#Review: Sum 41 – Order In Decline 💀

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Muzik Speaks Loves Hopeless Records - SmallerSum 41 are a Canadian rock band who first formed back in 1996. The band currently consist of members Deryck Whibley (lead vocals, guitar and keyboard), Dave Baksh (guitar and backing vocals), Tom Thacker (guitar, keyboard and backing vocals), Jason “Cone” McCaslin (bass and backing vocals) and Frank Zummo (drums). The band first enjoyed mainstream success with their 2001 debut album, All Killer No Filler, and from there have gone on to have a rather illustrious career and a few line-up changes. 2019 now sees the band releasing their seventh studio album, Order In Decline, through Hopeless Records. Here’s what we have to say about it…

Sum 41 - Order In Decline.jpg

One thing’s for sure, Sum 41 are a very different band now, to the band they started out as and have sonically changed a lot over the years. From a skate-rock band to being contenders for the pop-punk throne, the band have now transformed into a much darker, grittier and overtly heavier incarnation of themselves that is a far cry from their “Fat Lip” and “In Too Deep” days.

That said, there’s still something distinctly Sum 41 about Order In Decline, though that mostly lies with Deryck Whibley‘s instantly recognisable vocals. It was following a few line-up changes and a spell in hospital to recover from alcohol-induced illness, that the band rose from the ashes with 2016’s comeback album, 13 Voices – an album that further demonstrated their ability to create music that was edgy and more alternative (with the odd ballad thrown in). And now, Order In Decline yet further cements this evolution in the band’s sound.

From the sombre, opening piano notes of ‘Turning Away’, the album quickly kicks into high gear with an exciting and powerful, stammering riff, that by the end of the track, descends into audible chaos with an insanely intense guitar solo. The heavy energy is kept up with ‘Out For Blood’ – a track with elements from their skate-punk days and definite qualities of a Zebrahead song (with the distorted, scream-like backing vocals) plus another epic guitar solo.

As the record continues, ‘The New Sensation‘ takes us in a very different direction with a cleaner, synth-heavy and stadium-filling feel to it – like something you’d expect from the likes of Muse, especially with some of the melodies. ‘A Death In The Family’ is much more of a family sound; whilst it’s definitely heavier than they once were, there are definitely moments that nod to their origins.

Order In Decline is eclectic, exciting, intense and just friggin’ awesome!

‘Heads Will Roll’ is another interesting turn in the album, with a Subways, IDLES and Royal Blood-like vibe to it. ‘Eat You Alive’ is probably the most heavy metal track on the record whilst ‘The People Vs…’ is a much more typical punk rock track with rapidly chugging riffs and intense drums, sure to see the circle pits swirling at live shows.

Whilst the band don’t want to be politically-driven as such, it’s clear that Whibley has allowed his lyrics to be determined by the state of the world he sees around him right now – a world in which he sees division, racism and hate being accepted still. This is certainly evident in ’45 (A Matter Of Time)’, a track that by no coincidence, references the 45th President of the United States, Donald Trump, that he so marvellously calls out on a few things.

For all it’s intensity, Order In Decline sees a couple of moments when the pace changes and more personal lyrics come into play. ‘Never There’ addresses Whibley‘s absent father, growing up (and sounds like someone such as William Ryan Key had a hand in writing it), whilst ‘Catching Fire’ faces familiar themes of love and loss with wonderfully intricate layering, like something by The Dangerous Summer.

Order In Decline is eclectic, exciting, intense and just friggin’ awesome! And whilst Sum 41 are certainly not the same band they once were, there are undoubtedly qualities that still remain in their core, making them easily recognisable. However the continual evolution in their sound is exciting and impressive to watch and certainly adds to the longevity of their career. I’m already looking forward to hearing the next record!

