#Review: MUNA @ Concorde 2, Brighton – 02/12/19

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On Monday 2nd December 2019, MUNA arrived in Brighton to perform the first date of their Saves The World Tour – their first ever headline UK tour. They band were supported by Fake Laugh. Here’s what we had to say about the incredible evening…


Fake Laugh

Armed with a fellow band member and a laptop of backing tracks, it’s incredible how Kamran Khan (aka Fake Laugh) creates such a full sound – as if he had an entire band with him. The set was filled with original tracks that could easily sit well in an American teen drama (think maybe The O.C.?!) due to his interesting brand of dreamy indie-pop. That said, he also pulled out a couple of excellent, more rocky guitar riffs that added another interesting depth to the set. Although he is somewhat awkward with his crowd interactions, that doesn’t stop him from getting the crowd moving.

Highlight: There was one particular song towards the end of the set, which I don’t believe is online, but the guitar riff and melody, paired with Kamran’s smooth vocal, was a tremendous thing to watch and dance to.


MUNA

Following a beautiful, instrumental intro, MUNA took to the stage and launched straight into ‘Number One Fan’ to rapturous applause from the crowd! They proceeded to play a string of songs, both old and new, from their debut (About U) and sophomore (Saves The World) albums.

Their Saves The World Tour marks the first headline, UK tour for the band and the Brighton show was their first date of the tour. To say the set was outstanding would be an understatement – the band really were jaw-droppingly brilliant, from their tight performance and engaging stage presence to Katie’s incredible, powerful vocals and they played to a room filled with nothing but love!

It doesn’t matter if you are a massive MUNA fan and know all the words to every one of their songs, or if you are new to them, because the vibes from both the band and the crowd are electric and every single person is able to feel welcome, accepted and a part of something special.

The relationship between the trio is genuine and packed with honest banter – at one point Katie made a small mistake and the others joked with her about it openly to the crowd but it was all taken in good fun and the audience found it hilarious too.

What possibly struck me most about seeing this band perform is the live interpretations of their tracks and just how genre-bending they really are! On some songs you can hear an almost country twinge to their style whilst on others they rock out, with one track even having a metal-style moment to it, which sent the crowd cheering. However at their core, this band are still a dark pop powerhouse with an 80s throwback feel to them.

Whether you’re a long-time MUNA fan or only just hearing about them, I cannot recommend highly enough, to try and catch them live – they will not disappoint and you will not stop moving throughout their entire set!

Highlights:

  • The stunning vocal performance from Katie (Gavin) throughout was breath-taking!
  • The chemistry between the trio (and their touring drummer and bassist) was electric – their actual performance was impeccable too!
  • The energy coming from the band was reflected throughout the crowd, filling the room with love, excitement and a truly euphoric energy.
  • The undertones of various genres being blended together, makes the band a real pleasure to watch – and as Naomi even said at one point, she “really believes [they] are the best f**king band in the world!”
  • It was a really nice touch that the band requested the venue make their toilets gender neutral for the event, to ensure everyone feels comfortable – a really caring touch for their very diverse fanbase.

 📸 All of the photos of MUNA are credited to Chloe Hashemi 📷
Go and give her a follow on Instagram and Twitter, and visit her website.


 Setlist

Number One Fan*
Stayaway
Crying On The Bathroom Floor
Around U
Never
Navy Blue
Everything
Winterbreak
Taken
Pink Light
Good News (Ya-Ya Song)
Hands Off
Loudspeaker*
I Know A Place*
It’s Gonna Be Okay, Baby

These songs can be viewed in the YouTube playlist, below.


Finally, I want to say massive thanks to xyz and also Chloe Hashemi for her incredible live photos of the show!


