#Review: Trophy Eyes – The American Dream ūüáļūüáł


   

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Muzik Speaks Loves Hopeless Records - SmallerTrophy Eyes are an Australian pop punk band consisting of John Floreani (lead vocals), Jeremy Winchester (bass guitar & backing vocals), Andrew Hallett (lead guitar), Kevin Cross (rhythm guitar) and Blake Caruso (drums). To date, the band have released 2 albums and an EP through Hopeless Records and this,¬†The American Dream, is their third full-length album. Here’s what we have to say…

Trophy Eyes - The American Dream.jpg

The American Dream has a much more mature sound to it than either of the band’s previous releases. It’s somewhere in the vein of¬†Sugarcult‘s¬†Lights Out¬†and You Me At Six‘s Cavalier Youth¬†with some of¬†Thirty Seconds To MarsThis Is War¬†epicness thrown in.

The first track,¬†‘Autumn’, launches the album with a life-spanning and reflective tune that whilst it doesn’t quite burst into frantic action like so many other pop punk albums, sets a more impressive tone for the rest of the record.

Next comes¬†‘Something Bigger Than This’, a rather emotive track about being something more than we perceive and how life will make more sense at the end. It’s not crass or overly indulgent in insincerity like so many other bands – this feels real and honest.

In my opinion, ‘Friday Forever’ is by far the best track on the record – from it’s frantic, guitar-driven verses, to its suspenseful build-up into the powerhouse that is the chorus, this track just bursts at the seems with euphoric pop punk at its best. This is definitely a track to keep on repeat!

From epic choruses to emotive lyrics and powerful, pained vocals to punchy guitars, The American Dream is an album that will drive this band forward in their career.

Some of the other, most notable songs include:¬†‘More Like You’¬†which is certainly a crowd-pleaser, with its “woah ohs” but has the added depth of scream vocals;¬†‘You Can Count On Me’ is a definite summer anthem with its massive crescendo and satirical look at band life with the chorus hook, “Some of my friends sell drugs but I just sell sad songs to the ones who feel alone”;¬†‘Broken’ is a beautiful, ballad-esque track that has a understated yet very catchy chorus – a brilliantly-written track that’s very different to some of the other tracks on the album and¬†‘Lavender Bay’ feels very nostalgic with mellow, melodic verses and a big gang-vocal chorus singing about how the band won’t rest until they’ve “made it” with the addition of a key change!

The album has a beautifully rich and diverse tone to it – ‘A Cotton Candy Sky’ is an intensely dark and haunting song that feels a little out of place but it’s eerily captivating whilst¬†‘Tip Toe’ is a great little ballad.

‘I Can Feel It Calling’ is a monumental track, coming in at over 6 minutes in length and going through a range of sounds and displaying a variety of influences, bringing this stunning album to a wonderful close.

This is certainly an album you’ll have on repeat as there’s just so much to love about it! From epic choruses to emotive lyrics and powerful, pained vocals to punchy guitars,¬†The American Dream¬†is an album that will drive this band forward in their career, taking a slightly new direction but picking up new fans along the way. 2018 should be an exciting time for the Australian quintet!

Rating
4-5


‘The American Dream’¬†is out 27/07/18¬†and can be downloaded from iTunes –¬†https://itunes.apple.com/gb/album/the-american-dream/1382478709


The American Dream on Spotify

Available Friday 27th July 2018.

You Can Count On Me (Official Music Video)

https://www.youtube.com/watch?v=gs_7y0ToBcU


We hope you’ve enjoyed our review! What do you think of the band’s latest album, The American Dream? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment below or via our social media.


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Matt – Muzik Speaks
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#MellowMonday: Drake – ‘Don’t Matter To Me’ featuring Michael Jackson


   

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Having recently released his new album, Scorpion, Drake has made a huge impact once again, this time by using an unreleased Michael Jackson sample on track, ‘Don’t Matter To Me’.

The critical reception for the track has been great and it has been hailed as one of the standout songs on the album. It has a distinctly stripped-back, R&B flavour to it with Drake singing rather than rapping and falsetto vocals from MJ on the chorus.

The posthumous vocals from Michael Jackson are taken from part of a unreleased session between Jackson and Canadian singer-songwriter, Paul Anka in 1983.

The track has reached Number 2 in the UK Charts, making it Drake‘s 15th UK Top 10 and Michael Jackson‘s 44th! A remarkable collaboration, in our opinion and it’s great to still hear something new from the King Of Pop!

No music video has been released for this track yet.

