#MuzikSpeaks: An Interview with Amy Studt

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Having just released her third, honest, open and diary-like studio album, Happiest Girl In The Universe (read our review), we had the pleasure of talking to Amy Studt about how it felt to write such a personal record, who she’d most like to work with and even found out about something embarrassing that’s happened to her. It’s all here…

Amy Studt - Happiest Girl In The World


Hey Amy, how’s it going?
Really good actually, thanks! I am really happy and busy. I’m feeling very grateful.

So you’re just releasing your third studio album, Happiest Girl In The Universe. How do you feel prior to dropping a new album and what do you get excited and fear most about it?
Really it is just happiness as the dominant feeling. I have very little to fear as I have very little to lose. I’m excited to tour this album and to generally show it. I feel fairly invincible in a weird way because the things that could be deemed as scary or fearful are things that I am not frightened of losing. It was made for me and in that sense I have already achieved what I was hoping for. I’m not expecting charting or any of that. It was made for me and is a document/book of my journey, thoughts and exorcisms. I feel nothing but joy.

That’s great to hear and it must be a really great feeling, going into the release! The vibe on this record is a lot different to some of your earlier releases. It’s honest, open and pretty dark – like a diary of what you’ve been through mentally and emotionally. What was it like to put pen to paper and write about some of your innermost feelings, so candidly?
It is cathartic. I go into a sort of space where everything else fades out and I am just floating somewhere in words, ideas, thoughts and sounds. It’s this space where nothing and no one else exists (unless invited) and I have complete freedom.

I was always a fairly honest, upfront person, blurting things out but I don’t know prior to the last ten years, how honest within myself/about myself I really was. I had to and wanted to confront myself, shine a light on all of the parts of me that were hiding and causing me and the people around me pain. I had had a lot of partners who were pretty far from honest people, kept a lot of secrets, lied a lot. And when I met Toby Kidd – who I worked on this record with, but who was also initially and for a long time my romantic partner – he was such a breath of fresh air to me. However painful the truth was from him, at times it was like he was incapable of not telling it how it was, logically, intelligently, brutally but beautifully. I found it inspiring. And in a way it released me. So within myself, this desire for raw honesty and self-awareness and self-knowledge, however ugly, disorientated, selfish, broken, vulnerable, whatever it might be, filtered into my writing. I wanted to express what I was going through to try to move on, to get it out of me somehow. And to hopefully find some kind of peace.

Well I think it’s wonderful and hope you are able to find that peace from this masterpiece. Your vocals are very raw in places and you’ve even used some spoken word poetry. What inspired you to be more experimental on this album?
I’ve always been interested in more experimental music. Even as a child, I always liked the more left of centre stuff, though I like all sorts of music, but as I grew older and found my group of people, my group of outsiders and my artistic family, I learnt more, discovered more artists, more music, more genres even, that I connected with. My mind started opening to the possibilities and my style began to naturally shift and re-form simply during the creating process itself.

In the studio my desire to experiment fully took flight during the writing of my second album but I always felt I was slightly restricted somehow by the professional atmosphere and my ideas would rarely be fully formed because of this. I couldn’t just grab an inanimate object from my kitchen to try to use as percussion, or jump into my bed with a microphone under the duvet to record the vocals in the same way. Banging everything in the house or studio to see if it might make an interesting sound. I didn’t have that real, “no limits to express” feeling that I longed for and although I am very proud of that second album, I still feel like it was, to an extent, a compromise.

The things I naturally write at the piano are somewhere between the hooky, singer-songwriter world and the experimental world. And although I am inspired and influenced by many artists, writers, I still think I maintain my own sound. With this album my influences had been more diverse. I’ve always written poetry, so that seemed like a natural fit to include that part of me also. Really, me and Toby and Finn were just enjoying experimenting as much as possible, from playing tuned jars full of water from the house as percussion, to dictaphone recordings from the writing process and us talking, mixed into the final song. Playing with mic’ing techniques or whatever it was that “broke the rules” of what you get told is “correct” or taught at production school. Working with whatever we had and working on the basis of the only rule being the Joe Meek quote, “If it sounds right, it’s right!” It was a lot of pain, a lot of work and a lot of fun.

