#Review: Mallory Knox – Mallory Knox

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Mallory Knox are an alternative rock band from Cambridge and began as a five-piece back in 2009. Following the release of their third album, Wired, news came that lead vocalist, Mikey Chapman, was leaving the band in 2018. With co-lead vocalist, Sam Douglas, taking up the post of lead vocals, alongside the other three original band members; James Gillett (rhythm guitar & backing vocals), Joe Savins (lead guitar & backing vocals) and Dave Rawling (drums), the band are back with their self-titled fourth album (Mallory Knox) as a four-piece. Here’s what we have to say about it…

Mallory Knox - Mallory Knox.jpg

It was a brave choice for Sam Douglas to step into the position of lead vocals, as vocally he is quite different to Mikey Chapman, but he’s certainly come in all guns blazing on lead track, ‘Psycho Killer’ – a massive, garage rock sounding track with a hint of Foo Fighters about the vocals throughout, before careening into a heavy guitar breakdown at the end.

This is certainly a more raw and gritty album than some of their previous releases, with tracks like ‘The World I Know’ taking sonic influences from noughties punk rock and adding in grungy elements and ‘Wherever’ with its muscle guitars and intense drums, giving the illusion of travelling at speed.

Lead single, ‘White Lies‘, has a bit more of an indie feel to it than a lot of the rest of the record and is clear to see why it was chosen to launch the album.

Also, ‘4’ is quite commercial with its “Na, na, nas” and lyrics about vacuous pop market and record labels, such as, “You never mattered anyway.” Is it addressing negativity they have faced and the fact they band went from 5 members to 4, as the track title might suggest? Not sure. You’ll have to make up your own mind on that.

Possibly some the best tracks on the album are: ‘Livewire’ which has changes in pace throughout and echoing breakdowns to really get the listener going; ‘Freaks’ has some really interesting melodies with guitar frills, captivating (and sometimes aggressive) vocal acrobatics (with some serious power behind them) and a great all-round tone to it and ‘Black Holes’ with its chugging guitars and yet more, distinctly Foo Fighters vibes in the intense, shouty chorus.

It’s a risk to continue as a four-piece, with someone new taking up the role of lead vocalist, but it appears to have paid off.

By far, the best track on the album is ‘Gut’ – it’s an intense, fast-paced close to the album, with some insane vocal harmonies, brilliant drums and fast guitars – it’s a generally chaotic moment of ecstatic mosh-out madness that fans are sure to love live.

There are definitely moments when you can tell Douglas doesn’t quite have the power behind his voice that he might have liked and even one track (‘Heartbreak Lover’) that feels like his vocal is lacking in energy – albeit it’s a very commercial-sounding track with a guitar line that plays around the same melody as the chorus.

Additionally, there are the odd places here and there that lyrically feel a bit flat and not quite written with as much depth or maturity as perhaps you might like (‘Fine Lines’ with its candid take on a relationship breakdown) and other tracks, such as ‘Radio’ that are a little forgettable but overall, it’s a solid effort from the now quartet.

It’s been a risk to continue as a four-piece, with someone new taking up the role of lead vocalist, but it appears to have paid off. The album is consistently confident in its approach and hopefully with have old fans excited and on board for the ride as well as pick up new fans with their edgier sound.

Rating


‘Mallory Knox’ is out 16/08/19 and can be downloaded from iTunes – https://music.apple.com/gb/album/mallory-knox/1461295820


Mallory Knox on Spotify

White Lies (Official Music Video)

Livewire (Official Music Video)


We hope you’ve enjoyed our review! What do you think of the band’s fourth album? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


Enjoyed this? Check out some of our other reviews here:

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#Review: ONE OK ROCK – Eye Of The Storm 🌪

