#Review: Chromeo – Head Over Heels ūüφ


   

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Muzik Speaks Loves Atlantic Records - SmallerChromeo are an electro-funk duo from Canada, consisting of David “Dave 1” Macklovitch and Patrick “P-Thugg” Gemayel. To date, the pair have released four studio albums, but Head Over Heels marks their fifth album and debut release with our pals over at Atlantic Records.

Chromeo - Head Over Heels.jpg

The first I knew of Chromeo, was their remix of Maroon 5‘s ‘Wait’ (as featured on our re:MIXTAPE playlist), so I must be forgiven for not having heard much of their back catalogue. However, taking this album at face value, it is a strong release with a stunningly contemporary take on disco and funk music.

Having worked together for the past 15 years, it’s clear to see that these guys have perfected their sound, which is a perfect amalgamation of modern, electro-pop music with synth-driven disco and bass-slapping funk.

This is certainly an album that doesn’t take itself too seriously – it’s intentionally fun and funky, with its saucy innuendos and genre-perfect production qualities, the likes of Giorgio Moroder and Nile Rogers would be proud of.

The album kick-starts with the tantalising¬†‘Must’ve Been’¬†(featuring¬†DRAM) – a slap bass, groovy-guitar, vocoder-infused anthem, that excellently demonstrates what’s in store throughout the rest of the record.

With the music up and a house to yourself (…or packed with friends), there really will be no holding you back!

Other memorable moments include the wonderfully repetitive¬†‘Don’t Sleep’ (featuring French Montana¬†and¬†Stefflon Don)¬†with its laid-back 80s vibes and sensational vocal harmonies, whilst¬†‘One Track Mind’¬†is an understated yet seriously catchy track consisting of beautiful talk box, vocal melodies towards the end – it’s very similar to something you might hear by¬†Charlie Puth.

Meanwhile,¬†‘Bad Decision’¬†is all about splashing the cash on a girl and has a definite¬†Prince-esque vibe to it; high-pitched vocals on top of some superb little guitar riffs and¬†‘Right Back Home To You (Interlude)’¬†is a track you can get surprisingly hooked on – think funky soul meets jazz lounge, topped with sweeping high-pitched vocals; there’s a real 70s quality to it.

Towards the end of the album, it all comes together on the two-part, ‘Bedroom Calling’. Part One is a truly anthemic mellow jam with atmospheric, reverb-driven bass notes and slow drum beats, whilst Part Two¬†(featuring The-Dream) is a much more upbeat, pop tune that is oozing with shimmering synths.

To those who say quality disco music doesn’t get made any more, I would simply reply, “Chromeo”. This is definitely not an album you can listen to without, at the very least, bobbing your head and tapping you toe, but in reality, with the music up and a house to yourself (…or packed with friends), there really will be no holding you back!

Rating


‘Head Over Heels’¬†is out now and can be downloaded from iTunes –¬†https://itunes.apple.com/gb/album/head-over-heels/1380944674


Head Over Heels on Spotify

Must’ve Been featuring DRAM (Official Video)

Juice (Official Video)


We hope you’ve enjoyed this review! What do you think of this duo’s latest record? Does it fulfil all your funk needs or leave you wanting more? What would you rate it? Please leave your thoughts in a comment or via our social media.


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#Review: Matt Maltese – Bad Contestant


   

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Muzik Speaks Loves Atlantic Records - SmallerMatt Maltese is a piano-led, 21-year-old, singer-songwriter, who pens songs that are both emotionally intelligent and satirical at the same time. Having recently toured with¬†Isaac Gracie (review), he is now releasing his debut album,¬†Bad Contestant, through Atlantic Records. Here are our thoughts…

Matt Maltese - Bad Contestant.jpg

Matt Maltese‘s debut,¬†Bad Contestant, is jam packed full of wisdom beyond his years but served up with equal doses of cutting humour, hilarious irony and pure over-exaggeration. This is an artist who merges, at times, understated yet sultry melodies and retro sounds with stunning lyrical craftsmanship to create his own unique style.

Album-opener,¬†‘Greatest Comedian’,¬†begins with an unassuming introduction before launching into a fantastic set of back-handed compliments topped off with some intriguing instrumentation and beautiful higher-pitched vocals in the chorus; very similar to something by label-mate, Will Joseph Cook.

