started adapting to new sounds and dropping their horn sections.

There will always be a subculture for ska – just like with punk rock – but it’s not as mainstream as it was in the 90s. However, there is a bit of nostalgia resurge for ska at the moment (as well as 90s music in general), so whilst bands like Less Than Jake and Reel Big Fish are making new music ,they have a lot of fans reliving their youths by coming to shows. That said, across Mexico, Japan and Europe there is still a lot of love for ska and there’s hope for a ska revival in the near future, as the world could use some positivity right now.

I can’t recommend this documentary highly enough – whilst I like ska, it’s not a genre I know tons about but whether you’re into it or not, if you’re interested in music, this is a film you can learn a lot from, not only about the genre and it’s origins but from first-hand accounts of the scene during the 1990s, in an engaging and humourous way. Plus, you actually find yourself absorbed in the music itself – in fact I’ve had the playlist from the movie (below) on repeat ever since!

Rating
5


‘Pick It Up! – Ska in the 90s’ is out now and can be ordered/downloaded from the official website – https://www.skamovie.com/shop-1


Listen to the ‘Pick It Up! – Ska in the 90s’ official playlist on Spotify


We hope you’ve enjoyed our review! Have you seen this SKAcumentary yet? What did you think of it? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


Enjoyed this? Check out some of our other reviews here:

Muzik Speaks Album Reviews


Matt – Muzik Speaks
www.facebook.com/muzikspeaks
www.twitter.com/muzik_speaks

#Review: Kate Nash @ Concorde 2, Brighton – 31/07/19

facebook_logos_PNG19751.png    ios_homescreen_icon.png   app-icon2.png


On Wednesday 31st July 2019, Kate Nash returned to Brighton to put on another outstanding show, following the release of her 2018 album, Yesterday Was Forever and was supported by the punk quintet, The Menstrual Cramps.


The Menstrual Cramps

The band took to the stage, instantly packing a punch with their all-female brand of punk – think traditional punk rock but with some kick-ass girls showing who’s boss! The lead singer, Emilia Elfrida, was consistently hilarious with her crowd banter between songs and even shared some more personal insights, such as sexual assault she experienced and a song she wrote about it. As per traditional punk, there’s a lot of political messages behind their songs but one I loved in particular was a song, ‘Neo-Nazi’, written specifically for the crowds of an upcoming festival they’re playing at, to get back at them for the death threats and general unpleasantness they received the last time they played there!

Highlight: The energy of the band’s set (in particular the wit of Emilia) and the no-holds-barred approach to their lyricism and addressing of political and social issues! Well worth a watch.


Kate Nash

Right from the offset, there was something instantly better and more high energy about this set than the last time Kate Nash performed in Brighton. That’s not to say she wasn’t great back in 2017, but this time, there seemed to be a real buzz of excitement and a new lease of life to her set, which just instantly created an electric atmosphere throughout the crowd.

Following the release of her 2018 album, Yesterday Was Forever, the audience were treated to a whole host of new and old material in all the right doses. On several occasions, Kate shared the gratitude for her fans’ continued support throughout what has recently been shared (in her rather personal documentary – Kate Nash: Underestimate the Girl – via BBC3) as quite a tumultuous period in her life. She also addressed her own personal struggles with mental health and how she believes that everyone should take time to talk about their own mental well-being, before performing, ‘Musical Theatre’ – a wonderfully personal account of her inner-most thoughts.

Naturally, in amongst her newer songs, the performance was interwoven with traditional hits such as ‘Mouthwash’, ‘Pumpkin Soup’, ‘Dickhead’ and ‘Foundations’. There was even a little medley thrown in for good measure, followed by an insanely fast version of ‘Mariella’ and just had the audience going crazy! The speed she performed it at was actually very impressive to behold!

Even though she is already a professional performer, this particular set/tour demonstrated just how much she’s grown as an artist and songwriter but also how much she has honed her live shows. I strongly recommend catching her at your earliest opportunity – you don’t even need to know all her songs, she’s just instantly bewitching!