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Matt – Muzik Speaks
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#Review: Pick It Up – Ska in the 90s

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Following the success of his previous feature documentary (Here’s to Life: The Story of the Refreshments), director, Taylor Morden – an on-and-off trumpet player in ska bands for over 20 years – has returned to the world of ska to help bring the story of 90s ska to the masses. With a very successful Kickstarter campaign, the documentary took full flight and could not have been better produced, more thorough or more interesting to watch. Here’s what we had to say about it…

Pick It Up! Cover

From the very start, there are some wonderful aspects to this film, that instantly jump out at the viewer. Firstly, there is the fantastic animation weaving its way seemlessly throughout the documentary – some of it flows over footage of the various interviewees and other sections are entirely animated – but it all works so well! Secondly, is the truly amazing cast of stars from the genre, talking about their experiences with anecdotes and opinions that  they lived through during the ska scene in the 90s. Lastly, is the fact that the film is entirely narrated by Tim Armstrong (best known as the singer/guitarist for the punk rock band Rancid, and before that, the ska band, Operation Ivy – considered instrumental for the genre, despite only ever releasing one album).

But, what is ska?
Well, a lot of the cast of the film, brilliantly sum it up as “fast reggae with horns”.

Near the beginning of the film, we’re treated to a journey through the origins of ska, back in the 1950s, with a beautifully descriptive piece about what nights of ska music would have been like in its native Jamaica and then how it made its way over to the UK, settling in places like Brixton, Notting Hill and Coventry and on from there. This whole segment is accompanied by that wonderful animation, to bring it to life. It’s also interesting to know that reggae music actually wouldn’t exist if it weren’t for ska music being slowed down, and that also two-tone and ska punk both found their origins in ska.

This is a truly engaging film that is easy yet interesting to watch. It’s split into sections, looking at specific aspects of the genre like “skanking” (the very limb-orientated dance); the horn section (in particular, how in magazine photos they would often hold their horns to show it’s a ska band); and the DIY ethic of the genre – from posters to merchandise, bands would do pretty much everything themselves, such as designing logos, posters for shows and more, as cheaply as possible.

It’s fascinating that many consider 90s ska to have been brought to the forefront of the mainstream market due to No Doubt signing to a major label (Interscope Records) and releasing their hit album, Tragic Kingdom – which interestingly wasn’t very ska in style but due to their roots in the genre, helped highlight it to the masses.

I can’t recommend this documentary highly enough – whether you’re into ska or not, if you’re interested in music, this is a film you can learn a lot from.

We also learn that others had a big impact on the genre – Goldfinger were entered into the Guinness Book of World Records for playing 385 gigs in a single year; The Mighty Mighty Bosstones’ made an appearance in the cult movie, Clueless; and the Tony Hawk’s Pro Skater games introduced ska to a new generation too.

The film looks further into the “ska scene” and how instrumental live shows were, not only for bands and their friendships but the fans and creating shared experiences too. Additionally, despite touring extensively, money for ska bands was often in short supply due to the number of members in a band, but often small indie labels would release compilation CDs to showcase some of their band’s best work, to generate further interest in them. A lot of these smaller indie labels would operate as mail order services.

One of the most postive and interesting things about ska is the unity within the genre – black and white people would work in bands together, in harmony, so if anyone demonstrated any racism at shows, bands wouldn’t stand for it, however fights would frequently break out at shows as a result. This is one of the main reasons that the black and white checkers became a thing of ska. Also, there are a fair few women in genre and they address how these women would often have to hold their own with their strong characters and no-nonsense attitudes.

Unfortunately, by the turn of the millennium, as major labels had almost made ska a parody of itself, the ska bubble burst and the scene had become saturated with similar bands. As a result, people started to turn their backs to it and bands themselves started adapting to new sounds and dropping their horn sections.

There will always be a subculture for ska – just like with punk rock – but it’s not as mainstream as it was in the 90s. However, there is a bit of nostalgia resurge for ska at the moment (as well as 90s music in general), so whilst bands like Less Than Jake and Reel Big Fish are making new music ,they have a lot of fans reliving their youths by coming to shows. That said, across Mexico, Japan and Europe there is still a lot of love for ska and there’s hope for a ska revival in the near future, as the world could use some positivity right now.

