#Review: Emarosa – Peach Club ūüćĎ

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Muzik Speaks Loves Hopeless Records - SmallerEmarosa are an alternative rock band from Kentucky, consisting of only original founding member, ER White (lead guitar), as well as¬†Bradley Walden¬†(lead vocals), Robert Joffred¬†(bass) and Matthew Marcellus (rhythm guitar). The band have been through quite a few line up changes since their inception in 2006 and in 2016, signed to their current label,¬†Hopeless Records. Now, 2019 sees the release of the band’s fifth studio album (and second through¬†Hopeless Records),¬†Peach Club. Here’s what we have to say about it…

EMAROSA - Peach Club.jpg

From the start of the opening track,¬†‘Givin’ Up’, it’s clear that¬†Emarosa have made a definitive departure from their previous, alternative rock sound, favouring a moreretro synth, heavy bass and ascending pop-chorus sound on this latest record. What’s more, they’ve done it so effortlessly with the opening, no holds barred, funky guitar-drive pop anthem that even has a saxophone solo!

It’s very much a record of two halves – the first half is both strong and diverse but the second half, by comparison, is somewhat lacking in the same depth.

80s synths and vibes run prominently throughout the album – ‘Don’t Cry’ is a very synth-heavy track with some incredible, underlying guitar riffs and this wonderful, descending vocal melody to the chorus, whilst¬†‘So Bad’ has a glossy, 80s funk to it, both in terms of the guitar and beat, topped off with an overtly catchy chorus.

Possibly the best track on the record has to be¬†‘Cautious’¬†– the calm verse, with great falsetto vocals leads into an all-consuming and powerful chorus – the passion behind the lines, ‚ÄúI believe in ecstasy, but you might never love me,‚ÄĚ honestly gives you goosebumps!

A couple of the tracks even give off a similar feel to¬†You Me At Six –¬†‘Get Back Up’ has a vocal style like that of Josh Franceschi but there’s a hip hop-like beat behind the song – I hate to say it, but a rapper feature would actually sit quite well on this. Equally, the heavier parts of¬†‘Help You Out’ have those same¬†YMAS vibes – dreamy falsetto vocal parts and a great clap-along breakdown.

Sonically, this is an album that’s about as far from their former selves as it can be, but it is also a record that demonstrates huge growth from the band and a relentless willingness to try out new sounds.

‘xo’¬†kind of marks a break and turning point in the record. It’s a song made up of just vocals and an electric guitar but it really shows off Bradley Walden‘s¬†raw vocal talent. It’s a very different vibe to the rest of the album and has a soulful feel to it.

I hate to say it, but it’s from here on that things get a little weaker.¬†‘Hell Of It’¬†is definitely an album filler, and although it is a slight nod to their alternative rock roots, it’s very repetitive.¬†‘Comfortable’¬†somehow reminds of Seal‚Äôs ‘Kiss From A Rose’ in places – it’s rather atmospheric but never quite goes to the places it‚Äôs aiming to reach, and then kind of just fades out.¬†‘IW2DWY’¬†(aka I Wanna Die With You) also feels quite empty, lacking any sincerity. Instrumentally it’s probably the weakest track on the record too.

That being said, the album finishes a lot stronger, with¬†‘Wait, Stay’. It features delicate falsetto vocals and intricate guitar lines, building up into a far more full-on sound, than the previous few tracks, making for an epic close to the album. Its subtly catchy chorus makes it quite an understated yet big song.

Sonically, this is an album that’s about as far from their former selves as it can be, but it is also a record that demonstrates huge growth from the band and a relentless willingness to try out new sounds. They haven’t lost their credibility though – they’re still packing a vulnerability to their lyricism and putting enough edginess into the tracks to still show parts of their previous incarnations and due to its diversity,¬†Peach Club¬†is¬†bound to have something you’ll love.

It’s been really interesting to see this band’s evolution with this latest release and it’s bound to pick up a whole new fan base along the way. I’ll be intrigued to see where the band take their sound next!

Rating
3.5


‘Peach Club’¬†is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/peach-club/1439380906


Peach Club on Spotify

Givin’ Up (Official Music Video)

Don’t Cry (Official Music Video)


We hope you’ve enjoyed our review! What do you think of the band’s latest album, Peach Club? Are you a fan? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


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#Review: Trophy Eyes – The American Dream ūüáļūüáł


   

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Muzik Speaks Loves Hopeless Records - SmallerTrophy Eyes are an Australian pop punk band consisting of John Floreani (lead vocals), Jeremy Winchester (bass guitar & backing vocals), Andrew Hallett (lead guitar), Kevin Cross (rhythm guitar) and Blake Caruso (drums). To date, the band have released 2 albums and an EP through Hopeless Records and this,¬†The American Dream, is their third full-length album. Here’s what we have to say…

Trophy Eyes - The American Dream.jpg

The American Dream has a much more mature sound to it than either of the band’s previous releases. It’s somewhere in the vein of¬†Sugarcult‘s¬†Lights Out¬†and You Me At Six‘s Cavalier Youth¬†with some of¬†Thirty Seconds To MarsThis Is War¬†epicness thrown in.

The first track,¬†‘Autumn’, launches the album with a life-spanning and reflective tune that whilst it doesn’t quite burst into frantic action like so many other pop punk albums, sets a more impressive tone for the rest of the record.

Next comes¬†‘Something Bigger Than This’, a rather emotive track about being something more than we perceive and how life will make more sense at the end. It’s not crass or overly indulgent in insincerity like so many other bands – this feels real and honest.

