#Review: The Darkness @ Brighton Dome, Brighton – 10/12/19

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On Tuesday 10th December 2019, The Darkness brought their Easter Is Cancelled Tour to Brighton Dome! The event was packed with people and full of fun, with support from Rews. Here’s what we have to say about the event…


Rews

This duo (accompanied by a drummer) are a riotous, girl-powered pair that are unafraid to pack a punch! For just three instruments and a butt-load of distortion, they sure bring about a lot of noise – they kind of reminded me of a more serious, angry-sounding Pink Slip (remember them from Disney’s remake of Freaky Friday, with Lindsay Lohan?!) Although they’re quite the raucous act, the vocal harmonies between them are nothing short of immense and clearly must have been rehearsed for hours! The bassist is full of charisma too, working the stage with conviction, at times, capturing the most attention. An interesting act with some fairly catchy tunes – they made for a good support.

Highlight: The vocal harmonies – honestly, they were awesome!

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The Darkness

As The Darkness took to the stage, dressed all in white, the crowd errupted with excitement, to see the rock band strike out the first notes of Easter Is Cancelled‘s opening track, ‘Rock And Roll Deserves To Die. After a couple of songs, Justin explained that on this tour, the band were playing the entirety of their latest album, from start to finish, before doing a selection of their greatest hits…and it was awesome! He made a joke about people only coming for their Christmas single or their older songs but people were lapping it all up – both the new and old material.

If you haven’t already heard it, their latest record (Easter Is Cancelled) is great – it’s packed with the usual The Darkness lyrical wit, falsetto vocals, incredible musicianship and powerful rock anthems and is probably one of their best albums in recent years – so it was amazing to be able to see it all performed live.

The stage set was visually stunning too – with three, church window-shaped screens, surrounded by flashing lights, the backdrop for each song was unique, diverse and sometimes just outright bonkers (think cartoon dancing cows moshing!)

After finishing the run-through of their latest album, the band retired for a very quick costume change, before coming back to perform an array of their back catalogue, to much enthusiasm from the crowd. They performed a selection of tracks from nearly all their albums, from ‘Japanese Prisoner of Love’ and ‘Solid Gold’ (from 2017’s Pinewood Smile) to ‘I Believe In A Thing Called Love’ (from their 2003 debut, Permission To Land).

It didn’t matter whether they were playing new or old material, people were singing along with every word, jumping around and having the best time! They perform with high energy, good humour and flawlessness, ensuring their audience come away from the show feeling euphoric. The Darkness are a lot of fun to watch live and whether you know all their songs or not, you are guaranteed to have the best night with them – I really can’t recommend them highly enough!

Highlights:

  • Justin‘s live vocals are powerful and flawless, whilst his charisma oozes with dry humour and a stage presence like no other.
  • The band themselves perform to perfection with impeccable professionalism and high energy and their individual talent for each of their instruments is spell-binding.
  • There was one point that someone did something to make Justin laugh at the start of a song, which was touching to see.
  • During the set, Justin brought up that it was Dan‘s birthday coming up and the audience spontaneously burst out with a round of ‘Happy Birthday’ which Justin then led into ‘For He’s A Jolly Good Fellow’.
  • The ad-libs between songs, like a funky riff and vocal melody Justin bust out with before ‘I Believe In A Thing Called Love’ (in the video below) and some of the between-song banter is pretty amusing.
  • I just highly recommend watching them live – already, I would love to see them again!

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📷All of the photos in this post are credited to Damon Peirce  📸
Why not give him a follow on Instagram and Twitter or check out his website.


 Setlist

Easter Is Cancelled
Rock And Roll Deserves To Die*
How Can I Lose Your Love
Live ‘Til I Die
Heart Explodes
Deck Chair
Easter Is Cancelled
Heavy Metal Lover
In Another Life
Choke On It
We Are The Guitar Men

Greatest Hits
One Way Ticket*
Barbarian
Growing On Me*
Japanese Prisoner Of Love
Love Is Only A Feeling
Solid Gold
Givin’ Up*
Street Spirit (Fade Out)
Get Your Hands Off My Woman
I Believe In A Thing Called Love*

Encore
Christmas Time (Don’t Let The Bells End)*

These songs can be viewed in the YouTube playlist, below.


Finally, I want to say a massive thanks to The Darkness and Rews for putting on a great show as well as Warren and Charleigh from Chuff Media for enabling this review to happen.