I love that. I definitely think you have maintained your own sound, and it’s a very refreshing way to go into recording an album…and actually, it’d be nice to see more people experimenting with organic techniques. So, if you could collaborate with any other singers/bands, who would they be and why?

  1. Scott Walker, if I could  somehow bring him back from the dead. He has been such an inspiration to me an incredible writer and pusher of boundaries and what a life he had.
  2. P J Harvey or Polly – however you want to say her name – is the queen of experimental, alternative, female singer-songwriters for me. It would blow my mind to work with her as I have followed and adored her work for years.
  3. Angel Olsen is someone currently, that I love, and is making magic right now. She has this lonesome quality that pulls you in and I’d like to see what we created together.
  4. And here is just a list of others that I would love to work with because there are so many:- Bjork, Amanda PalmerFeist, Cat Power, Aldous Harding, Jesus And Mary Chain, Annie Lennox, Adele (cos I think we could write an epic ballad together), Mazzy Star/Hope Sandoval, etc, etc, etc.

Wow, some amazing people there and some collaborations I’d love to hear! How do we make them happen? Haha. Can you tell me what your usual process for writing/recording is like?
I normally start at the piano. Lots of scraps of paper that I don’t mind wasting, with shit and good lyrics and lots of scratched out and edited ideas. Press record on my voice recorder or dictaphone or if in the studio, the computer with me mic’d up. Then I just play piano for hours non-stop. I shift and move through ideas I’ve had previously, shapes and progressions I’ve never explored before, things I want to see how they sound turned inside out and back to front, until I start to find these nuggets of music that I really like and then eventually focus my attention on those more powerful nuggets and start to develop them. I help them expand and connect with other nuggets I have. It’s like puzzle-making for me. Then with the lyrics, there are usually a few different parts to that. Some are written on train rides in my lyric books, ideas/thoughts I know and feel are strong that have just been waiting for their right time and place to come forward. I usually fairly lovingly keep them quite organised. A lot of lyric ideas are on my phone in a lyrics doc (you never know when it’ll hit and you need to write something down quite quickly) and then there are my messy pages on the piano. I might write in some from my book or phone onto them that feel right with the precious musical nuggets I’m developing. What does this music feel like it’s about? What is the mood? Could I make this work with this idea I’ve been longing to try out. Etc. But I almost never ever think about melody. My melodies all come from improvising the lyrics to the music. It just comes out of me with no pre-thought and is connected to the other components. That’s pretty much how I do it… never written that out before! Must sound boring…

Amy Studt - Press Shot

No, it’s really interesting to hear about how people write their music and yours seems to be quite an experimental, yet methodical process. Besides your own music, what else have you been listening to most recently?
Angel Olsen‘s new album album All Mirrors, Sabina Sciubba, Taylor Swift‘s Lover album, Nina Simone, The Velvet Underground, Janis Ian, The Murder CapitalLykke Li, Kate Bush, Amanda PalmerThere Will Be No Intermission, Chet Baker, James Chance & The Contortions, Heather Woods Broderick, Julia Jacklin, Sharon Van Etten & Max Richter (Thank you iTunes).

Haha, wow what a comprehensive and eclectic mix! Some I will have to check out, for sure! If you had to cover a recent chart song, which song would it be and why?
I literally have no idea what has been in the charts for maybe a decade… I live fairly under a rock. I like to surround myself with the things, music, objects, people, art, films, family, friends the world I have created for myself within this world. I don’t like to read newspapers, and anytime I’ve popped my head out and heard ‘chart’ music I haven’t understood it…which confirms to me that I must now be old. BUT saying that I’m assuming that Taylor Swift’s song ‘Lover’ has been in the charts… gonna check now… yes, it appears it is Number 1 in the States haha. God, I’m so out of the loop. Ok, so I would cover that. I really like that song. I think I could make it my own and it means something between me and my husband as he travels solo sometimes to Iceland and such, and I am always working away from home so we miss each other a lot. I’d like to cover it secretly and send it to him in a letter while I’m away somewhere.

Aw, that’s really cute!!! I bet he’d love it, and I’d love to hear your version of that too! So, when you go out on the road, where are some of your favourite places to perform at?
Scotland is always wonderful vibes. The crowd is always so supportive and powerful to play to. I also had an amazing show in Leeds once, which went completely nuts and really took us by surprise. My old hometown, Bournemouth, is always a strange kind of magic to return to. A mixed crowd of people who want to hate me but find they struggle to and those who have known and loved my music for years and have grown up with me and know things about me that no one else would. They might have lived in the house next to mine or known a boy I dated as a teen etc. But it is always, always nice to play in London. Quiet, connected, respectful, attentive audiences full of love.