I can’t recommend this documentary highly enough – whilst I like ska, it’s not a genre I know tons about but whether you’re into it or not, if you’re interested in music, this is a film you can learn a lot from, not only about the genre and it’s origins but from first-hand accounts of the scene during the 1990s, in an engaging and humourous way. Plus, you actually find yourself absorbed in the music itself – in fact I’ve had the playlist from the movie (below) on repeat ever since!

Rating
5


‘Pick It Up! – Ska in the 90s’ is out now and can be ordered/downloaded from the official website – https://www.skamovie.com/shop-1


Listen to the ‘Pick It Up! – Ska in the 90s’ official playlist on Spotify


We hope you’ve enjoyed our review! Have you seen this SKAcumentary yet? What did you think of it? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


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Matt – Muzik Speaks
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#Review: Snow Patrol @ Brighton Centre, Brighton – 24/11/19

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On Sunday 24th November 2019, Snow Patrol arrived in Brighton to perform a wonderful show at Brighton Centre, on their Reworked Tour. Due to performing two sets, the band opted to have no support act. Here’s what we had to say about the show…


Snow Patrol

As a way of celebrating 25 years of Snow Patrol, the band recently recorded new versions of some of their biggest tracks, on their latest record, Reworked. To accompany the new release and further celebrate their milestone anniversary, the band embarked on the Reworked Tour, stopping for a date in Brighton.

The set was split into two halves – the first with a mellow, stripped-back ambience whilst following a short interval, the second half picked up the pace with a more full-on, upbeat vibe. However, throughout both sets, the band stuck with the “reworked” style, breathing new life into some of their best-loved hits and deepest cuts from their back catalogue.

What actually made the night even more special, was the fact that quite a few of the “reworked” versions of the songs they performed, were not even on the new album (Reworked), so just by being at a show on this tour. you get to experience something very special – these one-off gems may never be heard performed or recorded in the same way again.

The audience diversity at a Snow Patrol show is very interesting too – whilst there are typically middle-aged listeners who have undoubtedly followed the length of the band’s career to date, there are also children being accompanied by their parents, equally pouring their lyrics back to them. It’s quite bewitching to see such a range of fans, across a few generations, and is testament to the timelessness of the band’s work. That, and/or perhaps the newer versions of the band’s back catalogue have picked up a new generation of fans on the way. Either way, they are a band that can be enjoyed by everyone.

The effort and craftsmanship that went into the band’s performance was a wonderful experience and whilst they could easily sell out huge arenas, it was nice to see them playing the smaller scale of (still) big venues without compromising the quality and production of the show. The addition of both string and brass sections as well as an additional percussionist to the lineup, really added an interesting new depth to the songs too.

If you haven’t had the chance yet, there are only a handful of shows left on this incredible tour, to experience this unique take on the band’s long-standing career and I would highly recommend trying to catch one of them, if you can.

Highlights:

  • The banter between songs from Gary Lightbody was pretty dry, honest and hysterical. One of the best moments was during the start of ‘Run’ when someone screamed, “I love you,”, completely throwing him off by making him laugh. He then restarted the song but not before telling a witty anecdote about how he once ruined a television performance of the song, after which one person on Twitter had a go at him for, for “ruining Leona Lewis’ song.”
  • The addition of string and horn sections as well as a percussionist really added an interesting depth to the performance. Furthermore, having the two main producers of Reworked performing on the tour with them was quite a unique idea too.
  • Gary Lightbody took time to introduce all of the various extra instrumentalists on the stage with him, really showing his gratitude for their skills and performances with the band.
  • The energy and new life to the band’s back catalogue of songs was invigorating to watch, demonstrating that even after 25 years, this band are still enjoying performing to audiences…and still have so much to give!