What are your thoughts of the unreleased Michael Jackson sample on this track? Is this a good collaboration? Have you got a #MellowMonday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
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‘Don’t Matter To Me’¬†can be downloaded off¬†iTunes now –¬†https://itunes.apple.com/gb/album/dont-matter-to-me-feat-michael-jackson/1405365674?i=1405366968


#Review: Now, Now – Saved


   

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Now, Now are an American indie duo originally from¬†Blaine, Minnesota (USA), now¬†based in¬†Minneapolis. The band now consists of founding members, KC Dalager (vocals/guitar/keyboard) and Brad Hale (drums/backing vocals) after a recent departure from their line-up. To date, they have had two, somewhat heavier albums and this,¬†Saved, will be their third, full-length release. Here’s what we have to say about it…

Now, Now - Saved.jpg

It’s been a decade since their more thrashy, emo-esque debut album,¬†Cars, was released (back when they were called¬†Now, Now Every Children)¬†but since then,¬†Now, Now have clearly been working hard on mastering the art of slick production.

This is an album that successfully merges emotive, thought-provoking lyricism based upon relatable topics, with warm, summery production; it’s credible songwriting with certain mainstream, pop sensibilities.

Saved is a stunning record. It has everything from catchy choruses and atmospheric synths to chugging guitars and heavy beats.

It kicks off with the acoustic-led, summer tune ‘SGL’ (short for Shot-Gun Lover) which would be the perfect road trip track, through the open roads of America. From there, you’ve got the captivating ‘MJ’, which makes reference to Michael Jackson‘s ‘Billie Jean’ topped off with a galloping beat (somewhat similar to MJ‘s ‘A Place With No Name’ from 2014’s Xscape)

Another significant track is ‘Window’, with its shimmering synths and manipulated vocals, that continually ascend. It’s a song about desperation for someone;‚ÄúEvery night I‚Äôm at your window, Wonder when you‚Äôre gonna let me in.‚ÄĚA truly atmospheric track.

Just listening to this album, puts you in an instantly good mood due to its stunning production and uplifting vibes.

‘Powder’ is a massive tune and a superbly powerful and passionate close to the album; it has a catchy, fun start with delicate guitars and subtle synths but as it goes on, descends into a very interesting and heavy breakdown with gritty synths.

There are certainly a lot of resemblances that can be made across the album too: ‘Can’t Help Myself’ has whispery vocals, somewhat similar to Geowulf; ‘Knowme’ is a house-like track with calm, electronica vibes, with elements of Chicane to it; ‘Set It Free’ makes cheeky reference to “wandering hands” and has a certain something about it that reminds me of a cross between The Cardigans and Sixpence None The Richer; ‘Drive’ has a beachy, Lana Del Rey vibe and ‘Holy Water’ is a song which I find merges MUNA with early Dido (with the use of industrial-like sounds) – it’s beautiful and euphoric. That’s in no way saying that they are copying other artists but perhaps making a nod to them; if anything it just goes to show what an eclectic record they have managed to create, with a little something for everyone.

As far as albums go, this is diverse and interesting with a real excitement about it. Just listening to it, puts you in an instantly good mood due to its stunning production and uplifting vibes. They have managed to craft a sound that is somewhere between airy beach-pop and grungy rock, evoking nostalgia and varying emotions throughout. This is fantastic record that is sure to be the soundtrack to many people’s summers this year.

Rating


‘Saved’¬†is out now and can be downloaded from iTunes –¬†https://itunes.apple.com/gb/album/saved/1365088448


Saved on Spotify

AZ (Official Video)

SGL (Official Video)

Yours (Official Video)


We hope you’ve enjoyed our review; what do you make of this band’s latest album, Saved? Are you as much of a fan as us? What would you rate it? Please leave your thoughts in a comment or via our social media.


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Matt – Muzik Speaks
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#MellowMonday: Scott Quinn – ‘Run’


   

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Scott Quinn is a Yorkshire-born, soul-synth multi-instrumentalist, whose latest track is captivatingly beautiful with its shimmering synths and passionate vocals.

‘Run’ oozes heartache and despair, tackling the emotionally-driven subject of trying to help and support someone who’s not in the right place to be helped but is already on the path of self-destruction, leaving a trail of demolition in their wake.

Quinn has spent time in the studio, working with the likes of JONES & SG Lewis and has recently toured Europe with Aquilo. All this comes ahead his first, big, headline show at the Camden Assembly on June 20th (tickets available here).

No music video has been released as yet, but as always, we’ll keep you updated if/when one emerges.