Sounds awesome. I remember meeting and seeing you in Guildford once – I do enjoy your shows. I was wondering though, has anything really scary ever happened to you on tour? If so, what?
Not really… I did do a rowdy show in a pub-type building once; very strange gig and got offered a lot of money to play to some very angry drunks. Shouting and talking too loudly so they couldn’t hear us play or me sing. Just shouting “PLAY MISFIT! PLAY MISFIT!!” at me. I just ignored them but when one of the big guys lunged towards me, for whatever his reason (it did look a bit aggressive), thankfully I had my dear best friend Connor MacDonald (who was at that time, my guitarist) who is actually shockingly tough, grabbed him and stopped him mid-song. But I didn’t find it particularly scary. Just carried on singing. Just one of those things that can happen on tour. You never know what each gig will be.

That sounds kind of scary. Why someone would lunge for you on stage is bizarre! So, do you have any pre- or post-show rituals?
Pre-gig everyone has to be as relaxed and normal as possible. If anyone is trying to hype me up pre-gig, they have to go. As little talking as possible so I don’t wear out my voice before the show. Casual chat is fine. I want to walk out onto the stage as if I’m walking into my living room to play piano.

And post-show the first thing I do is have a cigarette, then I head straight out to talk to people who have come out to the show. Some people travel a long way to be there and others it means a lot to them to have a conversation with me as it might be such a long-standing relationship to my music, and in a sense me also. I love hearing about their lives and getting to meet them.

That’s really nice and such a genuine thing to do – not enough artists do that with their fans, though I think more are starting to. I imagine your fans really appreciate your time and dedication to meeting them. OK, so have you got any weird habits we should know about?
I shake a lot naturally from the adrenaline in my body from my anxiety disorder. And one way I deal with my anxiety is biting and picking at everything on me. I’m really very gross. Scabs. I chew the skin off my fingers when my nails run out, I eat my crispy eye sleepy stuff, I’m one of those people that loves watching those videos of people popping giant cysts or of them being removed. I had one on my head once and it was possibly one of the best things that’s ever happened to me. I still miss it and touch the area on my head, hoping it’ll come back. Very little grosses me out about the human body. Haha.

Haha. That’s hilarious! I think a lot of people secretly (or not-so-secretly in yours and my case) enjoy watching pimple-popping videos. What are some of your other passions outside of music?
Well apart from giant cysts I guess… I am completely obsessed and passionate about acting, film and theatre. I studied Method acting a few years ago and Meisner Technique all of last year at The Salon Collective at the Cockpit Theatre and it was honestly life-changing. Lit up every part of me and every day I would come home completely alive and raving about what I was learning about the craft and about myself. I made some very special friends also. So I would like to continue my love of those three things moving forward. Acting, Film and Theatre. I used to be obsessed with horror movies growing up and that’s my winning genre for quiz games but when I started getting anxiety, I just couldn’t watch them anymore. But I adore films. Completely nerd out on character study and subtext.

Nice! Love a bit of nerdyness in people and I could see you being a good actress. I hope you get to continue all those passions. Go on then, what really grinds your gears?
Rude people. People who make a mistake and turn around to blame the innocent person. Injustice. Sexism. Racism. Chauvinism. Unkind people.

I agree with all those! What’s one of the most embarrassing things that’s ever happened to you, in life?
Oh so, so many. I’m probably about 11 years old, very self-conscious and terrified of boys at the time, especially older and ‘cute’ boys.

So, there was a phone booth down the road from my house. One fine, summer’s day, I was walking down my road to the shops and a group of older boys crossed the road and began walking towards. Sniggering in hushed voices in anticipation of the dreaded ‘WALK PAST’. God being a kid is so fraught with emotions. Anyway, I couldn’t take the pressure of the build-up, so I decided to dart into the phone booth and pretend to be having a conversation with someone using my very best acting skills. I don’t know about my acting skills, but when the boys walked past they burst into laughter at me, pointing… and to my horror, I realised the phone cable had been cut. So I was talking to an imaginary person on a phone with a cable cut and swaying in the breeze.