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📷 All of the photos are credited to Michael Hundertmark 📸
Why not give him a follow on Instagram and Twitter or check out his website.


 Setlist

First Set
You’re All I Have*
New York
You Could Be Happy
Warmer Climate
I Think Of Home
Crack The Shutters
Lifening
Take Back The City

Second Set
Spitting Games*
Chocolate
A Dark Switch
Run
Heal Me
Set The Fire To The Third Bar*
Empress
Called Out In The Dark
Shut Your Eyes
Chasing Cars
Open Your Eyes

Encore
What If This Is All The Love You Ever Get?
Just Say Yes

These songs can be viewed in the YouTube playlist, below.


Finally, I want to say a HUGE thanks to Warren Higgins and Charleigh Egan from Chuff Media for sorting out this review and to Snow Patrol themselves for putting on such a remarkable show.


Enjoyed this? Check out some of our other live reviews here:

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Matt – Muzik Speaks
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#Review: Cory Wells – The Way We Are

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Cory Wells is a singer-songwriter hailing from Redondo Beach, California. Wells’ past lies in that of the metal scene and although his solo career has taken a lighter path, his debut album, The Way We Are, never forgets his roots. Here’s our take on it…

Cory Wells - The Way We Are.jpg

We all mellow out eventually. As time goes on, our tastes ‘mature’ and many of us fall away from our respective scenes, perhaps in search of something musically that fits our changing needs. It feels like Cory Wells is trying to fill this need and it is clear right from the start in ‘Distant‘, that emo toil and angst are the order of the day. It’s a beautiful introduction to the album which highlights just some of Wells’ vocal talent but it doesn’t give too much away of what this record will deliver. ‘Keiko‘ follows this with a slight tweak up in the mood, which is a feature of the whole album. Wells is constantly shifting the dynamic but not dramatically enough to take away from what is clearly an outpouring from the heart, for himself. Furthermore, these small dynamic shifts help the album to flow in and out of each track.

A particular highlight of the album is ‘Wildfire’. This track delivers brilliant vocal hooks across the chorus and seamlessly blends Wells’ metal influence with the introduction of screamed vocals. It’s a feature also found across the album in ‘Walk Away‘ but it’s not shoehorned in for effect. It works to show Wells’ breaking emotion in the music and it never overstays its welcome, on what is an acoustic-based album. This screamed vocal is also heard on ‘Harbor‘ which throws reminders back to early City and Colour with its falling guitar melodies and stunning vocal range. Across the album, Wells shows great talent both vocally and musically – his voice seamlessly moves from a smooth Dallas Green style, to a more driven feel like those of Tim McIlrath (Rise Against) and of course that vocal scream!

Overall this doesn’t feel like a debut album – Wells shows his prior experience from other projects to produce a truly complete feel to the record.

Don’t be lured into thinking this album is all about the slow pace of that “sucker for anything acoustic” vibe of the mid 2000s emo days (although ‘Fall Apart‘ featuring Lizzy Farrall is a great pastiche to this). Upbeat tracks such as ‘Broken’, ‘Patience’ and ‘Cement’ musically provide some light relief, but lyrically follow a similar trend to the rest.

Overall this doesn’t feel like a debut album. They usually feel like a collection of tracks in this genre, but Wells shows his prior experience from other projects to produce a truly complete feel to the record. Tracks like ‘End of a Good Thing’ and previously mentioned ‘Wildfire‘ are great tracks on their own, highlighting Wells’ writing talent for building suspense and emotion, but the album deserves to be listened to as a whole. There is a well-written narrative here, both musically and lyrically; it’s the kind of album ready to be the soundtrack to your late-night drive.

For fans of: City and Colour, Deaf Havana, This Wild Life.