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#Review: The Darkness – Easter Is Cancelled ✞

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The Darkness are an English rock band from Lowestoft, Suffolk who first came to the public’s attention in 2003, with their debut album, Permission to Land. In particular, their debut single, ‘I Believe in a Thing Called Love’, was a monster hit, reaching Number 2 in the UK Charts. With 5 albums already under their belt, 2019 sees the release of the band’s sixth album, Easter Is Cancelled. Here’s what we have to say about it…

The Darkness - Easter Is Cancelled.jpg

It may have only been a couple of years since The Darkness released their last album, Pinewood Smile, but the band are now back with a bang and have possibly created an even better album than their last!

As with their previous record, the standard edition comes with just 10 tracks, whilst the deluxe edition comes with an extra 4, but that said, the standard version alone, is excellent!

The album opens with single, ‘Rock And Roll Deserves To Die’, a song which starts out quite calm yet epic – almost soundtrack-like – with middle-eastern vibes, alongside an accompanying acoustic guitar. It’s satirical and once it fully kicks in, serves up something very Tenacious D about it, with edgy, hair metal qualities too- especially with the sensational, chaotic guitar solo to finish.

Whilst the album is very much a rock record and clearly, at it’s heart, still very much The Darkness, they have managed to bring some great diversity too. From the wonderful 80s-like guitar licks (with a hint of country vibes thrown in for good measure?!) and sensational falsetto vocals of ‘Live ‘Til I Die’, to the more “middle of the road”, mellow and beautiful tones of ‘In Another Life’ – a great, acoustic-driven, country-style power ballad with clean guitars in the verses and a slightly heavier chorus; Easter Is Cancelled could easily become a classic album for the more recent era of the band.

It certainly has its quirks too though – ‘Deck Chair’ is a serious-sounding, acoustic-led ballad about…a deck chair! Whilst the subject matter is somewhat insincere, there’s a very Queen/Freddie Mercury quality to this song. It’s particularly hilarious when whispered French vocals come in, as well as shimmering guitar effects and plucked violins. ‘Choke On It’ seeks Hawkins sing about gold diggers riding off their success and even busts out a random northern accent at one point before pulling off a strong chorus with his trademark falsetto voice and gritty gang vocals to accompany. Additionally, ‘Easter Is Cancelled’ feels very old school metal, with some great gang vocals, yet is possibly the weakest track on the album – whilst it is still good and the guitar lines are great, it’s just not as strong as the rest of the record, despite being the title track.

Easter Is Cancelled could easily become a classic album for the more recent era of the band.

Moments that impress most are the surefire, new fan-favourite (and mine too!) ‘How Can I Lose Your Love’; sweeping, grungy synths open and build as if it’s going to be an intense beat, before becoming a suddenly, more calm chorus. It’s unusual to have a fast verse and slow chorus – such a great, unexpected yet catchy-as-hell track. ‘Heart Explodes’ is dramatic with wailing, ghost-like vocals during the breakdown and haunting guitar solos too. Also, ‘Heavy Metal Lover’ is a hilariously witty track about a lover being really into heavy metal. Juxtaposition is rife with chaotic and heavy metal-inspired, guitar breakdowns following the sweet-sounding, lovey-dovey, harmony-filled choruses.

The album draws to a strong close with ‘We Are The Guitar Men’, a lyrically diverse ode to the band’s guitars, demonstrating great personification, as though the guitar a beautiful woman. The chorus feels full of nostalgia, like a solid 80s rock tune, blending electric and acoustic guitars, with the occasional synth thrown in too. Ascending vocals lead into a lovely show-off guitar solo at the very end of the track.

I remain captivated by The Darkness, even after them having been around for 16 years now. And sure, they are predominately a modern, not-so-slightly tongue-in-cheek version of a 70s/80s rock band, that doesn’t often deviate from the recipe for their successes, but somehow they are still great to listen to and bring about just enough diversity in each of their records, to still keep them fresh and their fans interested, that you can’t help but love them.

Whilst the band have not had another Number 1 album since their debut, Permission To Land, I’m sure that this record will still do very well and hopefully become a modern classic and fan favourite, since the band reunited in 2011…it’s near perfect!

Rating
4.5


‘Easter Is Cancelled’ is out now and can be downloaded from iTunes – https://music.apple.com/gb/album/easter-is-cancelled-deluxe/1473988829


Easter Is Cancelled on Spotify

Rock And Roll Deserves To Die (Official Video)

Heart Explodes (Official Video)


THE DARKNESS ‘EASTER IS CANCELLED’ 2019 TOUR

The band are also heading out on tour across November and December 2019. Tickets are available here.