That’s amazing! Poor, poor you, but so, so funny.
I have so many other embarrassing stories it could take up a whole article…. Such has been my life and existence as myself.

What’s the best film you’ve seen lately?
Tangerine probably.. I found it really beautiful in all it’s grime and grit but the lives of these people and I felt truly on their side. Great film.

OK, I will definitely check that out – I have heard of it but yet to watch it. If, in say 30 years time, a film was made about your life, who would you want to play you?
Oh Jesus…maybe Juno Temple or Jemima Kirk, Elliot Sumner could probably play me well, Chloe Sevigny, Ellen Page, maybe Eva Green…, Helena Bonham Carter, That should be enough….  I wish someone would make a movie of my life. I don’t think anyone has any idea how crazy my life has actually been… ha

Those would all be cool to see! Weird one now…if you were a chocolate bar, which one would you be and why?
This question is mental. Ok, I would be a gluten and nut free chocolate bar made from raw cacao and coconut butter. Cos yes, I’m one of those.

HA! What’s the best advice you’ve ever been given?
“Don’t practice till you get it right. Practice till you can’t get it wrong.”
“It’ll all be alright in the end. And if it isn’t alright, then it isn’t the end.”
Both courtesy of my father Richard Studt.

Great advice, I love those. Well done Father Studt – wise words! Thanks very much for taking the time to chat. All the best with the new album release and upcoming launch show. Next time you’re in Brighton, or nearby, I’d love to watch you perform.
That would be great! Give my Songkick a follow and it’ll let you know first as soon as any new dates come in! And thank you so much!


Amy Studt‘s releases are all available:


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#Review: Tom Walker – What A Time To Be Alive

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Tom Walker is a Scottish-born, singer-songwriter that has continued to grow and rise to fame over the past 12 months or so. Aside from relentless touring, he started gathering mainstream attention with the BBC putting him in the running for their Sound of 2018 accolade. Then came the release of his massive single, ‘Leave A Light On’, which received heavy radio airplay, leading to a performance on X Factor. Now 2019 has kicked off with in style, with him winning the Brit Award for 2019’s British Breakthrough Act…and all of this has happened before the release of his debut album! Well, it’s finally here, What A Time To Be Alive and here’s what we have to say about it…

Tom Walker - What A Time To Be Alive.jpg

Passion. Power. Personal. Three words that can’t help but swim through my mind as I listen to Tom Walker‘s debut album, What A Time To Be Alive. All three qualities are beautifully and intricately interwoven too – there is passion and power behind his vocals – both in what he sings and the way he sings it – and the personal songwriting leads to their prominence…and this wouldn’t be such a remarkable record without even one of those elements.

We’re catapulted into the album with ‘Angels’; a track starting out raw and edgy but endlessly continuing to build to a huge crescendo, complete with bells and strings, becoming an intricately layered behemoth of a track by the end, topped off with Tom’s intensely passionate and gritty vocals.

This is soon followed by the hit single, ‘Leave A Light On’, which despite being such a massive single, is interestingly, probably one of my least favourite tracks on the album. It’s a great song lyrically and thematically and I can see exactly why it was such a hit but I honestly preferred the original version, before the off-key synth sounds became so prominent. Also, there’s so much more to love about the album!

He has successfully crafted an outstanding debut album that takes elements from many different genres and styles, mashing them up into the perfect concoction of contemporary pop.

The biggest tracks on the record have to be: ‘Not Giving In’ – haunting wind chimes trickle delicately into the intense track, where echoing vocals and programmed drums lead the verses into the passionate chorus that seems to swirl around you, engulfing with its honest emotion; ‘How Can You Sleep At Night?’ is vocally one of the most diverse songs on the album – quiet, low tones in the verses are pushed by thunderous drums to a chorus of what could be described as vocal hoots and a downward zigzagging of his voice. Melodically, it’s a rather playful track, even though it’s about an intimate subject.

‘My Way’ is a real genre-bender; hip-hop-style drum beats, oriental-tinted synths, a repetitive hook and wonderful production trills, such as subtle, underlying female vocals, make this one of the best songs on the record. An effortless breakdown calms the mood right before bursting back into the repetitive, yet highly addictive chorus. Think EDM elements meet rock with a slightly Asian-flavoured edge.