Rating
4


‘The Way We Are’ is out now on Pure Noise Records and can be downloaded from iTunes – https://music.apple.com/gb/album/the-way-we-are/1480535816


The Way We Are on Spotify

Walk Away (Official Music Video)

Patience (Official Music Video)

Wildfire [Official Music Video]


We hope you’ve enjoyed our review! What do you think of this singer-songwriter’s debut album? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


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Rob Manhire
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#Review: Klingande – The Album

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Klingande started out as a production duo back in 2012, releasing a couple of notable tracks. However, following the departure of one half of the pair in 2014, Cédric Steinmyller chose to continue using the moniker, as a solo venture. Since then and with a string of singles and remixes under his belt, the French DJ and tropical house producer, is now releasing his debut album, The Album. Here’s what we have to say about it…

Klingande - The Album

Klingande‘s aptly-titled debut album, The Album, sees the producer putting out a double-disc record. The first of which is a body of work that sounds sonically polished and wonderfully well collected together, whilst the second disc is more a collection of the producer’s previous hits and well-known tracks.

The first disc is definitely an album that has been inspired by the likes of the late Avicii, blending real instruments with electronic elements. It would appear that there are other influences being played with too, with a real sense of the Deep South of America interwoven throughout – such as ‘Sinner’ (featuring Stevie Appleton) with country-style acoustic guitars in the verses and bluesy guitar riffs in the chorus. Or By The River’ that has slick guitars and features the raspy yet soulful vocals from Jamie N Commons. Even a harmonica finds its way onto the album (courtesy of French harmonica player, Greg Zlap) on the refreshing and rather frantic, surefire fan-favourite, ‘Ready For Love’ (also featuring vocals from UK singer-songwriter, Joe Killington).

The album opens with his latest single, ‘Amsterdam’ (the first of two collaborations with pop duo BRIGHT SPARKS) an acoustic-led, mellow dance track with a heavy underlying bass which sounds almost separate to the rest of the track, in a really interesting way. The second collaboration with BRIGHT SPARKS is previous single, ‘Messiah’ a subtle yet very catchy track, with some interesting fills, like a great dubstep-style wob-wob, leading into the final chorus.

‘Simple Man’ has some beautiful, distant gospel backing vocals, topped off with a deep lead vocal. This track is definitely a nod to his older sound, as it’s very saxophone led. Meanwhile, ‘Famous’ is quite different in tone to the rest of the album, particularly as it’s the first track on The Album to feature a female vocal.

The Album is a wonderful collection of songs that bring about an interesting new depth to dance music, making it stand out from a lot of other EDM.

Besides ‘Ready For Love’ (a personal favourite!), the final two tracks are possibly the best ones on the record. ‘Alive’ is a very positive track about things you won’t allow to get to you or defeat you and whilst the lyrics are not necessarily the deepest or most well-written, it’s catchy as hell and the message is great! Equally, closing track, ‘Only Breath’ (and the second to feature an unknown female vocal) is an airy and atmospheric song, with a synth rhythm that is pure euphoria – a wonderful track in spite of the inevitable dance drop.

The second half of The Album serves as more of a greatest hits, collating a bunch of Klingande‘s previous releases from the past few years – a time when he was more recognised for his prominent piano and saxophone use.

Whilst reviewing The Album, I chose to focus my attention mainly on the first half of the record, due to it being a more comprehensive collection of songs, however what the second half does do, is bring most of his previous releases together in one place and showcase just what growth this artist has been through, whilst the first half marks a new chapter in his career.

The Album is a wonderful collection of songs that bring about an interesting new depth to dance music, making it stand out from a lot of other EDM, but at its core, still uses tried, tested and much-loved dance sensibilities. This is a record that will be enjoyed by people of all ages and could quite easily be the perfect party companion. Given the growth demonstrated on this record, it’ll be interesting to see what direction Klingande goes in next!

Rating
4


‘The Album’ is out now and can be downloaded from iTunes – https://music.apple.com/gb/album/the-album/1484567866


The Album on Spotify

Amsterdam featuring Bright Sparks (Official Lyric Video)

Messiah featuring Bright Sparks (Official Video)

By The River featuring Jamie N Commons (Official Video)

Jubel (Official Video)


We hope you’ve enjoyed our review! What do you think of the producer’s debut album? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media and feel free to share our review.