Rating
4


‘Order In Decline’ is out now and can be downloaded from iTunes – https://music.apple.com/gb/album/order-in-decline/1458053301


Order In Decline on Spotify

Out For Blood (Official Music Video)

45 (A Matter Of Time) [Official Music Video]

Never There (Official Music Video)

A Death In The Family (Official Music Video)


We hope you’ve enjoyed our review! What do you think of Sum 41’s seventh studio album, Order In Decline? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


Enjoyed this? Check out some of our other reviews here:

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#Review: The Dangerous Summer – Mother Nature 🌊

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Muzik Speaks Loves Hopeless Records - SmallerThe Dangerous Summer are a rock band from Maryland, USA who formed back in 2006.

The band released 3 studio albums before parting ways in 2014. However, since reforming in 2017, and releasing their fourth, self-titled album (The Dangerous Summer), the band are now unleashing their fifth studio album to the world, Mother Nature. Here are our thoughts on the record…

The Dangerous Summer - Mother Nature.jpg

This feels very much like the album that should have arrived in 2018 to mark the band’s resurrection, because this album is pretty sublime. It’s a unique brand of melodic and mature emo-esque rock that isn’t afraid to talk about feelings in a direct way.

It opens with ‘Prologue’ a track led with a positive voice message from a female, letting the recipient know that she’s there for them. It’s actually a nice, uplifting message that somehow manages to feel personal to us, the listener. Pretty quickly, we’re then catapulted seamlessly into ‘Blind Ambition’, a track with a pretty amazing guitar line that somehow feels forcefully positive, to the point it gives me goosebumps.

There is something quite beautifully simplistic about the way difficult, even tumultuous events in our own lives can be compared to the unstoppable forces of Mother Nature, at times, leaving us weak and powerless – it’s truly poetic. This is displayed with wonderful imagery on tracks such as ‘Virginia’ and ‘Bring Me Back To Life’ with powerful lyrics like “I must be weak, if you couldn’t tell, I couldn’t breathe, bring me back to life now, bring me back to peace, give me back the sun now, can you give it back to me?”

It’s not quite a concept album, yet at the same time kind of is; whatever it is, it works…really well!

‘Mother Nature’ itself is a track that really encapsulates the tone of the record. It’s a song about having hope, accepting changes we face in life and being bold enough to embrace changes within ourself. Perdomo successfully evokes powerful imagery of mother earth and nature, and sells his own willingness to become a part of it.

Equally, the album’s lead single, ‘Where Were You When The Sky Opened Up’, has an apocalyptic feel to it, describing facing demons head-on and attempting to mature.

Other tracks to pay attention to include: ‘Starting Over / Slow Down’ a track of two halves – the first half is slow and melodic with vocals that cross over each other, whilst the second half is more synth-driven and up tempo with an amazing, all-consuming, drum ending. ‘It Is Real’ see Perdomo sing of drug-taking and trying to understand the world with a deep sense of nostalgia. The metronome sound throughout is pretty cool too. ‘Better Light’ has this amazing vocoder-esque intro that sounds somewhat like an Imogen Heap track that builds with soaring falsetto vocals – it’s very euphoric and ethereal. Lastly, there’s ‘Consequence Of Living’, an almost a positive look back at the end of your life and being able to observe how you lived your life.

One major thing that can’t go unnoticed is AJ Perdomo‘s sensational vocals throughout the album! He delivers emotion with utter sincerity from incredible falsetto to aching melancholy with some seriously angst-ridden screams on the likes of ‘Way Down’ – an angry, heavy rock song about dark thoughts; possibly one of the best tracks on the record?!

Mother Nature is an exciting return for the band – it feels like they’ve found a sound and style that works for them. It’s not quite a concept album, yet at the same time kind of is; whatever it is, it works…really well! I defy people not to find themselves drawn to this record time and again to indulge on its honesty to reflect on life’s big events. There’s a real feeling of excitement I get from listening to this album and I can’t wait to see what the band do next!