And of course there’s ‘Fade Away’ which has a very Tom Odell-sounding melody, in places. It’s an emotionally devastating, piano and string-led track, that honestly brings tears to the eyes. Naturally, in its more heightened moments, Tom’s signature, raspy vocals shine through but during the quieter parts, his interesting annunciation and poetic lyricism make this track truly bewitching.

This is a stunning, diverse album that is sure to make massive waves throughout the industry and I’m certain will be a benchmark album for years to come.

‘Now You’re Gone’ featuring Zara Larsson is very electronic in tone with laser-like bass notes and a broken-up rhythm, ‘Blessings’ has an Ed Sheeran vibe and takes a candid look at the modern lifestyle, whilst ‘Dominoes’ is a very political track and another honest take on the state of the world right now, becoming wonderfully chaotic and grungy by the end.

Intrigue doesn’t stop there either, ‘Cry Out’ is like a dark western soundtrack (somewhat reminding me of the Peaky Blinders theme) with chain-clinking sounds giving it a laborious edge and ‘Just You And I’ is an old fan favourite – a big, positive love song. Possibly the most captivating track on the record has to be ‘The Show’ – a story-like track about London that really gives the sense of physically moving through the city streets, just listening to it. It has a real jazzy feel which sound effects weaving throughout the storytelling.

One thing’s for certain, Tom Walker has a very unique blend of styles throughout his music; reggae and urban vibes, with subtle hip-hop undertones are met by electronic synth elements and drum pads, combined with real instruments and rock-tinted vocals all underpinned by sincere, heartfelt (and even occasionally political) lyrical themes. I think I can even detect Bob Marley influences in places – reggae sounds and political themes…or is that just me? Sure, at times his voice is quirky and high-pitched but that is met in equal measure by the grittier, growlier and more powerful moments.

You can’t help but want to compartmentalise him as a singer-songwriter or a pop star but he truly breaks every mould you try to apply him to. He has successfully crafted an outstanding debut album that takes elements from many different genres and styles, mashing them up into the perfect concoction of contemporary pop. Despite being an eclectic collection, it still manages to be entirely cohesive. This is a stunning, diverse album that is sure to make massive waves throughout the industry and I’m certain will be a benchmark album for years to come.

It can only get bigger for him from here and I can’t wait to see what new heights Tom Walker soars to next…I’m just pleased I got to see him at The Green Door Store in Brighton (review here) before it all took off.

Rating
5


‘What A Time To Be Alive’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/what-a-time-to-be-alive/1435094194


What A Time To Be Alive on Spotify

Leave A Light On (Official Video)

Just You and I (Official Video)

Angels (Official Video)


We hope you’ve enjoyed our review! What do you think of Tom Walker’s stunning debut, What A Time To Be Alive? Are you as much of a fan as us? What would you rate it? Please leave your thoughts in a comment or via our social media.


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#Review: Prides – A Mind Like The Tide, Pt. 1 (EP)


   

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Prides are a Scottish indie band who originally formed in Glasgow, in 2014, as a three-piece. The act is now comprised of Stewart Brock (lead vocals and keys) and Callum Wiseman (guitar, keys and backing vocals). Since releasing their debut album, The Way Back Up, in July 2015, the pair have worked hard on creating their next release; a two-part album, starting with this, the first half, A Mind Like The Tide – Pt. 1.

A Mind Like The Tide, Pt. 1

The EP opens with ‘Every Story Of Mine Is A Story Of Yours…’ – led by an ethereal synth, the track builds beautifully to a quite cinematic climax comprised of chest-rumbling bass notes, Stewart’s trademark crooning and a collection of people speaking the title of the track, repeatedly. This is surely going to become the song which opens the set for the pair’s live performances, for the foreseeable future and it’s easy to see why…it’s just oozing with atmosphere!

Overall, this EP is an eclectic mix of songs, from the unashamedly feel-good pop qualities of lead single ‘Let’s Stay In Bed All Day’ to the slightly more chaotic and almost grungy moments found in ‘Sweet Time’. I particularly love the energy and catchiness of ‘You’re The Drug’ (which could easily be another single), whilst both ‘A Wilder Heart’ and ‘I Know That I Can Change’ are emotionally charged and ascend to euphoric climaxes. My only criticism of the EP is the fact that ‘I Don’t Ever Want To Live Without You’ feels a little like an interlude (though it’s still a track which remains true to the essence of the band). That, paired with the opening track being more of an intro, you’ve essentially got 5 brilliant, new, sing-a-long tracks. It’s still a great release though and I’m certainly left intrigued to hear the second part of the album, around March next year.

