#Review: ONE OK ROCK – Eye Of The Storm 🌪

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ONE OK ROCK are a Japanese rock band who formed in Tokyo, in 2005. The band currently consists of Takahiro Moriuchi (vocals), Toru Yamashita (guitar), Ryota Kohama (bass), and Tomoya Kanki (drums). Since forming, the band have played many different styles of music, from alternative rock to emo and even post-hardcore to their most recent, pop rock style. In 2016, the band signed to Fueled By Ramen, releasing their eighth studio album, Ambitions, featuring collaborations with Avril Lavigne5 Seconds Of Summer and Alex Gaskarth (All Time Low). This year, (2019) sees the release of their ninth studio album (although only their third US release), Eye Of The Storm. Here’s what we have to say about it…

one ok rock - eye of the storm

From the very start of Eye Of The Storm, it’s clear that ONE OK ROCK have made a conscious departure from the previous, emo, alternative rock and post-hardcore incarnations, favouring a much more pop-led sound. That’s not a bad thing though, as this is a brilliantly-crafted pop powerhouse of a record, that is sure to further cement their position as one of big players in the pop rock genre (alongside label mates like Panic! At The Disco and Against The Current. In fact ‘Eye Of The Storm’ and ‘Worst In Me’ are almost an obvious transitioning from their old sound to their new, blending their alternative rock roots with their new, more synth-driven pop elements.

There’s a real passion and raw talent to singer Takahiro “Taka” Moriuchi‘s vocals throughout the record too, as he explores the full extent of his vocal range, pulling off some stunning falsetto notes, intertwined with soaring choruses and exquisitely long-held notes.

‘Stand Out Fit In’ is testament to this – it’s very much an anthem about embracing people’s differences, with the goosebump-inducing, falsetto lines, “They yell, they preach, I’ve heard it all before. Be this, be that, I’ve heard it before.” It’s definitely a track that’s going to capture the hearts of many!

It’s actually very hard to pin-point just a few favourite tracks but ‘Push Back’ is wonderful for its gang vocal harmonies, like a modern-day Queen track. The descending melody echoing throughout the song is truly captivating too. ‘Wasted Nights’ is all about making the most of your life and enjoying each other’s company and the line, “Let’s live like we’re immortal, Maybe just for tonight, We’ll think about tomorrow (yeah), When the sun comes up,” is poetic, conjuring up nostalgic imagery and the underlying gospel vocals are stunning. The video only makes the track even more epic too (see below)! Even ‘Change’ – there’s definitely something a little boyband about the song (like 5 Seconds Of Summer meets One Direction), with the synth-sounding guitar lines, but the melodies are passionate and the message is poignant, positive and uplifting, “Hey, You know it’s not too late for us to make a change, You gotta listen to your heart what does it say? No matter how much we might bend, we will not break.”

It’s great to see that after nine albums in thirteen years, a band can still find ways to push themselves to adapt and grow, and be completely unafraid to try new directions.

That’s not to say there aren’t other special moments throughout the album; ‘Head High’ is definitely a pop track and whilst there isn’t much depth behind the lyrics or songwriting on it, it’s certainly catchy! ‘Letting Go’ really stands out for being so unique to the rest of the record – a calm little, acoustic-led track that is so beautifully understated, dealing with getting over a relationship and coming to terms with it. ‘Unforgettable’ has some definite dance music vibes to it, with the intense drum beats and whistling in the chorus, but with guitars thrown in. It’s quite a unique blend of genres.

‘Giants’ leads from delicate verses into a big chorus and has a strong Take That vibe to it, whilst ‘In The Stars’ adds a little vocal diversity with Kiiara featuring on the track, accompanied by a military-style beat.

‘Grow Old Die Young’ is a perplexing track though; it has a strong melody in the chorus but certain elements of it are very mediocre – a synth sound which doesn’t really fit the song and then there’s the lyrics, “I want the cause of my death, to be amazing sex,” which is honestly pretty cringe!

The album actually draws to a powerful close with ‘The Last Time’, led by a really strong chorus melody, topped off with a raspy, scream-like vocal that just knocks the record out of the park, right at the last second.