What are your thoughts of this intriguing singer-songwriter’s latest single? Do you have a #MellowMonday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
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‘Run’¬†can be downloaded off¬†iTunes now –¬†https://itunes.apple.com/gb/album/run-single/1364500851


#Review: Hawthorne Heights – Bad Frequencies


   

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Hawthorne Heights¬†are an American emo/rock¬†band from¬†Dayton, Ohio, which formed in 2001.¬†The band currently consists of JT Woodruff (lead vocals and rhythm guitar), Matt Ridenour (bass guitar, backing vocals), Mark McMillon (lead guitar, backing vocals) and Chris Popadak (drums, percussion). To date, the band have released 5 studio albums and been through a variety of line-up changes but now, in 2018, the band are releasing their sixth studio album,¬†Bad Frequencies, through¬†Pure Noise Records. Here’s what we have to say about it…

Hawthorne Heights - Bad Frequencies

This is certainly an album of two mindsets; on the one hand you’ve got a new sound that sees the band edging ever closer to pop punk commerciality and on the other hand they are sticking to their more screamo roots. However you look at it, the band are diversifying and growing their sound at the same time as keeping hold on some of what the fans love.

‘In Gloom’ launches the album with a slow, heartfelt intro from vocalist/guitarist JT Woodruff, but after the first minute, we are thrust into the sound of the full band, making their triumphant return.

The nostalgia continues as first single, ‘Pink Hearts’, reflects on past relationships you carelessly work your way through in your younger years.

An exciting balance of old and new, Hawthorne Heights have made a triumphant return!

More old-school, classic Hawthorne Heights can be heard on tracks such as ‘Crimson Sand’ and ‘Just Another Ghost’ with bassist, Mark McMillion‚Äôs, screams coming through in full force.

Meanwhile, ‘Edge Of Town’ and ‘Starlighter (Echo, Utah)’ show us the newer, more pop-punk driven sound that moves this record, and indeed the band, forward.

Possibly one of the most stand-out tracks on the record is ‘Pills’; the song deals with the loss of someone you care deeply about but it demonstrates brilliantly, how the band have grown and continue to push their songwriting and sound; where in the past this might have been a heavy, scream track or an altogether more simplistic affair; a great way to finish the album by showing off where the band’s future lies.

That’s not to say the band that people know and love is gone; there are emo lyrics throughout record and still the occasional screaming, it’s just the instrumentation is slicker and more intricate and in places, JT Woodruff uses falsetto in his vocals; something new and interesting for the band’s sound.

There’s no doubt about it; this band know how to write catchy hooks, tying together some of the heavier, more chaotic parts of the record. Armed with a whole load of history and self-reflection plus a strong sense of where they are heading, this record is definitely representative of both their past and the future for the band. An exciting balance of old and new, Hawthorne Heights have made a triumphant return!

Rating


‘Bad Frequencies’¬†can be ordered here –¬†http://smarturl.it/HawthorneHeights¬†or downloaded from iTunes, here –¬†https://itunes.apple.com/gb/album/bad-frequencies/1351452415


Bad Frequencies on Spotify

Just Another Ghost (Official Music Video)


We hope you’ve enjoyed our review of Hawthorne Heights’ new album! What are your thoughts of it? What would you rate it? Please leave your thoughts in a comment or chat to us about it, via our socials.


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Matt – Muzik Speaks
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#Review: Drones – Exiled


   

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Drones are a London-based, in-your-face, all-out, old-school punk rock band made up of¬†Lois McDougall (vocals), Rob King (guitar),¬†Tim Kramer (guitar/backing vocals),¬†James Kerr (bass/backing vocals) and Mitchell Thomas¬†(drums). They’ve just released their album, Exiled, and here’s what we thought…

Drones - Exiled.jpg

Exiled is very much a hardcore, politically-charged, punk rock, concept album, inspired by the current refugee crisis across Europe and as such, is attempting to deal with a very relevant issue. Vocalist, Lois McDougall, further explains,“Exiled is a collection of songs that we began writing after being struck by the misery of the European refugee crisis. Some of the songs are written from the perspectives of fictional characters of those impacted by the crisis, and others of those who prefer to distance themselves from it. Millions of people are suffering every day and it’s a subject that should be kept at the forefront of all of our minds. Music is a great platform for personal connection. We’ve taken a subject that can so easily be viewed as a distant-seeming ‘world-issue’, and tried to make it more personal. In doing so, we hope that people may feel more compassion for the victims, and that those suffering may find an ounce of comfort in these songs. Exiled is dedicated to those fleeing any war-torn country.”

It certainly has managed to deliver this and lyrically addresses the issues it set out to face, however in places, I find the lyrics a bit frank; too obvious and not necessarily clever, however that is often the nature of punk music. In spite of this, it is a fast, furious and fun record, with some very chantable choruses and moshable guitar riffs, particularly the likes of¬†‘For Those Who Care’,¬†‘Inferno’,¬†‘Rorschach’¬†and¬†‘Anchors’. Then, towards the end of the record, it gets even thrashier.