NOVEMBER
26th – Belfast, Limelight
27th – Dublin, Academy
29th – Nottingham, Rock City

DECEMBER
1st – Birmingham, O2 Academy
2nd – Leicester, O2 Academy
3rd – Southend, Cliffs Pavilion
5th – Norwich, UEA
6th – Cambridge, Corn Exchange
7th – Bath, Pavilions
9th – Portsmouth, Pyramids
10th – Brighton, Dome
11th – Watford, Colosseum
13th – Manchester Academy
14th – Newcastle, O2 Academy
15th – Glasgow, O2 Academy
17th – York, Barbican
18th – Liverpool, O2 Academy
20th – London, Roundhouse


We hope you’ve enjoyed our review! What do you think of the band’s sixth album? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


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#Review: Mallory Knox – Mallory Knox

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Mallory Knox are an alternative rock band from Cambridge and began as a five-piece back in 2009. Following the release of their third album, Wired, news came that lead vocalist, Mikey Chapman, was leaving the band in 2018. With co-lead vocalist, Sam Douglas, taking up the post of lead vocals, alongside the other three original band members; James Gillett (rhythm guitar & backing vocals), Joe Savins (lead guitar & backing vocals) and Dave Rawling (drums), the band are back with their self-titled fourth album (Mallory Knox) as a four-piece. Here’s what we have to say about it…

Mallory Knox - Mallory Knox.jpg

It was a brave choice for Sam Douglas to step into the position of lead vocals, as vocally he is quite different to Mikey Chapman, but he’s certainly come in all guns blazing on lead track, ‘Psycho Killer’ – a massive, garage rock sounding track with a hint of Foo Fighters about the vocals throughout, before careening into a heavy guitar breakdown at the end.

This is certainly a more raw and gritty album than some of their previous releases, with tracks like ‘The World I Know’ taking sonic influences from noughties punk rock and adding in grungy elements and ‘Wherever’ with its muscle guitars and intense drums, giving the illusion of travelling at speed.

Lead single, ‘White Lies‘, has a bit more of an indie feel to it than a lot of the rest of the record and is clear to see why it was chosen to launch the album.

Also, ‘4’ is quite commercial with its “Na, na, nas” and lyrics about vacuous pop market and record labels, such as, “You never mattered anyway.” Is it addressing negativity they have faced and the fact they band went from 5 members to 4, as the track title might suggest? Not sure. You’ll have to make up your own mind on that.

Possibly some the best tracks on the album are: ‘Livewire’ which has changes in pace throughout and echoing breakdowns to really get the listener going; ‘Freaks’ has some really interesting melodies with guitar frills, captivating (and sometimes aggressive) vocal acrobatics (with some serious power behind them) and a great all-round tone to it and ‘Black Holes’ with its chugging guitars and yet more, distinctly Foo Fighters vibes in the intense, shouty chorus.

It’s a risk to continue as a four-piece, with someone new taking up the role of lead vocalist, but it appears to have paid off.

By far, the best track on the album is ‘Gut’ – it’s an intense, fast-paced close to the album, with some insane vocal harmonies, brilliant drums and fast guitars – it’s a generally chaotic moment of ecstatic mosh-out madness that fans are sure to love live.

There are definitely moments when you can tell Douglas doesn’t quite have the power behind his voice that he might have liked and even one track (‘Heartbreak Lover’) that feels like his vocal is lacking in energy – albeit it’s a very commercial-sounding track with a guitar line that plays around the same melody as the chorus.

Additionally, there are the odd places here and there that lyrically feel a bit flat and not quite written with as much depth or maturity as perhaps you might like (‘Fine Lines’ with its candid take on a relationship breakdown) and other tracks, such as ‘Radio’ that are a little forgettable but overall, it’s a solid effort from the now quartet.

It’s been a risk to continue as a four-piece, with someone new taking up the role of lead vocalist, but it appears to have paid off. The album is consistently confident in its approach and hopefully with have old fans excited and on board for the ride as well as pick up new fans with their edgier sound.

