#Review: Milestones – Red Lights


   

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Milestones are a British pop punk band, hailing from Manchester. The quartet, fronted by singer Matt Clarke, have worked with producer, Phil Gornell (Bring Me The Horizon and All Time Low) to produce their debut album, Red Lights; their first full-length record with Fearless Records. Here’s what we have to say about it…

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Milestones are certainly making a mark on the pop punk scene with this strong, punchy debut…but are they bringing anything new to the table? Not really, but nevertheless it works!

The album is quite formulaic with its use of ‘Woah ohs’, ‘Na na nas’ and other gang vocals, amongst a whole host of stop pushes, grungy guitars, semi-cliché lyrics about being against the world and such like, and to top it all off, are some straight-up, damn-catchy choruses.

It’s quite easy to make comparisons with bands like All Time Low, We The Kings and to some extent You Me At Six, but most notably, The Friday Night Boys, due to their pop punk precision and following of the modern tendency to over-produce these types of songs. Furthermore, being a British pop punk outfit, they’ve followed in the footsteps of so many others, by adopting the faux-American accent and referencing places in the USA (probably due to the amount of time the band have spent touring over there), but this band will still undoubtedly have made a name for themselves with this actually, pretty great album.

There are huge, sing-a-long choruses that would easily fill a stadium and Matt Clarke‘s epic vocals are delivered with massive power and heaps of conviction. It sure shows a band who know their sound and have the strength to produce a powerful album.

There are some mammoth highs, with powerhouse songs like ‘BitterSweetHeart’‘Once Upon A Time’‘Paranoid’ and ‘Liar’ and trademark, heartfelt “ballads”, exposing their more vulnerable side, with tracks such as ‘Against The World’‘Hold On’ and ‘Counting Cars’, all of which further fits themselves in to the mould. With its minute-long intro, ‘This Is My Life’ provides a moment of calm amid the album, almost splitting it into two parts, before kicking into the main song and ‘Eighteen’ is just a bit of fun, though lyrically lacking in some ways, whilst ‘Forever Or Never’ is a big track, bringing the album to a good conclusion.

Whilst it might sounds like I’m slating this record, I’m not trying to; I’m merely pointing out the current trends in the pop punk genre, but I actually thoroughly enjoyed it and have had it on repeat since receiving it. There are huge, sing-a-long choruses that would easily fill a stadium and Matt Clarke‘s epic vocals are delivered with massive power and heaps of conviction; he sings ‘Now I’m stuck in this fucking rut’, almost spitting out ‘fuck’ like no one I’ve ever heard. Overall, there are some stunning moments on this album (the harmonies in the middle 8 of ‘BitterSweetHeart’ being one of my favourite) and though it may not blaze trails within the genre or lead to world domination of the market, it sure shows a band who know their sound and have the strength to produce a powerful album.

Rating
3.5


‘Red Lights’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/red-lights/1336609728


Red Lights on Spotify

‘Paranoid’ (Official Music Video)

‘BitterSweetHeart’ (Official Lyric Video)


We hope you’ve enjoyed our review of Milestones’ debut album, but what do you think of it? What would you rate it? Please leave your thoughts in a comment or chat to us about it via our social media accounts.


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#Review: ROAM – Great Heights & Nosedives


   

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ROAM are a British pop punk band from Eastbourne, consisting of members Alex Costello (vocals), Alex Adam (lead guitar and backing vocals), Matt Roskilly (bass), Sam Veness (rhythm guitar) and Miles Gill (drums). The band formed in 2012 and since then have performed on the Warped Tour ’16, signed to Hopeless Records and have now just released their second album, Great Heights & Nosedives.

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The band’s new record opens with the hard-hitting track, ‘Alive’, and doesn’t really let up from its high-energy, bounce-inducing pop punk for the majority of the album. It is undoubtedly a good effort from the band and a strong follow-up to 2016’s debut, Backbone, however it’s not really taking any great strides to revolutionise the already saturated world of pop punk.