The quality of the production throughout is remarkable and it’s a really comprehensive collection of tracks. Towards the end of ‘You’re The Drug’ there is an incredible break in the beat and just when you think it’s going to drop back in (as is predictable in so many songs), it doesn’t…it keeps you waiting and I love the originality of this! The calming, break in ‘Sweet Time’ is bewitching and melodic with it’s acoustic guitar, synths and falsetto vocals, right before it kicks back in to the heavy guitars and punchy chorus. Lastly, the delicate way ‘I Know That I Can Change’ begins with it’s atmospheric sounds and gradually becomes a massive stadium-filling anthem – it is just the perfect way to close the EP.

This is undoubtedly a brilliant release from the pair and certainly doesn’t disappoint. It may have been a couple of years since their debut album but it’s clear they have spent time working on their songwriting and developing their style. It’s also nice to see that despite a string of stand-alone singles, they haven’t just piled them onto this EP, to pad it out. It’s a beautiful release, crafted with major love and fine attention to detail.

Rating
4


‘A Mind Like The Tide, Pt. 1’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/a-mind-like-the-tide-pt-1/id1295669547


‘A Mind Like The Tide, Pt. 1’ on Spotify

Let’s Stay In Bed All Day (Official Audio Video)


Hopefully you have enjoyed our review of Prides‘ latest EP release! What are your personal thoughts of the EP? What would you rate it? Please leave your thoughts in a comment below or via our social media and don’t forget to share this think. Thanks 😀


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#MuzikSpeaks: An Interview with Prides / #TunefulTuesday: Prides – ‘Are You Ready?’


   

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‘Are You Ready?’

Having recently become a duo, Prides are back with their incredibly catchy and attention-grabbing single, ‘Are You Ready?’

As big supporters of the Scottish indie-pop pair, we have been left feeling very excited and in anticipation for their upcoming album release; especially if this new song is anything to go by! The band have maintained their signature sound whilst intertwining it with echoing guitars and beautifully powerful vocal melodies. It’s passionate and intense whilst still remaining pop at the core – I guess you could call it mature pop!

It’s just one heck of a good song…well done guys…bring on LP2!


The Interview

We got the opportunity to catch up with the band, about their feelings on recording their second album, what they’re listening to right now, and found out about a scary experience they had! Here’s what they had to say…

1. What’s it like going to write a second album? Do you feel there is a lot of pressure to make it as successful as the first?
It’s actually felt like the pressure is off a little bit! It feels like we have an amazing amount of support to just be ourselves, and to write the music that we want to write. It’s actually been a hell of a lot of fun.

2. How is the writing and recording of your second album going? Have you got a release date or title yet?
At the moment we just have a long list of songs, but we’re hoping to have things tidied up by the end of the year. No official title or date yet, but we’re not far off!

3. What’s the most embarrassing thing that’s happened to each of you, either whilst in the band, or in life?
Life’s too difficult to worry about being embarrassed.

4. What really grinds your gears?
People who expect for things to be handed to them.

5. Is there anything other than music you’re really passionate about?
Love, books, films, friends, family, trees and kittens.

6. What music have you been listening to most recently? Have you got a favourite song right now?
Bon Iver, Dua Lipa and The Innocence Mission. Our fave song just now is ‘Old Friends’ by Pinegrove.

7. Has anything really scary ever happened to you on tour? If so, what?
We once drove down an icy mountain in the dark in the French Alps. It really felt like we were going to go over the edge and plummet to our doom. And then someone was sick. Not a great day.

8. Have either of you got any disgusting habits?
No, we’re the embodiment of perfection.

9. What is your usual process for writing and recording? And where do you take your inspirations for songs from?
It’s nothing overly complicated. We tend to write and record at the same time, we take it in turns shouting ideas at each other, and slowly build the framework of the song. All the songs are inspired by moments in my life, thrown brazenly onto page.