Highlights:

  • Kate’s energy level was consistently high and her interaction with both the audience and her incredible band, made for a great watch all round. She always makes sure that her band are as much in the forefront as she is.
  • Kate’s vocal performance was stunning; from her beautifully powerful high notes to the delivery of her quirky, trademark, too-many-words-for-one-line lyricism, she was on point throughout.
  • I particularly loved watching her personal performance of ‘Musical Theatre’ – it’s not only got a strong message but her delivery of the song’s lyrics was sensational.
  • Her sense of style was as to be expected – interesting and out there, but oh so perfect.
  • At the end of the set (before the encore), Kate even got off the stage and into the front of the crowd to sing amongst her fans, which made them go wild.

This slideshow requires JavaScript.


📷All of the photos of The Menstrual Cramps and Kate Nash are credited to Michael Hundertmark 📸
Why not give him a follow on Instagram and Twitter or check out his website.


 Setlist

Play
Life In Pink
Mouthwash*
Sister
Trash
Always Shining
Musical Theatre
Agenda
We Get On
Kiss That Grrl / Shit Song / Later On
Mariella
My Little Alien
Pumpkin Soup
Foundations*

Encore
Dickhead
Underestimate The Girl

These songs can be viewed in the YouTube playlist, below.


Finally, I want to say a great big thanks to Patrick from Lout Promotions for sorting out this review, to Michael Hundertmark for his snaps and lastly, to Kate Nash, her band and The Menstrual Cramps for their amazing performances!


Enjoyed this? Check out some of our other live reviews here:

Muzik Speaks Live Reviews


Matt – Muzik Speaks
www.facebook.com/muzikspeaks
www.twitter.com/muzik_speaks

#Review: Sum 41 – Order In Decline 💀

facebook_logos_PNG19751.png    ios_homescreen_icon.png   app-icon2.png


Muzik Speaks Loves Hopeless Records - SmallerSum 41 are a Canadian rock band who first formed back in 1996. The band currently consist of members Deryck Whibley (lead vocals, guitar and keyboard), Dave Baksh (guitar and backing vocals), Tom Thacker (guitar, keyboard and backing vocals), Jason “Cone” McCaslin (bass and backing vocals) and Frank Zummo (drums). The band first enjoyed mainstream success with their 2001 debut album, All Killer No Filler, and from there have gone on to have a rather illustrious career and a few line-up changes. 2019 now sees the band releasing their seventh studio album, Order In Decline, through Hopeless Records. Here’s what we have to say about it…

Sum 41 - Order In Decline.jpg

One thing’s for sure, Sum 41 are a very different band now, to the band they started out as and have sonically changed a lot over the years. From a skate-rock band to being contenders for the pop-punk throne, the band have now transformed into a much darker, grittier and overtly heavier incarnation of themselves that is a far cry from their “Fat Lip” and “In Too Deep” days.

That said, there’s still something distinctly Sum 41 about Order In Decline, though that mostly lies with Deryck Whibley‘s instantly recognisable vocals. It was following a few line-up changes and a spell in hospital to recover from alcohol-induced illness, that the band rose from the ashes with 2016’s comeback album, 13 Voices – an album that further demonstrated their ability to create music that was edgy and more alternative (with the odd ballad thrown in). And now, Order In Decline yet further cements this evolution in the band’s sound.

From the sombre, opening piano notes of ‘Turning Away’, the album quickly kicks into high gear with an exciting and powerful, stammering riff, that by the end of the track, descends into audible chaos with an insanely intense guitar solo. The heavy energy is kept up with ‘Out For Blood’ – a track with elements from their skate-punk days and definite qualities of a Zebrahead song (with the distorted, scream-like backing vocals) plus another epic guitar solo.

As the record continues, ‘The New Sensation‘ takes us in a very different direction with a cleaner, synth-heavy and stadium-filling feel to it – like something you’d expect from the likes of Muse, especially with some of the melodies. ‘A Death In The Family’ is much more of a family sound; whilst it’s definitely heavier than they once were, there are definitely moments that nod to their origins.

Order In Decline is eclectic, exciting, intense and just friggin’ awesome!

