Mallory Knox are an alternative rock band from Cambridge and began as a five-piece back in 2009. Following the release of their third album, Wired, news came that lead vocalist, Mikey Chapman, was leaving the band in 2018. With co-lead vocalist, Sam Douglas, taking up the post of lead vocals, alongside the other three original band members; James Gillett (rhythm guitar & backing vocals), Joe Savins (lead guitar & backing vocals) and Dave Rawling (drums), the band are back with their self-titled fourth album (Mallory Knox) as a four-piece. Here’s what we have to say about it…
It was a brave choice for Sam Douglas to step into the position of lead vocals, as vocally he is quite different to Mikey Chapman, but he’s certainly come in all guns blazing on lead track, ‘Psycho Killer’ – a massive, garage rock sounding track with a hint of Foo Fighters about the vocals throughout, before careening into a heavy guitar breakdown at the end.
This is certainly a more raw and gritty album than some of their previous releases, with tracks like ‘The World I Know’ taking sonic influences from noughties punk rock and adding in grungy elements and ‘Wherever’ with its muscle guitars and intense drums, giving the illusion of travelling at speed.
Lead single, ‘White Lies‘, has a bit more of an indie feel to it than a lot of the rest of the record and is clear to see why it was chosen to launch the album.
Also, ‘4’ is quite commercial with its “Na, na, nas” and lyrics about vacuous pop market and record labels, such as, “You never mattered anyway.” Is it addressing negativity they have faced and the fact they band went from 5 members to 4, as the track title might suggest? Not sure. You’ll have to make up your own mind on that.
Possibly some the best tracks on the album are: ‘Livewire’ which has changes in pace throughout and echoing breakdowns to really get the listener going; ‘Freaks’ has some really interesting melodies with guitar frills, captivating (and sometimes aggressive) vocal acrobatics (with some serious power behind them) and a great all-round tone to it and ‘Black Holes’ with its chugging guitars and yet more, distinctly Foo Fighters vibes in the intense, shouty chorus.
It’s a risk to continue as a four-piece, with someone new taking up the role of lead vocalist, but it appears to have paid off.
By far, the best track on the album is ‘Gut’ – it’s an intense, fast-paced close to the album, with some insane vocal harmonies, brilliant drums and fast guitars – it’s a generally chaotic moment of ecstatic mosh-out madness that fans are sure to love live.
There are definitely moments when you can tell Douglas doesn’t quite have the power behind his voice that he might have liked and even one track (‘Heartbreak Lover’) that feels like his vocal is lacking in energy – albeit it’s a very commercial-sounding track with a guitar line that plays around the same melody as the chorus.
Additionally, there are the odd places here and there that lyrically feel a bit flat and not quite written with as much depth or maturity as perhaps you might like (‘Fine Lines’ with its candid take on a relationship breakdown) and other tracks, such as ‘Radio’ that are a little forgettable but overall, it’s a solid effort from the now quartet.
It’s been a risk to continue as a four-piece, with someone new taking up the role of lead vocalist, but it appears to have paid off. The album is consistently confident in its approach and hopefully with have old fans excited and on board for the ride as well as pick up new fans with their edgier sound.
‘Mallory Knox’ is out 16/08/19 and can be downloaded from iTunes – https://music.apple.com/gb/album/mallory-knox/1461295820
Mallory Knox on Spotify
White Lies (Official Music Video)
Livewire (Official Music Video)
We hope you’ve enjoyed our review! What do you think of the band’s fourth album? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.