10. What’s the best advice you’ve ever been given?
Wear sunscreen.

It was fantastic to hear from the band and I’m so excited to have had this opportunity. Special thanks to the guys for taking the time to take part in the interview and to Joly for setting it up for me!

What are your thoughts on Prides’ newest release? Has it got you excited for their upcoming, second album release? What’s your favourite Prides song so far? Please leave your thoughts, comments or own #TunefulTuesday suggestions in a comment below or hit us up via our social media accounts.

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‘Are You Ready?’ can be downloaded off iTunes now – https://itunes.apple.com/gb/album/are-you-ready/id1153704745?i=1153705066



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Joe Ragosta from Patent Pending

Ali Tabatabaee from Zebrahead

Frankmusik

Lucy Spraggan

David Ford

Chris Bourne

Race The Horizon

Life Of Dillon

Platnum

Skip from Almost July

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#Two4Tunesday: Prides – ‘Little Danger’ & Digital Farm Animals – ‘True’

This is the second time we’ve featured Prides… maybe that’s because they’re so damn good! Plus we’ve just discovered Digital Farm Animals and they’re definitely worth a share too!

Prides Banner

Prides are back and getting ready to release their new single, ‘Little Danger’ and it’s a real corker! I got the deluxe version of the album the day of its release and this track was an instant favourite of mine…I’m not surprised that it’s being released as a single!

The video is stunning too…so random, yet so cool! The singer of the band is a waiter in a cafe and takes a fancy to this girl who comes in, only to find she’s accompanied by members of a mob! Cool concept for a video and this song just cements my love of them!


‘Little Danger’ is available from their album (The Way Back Up) on iTunes right now – https://itunes.apple.com/gb/album/little-danger/id994558077?i=994558407


Prides – ‘Little Danger’


Digital Farm Animals Banner

I don’t know much about Digital Farm Animals as there is not much you can find out about him online, but what I do know is that he’s a London-based producer and artist and he’s making his mark with this new single, ‘True’.

I discovered the song both on Spotify and Vevo and I can see why they featured them. This song is the perfect blend of pop, dance and synth-funk and I think you’ll love it!


‘True’ can be downloaded now – https://itunes.apple.com/gb/album/true-single/id1014737405


Digital Farm Animals – ‘True’

What a #Two4Tunesday! Have you got a different couple of songs you’re loving right now? Please leave them in a comment below.

Matt – Muzik Speaks
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#Two4Tunesday: Britney Spears – ‘Pretty Girls’ featuring Iggy Azalea & Prides – ‘Higher Love’

This week’s #Two4Tunesday see’s the return of pop sensation Britney Spears and new single from Scottish synthpop band, Prides!


Britney Spears & Iggy Azalea Banner

To start, let’s look at pop princess, Britney Spears‘ new track, Pretty Girls, featuring Oz rapper, Iggy Azalea! As is becoming so current, this song also draws on 80s sounds, with a modern twist – it’s a mixture of electro-hop and trap (808-fuelled music)

Britney Spears has set up residency in Las Vegas and been quiet since her 2013 album, Britney Jean, but this song sees her triumphant return. I am sure that this song will be a hit, especially as Iggy Azalea is flavour of the month right now.

The video also has a very clear, fun 80s vibe, with big hair, bright colourful earnings and crop-tops galore, judging by the photos which have been released from the video shoot. It is rumoured that the video will be released on 13th May 2015.


Pretty Girls is due for UK release on 14th June 2015 and I’m certain it will be a huge hit for the pair! Pre-order your digital copy now, on iTunes – https://itunes.apple.com/gb/album/pretty-girls-single/id990918836


Britney Spears – ‘Pretty Girls’ featuring Iggy Azalea


Prides Banner

Our second selection is Scottish synthpop trio, Prides. The band formed in 2013 and have gone on to release a handful of singles, their most recent being this song, Higher Love.

Some of their songs have also been synced with the likes of FIFA 15 and Sourz.

There’s not much to say about this relatively new band, except enjoy this song and look out for them in the future!


Go grab a digital copy of Prides’ new single, out now on iTunes – https://itunes.apple.com/gb/album/higher-love-single/id973095772


Prides – ‘Higher Love’


So there’s another #Two4Tunesday for you all! Please leave a comment below with your two favourite tracks this week, and also share the link to this post on your social media accounts. Thanks for all your continued support!

Matt – Muzik Speaks