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ONE OK ROCK are a Japanese rock band who formed in Tokyo, in 2005. The band currently consists of Takahiro Moriuchi (vocals), Toru Yamashita (guitar), Ryota Kohama (bass), and Tomoya Kanki (drums). Since forming, the band have played many different styles of music, from alternative rock to emo and even post-hardcore to their most recent, pop rock style. In 2016, the band signed to Fueled By Ramen, releasing their eighth studio album, Ambitions, featuring collaborations with Avril Lavigne5 Seconds Of Summer and Alex Gaskarth (All Time Low). This year, (2019) sees the release of their ninth studio album (although only their third US release), Eye Of The Storm. Here’s what we have to say about it…

one ok rock - eye of the storm

From the very start of Eye Of The Storm, it’s clear that ONE OK ROCK have made a conscious departure from the previous, emo, alternative rock and post-hardcore incarnations, favouring a much more pop-led sound. That’s not a bad thing though, as this is a brilliantly-crafted pop powerhouse of a record, that is sure to further cement their position as one of big players in the pop rock genre (alongside label mates like Panic! At The Disco and Against The Current. In fact ‘Eye Of The Storm’ and ‘Worst In Me’ are almost an obvious transitioning from their old sound to their new, blending their alternative rock roots with their new, more synth-driven pop elements.

There’s a real passion and raw talent to singer Takahiro “Taka” Moriuchi‘s vocals throughout the record too, as he explores the full extent of his vocal range, pulling off some stunning falsetto notes, intertwined with soaring choruses and exquisitely long-held notes.

‘Stand Out Fit In’ is testament to this – it’s very much an anthem about embracing people’s differences, with the goosebump-inducing, falsetto lines, “They yell, they preach, I’ve heard it all before. Be this, be that, I’ve heard it before.” It’s definitely a track that’s going to capture the hearts of many!

It’s actually very hard to pin-point just a few favourite tracks but ‘Push Back’ is wonderful for its gang vocal harmonies, like a modern-day Queen track. The descending melody echoing throughout the song is truly captivating too. ‘Wasted Nights’ is all about making the most of your life and enjoying each other’s company and the line, “Let’s live like we’re immortal, Maybe just for tonight, We’ll think about tomorrow (yeah), When the sun comes up,” is poetic, conjuring up nostalgic imagery and the underlying gospel vocals are stunning. The video only makes the track even more epic too (see below)! Even ‘Change’ – there’s definitely something a little boyband about the song (like 5 Seconds Of Summer meets One Direction), with the synth-sounding guitar lines, but the melodies are passionate and the message is poignant, positive and uplifting, “Hey, You know it’s not too late for us to make a change, You gotta listen to your heart what does it say? No matter how much we might bend, we will not break.”

It’s great to see that after nine albums in thirteen years, a band can still find ways to push themselves to adapt and grow, and be completely unafraid to try new directions.

That’s not to say there aren’t other special moments throughout the album; ‘Head High’ is definitely a pop track and whilst there isn’t much depth behind the lyrics or songwriting on it, it’s certainly catchy! ‘Letting Go’ really stands out for being so unique to the rest of the record – a calm little, acoustic-led track that is so beautifully understated, dealing with getting over a relationship and coming to terms with it. ‘Unforgettable’ has some definite dance music vibes to it, with the intense drum beats and whistling in the chorus, but with guitars thrown in. It’s quite a unique blend of genres.

‘Giants’ leads from delicate verses into a big chorus and has a strong Take That vibe to it, whilst ‘In The Stars’ adds a little vocal diversity with Kiiara featuring on the track, accompanied by a military-style beat.

‘Grow Old Die Young’ is a perplexing track though; it has a strong melody in the chorus but certain elements of it are very mediocre – a synth sound which doesn’t really fit the song and then there’s the lyrics, “I want the cause of my death, to be amazing sex,” which is honestly pretty cringe!

The album actually draws to a powerful close with ‘The Last Time’, led by a really strong chorus melody, topped off with a raspy, scream-like vocal that just knocks the record out of the park, right at the last second.

Eye Of The Storm is an interesting release for the band, as it’s their most commercial-sounding release to date, meaning it’s very palatable, for a broad range of listeners and is certainly bound to pick up a lot of new fans along the way. However, it could be argued that elements of depth and sincerity about their songwriting have been somewhat lost, rendering some of the tracks a little forgettable.