Rating


‘Mallory Knox’ is out 16/08/19 and can be downloaded from iTunes – https://music.apple.com/gb/album/mallory-knox/1461295820


Mallory Knox on Spotify

White Lies (Official Music Video)

Livewire (Official Music Video)


We hope you’ve enjoyed our review! What do you think of the band’s fourth album? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


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#Review: The Rocket Summer – Sweet Shivers 🐝

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The Rocket Summer is the solo project from singer, songwriter and multi-instrumentalist, Bryce Avary. Since self-releasing his first EP in 2000, at the age of 17, Avary has gone on to release a total of 7 EPs, 7 full-length albums and a live album too! Now, 2019 sees the release of his seventh studio album, Sweet Shivers. Here’s our thoughts on it…

The Rocket Summer - Sweet Shivers.jpg

From the offset, it’s clear that Sweet Shivers is a much more experimental album than his previous efforts, thought it’s still distinctly The Rocket Summer.

We’re instantly thrown in at the deep end with opening track, ‘Morning Light’, a much darker introductory track than some of his previous efforts – there’s a twinge of a more mainstream Nine Inch Nails vibe to it!

We’re then led nicely into ‘Shatter Us’– whilst I’m not keen on the trumpet-like synth effect, the vocal melodies in the chorus and the plonky piano are incredible, especially paired with the very personal lyrics.

‘Blankets’ is possibly one of my favourite tracks on the album – the full-on verses are juxtaposed by the beautifully whispered chorus, making it powerful and captivating. Melodically it is a stunning track and has something a bit Biffy Clyro about it.

We’re then treated to ‘Gardens’ – like an experimental pop track where Avary has clearly played around with production – Jamiroquai inspirations seem to come through in places. ‘Peace Signs’ has a lovely yet simple, descending guitar melody that loops throughout and a strong vocal melody to the chorus. And in the spirit of looping, ‘5 4 3 2 1 Z’ has a looping piano melody, combined with brass sounds and an understated vocal melody. Maybe the most commercial-sounding track on the record, though it completely changes pace two-thirds of the way through before coming back to the original chorus.

‘Wannalife’ then seems to act as an interlude between the first and second half of the record. A nice little acoustic number about his life’s desires.

Overall though, this is a well-written, if slightly more experimental album, that could divide the fans.

As a long-time lover of The Rocket Summer, it pains me to say that ‘Sweet Shivers’ is very much an album of two halves – the first half being a lot stronger than the second. The second half has a lot of melodies that kind of blend into one.

Additionally, throughout the record, there are some rather quirky synth sound choices that I’m not convinced work, at times sounding a little cheap and underwhelming.

‘Slomo’ and ‘Keep Going’ are both pretty forgettable, while ‘Together In TX’ has an edgy breakdown, which stopped me from skipping the track. ‘Apartment 413’ has a dark melody and this is lyrically reflected in the tone too.

It’s the final two tracks that are saving graces for the latter part of the record. ‘World’s Greatest’ has some great deep vocal melodies and heavy bass synths with an amazing breakdown that continually builds back up to the end of the track. Whilst ‘m & m’ is possibly the strongest track in the second half, bringing the album to a strong close – there are intense vocal melodies and a fast-paced drum beat, plus funky guitar riffs and a Busted-esque synth at the end. A great track to end on!

Overall though, this is a well-written, if slightly more experimental album, that could divide the fans. That said, there are plenty of moments to enjoy, so fans will still find parts they love. I’m certainly still a lover of The Rocket Summer and appreciate his artistic license to be experimental, but I hope his next record might return a little more to his roots.

Rating


‘Sweet Shivers’ is out now and can be downloaded from iTunes – https://music.apple.com/gb/album/sweet-shivers/1473282206


Sweet Shivers on Spotify

Morning Light [Official Music Video]

Shatter Us (Official Music Video)

Blankets (Official Music Video)

Peace Signs (Official Music Video)


We hope you’ve enjoyed our review! What do you think of The Rocket Summer’s latest album? Do you share the same opinions as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


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#Review: Sum 41 – Order In Decline 💀

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Muzik Speaks Loves Hopeless Records - SmallerSum 41 are a Canadian rock band who first formed back in 1996. The band currently consist of members Deryck Whibley (lead vocals, guitar and keyboard), Dave Baksh (guitar and backing vocals), Tom Thacker (guitar, keyboard and backing vocals), Jason “Cone” McCaslin (bass and backing vocals) and Frank Zummo (drums). The band first enjoyed mainstream success with their 2001 debut album, All Killer No Filler, and from there have gone on to have a rather illustrious career and a few line-up changes. 2019 now sees the band releasing their seventh studio album, Order In Decline, through Hopeless Records. Here’s what we have to say about it…

Sum 41 - Order In Decline.jpg

One thing’s for sure, Sum 41 are a very different band now, to the band they started out as and have sonically changed a lot over the years. From a skate-rock band to being contenders for the pop-punk throne, the band have now transformed into a much darker, grittier and overtly heavier incarnation of themselves that is a far cry from their “Fat Lip” and “In Too Deep” days.