Title-track,¬†‘Bad Contestant’, has some seriously funky synth sounds and sees Maltese take on the character of an overly honest and confessional yet fruitless game show contestant.

This is very much an album where jazz and a touch of britpop meet funky, organ-led soul.

Meanwhile, ‘Nightclub Love’ is deeply satirical look at how Maltese sees the realities of clubbing and finding love there, whilst ‘Less & Less’ is an extremely saddening break-up song that is both beautiful and also attempts to put a positive spin on the situation. Of course we can’t go without mentioning the wonderful track, ‘As The a World Caves In’; a hysterical tale of the unlikely hooking up of Donald Trump and Theresa May, watching the nuclear destruction of the world as they do it; genius!

Other key tracks worth taking note of, include; ‘Sweet Sixteen’, an organ-led track taking a twisted look at a modern relationship – the sound is very much somewhere between Kaiser Chiefs and Blur, ‘Like A Fish’ which sounds like the opening to an old, 80s, British TV show and ‘Misery’ which is a dark and intense track with some reverse-sounding vocals on the chorus. In fact, the latter half of the album appears to get darker as it goes on.

The album features production and collaboration by a combination of Jonathan Rado, Hugo White (Maccabees) & Alex Burey.

This is very much an album where jazz and a touch of britpop meet funky, organ-led soul, all dressed up in a hipster outfit and sung with a deep, crisp and crooning vocal. Picture¬†Blur,¬†Pulp and¬†Jamiroquai creating some sort of spliced-together lovechild that’s been brought into the modern, contemporary age and you get¬†Matt Maltese‘s debut,¬†Bad Contestant. A truly alluring debut that is sure to pave the way for an exciting career ahead.

Rating
4


‘Bad Contestant’¬†is out now and can be downloaded from iTunes –¬†https://itunes.apple.com/gb/album/bad-contestant/1365077870


Bad Contestant on Spotify

Greatest Comedian (Official Video)

As The World Caves In (Official Video)


We hope you’ve enjoyed our review! What do you think of this singer-songwriter’s uniquely captivating debut album? What would you rate it? Please leave your thoughts in a comment below or via our social media.


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#FreakyFriday: YONAKA – ‘F.W.T.B. (F**king With The Boss)’


   

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YONAKA are an edgy, in-your-face, Brighton-based band that have just released the follow-up to their October 2017 EP,¬†Heavy. Their new single,¬†‘F.W.T.B.’ is a monstrous track that is all about self-empowerment!

Front-woman and lead singer,¬†Theresa Jarvis, has stated that,¬†‚ÄúThe song is a big ‚Äúf**k you‚ÄĚ to anyone who tries to get in your way and tell you no. It‚Äôs about taking back the power, standing up for yourself and being heard.‚Ä̬†

It is a track that reigns very true for me personally and it’s great to hear a song that is about standing up for what you believe in. It’s also the perfect track for our first #FreakyFriday post – something a bit different to our usual #FeelGoodFriday posts.

Not only have the band been gathering a lot of support and notoriety with the press, but they are scheduled for a string of European festival dates this summer with a big headline date at the Electric Ballroom, London on 11th October 2018 too! (Tickets available here).

No music video is available yet, but if one emerges, we’ll be sure to keep you updated.

FESTIVAL DATES

19th May – Gold Sounds Festival, Leeds
26th May – Neighbourhood Festival, Manchester
31st May – Primavera Sound, Spain
17th June – Meltdown Festival, London
22nd June – Southside Festival, Germany
23rd June – Hurricane Festival, Germany
5th July – Opener Festival, Poland
7th July – Roskilde Festival, Denmark
12th July – Musilac Festival, France
14th July – Bilbao BBK Live, Spain
19th July – Electric Castle Festival, Romania
22nd July – Paleo Festival, Switzerland
28th July – Kendal Calling, Kendal
3rd August – Belladrum Tartan Heart Festival, Inverness
4th August – Leefest presents Neverworld, Royal Tunbridge Wells
16th August – Pukklepop, Belgium
17th August – Lowlands Festival, Holland
18th August – Frequency Festival, Austria

What are your thoughts of this punk-fuelled, stick-it-to-the-man band? Got a #FreakyFriday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
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‘F.W.T.B.’¬†can be downloaded off¬†iTunes now –¬†https://itunes.apple.com/gb/album/f-w-t-b-single/1380193167


#WildCardWednesday: Ben Howard – ‘A Boat To An Island On The Wall’


   

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After 3 years away,¬†Ben Howard is back with ¬†his brand new single, ‘A Boat To An Island On The Wall’,¬†the first song to be taken from his upcoming, third studio album¬†Noonday Dream.