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Matt – Muzik Speaks
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#EventSpeaks: John Newman @ Concorde 2, Brighton – 15/10/19

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On Tuesday 15th October 2019, John Newman arrived in Brighton, to play a sold out show at Concorde 2, to promote his new EP, A.N.i.M.A.L. He was supported by sibling trio, Tors. Here’s what we have to say about the show…


Tors

I remember being fascinated when I first saw Tors support Tom Walker a couple of years ago, so was pleasantly surprised to see the trio of brothers return to Brighton. They still amaze me with just how full their sound is, despite there just being three of them, partially due to the (standing) drummer and his clever use of drum pads.

The three-piece sibling outfit produce some captivating sounds and somehow evoke a sense of nostalgia – they could easily fit on an emotive film soundtrack. If you haven’t seen them; I would highly recommend at least giving them a listen on Spotify, or heading to a show of theirs, near you.

Highlight: The three-part vocal harmonies produced by the guys is remarkable and adds a really interesting depth to their performance. It’s a wonderfully special thing to hear done live.


John Newman

The lights went down as an evocative instrumental and rhythmic lighting got the crowd pumped up for John Newman to take to the stage. As the track came to an end, he arrived to great applause and did something quite unexpected and unusual, performing the first part of ‘Not Giving In’ as just him and an acoustic guitar – upbeat but not a full-on sound to arrive on stage to…but it worked so well! It really showcased his incredible talents, before the full band joined him on stage to finish the rest of the track.

He proceeded to play a range of his biggest, most well-known tracks, including his collaborations with the likes of Rudimental and Sigala, all the while, getting the crowd singing and dancing along. He sure likes to move himself too, as he constantly puts his utmost energy into every song, including busting out his rather quirky yet distinctive dancing.

His vocals were fantastic as well – although a little raspy in places (however this is somewhat part of his trademark sound). He was accompanied by two brilliant female, backing vocalists and a tight band too.

However, possibly one of the best bits about the show, was his candid sharing of anecdotes and opening up about his feelings. He talked about his recent struggles with his physical health, as well as issues with his mental health too; making promises that he will get stronger and never allow people to take control of his creative processes again (which comes after a couple of songs he released that he felt were not true to himself). He also shared how he is coming out of himself a lot more now and wanting to perform more intimate shows and chat more to fans, than he did in the past – showing a great deal of growth.

One thing’s for certain, John Newman could quite easily pack a small, local venue or a huge stadium but regardless, he would have everyone in the place dancing and singing like mad, the whole way through. His energy is relentless and set list is packed with upbeat songs which you can’t help but lose yourself in. You must go and see him live when you get the chance!

Highlights:

  • The sheer energy John Newman gives the audience is highly infectious and his vocals are incredible to hear live!
  • The set list was sensational and packed with hits to get the crowd moving, constantly!
  • His honest and open approach to interacting with the crowd is refreshing and to talk about his own struggles makes him very relatable – and he clearly has a lot of love for it, as people constantly call out, “I love you John!”
  • It may sound odd, but the stage lighting really made the performance stand out too – Concorde 2 is a great, local venue with about 600 capacity but the lighting could easily have worked in a stadium, but it was amazing to see that work at a smaller venue.
  • The backing band and vocalists just make the experience even better – it would be quite easy for him to use backing tracks but it adds something for him to vibe off.

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📷 All of the photos are credited to Michael Hundertmark 📸
Why not give him a follow on Instagram and Twitter or check out his website.


 Setlist

Intro
Not Giving In
Give Me Your Love*
Feelings
Cheating
Losing Sleep
The Hardest Word Is Goodbye
Forever’s Not Long Enough
Mama
Animal
Tiring Game
Come And Get It*
Blame
Feel The Love*

Encore
Without You
Stand By Me
Love Me Again

These songs can be viewed in the YouTube playlist, below.