‘Heads Will Roll’ is another interesting turn in the album, with a Subways, IDLES and Royal Blood-like vibe to it. ‘Eat You Alive’ is probably the most heavy metal track on the record whilst ‘The People Vs…’ is a much more typical punk rock track with rapidly chugging riffs and intense drums, sure to see the circle pits swirling at live shows.

Whilst the band don’t want to be politically-driven as such, it’s clear that Whibley has allowed his lyrics to be determined by the state of the world he sees around him right now – a world in which he sees division, racism and hate being accepted still. This is certainly evident in ’45 (A Matter Of Time)’, a track that by no coincidence, references the 45th President of the United States, Donald Trump, that he so marvellously calls out on a few things.

For all it’s intensity, Order In Decline sees a couple of moments when the pace changes and more personal lyrics come into play. ‘Never There’ addresses Whibley‘s absent father, growing up (and sounds like someone such as William Ryan Key had a hand in writing it), whilst ‘Catching Fire’ faces familiar themes of love and loss with wonderfully intricate layering, like something by The Dangerous Summer.

Order In Decline is eclectic, exciting, intense and just friggin’ awesome! And whilst Sum 41 are certainly not the same band they once were, there are undoubtedly qualities that still remain in their core, making them easily recognisable. However the continual evolution in their sound is exciting and impressive to watch and certainly adds to the longevity of their career. I’m already looking forward to hearing the next record!

Rating
4


‘Order In Decline’ is out now and can be downloaded from iTunes – https://music.apple.com/gb/album/order-in-decline/1458053301


Order In Decline on Spotify

Out For Blood (Official Music Video)

45 (A Matter Of Time) [Official Music Video]

Never There (Official Music Video)

A Death In The Family (Official Music Video)


We hope you’ve enjoyed our review! What do you think of Sum 41’s seventh studio album, Order In Decline? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


Enjoyed this? Check out some of our other reviews here:

Muzik Speaks Album Reviews


Matt – Muzik Speaks
www.facebook.com/muzikspeaks
www.twitter.com/muzik_speaks

#ThrowbackThursday: blink-182 – ‘What’s My Age Again?’

facebook_logos_PNG19751.png    ios_homescreen_icon.png   app-icon2.png


I can’t believe it’s been 20 years already, since blink-182 first released their massive hit single, ‘What’s My Age Again?’ from their hugely successful album, Enema of the State.

Without a doubt, the trio have firmly embedded this as a punk rock classic that is sure to stay a firm fan favourite for years to come.

2019 marks the 20th anniversary of the single and album and although Tom DeLonge is currently not a member of the band, the members still publicly show support for each other’s projects and are celebrating the release with a tour and the addition of singer, Matt Skiba.

Not only are the lyrics witty but the music video is possibly one of the most hilarious and iconic ones of its time. I don’t think many people can have missed this…mainly due to the band’s hilarious nakedness running down the street, but in case you have somehow managed not to see it, check it out below!

What are your thoughts of this blink-182 track, 20 years after its release? Do you have a #ThrowbackThursday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
www.facebook.com/muzikspeaks
www.twitter.com/muzik_speaks


‘What’s My Age Again’ can be downloaded off iTunes now – https://music.apple.com/gb/album/whats-my-age-again/1440839912?i=1440840493


#Review: Doll Skin – Love Is Dead And We Killed Her

facebook_logos_PNG19751.png    ios_homescreen_icon.png   app-icon2.png


Muzik Speaks Loves Hopeless Records - SmallerDoll Skin are an all-female rock band from Phoenix, Arizona, consisting of Meghan Herring (drums/co-lead vocals), Sydney Dolezal (lead vocals/rhythm guitar), Nicole Rich (bass/backing vocals) and Alex Snowden (lead guitar/backing vocals). The band’s sound is a blend of punk, metal, alternative rock & pop. In April 2019, Doll Skin announced that they had signed to Hopeless Records, to release their third album, Love Is Dead And We Killed Her. Here’s what we have to say about it…

Doll Skin - Love Is Dead And We Killed Her.jpg

There will undoubtedly be people who will compare Doll Skin to the likes of The Donnas or other all-female punk bands but Love Is Dead And We Killed Her is possibly one of the most exciting rock records I’ve heard this year. It’s fresh, enthralling and unique.