That said, there’s still something distinctly Sum 41 about Order In Decline, though that mostly lies with Deryck Whibley‘s instantly recognisable vocals. It was following a few line-up changes and a spell in hospital to recover from alcohol-induced illness, that the band rose from the ashes with 2016’s comeback album, 13 Voices – an album that further demonstrated their ability to create music that was edgy and more alternative (with the odd ballad thrown in). And now, Order In Decline yet further cements this evolution in the band’s sound.

From the sombre, opening piano notes of ‘Turning Away’, the album quickly kicks into high gear with an exciting and powerful, stammering riff, that by the end of the track, descends into audible chaos with an insanely intense guitar solo. The heavy energy is kept up with ‘Out For Blood’ – a track with elements from their skate-punk days and definite qualities of a Zebrahead song (with the distorted, scream-like backing vocals) plus another epic guitar solo.

As the record continues, ‘The New Sensation‘ takes us in a very different direction with a cleaner, synth-heavy and stadium-filling feel to it – like something you’d expect from the likes of Muse, especially with some of the melodies. ‘A Death In The Family’ is much more of a family sound; whilst it’s definitely heavier than they once were, there are definitely moments that nod to their origins.

Order In Decline is eclectic, exciting, intense and just friggin’ awesome!

‘Heads Will Roll’ is another interesting turn in the album, with a Subways, IDLES and Royal Blood-like vibe to it. ‘Eat You Alive’ is probably the most heavy metal track on the record whilst ‘The People Vs…’ is a much more typical punk rock track with rapidly chugging riffs and intense drums, sure to see the circle pits swirling at live shows.

Whilst the band don’t want to be politically-driven as such, it’s clear that Whibley has allowed his lyrics to be determined by the state of the world he sees around him right now – a world in which he sees division, racism and hate being accepted still. This is certainly evident in ’45 (A Matter Of Time)’, a track that by no coincidence, references the 45th President of the United States, Donald Trump, that he so marvellously calls out on a few things.

For all it’s intensity, Order In Decline sees a couple of moments when the pace changes and more personal lyrics come into play. ‘Never There’ addresses Whibley‘s absent father, growing up (and sounds like someone such as William Ryan Key had a hand in writing it), whilst ‘Catching Fire’ faces familiar themes of love and loss with wonderfully intricate layering, like something by The Dangerous Summer.

Order In Decline is eclectic, exciting, intense and just friggin’ awesome! And whilst Sum 41 are certainly not the same band they once were, there are undoubtedly qualities that still remain in their core, making them easily recognisable. However the continual evolution in their sound is exciting and impressive to watch and certainly adds to the longevity of their career. I’m already looking forward to hearing the next record!

Rating
4


‘Order In Decline’ is out now and can be downloaded from iTunes – https://music.apple.com/gb/album/order-in-decline/1458053301


Order In Decline on Spotify

Out For Blood (Official Music Video)

45 (A Matter Of Time) [Official Music Video]

Never There (Official Music Video)

A Death In The Family (Official Music Video)


We hope you’ve enjoyed our review! What do you think of Sum 41’s seventh studio album, Order In Decline? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


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#ThrowbackThursday: blink-182 – ‘What’s My Age Again?’

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I can’t believe it’s been 20 years already, since blink-182 first released their massive hit single, ‘What’s My Age Again?’ from their hugely successful album, Enema of the State.

Without a doubt, the trio have firmly embedded this as a punk rock classic that is sure to stay a firm fan favourite for years to come.

2019 marks the 20th anniversary of the single and album and although Tom DeLonge is currently not a member of the band, the members still publicly show support for each other’s projects and are celebrating the release with a tour and the addition of singer, Matt Skiba.

Not only are the lyrics witty but the music video is possibly one of the most hilarious and iconic ones of its time. I don’t think many people can have missed this…mainly due to the band’s hilarious nakedness running down the street, but in case you have somehow managed not to see it, check it out below!

