#Review: Drones – Exiled


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Drones are a London-based, in-your-face, all-out, old-school punk rock band made up of Lois McDougall (vocals), Rob King (guitar), Tim Kramer (guitar/backing vocals), James Kerr (bass/backing vocals) and Mitchell Thomas (drums). They’ve just released their album, Exiled, and here’s what we thought…

Drones - Exiled.jpg

Exiled is very much a hardcore, politically-charged, punk rock, concept album, inspired by the current refugee crisis across Europe and as such, is attempting to deal with a very relevant issue. Vocalist, Lois McDougall, further explains,“Exiled is a collection of songs that we began writing after being struck by the misery of the European refugee crisis. Some of the songs are written from the perspectives of fictional characters of those impacted by the crisis, and others of those who prefer to distance themselves from it. Millions of people are suffering every day and it’s a subject that should be kept at the forefront of all of our minds. Music is a great platform for personal connection. We’ve taken a subject that can so easily be viewed as a distant-seeming ‘world-issue’, and tried to make it more personal. In doing so, we hope that people may feel more compassion for the victims, and that those suffering may find an ounce of comfort in these songs. Exiled is dedicated to those fleeing any war-torn country.”

It certainly has managed to deliver this and lyrically addresses the issues it set out to face, however in places, I find the lyrics a bit frank; too obvious and not necessarily clever, however that is often the nature of punk music. In spite of this, it is a fast, furious and fun record, with some very chantable choruses and moshable guitar riffs, particularly the likes of ‘For Those Who Care’‘Inferno’‘Rorschach’ and ‘Anchors’. Then, towards the end of the record, it gets even thrashier.

They’ve delivered a poignant, angry-sounding album that is intent on highlighting current issues.

Conversely to this, the band have a couple of tokenistic ballad-like songs, with the acoustic-driven ‘Black Blood’ and the Metallica-esque, ‘Sickbay’, which add a little depth to this otherwise intense album.

Despite Drones being very much an traditional, politically-fuelled punk band, the production is top-notch, yet still hasn’t lost the charm that an old-school punk band would have had. It’s not over-produced and there a slight imperfections, which all add authenticity to the record. In places, this band remind me of 2004, punk rockers, The Fight (remember ‘Can’t Be Bothered’?).

This is certainly an album you would want to see live, to let yourself lose by bouncing around to your heart’s content. They’ve delivered a poignant, angry-sounding album that is intent on highlighting current issues, but unfortunately they are not going to set the world alight or make any significant changes to music, or punk. However, they know their sound and they execute it well.


‘Exiled’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/exiled/1317378913

Exiled on Spotify

Rorschach (Official Music Video)

Territories (Official Music Video)

Inferno (Lyric Video)

We hope you’ve enjoyed our review of Drones’ new album, Exiled! What do you make of it? Are you a fan? What would you rate it? Please leave your thoughts in a comment or hit us up via our social media.

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Matt – Muzik Speaks


#Review: Geowulf – Great Big Blue


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Geowulf is a duo comprised of members Star Kendrick and Toma Banjanin, originally from Australia. They started writing music a few years ago and released their first track, ‘Saltwater’, in July 2016, which now features on their debut album, Great Big Blue. Here’s what we had to say about it…

Geowulf - Great Big Blue.jpg

Self-described as ‘Beach Pop’, this album is exactly that; it’s hypnotic, easy listening music with a brilliant blend of laid-back guitars, floaty vocals, subtle synths, down-tempo beats and all-round melancholic vibes.

This album is Americana through and through and could quite happily be the soundtrack to a lazy afternoon around a Californian pool-side or whilst hitting the open road in a big convertible, wind through your hair, driving down an American highway. It has a strong resemblance to some of Lana Del Rey‘s music too…just with a slightly more light-hearted feel to it.