Eye Of The Storm is an interesting release for the band, as it’s their most commercial-sounding release to date, meaning it’s very palatable, for a broad range of listeners and is certainly bound to pick up a lot of new fans along the way. However, it could be argued that elements of depth and sincerity about their songwriting have been somewhat lost, rendering some of the tracks a little forgettable.

The drastic change in sound is definitely going to be felt by fans of their previous release, Ambitions, as some of the more emotive lyricism and raw instrumentation, has been exchanged for top-rate production values but at its heart, it is clearly still a ONE OK ROCK album.

That said, it’s equally great to see that after nine albums in thirteen years, a band can still find ways to push themselves to adapt and grow, and be completely unafraid to try new directions, and for that, this album should be admired. It’s a great record, with some banging tunes on and I can’t wait to hear what the band do next!

Rating
4


‘Eye Of The Storm’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/eye-of-the-storm/1441817576


Eye Of The Storm on Spotify

Stand Out Fit In (Official Video)

Wasted Nights (Official Video)

Change (Official Video)


We hope you’ve enjoyed our review! What do you think of the band’s ninth studio album, Eye Of The Storm? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or join the conversation via our social media.


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#Review: Avril Lavigne – Head Above Water 🌊

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It’s hard to believe that Avril Lavigne dropped her first single, ‘Complicated’, back in 2002 but since then, the songstress has had 5 studio albums, 23 singles, 27 music videos (including ‘Girlfriend’, which became the “first music video to reach 100 million views on YouTube”) and has even appeared on several television shows and films. Now, six years since her last, self-titled album, 2019 sees the singer-songwriter putting out her sixth studio album, Head Above Water; a personal account of the trials and tribulations she been through over the past few years. Here’s what we have to say about it…

Avril Lavigne - Head Above Water.jpg

Head Above Water is probably Avril Lavigne‘s most mature album to date, seeing a real evolution in her songwriting. Throughout the record, she paints a candid, honest and deeply introspective portrait of a truly tumultuous period in her life.

It all begins with the album’s title track, ‘Head Above Water’, which is in fact the song that kick-started the writing of the whole album. She stated, “One night, I thought I was dying, and I had accepted that I was going to die. My mom laid with me in bed and held me. I felt like I was drowning. Under my breath, I prayed, ‘God, please help to keep my head above the water.’ In that moment, the song writing of this album began. It was like I tapped into something. It was a very spiritual experience. Lyrics flooded through me from that point on.” In this truly stunning track alone, Avril Lavigne documents her fight with Lyme Disease (as a result of which, she set up The Avril Lavigne Foundation, to raise awareness of the condition – visit http://www.TheAvrilLavigneFoundation.org for more information), showing her strength of character to fight and overcome it.

As if that song wasn’t different enough, ‘Birdie’ demonstrates a diverse instrumental with intricate production where stripped-back moments show off her voice beautifully and a distorted vocal break adds another dimension to the track in which compares herself to a caged bird.

Equally, ‘I Fell In Love With The Devil’ and ‘Tell Me It’s Over’ are both tinted with Lana Del Rey-esque vibes. The first blends both high and low-pitched vocal harmonies to create an ominous tone to the track, perfectly mirroring the theme of a toxic relationship, whilst the latter’s sultry vocals and brass elements in the verses lead into a massive, soulful chorus, making it possibly the most unique song Avril has ever released.

There is a bit of a lull in the uptempo vibes towards the middle-end of the record (but still great tracks!) ‘Souvenir’ is a cute little love song that although a touch juvenile, is actually very endearing, whilst ‘Crush’ is a sparkly-sounding, soulful number.

It might not be her most obviously banging release, but it certainly packs a punch on the emotive side, with such wonderfully poetic lyricism.

‘Bigger Wow’ isn’t the most memorable song though it’s incredibly catchy and unequivocally pop, however I can’t help but feel it’s virtually a carbon copy of Hailee Steinfeld‘s single, ‘Starving’ with Zedd.

That said, although on the whole Head Above Water is quite the far cry from any of her previous releases, there are definite nods to her former sounds. ‘Dumb Blonde’ (featuring none other than Nicki Minaj – which was clearly a last-minute addition to the track, as the review version of the album did not feature her at all) takes a massive leaf out of her 2007 smash hit, ‘Girlfriend’. Additionally, ‘It Was In Me’ has a massive throwback vibes to her 2002 hit, ‘I’m With You’, but nevertheless, it’s amazing and the build up at the end is truly goosebump-inducing!