Having scored a Number 1 with his previous record, I Forget Where We Were, back in October 2014, Ben has clearly spent time crafting a song that is diverse from start to finish; it is a 7-minute epic that ascends from an eerie and unassuming start into a somewhat hauntingly grungy climax.

This song will surely affirm Ben Howard as one of the UK’s most unique and gifted artists and undoubtedly create excitement around his upcoming record release on 1st June 2018, on¬†Island Records.

No music video has been released as yet, but we’ll keep you updated if one emerges online.

What are your thoughts of this diverse singer-songwriter? Do you have a #WildCardWednesday track to share with us? Please leave your thoughts or song suggestions in a comment or chat to us about it via social media.

Matt – Muzik Speaks
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‘A Boat To An Island On The Wall’¬†can be downloaded off¬†iTunes now –¬†https://itunes.apple.com/gb/album/a-boat-to-an-island-on-the-wall/1364401352?i=1364401811


#MellowMonday: Mullally – ‘Sweet Coffee’ featuring Bassette


   

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21-year-old soul singer,¬†Mullally, has just unleashed his new single¬†‘Sweet Coffee’ on the world, featuring London artist¬†Bassette¬†and damn it’s good!

The smooth, soulful vibes are the perfect way to wake up to a week ahead – it truly is like the audible interpretation of your first cup of coffee in the morning. Somehow the pair have created the perfect blend of contemporary R&B/Pop inspirations with the powerful vocals and soft melodies of old-school jazz and soul; it’s truly euphoric.

Having already supported the likes of¬†Anne-Marie, Jess Glynne, RAYE and Clean Bandit, played festivals including¬†Glastonbury, Lovebox¬†and Reading/Leeds¬†and¬†winning Best Solo Male at the Unsigned Music Awards,¬†there’s no doubt that this guy is going to become a big name over the coming months.

No music video has emerged online yet but as soon as one does, we will keep you posted.

What are your thoughts of this soulful singer and songwriter? Do you love this song as much as us? Have you got your own #MellowMonday track to share with us? Please leave your thoughts or own song suggestions in a comment or tell us about it via our social media.

Matt – Muzik Speaks
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‘Sweet Coffee’¬†can be downloaded off¬†iTunes now –¬†https://itunes.apple.com/gb/album/sweet-coffee-feat-bassette-single/1364508986


#EventSpeaks: Fickle Friends @ Resident Records, Brighton – 19/03/18


   

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On Monday 19th March 2018, Brighton-based indie/pop outfit, Fickle Friends, came to Brighton in support of their debut album release (You Are Someone Else review, here), to play two shows; one stripped-back, short set and album signing at Resident Records and the other a full-on, full-length set at Concorde 2, later that same night!


Fickle Friends

The Resident Records set was short but very, very sweet!

The indie/pop quintet had been mingling in the store for a while before modestly starting their mini set, at 6:30pm.

As they began, Natti explained just how nervous she was, given how stripped back the performance was going to be. However, the band soon proceeded to launch into their alternative version of ‘Brooklyn’, led by rather cheesy yet somehow adorable, programmed drums.

As the set progressed, there was some instrument swapping and a real admiration for their fans’ support. Natti also explained that today marked some milestone achievements for Fickle Friends; 1) an in-store performance and signing at Resident Records and 2) to play a sold-out show at Brighton’s Concorde 2, which she went on to state, was perfect timing, as she’d just moved out of Brighton and felt that it was a very fitting send-off.

This type of performance was truly special and demonstrated the band giving something back to their loyal and dedicated fans. Plus, as they finished, they announced that it was looking like they were heading for the Top 10 in the UK Charts and could not have been more ecstatic about it.

Immediately afterwards, the band stood behind the shop counter and allowed their fans to get their CDs and Vinyls signed, and spent time chatting to each of them; it was really lovely to see.

Highlights:

  • Seeing just how humble and modest the band were.
  • The appreciation they showed for their fans not only being their but supporting them by purchasing their album, plus the time they took to talk to each of their fans, whilst signing copies of their album, You Are Someone Else.
  • Natti‘s incredible voice and being a part of witnessing the band put on such a vulnerable but perfect performance, given how full-on their sound normally is.
  • The alternative versions they performed, made it feel very unique and like it was a truly one-off performance.