Great Big Blue is hypnotic, easy listening music with a brilliant blend of laid-back guitars, floaty vocals, subtle synths, down-tempo beats and all-round melancholic vibes

Prior to its release, the album enjoyed several successful singles but some of biggest highlights on the record include; ‘Sunday’, which is a beautifully mellow ballad, setting the tone for what’s to come (plus the opening lyric gives the album its title), ‘Saltwater’, is slightly more up-tempo with a real summery warmth to it, ‘Get You’, has an almost African rhythm, topped off with Star’s long, drawn-out notes, whilst ‘Drink Too Much’ is probably one of the most conventionally pop tracks, with a tongue-in-cheek look at how drinking a little more than you should, whilst on a night out, can land you in trouble when you get home, with the simplistic yet honest lyrics; ‘Coz I get myself in trouble when I drink too much, Think too much, And you’re somehow on my mind when I drink too much, Think too much.‘ At face value, it sounds cheerful and uplifting but when you listen to the lyrics, it’s a real oxymoron to the sound.

On first listen, the songs tend to blur a little into one, however it’s after a few plays through that you can begin to detect the differences between each track and truly admire Star’s euphoric vocals, Banjanin’s stunning melodies and understand the complexity behind the simplistic-sounding, psychedelic production, appreciating just how much time and effort must have gone into producing Great Big Blue. I have to say, whilst I really did enjoy this record, from start to finish, it is not necessarily an album that you will want on repeat for weeks on end; it’s a very good album but will it stand the test of time? Sadly, I’m not convinced.


‘Great Big Blue’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/great-big-blue/1316527015

Great Big Blue on Spotify

‘Saltwater’ (Official Video)

‘Don’t Talk About You’ (Official Video)

‘Get You’ (Official Video)

We hope you’ve enjoyed our review of Geowulf’s debut album! What do you think of it? What would you rate it? Please leave your thoughts in a comment or hit us up via our social media to talk about it.

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Matt – Muzik Speaks

#MuzikSpeaks: An Interview with Weesp


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Weesp are an electronic/alternative rock band from Minsk, Belarus, that have formed their own unique style. Since 2008, the band have received numerous publications and performed many concerts around the world, including festivals in Belarus, Russia and Poland. They’ve taken time out of their busy schedule to chat to us about their upcoming album, Black Sails, and here’s what they had to say…

Hey Stak, how’s it going?
We all are in great mood and can’t wait to share our news with you!

That’s awesome! What future plans have you got? Any new singles or an album in the pipeline?
We’ve already written a new album named Black Sails. Right now we are finishing the mastering, and pushing out new music videos, to support the release of this album. It is going to [be released] 24th March 2018. We released the first single, ‘Illumination’, and three more are coming!

Where do you take inspirations from when making your music?
It comes from everyday. All the events and people around. We like catching a mood, a condition of mind, a feeling – you know, all that short moments when you feel alive. All our songs are created from feelings, emotions, experiences that guided us. Each song has some kind of history or strong experience under it – this is the main source of musical inspiration. When we just started we also found an inspiration in such bands as Tool, Deftones, Nine Inch Nails and this kind of stuff.

What’s your usual process for writing/recording?
We divide the process of writing and the recording process very much. Often there is a long enough time between composing a track and recording it. Maybe a couple of months, maybe a year! Writing music from track to track always goes differently. Sometimes it starts from a jam, sometimes everyone composes his own part at home, sometimes we all get together and do the musical brainstorm.

As for recording, for the second time we recorded an album at the magnificent studio ‘Hertz’ in Poland. We lived there for a few weeks until all the instruments were recorded.

If you could do a collaboration with anyone, who would it be and why?
On the LP, The Void, we made two tracks featuring Cory Brandon of Norma Jean as guest vocals. We really like these tracks and we are very happy with how they turned out. For the new LP, we decided not to invite guests, although there were very interesting options. And of course, I would really like to get a feature with Jonathan Davis.

That would be cool! So what music have you been listening to most recently?
I use Last.FM Scrobbler, so it will not be difficult to answer this question – I just have to look…so, this is Lil Peep with album Hellboy.