The album draws to a close with ‘Warrior’, thematically bringing us back full circle to where we began. The lyrics possibly aren’t the most imaginative on the record but they certainly show the strength she has found within herself, to get through some of the toughest years of her life and with that comes an audible gratitude and renewed lease of life.

Whatever you think of Avril Lavigne‘s previous incarnations, you can’t hear this album and deny that it’s a passionate and very personal offering from the star and although there isn’t a completely cohesive style throughout, it’s refreshing to hear her trying something new. The break has done her voice good too – there’s a renewed power and technique behind it and she’s using it in ways she hasn’t much before.

Of course, there are bound to be people that will slate her for moving away from her old sound and those who will criticise her for trying something new, but personally I love and commend this record for being evolutionary and so clearly therapeutic. It might not be her most obviously banging release, but it certainly packs a punch on the emotive side, with such wonderfully poetic lyricism. Now it’s time to return to the top Avril Lavigne – welcome back!

Rating
4-5


‘Head Above Water’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/head-above-water/1442724476


Head Above Water on Spotify

Head Above Water (Official Video)

Tell Me It’s Over (Official Video)

Dumb Blonde featuring Nicki Minaj (Lyric Video)


We hope you’ve enjoyed our review! What do you think of Avril’s sixth studio album, Head Above Water? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


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#Review: Afterlife – Breaking Point 🌡


   

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Muzik Speaks Loves Hopeless Records - SmallerAfterlife are a metal quartet from West Palm Beach, Florida, consisting of Tyler Levenson (vocals), Andrew McGuire (guitar), Tristan Edwards (bass) and Luke Walkinshaw (drums). Since signing to Hopeless Records, the band are now putting out their debut album, Breaking Point. Here’s what we have to say about it…

Afterlife - Breaking Point.jpg

The album bursts into life with serious tenacity, in the form opening track, ‘Sacrifice’ – a song laden with creepy vocal effects (somewhere in the same vein as Marilyn Manson) and come served up with a huge dose of angry, metal instrumentation.

From there, the album takes off into a flurry of metal-induced fury and it’s clear throughout, that the production quality of the record is impeccable. Not only is it a great quality record but there are a lot of layers to the tracks, making it interestingly chaotic, in parts. Unfortunately though, in places it feels like there is more style over substance and that the production and intricate instrumentation outweigh the lyrical content. For example, ‘Giving Back The Pain’ is a great song for crowds to mosh to and it has a certain commercial quality to it, but I hate to say it – lyrically, it is bordering on cringe-worthy. It’s clear what they’re trying to achieve, but I’m just not feeling it.

That’s not to say it’s all bad, by any means. ‘Throat’ has some quirky, downward spiral sounds and a catchy melody to it that is actually reminiscent of the early Eminem track, ‘Kim’, though the lyrics attempt to be profound but end up somewhat disjointed. ‘Breaking Point’ focuses on getting angry to the point that you snap and the motion of the chorus vocal is pretty captivating, while ‘Holding On’ has this brilliant bass-line leading into the track (and underpinning the chorus) with a well-written rap-style verse and an understated melody leading into the chorus, that make for a brilliant listen.

‘Grey Sky’ has a wonderful melody to the chorus line, “Where did your mind go?” that you can’t help but love – it’s gritty and raspy and really captivates the lyrical content about being trapped in your own dark thoughts.

The band’s performance throughout, is brilliant and Tyler Levenson‘s screaming is incredible – he has a great singing vocal too.

Possibly the best tracks on the record have to be ‘Karma’, which is a really great angry anthem to blare out when you just want someone to get what they deserve. “Try to run, try to run, try to hide, Karma’s coming for you bitch” – I mean God, it just oozes rage! And ‘Broken Home’ – the album doesn’t really let up on the anger front until this track, where suddenly it seems to get a little lighter in tone and whilst the subject is sad and there’s still a little grunginess to it, it’s not so fuelled by hatred and dark screaming – it’s more honest and self-reflective. It’s quite possibly the best track on the album.

As far as Hopeless Records releases go, this is not your typical release from the label – it’s a lot heavier but undoubtedly, it will have an appeal to corners of the metal market. In fact, it’s got elements of rap merged with metal, like Linkin Park meets Rage Against The Machine, but just not quite as well-crafted.