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¬†ūüďłÔŅľ All of the photos in this post (except me with the band) are credited to Chloe CZH ÔŅľūüď∑
Go and give her a follow on Twitter and visit her website.


Setlist

Brooklyn
Wake Me Up
Glue*
Hard To Be Myself
Swim

* This song can be viewed in the YouTube video, below.


Finally, I want to say an absolutely HUGE thanks to Simon Neal for setting up this review and to Fickle Friends themselves for putting on a fantastic mini show and being so lovely to all of their fans Рa really fantastic, intimate performance!


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Matt – Muzik Speaks
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#Review: Milestones – Red Lights


   

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Milestones are a British pop punk band, hailing from Manchester. The quartet, fronted by singer¬†Matt Clarke, have worked with producer,¬†Phil Gornell¬†(Bring Me The Horizon and¬†All Time Low) to produce their debut album,¬†Red Lights; their first full-length record with Fearless Records. Here’s what we have to say about it…

Milestones - Red Lights.jpg

Milestones are certainly making a mark on the pop punk scene with this strong, punchy debut…but are they bringing anything new to the table? Not really, but nevertheless it works!

The album is quite formulaic with its use of ‘Woah ohs’, ‘Na na nas’ and other gang vocals, amongst a whole host of stop pushes, grungy guitars, semi-clich√© lyrics about being against the world and such like, and to top it all off, are some straight-up, damn-catchy choruses.

It’s quite easy to make comparisons with bands like All Time Low, We The Kings and to some extent You Me At Six, but most notably, The Friday Night Boys, due to their pop punk precision and following of the modern tendency to over-produce these types of songs. Furthermore, being a British pop punk outfit, they’ve followed in the footsteps of so many others, by adopting the faux-American accent and referencing places in the USA (probably due to the amount of time the band have spent touring over there), but this band will still undoubtedly have made a name for themselves with this actually, pretty great album.

There are huge, sing-a-long choruses that would easily fill a stadium and¬†Matt Clarke‘s epic vocals are delivered with massive power and heaps of conviction. It sure shows a band who know their sound and have the strength to produce a powerful album.

There are some mammoth highs, with powerhouse songs like ‘BitterSweetHeart’,¬†‘Once Upon A Time’,¬†‘Paranoid’ and¬†‘Liar’¬†and trademark, heartfelt “ballads”, exposing their more vulnerable side, with tracks such as¬†‘Against The World’,¬†‘Hold On’ and ‘Counting Cars’, all of which further fits themselves in to the mould. With its minute-long intro,¬†‘This Is My Life’¬†provides a moment of calm amid the album, almost splitting it into two parts, before kicking into the main song and¬†‘Eighteen’ is just a bit of fun, though lyrically lacking in some ways, whilst¬†‘Forever Or Never’ is a big track, bringing the album to a good conclusion.

Whilst it might sounds like I’m slating this record, I’m not trying to; I’m merely pointing out the current trends in the pop punk genre, but I actually thoroughly enjoyed it and have had it on repeat since receiving it. There are huge, sing-a-long choruses that would easily fill a stadium and¬†Matt Clarke‘s epic vocals are delivered with massive power and heaps of conviction; he sings¬†‘Now I‚Äôm stuck in this fucking rut’, almost spitting out ‘fuck’ like no one I’ve ever heard.¬†Overall, there are some stunning moments on this album (the harmonies in the middle 8 of ‘BitterSweetHeart’ being one of my favourite) and though it may not blaze trails within the genre or lead to world domination of the market, it sure shows a band who know their sound and have the strength to produce a powerful album.

Rating
3.5


‘Red Lights’¬†is out now and can be downloaded from iTunes –¬†https://itunes.apple.com/gb/album/red-lights/1336609728


Red Lights on Spotify

‘Paranoid’¬†(Official Music Video)

‘BitterSweetHeart’¬†(Official Lyric Video)


We hope you’ve enjoyed our review of Milestones’ debut album, but what do you think of it? What would you rate it? Please leave your thoughts in a comment or chat to us about it via our social media accounts.


Enjoyed this? Check out some of our other reviews here:

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Matt – Muzik Speaks
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