They’ve delivered a poignant, angry-sounding album that is intent on highlighting current issues.

Conversely to this, the band have a couple of tokenistic ballad-like songs, with the acoustic-driven¬†‘Black Blood’ and the¬†Metallica-esque,¬†‘Sickbay’, which add a little depth to this otherwise intense album.

Despite¬†Drones¬†being very much an traditional, politically-fuelled punk band, the production is top-notch, yet still hasn’t lost the charm that an old-school punk band would have had. It’s not over-produced and there a slight imperfections, which all add authenticity to the record. In places, this band remind me of 2004, punk rockers,¬†The Fight¬†(remember¬†‘Can’t Be Bothered’?).

This is certainly an album you would want to see live, to let yourself lose by bouncing around to your heart’s content. They’ve delivered a poignant, angry-sounding album that is intent on highlighting current issues, but unfortunately they are not going to set the world alight or make any significant changes to music, or punk. However, they know their sound and they execute it well.

Rating
3


‘Exiled’¬†is out now¬†and can be downloaded from iTunes –¬†https://itunes.apple.com/gb/album/exiled/1317378913


Exiled on Spotify

Rorschach (Official Music Video)

Territories (Official Music Video)

Inferno (Lyric Video)


We hope you’ve enjoyed our review of Drones’ new album, Exiled! What do you make of it? Are you a fan? What would you rate it? Please leave your thoughts in a comment or hit us up via our social media.


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Matt – Muzik Speaks
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#Review: Geowulf – Great Big Blue


   

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Geowulf is a duo comprised of members Star Kendrick and Toma Banjanin, originally from Australia. They started writing music a few years ago and released their first track, ‘Saltwater’, in July 2016, which now features on their debut album, Great Big Blue. Here’s what we had to say about it…

Geowulf - Great Big Blue.jpg

Self-described as ‘Beach Pop’, this album is exactly that; it’s hypnotic, easy listening music with a brilliant blend of laid-back guitars, floaty vocals, subtle synths, down-tempo beats and all-round melancholic vibes.

This album is Americana through and through and could quite happily be the soundtrack to a lazy afternoon around a Californian pool-side or whilst hitting the open road in a big convertible, wind through your hair, driving down an American highway. It has a strong resemblance to some of Lana Del Rey‘s music too…just with a slightly more light-hearted feel to it.

Great Big Blue is hypnotic, easy listening music with a brilliant blend of laid-back guitars, floaty vocals, subtle synths, down-tempo beats and all-round melancholic vibes

Prior to its release, the album enjoyed several successful singles but some of biggest highlights on the record include;¬†‘Sunday’, which is a beautifully mellow ballad, setting the tone for what’s to come (plus the opening lyric gives the album its title),¬†‘Saltwater’, is slightly more up-tempo with a real summery warmth to it,¬†‘Get You’, has an almost African rhythm, topped off with Star’s long, drawn-out notes, whilst¬†‘Drink Too Much’¬†is probably one of the most conventionally pop tracks, with a tongue-in-cheek look at how drinking a little more than you should, whilst on a night out, can land you in trouble when you get home, with the simplistic yet honest lyrics; ‘Coz I get myself in trouble when I drink too much, Think too much,¬†And you’re somehow on my mind when I drink too much, Think too much.‘ At face value, it sounds cheerful and uplifting but when you listen to the lyrics, it’s a real oxymoron to the sound.

On first listen, the songs tend to blur a little into one, however it’s after a few plays through that you can begin to detect the differences between each track and truly admire¬†Star‚Äôs euphoric vocals, Banjanin‚Äôs stunning melodies and understand the complexity behind the simplistic-sounding, psychedelic production, appreciating just how much time and effort must have gone into producing¬†Great Big Blue.¬†I have to say, whilst I really did enjoy this record, from start to finish, it is not necessarily an album that you will want on repeat for weeks on end; it’s a very good album but will it stand the test of time? Sadly, I’m not convinced.

Rating
3.5


‘Great Big Blue’¬†is out now and can be downloaded from iTunes –¬†https://itunes.apple.com/gb/album/great-big-blue/1316527015


Great Big Blue on Spotify

‘Saltwater’ (Official Video)

‘Don’t Talk About You’ (Official Video)

‘Get You’ (Official Video)


We hope you’ve enjoyed our review of Geowulf’s debut album! What do you think of it? What would you rate it? Please leave your thoughts in a comment or hit us up via our social media to talk about it.


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Matt – Muzik Speaks
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