That all being said, the band’s performance throughout, is brilliant and Tyler Levenson‘s screaming is incredible – he has a great singing vocal too, but the frequently-used, rap-style verses just don’t quite make the mark (lyrically and stylistically) – perhaps as the band continue to mature, they will grow lyrically too.

I’m sure there will be a lot of support for this album, particularly from fans of Hopeless Records and perhaps those who’ve begun to venture more into the metal realm, from the softer, pop punk genre. However, for the band’s next release, I hope they will work on their lyrical content to match the great instrumental performances.

Rating

2.5


‘Breaking Point’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/breaking-point/1435412838


Breaking Point on Spotify

Throat (Official Music Video)

Holding On (Official Music Video)

Sacrifice (Visual)


We hope you’ve enjoyed our review! What do you think of this band’s new album? Is our review fair? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


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#EventSpeaks: Seasick Steve @ Brighton Dome – 13/11/18


   

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On Tuesday 13th November 2018, Seasick Steve arrived in Brighton, in support of his most recent album, Can U Cook? He was supported by country singer Prinz Grizzley & His Beargaroos.


Prinz Grizzley & His Beargaroos

Prinz Grizzley took to the stage, accompanied by his “Beargaroos”, and displayed an impressive blend of country, folk and blues. The four-piece band pulled off some incredible vocal harmonies and certainly got the crowd warmed up for Seasick Steve. It’s truly amazing to see a German singer, demonstrating such an authentic, Southern States, wild-country vibe, with some honest, personal lyricism. A very high calibre of support that is bound to find some great success, even within this rather niche genre.

Highlight: The vocal harmonies the band performed at the end of the track Wide Open Country’ and the whole performance of ‘I Can See Darkness’ – beautiful track!


Seasick Steve

Seasick Steve is a wonderfully modest performer. Despite taking to the stage, to whoops, cheers and thunderous applause, in some respects, he still seems quite timid and reserved. Sure, he packs a punch when he needs to, busting out a move or two and rocking out with grungy, self-made guitars, in all the right places but equally, there are moments when his crowd interaction is somewhat mumbled and understated; he’s a unique performer, that’s for certain.

His honest yet simplistic, sometimes even satirical lyricism and bluesy songwriting style are perfectly matched by his husky, yet incredibly powerful vocals. He successfully merges a blend of country, blues and rock to create an all-consuming sound that found the audience losing themselves to the beat. Sure, there were the odd moments when a drunken audience member would lose themselves so much that they would attempt (and fail) to start a slow clap along to one of the more mellow, folky songs, before eventually giving up, but a Seasick Steve show is all about enjoying yourself, being free to participate however you like and not being afraid to be judged.

One thing that surprised me was the diversity of the crowd – you had your typical, Southern-American wannabes, middle-aged (and beyond) music-lovers – who probably heard of Seasick Steve on stations like Radio 2 but then there were the odd few teenagers – a demographic I hadn’t expected, but was pleasantly surprised to see thoroughly enjoying themselves.

Seasick Steve is a brilliant performer, and the fact he’s 77-78 years old and able to command the stage presence he does, just goes to show what a uniquely talented individual he is. If you haven’t seen him perform before, I can’t recommend him highly enough – I didn’t know loads of his songs before I went, but found myself utterly captivated. He won’t disappoint!

Highlights:

  • Seasick Steve‘s wonderful dance moves were highly entertaining – the guy really knows how to rock out!
  • The vast range of home-made guitars he uses, are something truly unique and frankly spell-binding to behold – what a talent!
  • His crowd interaction was hilarious – particularly when he got to the, “marketing part of the show,” where he talked about making the new album and showed off the vinyl sleeve, making a special mention of a picture in the top corner, where he’s “making out with a dog.” Hilarious!
  • The simplistic, yet humble stage set-up made it almost feel like you were watching a performance in his back yard – very intimate.

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 Setlist

Don’t Know Why She Love Me But She Do
St Louis Slim
Bring It On
Chewin’ On Da Blues
Sun On My Face
Hate Da Winter
Shady Tree (Dedicated to the ladies with long hair)
Can U Cook?
Started Out With Nothin’
Down On The Farm (Dedicated to farmers)
You Can’t Teach An Old Dog New Tricks
Young Blood
Barracuda ’68

Encore
Insta This (Unreleased)
Thunderbird


Finally, I want to say a MASSIVE thanks to Hannah Leeland for setting up this review for me and to Seasick Steve and Prinz Grizzley for putting on an incredible evening.