What are your thoughts of this blink-182 track, 20 years after its release? Do you have a #ThrowbackThursday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
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‘What’s My Age Again’ can be downloaded off iTunes now – https://music.apple.com/gb/album/whats-my-age-again/1440839912?i=1440840493


#Review: Doll Skin – Love Is Dead And We Killed Her

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Muzik Speaks Loves Hopeless Records - SmallerDoll Skin are an all-female rock band from Phoenix, Arizona, consisting of Meghan Herring (drums/co-lead vocals), Sydney Dolezal (lead vocals/rhythm guitar), Nicole Rich (bass/backing vocals) and Alex Snowden (lead guitar/backing vocals). The band’s sound is a blend of punk, metal, alternative rock & pop. In April 2019, Doll Skin announced that they had signed to Hopeless Records, to release their third album, Love Is Dead And We Killed Her. Here’s what we have to say about it…

Doll Skin - Love Is Dead And We Killed Her.jpg

There will undoubtedly be people who will compare Doll Skin to the likes of The Donnas or other all-female punk bands but Love Is Dead And We Killed Her is possibly one of the most exciting rock records I’ve heard this year. It’s fresh, enthralling and unique.

From the anger-fuelled, scream anthem that is the opening track, ‘Don’t Cross My Path’ which sees the chanting of “This is a song for everyone I hate,” and “Throw your tantrum, meet my rage,” to the final notes of ‘Homesick’ – a track about returning home, to the people you have missed – this is a cyclical album with strong themes of karma, facing internal demons and broken relationships throughout.

There is plenty of metaphorical imagery intertwined too, such as the closing track casting thought-provoking scenes about finding peace, or single, ‘Mark My Words’, casting scenes about tattooing Sydney‘s words onto someone to tell of the hell she’s been through because of them.

It’s really hard not to write about every track for different reasons; from ‘No Fear’ with it’s captivating vocal melody and impeccably strong delivery or title track, ‘Love Is Dead And We Killed Her’, a payback track about karma catching up with their ex lover, through to ‘When They Show Their Teeth’ and its frantic drum intro with good old punk rock ‘na, na, nas’ (very much the kind of track you’d hear playing over the footage of a car chase scene with shaky camera shots, high-octane, skilled manoeuvres and even a crowd-pleasing, clap-along breakdown at the end too; there’s really a bit of something for every punk or rock music lover here.

There’s something exciting about the delivery throughout the record and a real sense of diversity in the production and tone of each track.

For me though, it’s the middle tracks of the record that really grabbed my attention. ‘Outta My Mind’ is possibly the strongest track on the record, instantly giving me goosebumps. It’s the kind of career-defining song that people come back to as a fan favourite with incredible gang vocals and and angsty but upbeat tone that is somehow also heavy at the same time.

‘Ink Stains’ has some lovely the half-time moments, a high-pitched, powerful vocal, with the cutting line, “You won’t be hearing from me any more,” and even a chaotic, half-spoken, half-sung breakdown, a bit like the one in Good Charlotte’s ‘Predictable’.

‘Nasty Man’ is a deep track, seemingly about a predatory man – someone promising a young girl what she wants and taking advantage of it, whilst ‘Your Idols Are Dying’ is an angst-ridden anthem about internal struggles, drugs and finding out that the people you admire and look up to most are not all they’re made up to be. There’s a perfect scream breakdown that goes right to the end of the track too!

‘Empty House’ is another example of a metaphorical track too, initially addressing being alone and screaming out for help, but it’s a progressive story that builds to a more positive ending, about learning to love yourself – it’s quite beautiful!

It’s actually funny how an album cover can mislead you – I wasn’t expecting to like this record quite as much as I did, based on the cover alone, but ended up thoroughly loving it. It’s a real testament to show that you shouldn’t judge an album by its cover.

Love Is Dead And We Killed Her is a truly exciting album that although wouldn’t always be my normal cup of tea, truly captivated me. There’s something exciting about the delivery throughout the record and a real sense of diversity in the production and tone of each track. Sure, there are certain elements that fall within the same vein as Paramore but they are also, so much more – it’s like they learnt to scream and got a whole bit heavier in tone.

I’m super excited to see what Doll Skin put out next, as this album is a banger, and you can bet these tracks will be incredible live!

Rating
4-5


‘Love Is Dead And We Killed Her’ is out now and can be downloaded from iTunes – https://music.apple.com/gb/album/love-is-dead-and-we-killed-her/1459583026


Love Is Dead And We Killed Her on Spotify

Mark My Words (Official Music Video)

Outta My Mind (Official Music Video)


We hope you’ve enjoyed our review! What do you think of this band’s third release? Are you as much of a fan as us? What would you rate it? Please leave your thoughts in a comment or via our social media.


Enjoyed this? Check out some of our other reviews here:

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Matt – Muzik Speaks
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