*EXCLUSIVE* #Review: Chicane – The Place You Can’t Remember, The Place You Can’t Forget ūüí≠


   

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Chicane (aka Nick Bracegirdle) is a British musician, composer, songwriter and producer who has had a string of hits that have been massive on the Ibiza club scene, including ‘Saltwater’ (featuring vocals by M√°ire Brennan from Clannad), ‘Offshore’, ‘Don’t Give Up’ (featuring Bryan Adams) and ‘Stoned In Love’ (with vocals by the legendary Tom Jones). Now, 2018 sees the release of his seventh album, The Place You Can’t Remember, The Place You Can’t Forget (released through Modena Records and Armada Music); here’s what we think about it…

Chicane - The Place You Can't Remember, The Place You Can't Forget.jpg

I would go so far as to say that this might be one of Chicane‘s best albums to date; it’s diverse, eclectic and contemporary whilst not compromising on his instantly recognisable sound and style.

The album opens with the stunningly atmospheric ‘Running To The Sea’ which reverberates right through the chest, due to low rumbles and bass notes but meanwhile uses harmonic guitars, making it sound equally euphoric; it’s like the dawn of a beautiful day, but in this instance, the day is the album!

From there, 2017 single, ‘Gorecki’ (featuring vocals by Hannah Robinson), makes an album appearance; very much a classic Chicane track – mesmerising, hypnotic synth plucks, dream-like pads, echoing vocals and deeply rooted in the house genre.

Also, Tracey Ackerman makes a much anticipated return collaboration on single, ‘Serendipity’; a calm and ambient track.

Some of the other, most notable tracks, include: the instant, turn-it-up anthem, ‘A Love That’s Hard To Find’; definitely a song that provides room to breathe throughout but also includes some Daft Punk-esque vocals (from Paul Aiden) on top of a summery, deep house beat; ‘Rainbow’ keeps you in suspense all the way through with its calming vocals (provided by Tyler Lyle) and synths that teeter around the edge of something big, probably making it one of the most ambient songs on the album and two Rosalee O’Connell-sung tracks; ‘Nirvana’ – an EDM meets house affair that has some wonderful, broken falsetto vocals, with a touch of something old-school (like ATB‘s ‘9 PM (Till I Come)’ or York‘s ‘On The Beach’) and ‘I Came Here For You’ which serves up an exotic combination of cascading synths, heavy drums, rhythmic bass and dreamy vocals that sit in the centre of the mix, almost surrounded by the instrumentation.

Somehow this feels very different to some of his previous releases; it is uplifting, fresh, reinvigorating and really pushes the boundaries of what he can produce.

To be perfectly honest though, it’s incredibly hard to find something not to love about every track on the album; ‘Chord – Less Yacht’ slowly builds from a muffled, static-like intro to an angelic-sounding, deep house anthem with shimmering synths and thumping beats, ‘Judder’ sounds like the theme to an 80s fighting game (think Street Fighter) but with dramatic changes in tempo and barely audible vocal notes coursing through it, ‘Ten Deep’ sounds like the film score to a modern sci-fi movie, due to its soaring synths and bold brass sounds and ‘Fear I Must First Let You Go’ (featuring vocals by Chris James) is a positive take on looking to the future – a therapeutic song that has an almost sermon-like quality to it.

Without a doubt, The Place You Can’t Remember, The Place You Can’t Forget is still an ambient, atmospheric and deep house-filled album that is instantly recognisable as Chicane, but somehow it feels very different to some of his previous releases; it is uplifting, fresh, reinvigorating and really pushes the boundaries of what he can produce.

Lastly, I would like to make a special thanks to Nick and his manager Louis, for allowing us to be the first and only people to have had access to the full album prior to its release. It truly has been a privilege.