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#WildCardWednesday: Broken Hands – ‘Split In Two’

 

 


   

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Muzik Speaks Loves Atlantic Records - SmallerLast week (18th October 2018), Canterbury rockers, Broken Hands, announced that they had signed to Atlantic Records by releasing a pair of brand new singles, ‘Split In Two’ and ‘Friends House’; their first new music since the release of the 2015 full-length debut, Turbulence.

The five-piece band, which consists of Dale Norton (vocals), his brother, Callum Norton (drums), Jamie Darby (lead guitar), Thomas Ford (bass) and David Hardstone (rhythm guitar & keys), have been busy working with Tom Dalgety (notable for mixing a lot of Royal Blood‘s work) on these two tracks – his style is particularly reflected on ‘Split In Two’, which has an amalgamation of both psychedelic and grunge vibes.

The band’s style is further reinforced by the fact they have played shows with the likes of Rolling StonesBlack Sabbath, Blur and Deaf Havana.

The music video for ‘Split In Two’ sees the band performing amongst a glowing green light with a Matrix-style code backdrop.

No details about their forthcoming album have emerged, as yet, but we’ll keep you updated.

Cover Photo 📸 – Hollie Fernando

What are your thoughts on this band’s latest release, since signing to Atlantic Records? Have you got a #WildCardWednesday track to recommend us? Please leave your thoughts or song suggestions in a comment or chat to us via social media.

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‘Split In Two’ can be downloaded off iTunes now – https://itunes.apple.com/gb/album/split-in-two/1438777475?i=1438777478


#Review: Against The Current – Past Lives 👁


   

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Against The Current are an American pop rock band from New York, who formed in 2011. The band is made up of Chrissy Costanza (lead vocals), Dan Gow (guitars) and Will Ferri (drums). The band are notable for regularly posting covers on YouTube as well as delighting fans with original tracks too. In 2016, after signing to Fueled By Ramen, the band released their debut album, In Our Bones. Now, 2018 sees the band releasing their second full-length record, Past Lives. Here’s what we have to say about it…

Against The Current - Past Lives.jpg

This stunningly diverse and charming record opens with the almost haunting ‘Strangers Again’, dealing with getting over a relationship and cutting ties. The guitar line is dreamy and the vocal breakdown towards the end is a rather quiet and personal moment that really draws you in. It’s a brilliant way to open a record; it doesn’t go in all guns blazing but instead captivates the audience with its beautiful soundscapes.

Next is probably the best track on record, ‘The Fuss’. With Daft Punk-esque, 80s synths, funky guitar rhythms and one hell of a catchy chorus, this is a track you will just want to play really loud and dance like mad to!

Other significant songs include: ‘I Like The Way’ – a track all about new love that almost reaches EDM territory with its strong piano line. It’s something you might expect from the likes of Sigala‘s Easy Love or Sweet Lovin’; ‘Voices’ is a slightly more grungy offering about being self-conflicted and trying to ignore the internal voices (which is reflected perfectly with whispering backing vocals) – it’s very Paramore meets Fickle Friends, whilst ‘Scream’ is a rather floaty and dreamy song – for some reason it evokes images of the perfect all-American family from the 1960s (no idea why!) It’s an uplifting yet subtle track; I keep finding myself going back for more.

‘Personal’ has a Taylor Swift-like quality to it and the production is incredible – the vocal harmonies sit beneath the rest of the production in the chorus, but it’s truly enchanting. ‘P.A.T.T.’ (short for Pretty All The Time) is an out and out female empowerment anthem – it’s fast-paced, punchy and relatively simplistic but the message is fun and powerful about girls feeling like they should be allowed to be themselves without having to look “pretty all the time”…calling all, “Girls!”

It’s an impeccably well-crafted record which has very successfully merged the boundaries between dance, pop and rock music, with a sprinkling of 80s vibes on top.

Lastly, ‘Friendly Reminder’ is another notable song, it’s certainly an album track rather than a potential single but the use of a phaser effect on the vocals and an epic clap-along chorus towards the end make it really stand out…again, there’s a big 80s vibe to it.