Finally, I want to say an absolutely HUGE thanks to John Newman and Tors for putting on incredible performances and to Warren Higgins from Chuff Media for setting this review up for me.


Enjoyed this? Check out some of our other live reviews here:

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Matt – Muzik Speaks
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#Review: Amy Studt – Happiest Girl In The Universe

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Amy Studt is an English singer, songwriter, musician and actress, who first rose to fame in 2002, with the release of her first single, ‘Just A Little Girl’, followed almost a year later, by ‘Misfit’ and eventually her debut album, False Smiles. Though she’s been through ups and downs in the rather perilous music industry, she is now set to release her third studio album, Happiest Girl In The Universe, independently. Here’s what we have to say about it…

Amy Studt - Happiest Girl In The World

If you knew Amy Studt from her debut album, or even 2008’s Paper Made Men, then you might not instantly recognise her now, as this is quite the far cry from her former artist, self.

Following a breakdown in 2009 and a diagnosis of rapid cycling bipolar, it’s amazing to see how this strong woman, has channeled her mental health, feelings and emotions into a brilliantly artistic project.

Whilst at its core, this record is still Amy Studt, she has created something experimental and unassuming pop music. Happiest Girl In The Universe is a much more mature record than some of her previous releases, dealing with some rather deep emotions and intense feelings. It’s certainly not for the faint-hearted – think Lana Del Rey’s more depressing moments…turned up to eleven! That said, she’s crafted something special and undoubtedly therapeutic.

Amy Studt has laid herself bare, with raw, heartfelt vocals and honest, painful lyrics detailing how tortured she has been over the past few years.

If you’re like me, this album might even take you two or three sittings to get through, in order to digest the significance of the messages, understand her crippling depression and comprehend the enormity of the topics, as well as embrace the unusual style of music.

Amy Studt has explored her suffering and documented it like an audio diary – without frills attached! She paints vivid, personal pictures in a most cinematic way, occasionally touching upon moments of hope and redemption.

Her voice remains identifiable, with the occasional twinge of The CranberriesDolores O’Riordan. Possibly one of the best songs is ‘Sleepwalker’, on which she demonstrates a wonderful shouted vocal towards the end of the track, with something Kesha (of all people) about it. There’s a lovely rawness that is almost off-key, but it really doesn’t matter due to the intense delivery. She further demonstrates a tortured scream-like vocal on ‘Violently With Love’, showing off just how impressive her voice is.

‘I Was Jesus In Your Veins’ is a wonderfully diverse track, that seems dark and brooding yet switches to a light-hearted chorus, whilst ‘Let The Music Play’ has a rather twisted-sounding yet catchy chorus.

‘The Water’ stands out for being part spoken word poem, part song, accompanied by a chaotic, hypnotic and rather intense instrumental. Whilst ‘One Is The Only Number’ has haunting, screaming guitars in the background, beautiful falsetto vocals and an underlying, heavy beat, like the pounding of a primal drum on the way to the gallows. Another wonderful track is the rather whispery ‘Troubles Coming In’.

Haunting and haunted are probably the two best words to describe Happiest Girl In The Universe. Amy Studt has laid herself bare, with raw, heartfelt vocals and honest, painful lyrics detailing how tortured she has been over the past few years, creating something mysterious and wonderfully dark, yet utterly captivating. I hope this can put to bed a difficult chapter in her life and that she continues to make music from here – I know I’ll be listening!

Rating
4


‘Happiest Girl In The Universe’ is out now and can be downloaded from iTunes – https://music.apple.com/gb/album/happiest-girl-in-the-universe/1479696794


Happiest Girl In The Universe on Spotify

Let The Music Play (Official Video)

Overdose (Official Video)


We hope you’ve enjoyed our review! What do you think of Amy’s latest album? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


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Muzik Speaks Album Reviews


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