If you had to cover a recent chart song, which song would it be and why?
I’m thinking about ‘Triple Beam’ by Machine Head or ‘Less Than’ by Nine Inch Nails. These songs are pretty new and absolutely amazing. I don’t know about positions in any charts, but I don’t give a shit about charts anyway.

Haha! Fair enough. So what makes a great show for you?
Of course, first of all it is a crowd. The mood of the audience is quickly transferred to the musicians. And to play a show with a good mood is what makes a great show.

Do you have any pre-show or post-show rituals?
Before the show our singer Lex always drinks 4cl of brandy, and everybody does a lot of sport exercises. And after the show – we bow, as in a fucking theatre.

Haha! I love it! Has anything scary ever happened to you on tour?
Returning from the last tour, we’ve got in a car accident and have seriously damaged the rental bus, and all because the car-rental forgot to give us a bus without a working ABS. This was really scary, especially since I have never been in a traffic accident before.

Yeah, that sounds really scary! Do you have any other passions outside of music?
Each of the members of course has other interests besides music. Mi, our Bassist, is fond of super low cars and builds his STANCE project. I like to humiliate enemies in the Call of Duty playing online on my PS4, and Lex is a big fan of drinking =)

What really grinds your gears?
You know, nothing grinds my gears worse than some chowderhead that doesn’t know when to keep his big trap shut… like that movie said!

Haha! What’s the best film you’ve seen lately?
For sure it’s ‘The Greatest Showman’ with Hugh Jackman and Zac Efron in the main roles. We’ve even decided to add some musical dances to one of our new videos, inspired with this film!

Wow, that’s pretty cool! I wasn’t expecting that answer either. I’ve still not seen it but heard amazing things about it. If, in say 20 years time, a film was made about your life, who would you want to play you?
I would say – young Jackie Chan, but I’m too fat to pretend…so I’ll choose Sammo Hung!

Ha! If you could be any chocolate bar, which one would you be?
Because me and my brother (he plays bass in our band) are twins, so it’s going to be delicious white chocolate Twix!

What’s the best advice you’ve ever been given?
Stand your ground whatever is happening! And listen to Weesp!

Haha! Love a shameless plug! Well thanks very much for taking the time to chat to us today.
Thank you.

Weesp‘s releases are all available:

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#Review: ROAM – Great Heights & Nosedives




ROAM are a British pop punk band from Eastbourne, consisting of members Alex Costello (vocals), Alex Adam (lead guitar and backing vocals), Matt Roskilly (bass), Sam Veness (rhythm guitar) and Miles Gill (drums). The band formed in 2012 and since then have performed on the Warped Tour ’16, signed to Hopeless Records and have now just released their second album, Great Heights & Nosedives.

ROAM - Great Heights & Nosedives Cover2.png

The band’s new record opens with the hard-hitting track, ‘Alive’, and doesn’t really let up from its high-energy, bounce-inducing pop punk for the majority of the album. It is undoubtedly a good effort from the band and a strong follow-up to 2016’s debut, Backbone, however it’s not really taking any great strides to revolutionise the already saturated world of pop punk.

Sadly, ‘Curtain Call’ feels a little like it’s trying too hard to be profound but slightly missing the mark, whilst ‘Home’ is quite a letdown – it really doesn’t finish the album in as strong a way as it started, with just a quick fade out at the end, making it feel like the band weren’t sure quite how to finish the track – I really expected some long and explosive grande finale.

This is an album which is undoubtedly going to sit well within a hardcore, pop punk lover’s collection.

Don’t get me wrong, there are some really great moments on the album too, such as the banger that is ‘Alive’, thundering guitars and mosh-inducing rhythm of ‘Left For Dead’, the grungy, fast-paced ‘Open Water and the varying tempos of the somewhat funky, ‘The Rich Life Of A Poor Man’, which overall, make it quite a thrilling record, however I still feel like it’s nothing that hasn’t been done before. I find myself reminiscing some of the earlier days of New Found GloryAll Time Low and We The Kings and at points even Four Year Strong.