What Against The Current manage to do so well throughout, is take you on a journey with them; when they’re soaring high, you’ll feel all the sparks of excitement with them brought about with big synth sounds, intense beats and tons of reverb but equally when melancholy reigns, you’ll feel their heartache too.

Whilst I could say something about every track on the record, I won’t – you just need to experience it for yourself. I really can’t recommend this highly enough…the only reason it didn’t get a 5 is because there are one or two less stand-out, album-fillers but even those are pretty damn good. It is very much an album which marks a band that have found their feet; they’ve created something wonderfully catchy yet utterly credible with sincere lyricism, interesting melodies and top-notch production.

It’s an impeccably well-crafted record which has very successfully merged the boundaries between dance, pop and rock music, with a sprinkling of 80s vibes on top; it’s difficult to pigeonhole this band…in a good way! It’s a truly exciting time for the band; this will certainly make waves in the genre and undoubtedly pave an exciting path for their future!

Rating
4-5


‘Past Lives’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/past-lives/1425108766


Past Lives on Spotify

Almost Forgot (Official Video)


We hope you’ve enjoyed our review! What do you think of this band’s sophomore release, Past Lives? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


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#Review: With Confidence – Love And Loathing 🥀


   

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Muzik Speaks Loves Hopeless Records - SmallerWith Confidence are a pop punk band from Sydney, Australia, who formed back in 2012. Having been through some line-up changes, the band now consists of Jayden Seeley (lead vocals & bass), Inigo Del Carmen (lead guitar & backing vocals) and Joshua Brozzesi (drums). In 2016, the band signed to Hopeless Records and released their debut album Better Weather. Now, in 2018, the band are back with their sophomore record, Love And Loathing. Here’s what we have to say about it…

With Confidence - Love And Loathing.jpg

This feels very much like the band have studied and followed the recipe for making the perfect pop punk record, down to a tee…and that’s not even a bad thing! Somehow, the record feels timeless within the realm of the genre but without sounding like a carbon copy of so many others. After only a couple of listens, it feels just like returning to an old favourite that has been in my collection for years!

Opening track, ‘That Something’, is a stunning way to kick off an album – it’s got catchy vocals (but not obviously so) about finding a new love interest, paired with strong instrumentals of varied tempos, topped off with superb and subtle production flourishes.

Other huge tracks to take note of, include: ‘The Turnaround’ is a massive tune about making a change in your life and grabbing it by the horns, all accompanied by seriously incredible falsetto vocals; ‘Jaded’ which is a fast-paced thrashing track that you might find from the likes of Simple Plan; ‘Better’ is probably my favourite song on the record – about the desire to improve yourself with it’s occasionally satirical lyrics and soaring high-pitched vocal melodies, it’s a track you can easily get lost in.

Diversity spans the record: ‘Spinning’ is much calmer tune that has ‘woohoos’ and the subtle catchiness of a We The Kings or Maroon 5 track; ‘Pâquerette (Without Me)’ wishes an old love well with mellow acoustic vibes and ‘Icarus’ is a far grungier and more aggressive song that bares a resemblance to something by You Me At Six – it’s got heavy guitars and screamy vocals and adds a new depth to the record.

After only a couple of listens, it feels just like returning to an old favourite that has been in my collection for years!

Even in its lower moments, this is an album that feels overall, positive and like a band that’s been revitalised. The tracks each sound unique and interesting in their own ways; some outright pop punk anthems, other mellow, heartfelt ballads and even a couple of slightly more experimental numbers…yet it all still comes together as a cohesive record. Love And Loathing is just that – a record of two halves, covering the excitement of new relationships and hatred of old ones.

It is a tight, well-produced album that, despite some recent, tumultuous events, feels like a band now set for even bigger things! Could this be the next All Time Low or 5 Seconds Of Summer? If you’re a pop punk fan, you will love every second of this record!

Rating
4-5


‘Love And Loathing’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/love-and-loathing/1388719305


Love And Loathing on Spotify

That Something (Official Music Video)

Moving Boxes (Official Music Video)

Jaded (Official Music Video)


We hope you’ve enjoyed our review! What do you think of the band’s second album? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or hit us up via our social media.


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