In my opinion, ‘Friday Forever’ is by far the best track on the record – from it’s frantic, guitar-driven verses, to its suspenseful build-up into the powerhouse that is the chorus, this track just bursts at the seems with euphoric pop punk at its best. This is definitely a track to keep on repeat!

From epic choruses to emotive lyrics and powerful, pained vocals to punchy guitars, The American Dream is an album that will drive this band forward in their career.

Some of the other, most notable songs include:¬†‘More Like You’¬†which is certainly a crowd-pleaser, with its “woah ohs” but has the added depth of scream vocals;¬†‘You Can Count On Me’ is a definite summer anthem with its massive crescendo and satirical look at band life with the chorus hook, “Some of my friends sell drugs but I just sell sad songs to the ones who feel alone”;¬†‘Broken’ is a beautiful, ballad-esque track that has a understated yet very catchy chorus – a brilliantly-written track that’s very different to some of the other tracks on the album and¬†‘Lavender Bay’ feels very nostalgic with mellow, melodic verses and a big gang-vocal chorus singing about how the band won’t rest until they’ve “made it” with the addition of a key change!

The album has a beautifully rich and diverse tone to it – ‘A Cotton Candy Sky’ is an intensely dark and haunting song that feels a little out of place but it’s eerily captivating whilst¬†‘Tip Toe’ is a great little ballad.

‘I Can Feel It Calling’ is a monumental track, coming in at over 6 minutes in length and going through a range of sounds and displaying a variety of influences, bringing this stunning album to a wonderful close.

This is certainly an album you’ll have on repeat as there’s just so much to love about it! From epic choruses to emotive lyrics and powerful, pained vocals to punchy guitars,¬†The American Dream¬†is an album that will drive this band forward in their career, taking a slightly new direction but picking up new fans along the way. 2018 should be an exciting time for the Australian quintet!

Rating
4-5


‘The American Dream’¬†is out 27/07/18¬†and can be downloaded from iTunes –¬†https://itunes.apple.com/gb/album/the-american-dream/1382478709


The American Dream on Spotify

Available Friday 27th July 2018.

You Can Count On Me (Official Music Video)

https://www.youtube.com/watch?v=gs_7y0ToBcU


We hope you’ve enjoyed our review! What do you think of the band’s latest album, The American Dream? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment below or via our social media.


Enjoyed this? Check out some of our other reviews here:

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Matt – Muzik Speaks
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#Review: ROAM – Great Heights & Nosedives


   

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ROAM are a British pop punk band from Eastbourne, consisting of members¬†Alex Costello (vocals), Alex Adam (lead guitar and backing vocals), Matt Roskilly (bass), Sam Veness (rhythm guitar) and Miles Gill (drums). The band formed in 2012 and since then have performed on the Warped Tour ’16, signed to¬†Hopeless Records and have now just released their second album,¬†Great Heights & Nosedives.

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The band’s new record opens with the hard-hitting track,¬†‘Alive’, and doesn’t really let up from its high-energy, bounce-inducing pop punk for the majority of the album. It is undoubtedly a good effort from the band and a strong follow-up to 2016’s debut,¬†Backbone, however it’s not really taking any great strides to revolutionise the already saturated world of pop punk.

Sadly, ‘Curtain Call’ feels a little like it’s trying too hard to be profound but slightly missing the mark, whilst¬†‘Home’ is quite a letdown – it really doesn’t finish the album in as strong a way as it started, with just a quick fade out at the end, making it feel like the band weren’t sure quite how to finish the track – I really expected some long and explosive grande finale.

This is an album which is undoubtedly going to sit well within a hardcore, pop punk lover’s collection.

Don’t get me wrong, there are some really great moments on the album too, such as the banger that is ‘Alive’,¬†thundering guitars and mosh-inducing rhythm of¬†‘Left For Dead’, the grungy, fast-paced¬†‘Open Water and the varying tempos of the somewhat funky,¬†‘The Rich Life Of A Poor Man’,¬†which overall, make it quite a thrilling record, however I still feel like it’s nothing that hasn’t been done before. I find myself reminiscing some of the earlier days of¬†New Found Glory,¬†All Time Low¬†and¬†We The Kings and at points even¬†Four Year Strong.

The album was produced by Kyle Black (who’s worked with the likes of State Champs, New Found Glory and¬†Comeback Kid) in Los Angeles, California. This explains the authentic American sound to the record and might account for Alex Costello‘s pseudo-American accent throughout. Whilst this is synonymous with the genre, it’d be nice to hear an English-sounding pop punk band, just for a change.

This is an album which is undoubtedly going to sit well within a hardcore, pop punk lover’s collection…and it should; it’s a decent record. I just think that in order to really stand out from the masses of similar bands and achieve longevity in their career, they’re going to have to really push the boundaries of the genre on their next album; consider the likes of¬†Paramore,¬†Fall Out Boy,¬†Good Charlotte¬†and¬†All Time Low.

Rating
3


‘Great Heights & Nosedives’¬†is out now and can be downloaded from iTunes –¬†https://itunes.apple.com/gb/album/great-heights-nosedives/id1270970229


Great Heights & Nosedives on Spotify

Alive (Official Video)

Playing Fiction (Official Video)


We really hope you’ve enjoyed our latest album review! What are your thoughts on ROAM’s Great Heights & Nosedives? What would you rate it? Please leave your thoughts in a comment or chat to us via our social media.


Enjoyed this? Check out some of our other reviews here:

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Matt – Muzik Speaks
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