Sadly, ‘Curtain Call’ feels a little like it’s trying too hard to be profound but slightly missing the mark, whilst ‘Home’ is quite a letdown – it really doesn’t finish the album in as strong a way as it started, with just a quick fade out at the end, making it feel like the band weren’t sure quite how to finish the track – I really expected some long and explosive grande finale.

This is an album which is undoubtedly going to sit well within a hardcore, pop punk lover’s collection.

Don’t get me wrong, there are some really great moments on the album too, such as the banger that is ‘Alive’, thundering guitars and mosh-inducing rhythm of ‘Left For Dead’, the grungy, fast-paced ‘Open Water and the varying tempos of the somewhat funky, ‘The Rich Life Of A Poor Man’, which overall, make it quite a thrilling record, however I still feel like it’s nothing that hasn’t been done before. I find myself reminiscing some of the earlier days of New Found GloryAll Time Low and We The Kings and at points even Four Year Strong.

The album was produced by Kyle Black (who’s worked with the likes of State Champs, New Found Glory and Comeback Kid) in Los Angeles, California. This explains the authentic American sound to the record and might account for Alex Costello‘s pseudo-American accent throughout. Whilst this is synonymous with the genre, it’d be nice to hear an English-sounding pop punk band, just for a change.

This is an album which is undoubtedly going to sit well within a hardcore, pop punk lover’s collection…and it should; it’s a decent record. I just think that in order to really stand out from the masses of similar bands and achieve longevity in their career, they’re going to have to really push the boundaries of the genre on their next album; consider the likes of ParamoreFall Out BoyGood Charlotte and All Time Low.

Rating
3


‘Great Heights & Nosedives’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/great-heights-nosedives/id1270970229


Great Heights & Nosedives on Spotify

Alive (Official Video)

Playing Fiction (Official Video)


We really hope you’ve enjoyed our latest album review! What are your thoughts on ROAM’s Great Heights & Nosedives? What would you rate it? Please leave your thoughts in a comment or chat to us via our social media.


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#ThrowbackThursday: We The Kings – ‘Check Yes Juliet’


   

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2017 marks the 10th anniversary of We The Kings‘ self-titled, debut album, from which ‘Check Yes Juliet’ is one of the most successful singles.

The song is everything you could want from a power pop/pop rock/pop punk track – punchy guitars, swirling synths, beltable vocals and an epically catchy chorus. The song undoubtedly exploded the band onto the pop rock scene and it’s great that we are now celebrating their 10th anniversary with them. You can also catch them on their 10th Anniversary US tour now (BUY TICKETS HERE).

The music video is a take on William Shakespeare’s classic tale, in which lead singer Travis plays Romeo, ‘tossing rocks’ at Juliet’s window. Juliet’s parents do not approve of her relationship with her “Romeo” and demand that she stay away from him. The video ends with Juliet sneaking out to see Travis perform at a house party.

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‘Check Yes Juliet’ can be downloaded off iTunes now – https://itunes.apple.com/gb/album/check-yes-juliet/id749398340?i=749398405


#FeelGoodFriday: Andy Grammer – ‘Honey, I’m Good.’

Andy Grammer Banner

Andy Grammer could just take over the world with this song…it’s catchy as hell and my word does it have the feel-good vibe going on! It’s sort of summery, happy and fun all rolled into one awesome (just over) 3 minute package!

The premise for the song is that he’s turning someone down because he’s got someone at home, so he’s staying faithful. The video is quite sweet too; it’s just lots of couples celebrating how long they’ve been together and messing around. It’s got all the makings of a viral video…I’m thinking Nickelback’s ‘Rockstar’!

Andy Grammer is also signed to S-Curve Records who have worked with the likes of Tom Jones, Joss Stone and We The Kings.

Is this song as feel-good as you’d like for this Friday? Have you got any similar songs you could share with us? Please comment below.

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You can download ‘Honey, I’m Good’ from iTunes now – https://itunes.apple.com/gb/album/honey-im-good/id1014516901?i=1014516965