The album was produced by Kyle Black (who’s worked with the likes of State Champs, New Found Glory and Comeback Kid) in Los Angeles, California. This explains the authentic American sound to the record and might account for Alex Costello‘s pseudo-American accent throughout. Whilst this is synonymous with the genre, it’d be nice to hear an English-sounding pop punk band, just for a change.

This is an album which is undoubtedly going to sit well within a hardcore, pop punk lover’s collection…and it should; it’s a decent record. I just think that in order to really stand out from the masses of similar bands and achieve longevity in their career, they’re going to have to really push the boundaries of the genre on their next album; consider the likes of ParamoreFall Out BoyGood Charlotte and All Time Low.


‘Great Heights & Nosedives’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/great-heights-nosedives/id1270970229

Great Heights & Nosedives on Spotify

Alive (Official Video)

Playing Fiction (Official Video)

We really hope you’ve enjoyed our latest album review! What are your thoughts on ROAM’s Great Heights & Nosedives? What would you rate it? Please leave your thoughts in a comment or chat to us via our social media.

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Matt – Muzik Speaks

#WildCardWednesday: Naives – ‘Crystal Clear’

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Naives are an exotic-sounding pop group who blend massive tropical beats with huge synth sounds, topped off with funky bass and dynamic vocals, all of which is showcased perfectly in their latest single, ‘Crystal Clear’.

The song is an uplifting electro-pop affair with some very intricate production; the tempo gives the appearance of change throughout the song as it weaves amongst some really funk-filled grooves; it’s a very powerful track which has lead to airplay on BBC London and can be heard in high street stores such as H&M and Topman.

The vibrant single is accompanied by an equally flamboyant video, laden with visuals of exploding volcanoes and vast mountains among psychedelic textures that help to convey similar themes to the sound of the song. Watch the music video below.

What are your thoughts of this track? Have you heard anything else by Naives? Make sure you check out their self-titled album (due out 27th January 2017). Leave your thoughts or own #WildCardWednesday song choice in a comment below or via our social media using the hashtag.

Matt – Muzik Speaks

‘Crystal Clear’ can be downloaded off iTunes now – https://itunes.apple.com/gb/album/crystal-clear/id1181006985?i=1181007191

#MellowMonday: Tim Halperin – ‘Forever Starts Today’

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I’ve not been aware of Tim Halperin until now, however this song has been featured recently on Spotify and really captured my attention.

It’s beautifully uplifting in all the right ways with it’s stunning piano melodies and passionately simplistic vocals.

I know that Tim Halperin has had two albums, to date, since his appearance on Season 10 of American Idol but the release of this single could signify a new album to come.

No official video has been released for this track.

What are your thoughts of this track? Have you got another favourite song by Tim Halperin? Please share your thoughts or own #MellowMonday tracks in a comment below or via our social media, using the hashtag.

Hope you all have a great week!

Matt – Muzik Speaks

‘Forever Starts Today’ can be downloaded off iTunes now – https://itunes.apple.com/gb/album/forever-starts-today/id1130713205?i=1130713206

#MellowMonday: Benjamin Francis Leftwich – ‘Summer’

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Benjamin Francis Leftwich is an English singer-songwriter from York. He released his debut album in 2011 but he’s now preparing to release the foll0w-up, on 19th August, called After The Rain.

His clear, folk influences and similarities to Damien Rice and José González make it the perfect song for #MellowMonday. ‘Summer’ is a fantastic song – the almost whispered vocals sit beautifully amongst the high-pitched and dancing guitar melodies. It’s evocative of a warm summer evening in a vast field in the English countryside.

What do you think of this track? Have you heard it before? Got anything similar for us to hear? Please leave your song recommendations in a comment below or tell us via Twitter and Facebook!

Matt – Muzik Speaks

‘Summer’ is taken from the forthcoming album, After The Rain, and can be downloaded off iTunes now – https://itunes.apple.com/gb/album/summer/id1081985568?i=1081985774