From the anger-fuelled, scream anthem that is the opening track, ‘Don’t Cross My Path’ which sees the chanting of “This is a song for everyone I hate,” and “Throw your tantrum, meet my rage,” to the final notes of ‘Homesick’ – a track about returning home, to the people you have missed – this is a cyclical album with strong themes of karma, facing internal demons and broken relationships throughout.

There is plenty of metaphorical imagery intertwined too, such as the closing track casting thought-provoking scenes about finding peace, or single, ‘Mark My Words’, casting scenes about tattooing Sydney‘s words onto someone to tell of the hell she’s been through because of them.

It’s really hard not to write about every track for different reasons; from ‘No Fear’ with it’s captivating vocal melody and impeccably strong delivery or title track, ‘Love Is Dead And We Killed Her’, a payback track about karma catching up with their ex lover, through to ‘When They Show Their Teeth’ and its frantic drum intro with good old punk rock ‘na, na, nas’ (very much the kind of track you’d hear playing over the footage of a car chase scene with shaky camera shots, high-octane, skilled manoeuvres and even a crowd-pleasing, clap-along breakdown at the end too; there’s really a bit of something for every punk or rock music lover here.

There’s something exciting about the delivery throughout the record and a real sense of diversity in the production and tone of each track.

For me though, it’s the middle tracks of the record that really grabbed my attention. ‘Outta My Mind’ is possibly the strongest track on the record, instantly giving me goosebumps. It’s the kind of career-defining song that people come back to as a fan favourite with incredible gang vocals and and angsty but upbeat tone that is somehow also heavy at the same time.

‘Ink Stains’ has some lovely the half-time moments, a high-pitched, powerful vocal, with the cutting line, “You won’t be hearing from me any more,” and even a chaotic, half-spoken, half-sung breakdown, a bit like the one in Good Charlotte’s ‘Predictable’.

‘Nasty Man’ is a deep track, seemingly about a predatory man – someone promising a young girl what she wants and taking advantage of it, whilst ‘Your Idols Are Dying’ is an angst-ridden anthem about internal struggles, drugs and finding out that the people you admire and look up to most are not all they’re made up to be. There’s a perfect scream breakdown that goes right to the end of the track too!

‘Empty House’ is another example of a metaphorical track too, initially addressing being alone and screaming out for help, but it’s a progressive story that builds to a more positive ending, about learning to love yourself – it’s quite beautiful!

It’s actually funny how an album cover can mislead you – I wasn’t expecting to like this record quite as much as I did, based on the cover alone, but ended up thoroughly loving it. It’s a real testament to show that you shouldn’t judge an album by its cover.

Love Is Dead And We Killed Her is a truly exciting album that although wouldn’t always be my normal cup of tea, truly captivated me. There’s something exciting about the delivery throughout the record and a real sense of diversity in the production and tone of each track. Sure, there are certain elements that fall within the same vein as Paramore but they are also, so much more – it’s like they learnt to scream and got a whole bit heavier in tone.

I’m super excited to see what Doll Skin put out next, as this album is a banger, and you can bet these tracks will be incredible live!

Rating
4-5


‘Love Is Dead And We Killed Her’ is out now and can be downloaded from iTunes – https://music.apple.com/gb/album/love-is-dead-and-we-killed-her/1459583026


Love Is Dead And We Killed Her on Spotify

Mark My Words (Official Music Video)

Outta My Mind (Official Music Video)


We hope you’ve enjoyed our review! What do you think of this band’s third release? Are you as much of a fan as us? What would you rate it? Please leave your thoughts in a comment or via our social media.


Enjoyed this? Check out some of our other reviews here:

Muzik Speaks Album Reviews


Matt – Muzik Speaks
www.facebook.com/muzikspeaks
www.twitter.com/muzik_speaks

#Review: The Dangerous Summer – Mother Nature 🌊

facebook_logos_PNG19751.png    ios_homescreen_icon.png   app-icon2.png


Muzik Speaks Loves Hopeless Records - SmallerThe Dangerous Summer are a rock band from Maryland, USA who formed back in 2006.