The drastic change in sound is definitely going to be felt by fans of their previous release, Ambitions, as some of the more emotive lyricism and raw instrumentation, has been exchanged for top-rate production values but at its heart, it is clearly still a ONE OK ROCK album.

That said, it’s equally great to see that after nine albums in thirteen years, a band can still find ways to push themselves to adapt and grow, and be completely unafraid to try new directions, and for that, this album should be admired. It’s a great record, with some banging tunes on and I can’t wait to hear what the band do next!

Rating
4


‘Eye Of The Storm’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/eye-of-the-storm/1441817576


Eye Of The Storm on Spotify

Stand Out Fit In (Official Video)

Wasted Nights (Official Video)

Change (Official Video)


We hope you’ve enjoyed our review! What do you think of the band’s ninth studio album, Eye Of The Storm? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or join the conversation via our social media.


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Matt – Muzik Speaks
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#Review: Hawthorne Heights – Bad Frequencies


   

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Hawthorne Heights are an American emo/rock band from Dayton, Ohio, which formed in 2001. The band currently consists of JT Woodruff (lead vocals and rhythm guitar), Matt Ridenour (bass guitar, backing vocals), Mark McMillon (lead guitar, backing vocals) and Chris Popadak (drums, percussion). To date, the band have released 5 studio albums and been through a variety of line-up changes but now, in 2018, the band are releasing their sixth studio album, Bad Frequencies, through Pure Noise Records. Here’s what we have to say about it…

Hawthorne Heights - Bad Frequencies

This is certainly an album of two mindsets; on the one hand you’ve got a new sound that sees the band edging ever closer to pop punk commerciality and on the other hand they are sticking to their more screamo roots. However you look at it, the band are diversifying and growing their sound at the same time as keeping hold on some of what the fans love.

‘In Gloom’ launches the album with a slow, heartfelt intro from vocalist/guitarist JT Woodruff, but after the first minute, we are thrust into the sound of the full band, making their triumphant return.

The nostalgia continues as first single, ‘Pink Hearts’, reflects on past relationships you carelessly work your way through in your younger years.

An exciting balance of old and new, Hawthorne Heights have made a triumphant return!

More old-school, classic Hawthorne Heights can be heard on tracks such as ‘Crimson Sand’ and ‘Just Another Ghost’ with bassist, Mark McMillion’s, screams coming through in full force.

Meanwhile, ‘Edge Of Town’ and ‘Starlighter (Echo, Utah)’ show us the newer, more pop-punk driven sound that moves this record, and indeed the band, forward.

Possibly one of the most stand-out tracks on the record is ‘Pills’; the song deals with the loss of someone you care deeply about but it demonstrates brilliantly, how the band have grown and continue to push their songwriting and sound; where in the past this might have been a heavy, scream track or an altogether more simplistic affair; a great way to finish the album by showing off where the band’s future lies.

That’s not to say the band that people know and love is gone; there are emo lyrics throughout record and still the occasional screaming, it’s just the instrumentation is slicker and more intricate and in places, JT Woodruff uses falsetto in his vocals; something new and interesting for the band’s sound.

There’s no doubt about it; this band know how to write catchy hooks, tying together some of the heavier, more chaotic parts of the record. Armed with a whole load of history and self-reflection plus a strong sense of where they are heading, this record is definitely representative of both their past and the future for the band. An exciting balance of old and new, Hawthorne Heights have made a triumphant return!

Rating


‘Bad Frequencies’ can be ordered here – http://smarturl.it/HawthorneHeights or downloaded from iTunes, here – https://itunes.apple.com/gb/album/bad-frequencies/1351452415


Bad Frequencies on Spotify

Just Another Ghost (Official Music Video)


We hope you’ve enjoyed our review of Hawthorne Heights’ new album! What are your thoughts of it? What would you rate it? Please leave your thoughts in a comment or chat to us about it, via our socials.


Enjoyed this? Check out some of our other reviews here:

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Matt – Muzik Speaks
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