Rating


‘The Place You Can’t Remember, The Place You Can’t Forget’¬†is out now and can be downloaded from iTunes –¬†https://itunes.apple.com/gb/album/the-place-you-cant-remember-the-place-you-cant-forget/1377444000


‘The Place You Can’t Remember, The Place You Can’t Forget’ on Spotify

Serendipity (Official Video)

A Love That’s Hard To Find (Official Audio)


We hope you’ve enjoyed our review! What do you think of this incredible musician and producer’s latest album? Do you love it as much as us? What would you rate it? Please leave your thoughts in a comment below or share your views about it via our social media.


Enjoyed this? Check out some of our other reviews here:

Muzik Speaks Album Reviews


Matt – Muzik Speaks
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#EventSpeaks: Chicane @ Concorde 2, Brighton – 19/05/17


   

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On Friday 19th May 2017, Chicane came to Brighton to perform a full-band set (which is a very rare thing!) It was an absolutely incredible night, with support from Chris Hopkins, who did an hour and a half DJ set.


Chris Hopkins (DJ Set)

One of Nick’s friends,¬†Chris Hopkins¬†did a great DJ set to get the evening started, playing a range of dance anthems as well as some remixes of classic songs by Prince and others; it was non-stop tune after tune.

Highlight:

  • The dedication made to Robert Miles before playing ‘Children’ was touching and had the crowd cheering and dancing along.
  • Also playing a¬†Chicane song (not on the set list), right before he took to the stage, was a great way to get the crowd going.

Chicane

Chicane took to the stage with the recent, ambient, ascending track¬†’38 Weeks’, accompanied by his band (Karlos Edwards on drums and Simon Small on guitar and bass) and singer, Rosalee O’Connell. The set was then packed with his biggest hits from the past 20 years, in celebration of his recent album,¬†Twenty.¬†I particularly enjoyed the live performances of¬†‘Poppiholla (Anniversary Remix)’, ‘Fibreglasses’,¬†‘Don’t Give Up’,¬†‘Nite On Shore’ and¬†‘Saltwater’.

The set was diverse, mixing his more upbeat, club anthems (which had the audience going wild; jumping up and down and singing along) and the more mellow, ambient tracks; at times joined by¬†either of the two singers (Rosalee O’Connell or Gavin Conder) accompanying and others with just the musicians; it all flowed perfectly.

It was great to hear these tracks live and the combination of Nick’s synth tracks and keys alongside live instrumentation was a really unique way to experience his music.

The performance¬†was about an hour and a half long and people loved every second of it (myself included); we¬†could quite happily have gone on listening, watching and dancing all night. There was genuine disappointment when it came an end but an encore¬†led to rapturous applause before closing the show with¬†‘Stoned In Love’, with Gavin Condor on vocals.

If you haven’t ever seen him play with a full band, you must! I’m already itching to catch him live again!!!

Highlights:

  • The set list was crammed full of hit after hit.
  • Nick mixed the sounds to perfection and whilst the quality sounded like the studio versions, the subtle changes to the track made them unique to that performance.
  • The bass sounds were so heavy and loud, you could feel them reverberate through your chest.
  • The guitarist was incredibly talented, particularly on the track,¬†‘Nite On Shore’ when he showed off some impressive acoustic guitar skills.
  • The superbly¬†powerful vocals of both singers were stunning to witness.
  • The drummer’s use of both drum kit and samples pads added a diverse edge to the performance.

All of these excellent photos are credited to Elliot McRae.
Go on, give him a follow ‚Äst@EMcraePhoto


 Setlist

38 Weeks
The Bridge
One Thousand Suns*
Poppiholla (Anniversary Remix)*
Saltwater (Kryder Remix)
Hiding All The Stars
Still With Me
Fibreglasses
Carry Me Home
Don’t Give Up*
Nite On Shore
Saltwater*

Encore
Stoned In Love

* These songs can be viewed in the YouTube playlist, below.


Finally, I want to say an absolutely HUGE thanks to Louis for organising this review and backstage interview (here) and also to Chicane (Nick) for putting on such an immense evening; I loved every minute of it.

Matt – Muzik Speaks
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