Rating


‘Mother Nature’ is out now and can be downloaded from iTunes – https://music.apple.com/gb/album/mother-nature/1458152823


Mother Nature on Spotify

Where Were You When The Sky Opened Up (Official Music Video)

Way Down (Official Music Video)

Bring Me Back To Life (Official Music Video)


We hope you’ve enjoyed our latest review! What do you think of this band’s fifth record, Mother Nature? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


Enjoyed this? Check out some of our other reviews here:

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Matt – Muzik Speaks
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#Review: The Dangerous Summer – The Dangerous Summer (Self-Titled)


   

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Muzik Speaks Loves Hopeless Records - SmallerThe Dangerous Summer are a rock band from Maryland, USA who formed back in 2006. Since then, they have had 3 main studio albums (if you exclude the acoustic version of their debut), making this, self-titled album (The Dangerous Summer), their fourth.

The Dangerous Summer Cover.jpg

After frontman AJ Perdomo took some time away to concentrate on fatherhood, and having cut down to a trio, the band are back with their fourth full-length album, to much excitement from fans.

Whilst I wouldn’t say this is an emo band per se, they are a far cry from their slightly more light-hearted debut, Reach For The Sun, with vocals that sound more beaten and weathered and lyrics that feel as though AJ Perdomo is carrying the weight of the world on his shoulders.

There is something very nostalgic and reminiscent about this album (both sonically and lyrically) and it appears that a lot of self-reflection has gone into the writing of it. Some of the intricate work and echoing effects on the guitars of ‘This Is Life’ and ‘Fire’ leave audible space for the listener to be taken in and reflect too – something I believe was done deliberately, in order to allow the lyrics to reach out, for maximum effect.

It is an album of poetic melancholy, even in some of its lighter moments – a solid, interesting and well-rounded collection of songs that work brilliantly together and will be appreciated by fans new and old.

Some of the stand-out tracks for me, include: ‘Color’ for the sheer force with which it launches the album, starting off as a mellow but tortured cry before descending into a more chaotic scream of atmospheric noise with the lyrics “I’m not quite myself” ringing aptly; as mentioned before, ‘This Is Life’ and ‘Fire’ for their beautiful sound and wonderful lyricism, ‘Luna’, which is a touching dedication to his daughter – I particularly love the lyric, “You are the architect to all your dreams,” and lastly, ‘When I Get Home’ which is a welcome break in the record, for its slightly more up-beat yet still edgy pop punk feel (and appreciation for their friends and the place they call home) and whilst it’s quite different to the other tracks on the album, somehow it manages not to feel out of place.

This album is definitely not one which is pushing the boundaries of the genre by any means, but that’s not necessarily a bad thing – sticking to what they know and doing it well, shows that they are a band who know themselves. It is an album of poetic melancholy, even in some of its lighter moments, so if you’re feeling like indulging in a little self-loathing or reflecting on darker times and trying to find solace in them, then this is an album for you. It is a solid, interesting and well-rounded collection of songs that work brilliantly together and will be appreciated by fans new and old. Whether you’re into edgy, alternative rock with a large portion of emo lyricism and a gravelly vocalist or you simply enjoy the sonic beauty of a band like this, then you’re bound to love it. I honestly do think it’s a fantastic album; a triumphant returning record for the band and I thoroughly enjoy listening to it – the only reason I’ve rated it 3.5/5 is purely because I’m not sure how well it’ll stand out, over time.

Rating
3.5


‘The Dangerous Summer’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/the-dangerous-summer/1297025337


The Dangerous Summer on Spotify

Fire (Official Music Video)

Ghosts (Official Music Video)


We hope you’ve enjoyed our latest album review! What do you think of The Dangerous Summer’s latest album? What would you rate it? Please leave your thoughts in a comment or join the conversation via our social media.


Enjoyed this? Check out some of our other reviews here:

Muzik Speaks Album Reviews


Matt – Muzik Speaks
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