The band released 3 studio albums before parting ways in 2014. However, since reforming in 2017, and releasing their fourth, self-titled album (The Dangerous Summer), the band are now unleashing their fifth studio album to the world, Mother Nature. Here are our thoughts on the record…

The Dangerous Summer - Mother Nature.jpg

This feels very much like the album that should have arrived in 2018 to mark the band’s resurrection, because this album is pretty sublime. It’s a unique brand of melodic and mature emo-esque rock that isn’t afraid to talk about feelings in a direct way.

It opens with ‘Prologue’ a track led with a positive voice message from a female, letting the recipient know that she’s there for them. It’s actually a nice, uplifting message that somehow manages to feel personal to us, the listener. Pretty quickly, we’re then catapulted seamlessly into ‘Blind Ambition’, a track with a pretty amazing guitar line that somehow feels forcefully positive, to the point it gives me goosebumps.

There is something quite beautifully simplistic about the way difficult, even tumultuous events in our own lives can be compared to the unstoppable forces of Mother Nature, at times, leaving us weak and powerless – it’s truly poetic. This is displayed with wonderful imagery on tracks such as ‘Virginia’ and ‘Bring Me Back To Life’ with powerful lyrics like “I must be weak, if you couldn’t tell, I couldn’t breathe, bring me back to life now, bring me back to peace, give me back the sun now, can you give it back to me?”

It’s not quite a concept album, yet at the same time kind of is; whatever it is, it works…really well!

‘Mother Nature’ itself is a track that really encapsulates the tone of the record. It’s a song about having hope, accepting changes we face in life and being bold enough to embrace changes within ourself. Perdomo successfully evokes powerful imagery of mother earth and nature, and sells his own willingness to become a part of it.

Equally, the album’s lead single, ‘Where Were You When The Sky Opened Up’, has an apocalyptic feel to it, describing facing demons head-on and attempting to mature.

Other tracks to pay attention to include: ‘Starting Over / Slow Down’ a track of two halves – the first half is slow and melodic with vocals that cross over each other, whilst the second half is more synth-driven and up tempo with an amazing, all-consuming, drum ending. ‘It Is Real’ see Perdomo sing of drug-taking and trying to understand the world with a deep sense of nostalgia. The metronome sound throughout is pretty cool too. ‘Better Light’ has this amazing vocoder-esque intro that sounds somewhat like an Imogen Heap track that builds with soaring falsetto vocals – it’s very euphoric and ethereal. Lastly, there’s ‘Consequence Of Living’, an almost a positive look back at the end of your life and being able to observe how you lived your life.

One major thing that can’t go unnoticed is AJ Perdomo‘s sensational vocals throughout the album! He delivers emotion with utter sincerity from incredible falsetto to aching melancholy with some seriously angst-ridden screams on the likes of ‘Way Down’ – an angry, heavy rock song about dark thoughts; possibly one of the best tracks on the record?!

Mother Nature is an exciting return for the band – it feels like they’ve found a sound and style that works for them. It’s not quite a concept album, yet at the same time kind of is; whatever it is, it works…really well! I defy people not to find themselves drawn to this record time and again to indulge on its honesty to reflect on life’s big events. There’s a real feeling of excitement I get from listening to this album and I can’t wait to see what the band do next!

Rating


‘Mother Nature’ is out now and can be downloaded from iTunes – https://music.apple.com/gb/album/mother-nature/1458152823


Mother Nature on Spotify

Where Were You When The Sky Opened Up (Official Music Video)

Way Down (Official Music Video)

Bring Me Back To Life (Official Music Video)


We hope you’ve enjoyed our latest review! What do you think of this band’s fifth record, Mother Nature? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


Enjoyed this? Check out some of our other reviews here:

Muzik Speaks Album Reviews


Matt – Muzik Speaks
www.facebook.com/muzikspeaks
www.twitter.com/muzik_speaks

#Review: Frank Iero And The Future Violents – Barriers

facebook_logos_PNG19751.png    ios_homescreen_icon.png   app-icon2.png


Frank Iero initially rose to fame as the rhythm guitarist and backing vocalist of My Chemical Romance but following the break-up of the band in 2013, Iero set off on his own with his first solo project, in 2014. So far, the project has changed incarnations with each album (first as frnkiero and the cellabration, then Frank Iero and the Patience) and this third album is no different. 2019 sees him return as Frank Iero and the Future Violents with his third album, Barriers. Here’s what we have to say about it…

For this album, Frank and the band recorded 17 songs in just 15 days, all of which were recorded live and directly on to tape, giving the whole record a very raw feel.

The album opens with the aptly-named, ‘A New Day’s Coming’ – an organ led opening that serves as a sort of religious sermon before becoming slightly Country-tinted and like a song you might hear at a dive bar in the Deep South of America. The pairing of Frank’s vocal with a female’s makes for a great sound and the guitar solo is pretty epic too!

‘Young and Doomed’ (the lead single for the album) quickly follows, changing the pace of the record with a definite grungy, garage-rock anthem sound and a little nod to his My Chemical Romance days in the line, “And I promise that I’m not OK (Oh, wait, that’s the other guy.”

Other songs to take note of include: ‘Basement Eyes’ which is sort of like an early My Chemical Romance track – it’s a melodic, sorrowful and impactful track; ‘The Unfortunate’ has a folky vibe with violin and piano instrumentation making it a rather beautiful track and ‘Moto Pop’ conjures up images of the circle pits that will ensue when this track is played live. It’s possibly one of the best tracks on the record for its edgy, intense and fast-paced demeanour.

There’s a lot to be admired about what Frank stands for in terms of his writing and recording process and certainly a lot of magic is captured by the process this was recorded with.

There are other rather magical moments throughout the album, such as off-key harmonies on ‘Medicine Square Garden’, the haunting piano and a vocal reminiscent of the Deja Entendu days of Brand New on ‘Police Police’ and ‘The Host’ which is a dreamy, mellow rock track.

There are a few tracks however that seem to merge into one and don’t quite stand out from the rest; ‘Great Party’ displays somewhat naive songwriting – it’s rather angsty and stroppy as it details lusting after someone you miss whilst ‘Fever Dream’ and ‘Ode to Destruction’ are more traditional, screamy punk songs.

The final two tracks on the record particularly make for a memorable impact on the listener though. ‘Six Feet Down Under’ addresses the accident Frank Iero had in Australia a couple of years back that proved nearly fatal. It has interesting vocal intonation on the verses, that are almost conversational. Finally, ’24k Lush’ brings Barriers to a rather epic-sounding close – it starts off mellow and even a little drab but builds to a rather melodic close, making the album appear to come full circle.

Barriers certainly has a garage rock band feel to it and a raw edginess of bands gone by, where albums were not over-produced to perfection. Flaws in Frank’s voice are able to stand out, meaning there’s a real vulnerability to the whole record.

There’s a lot to be admired about what Frank stands for in terms of his writing and recording process and certainly a lot of magic is captured by the process this was recorded with. It’s got a lot of wonderfully unique moments, however you certainly have to be someone that appreciates imperfections.

That said, some of the songs sound fairly similar in places, perhaps because the speed of recording and writing did not allow for much time to really tweak the sounds of the instruments and therefore differentiate between tracks?

However, there’s enough to be enjoyed about the unique, rawness of the songs that make it worth listening to and appreciating the craftsmanship.

Rating


‘Barriers’ is out now and can be downloaded from iTunes – https://music.apple.com/gb/album/barriers/1454839419


Barriers on Spotify

Young and Doomed (Official Music Video)


We hope you’ve enjoyed our review! What do you think of Frank Iero’s latest incarnation for his third full-length album release? Do you love it or loathe it? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


Enjoyed this? Check out some of our other reviews here:

Muzik Speaks Album Reviews


Matt – Muzik Speaks
www.facebook.com/muzikspeaks
www.twitter.com/muzik_speaks