#Review: Mallory Knox – Mallory Knox

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Mallory Knox are an alternative rock band from Cambridge and began as a five-piece back in 2009. Following the release of their third album, Wired, news came that lead vocalist, Mikey Chapman, was leaving the band in 2018. With co-lead vocalist, Sam Douglas, taking up the post of lead vocals, alongside the other three original band members; James Gillett (rhythm guitar & backing vocals), Joe Savins (lead guitar & backing vocals) and Dave Rawling (drums), the band are back with their self-titled fourth album (Mallory Knox) as a four-piece. Here’s what we have to say about it…

Mallory Knox - Mallory Knox.jpg

It was a brave choice for Sam Douglas to step into the position of lead vocals, as vocally he is quite different to Mikey Chapman, but he’s certainly come in all guns blazing on lead track, ‘Psycho Killer’ – a massive, garage rock sounding track with a hint of Foo Fighters about the vocals throughout, before careening into a heavy guitar breakdown at the end.

This is certainly a more raw and gritty album than some of their previous releases, with tracks like ‘The World I Know’ taking sonic influences from noughties punk rock and adding in grungy elements and ‘Wherever’ with its muscle guitars and intense drums, giving the illusion of travelling at speed.

Lead single, ‘White Lies‘, has a bit more of an indie feel to it than a lot of the rest of the record and is clear to see why it was chosen to launch the album.

Also, ‘4’ is quite commercial with its “Na, na, nas” and lyrics about vacuous pop market and record labels, such as, “You never mattered anyway.” Is it addressing negativity they have faced and the fact they band went from 5 members to 4, as the track title might suggest? Not sure. You’ll have to make up your own mind on that.

Possibly some the best tracks on the album are: ‘Livewire’ which has changes in pace throughout and echoing breakdowns to really get the listener going; ‘Freaks’ has some really interesting melodies with guitar frills, captivating (and sometimes aggressive) vocal acrobatics (with some serious power behind them) and a great all-round tone to it and ‘Black Holes’ with its chugging guitars and yet more, distinctly Foo Fighters vibes in the intense, shouty chorus.

It’s a risk to continue as a four-piece, with someone new taking up the role of lead vocalist, but it appears to have paid off.

By far, the best track on the album is ‘Gut’ – it’s an intense, fast-paced close to the album, with some insane vocal harmonies, brilliant drums and fast guitars – it’s a generally chaotic moment of ecstatic mosh-out madness that fans are sure to love live.

There are definitely moments when you can tell Douglas doesn’t quite have the power behind his voice that he might have liked and even one track (‘Heartbreak Lover’) that feels like his vocal is lacking in energy – albeit it’s a very commercial-sounding track with a guitar line that plays around the same melody as the chorus.

Additionally, there are the odd places here and there that lyrically feel a bit flat and not quite written with as much depth or maturity as perhaps you might like (‘Fine Lines’ with its candid take on a relationship breakdown) and other tracks, such as ‘Radio’ that are a little forgettable but overall, it’s a solid effort from the now quartet.

It’s been a risk to continue as a four-piece, with someone new taking up the role of lead vocalist, but it appears to have paid off. The album is consistently confident in its approach and hopefully with have old fans excited and on board for the ride as well as pick up new fans with their edgier sound.

Rating


‘Mallory Knox’ is out 16/08/19 and can be downloaded from iTunes – https://music.apple.com/gb/album/mallory-knox/1461295820


Mallory Knox on Spotify

White Lies (Official Music Video)

Livewire (Official Music Video)


We hope you’ve enjoyed our review! What do you think of the band’s fourth album? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


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#TunefulTuesday: Will Joseph Cook – ‘Hey Brother’

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It’s been a couple of years now since Will Joseph Cook released his debut album, Sweet Dreamer, but the catchy indie-pop, anthem-writer is back with a brand new single… and it would appear he’s parted ways with Atlantic Records.

His latest offering, ‘Hey Brother’, comes following a witty video announcement hinting not only of this single release, but a forthcoming album too!

‘Hey Brother’ is still distinctly Will Joseph Cook – his ethereal high vocals in the choruses are married with his more apathetic tones in the verses. One thing’s for sure, his voice remains unique and captivating, as ever.

This track also demonstrates his marvellous songwriting talent, as he uses a simplistic yet catchy guitar melody and loops it, bringing it in and out of the focus, whilst also continually layering up the track to bring it to a great, harmony-driven climax.

This layering is reflected in the music video for the track too, which sees multiple versions of the singer appearing throughout. He’s not one to settle for something visually drab and so this too shows that he’s remaining true to his artistic nature, once again showing how powerful it can be when coupling music and interesting visuals. Check it out below!

What are your thoughts of this indie singer-songwriter’s latest single? Do you have your own #TunefulTuesday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
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‘Hey Brother’ can be downloaded off iTunes now – https://music.apple.com/gb/album/hey-brother-single/1469264663


#Review: LAUREL – DOGVIOLET


   

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LAUREL (aka Laurel Arnell-Cullen) is a British indie musician originating from London. She has had a string of critically acclaimed songs since posting her first demo back in 2013 and gained a lot of bloggers’ and radio DJs’ attention for writing, recording and producing most of her early music in her bedroom studio. Since signing to Counter Records (a division of Ninja Tune Records) in August 2016, she has released an EP and headlined her own UK tour. Now, 2018 sees the singer and songwriter releasing her debut album, DOGVIOLET. Here are are thoughts on the record…

Laurel - Dogviolet.jpg

LAUREL is finally releasing her debut album, DOGVIOLET and it’s a real corker! From the moment it opens with the catchy ‘Life Worth Living’ which bursts into life with its heavy drums, we are taken on a personal journey through LAUREL‘s heart and mind.

Some of the other tracks that really stand out are: ‘All Star’ has a really unique guitar line to it and it’s about putting a partner on a pedestal; ‘Hold Tight’ which has some relaxing, summer-by-the-beach vibes about being close to someone; ‘Adored’ for its slightly more grungy sound; ‘Crave’ which builds to a rather haunting chorus and ‘Take It Back’ for its very different and incredibly catchy chorus that lies somewhere along the lines of HAIM and MUNA.

‘Empty Kisses’ is a beautifully melancholic track too about a relationship that’s essentially over and the passion’s gone.

There’s something beautiful about the occasional cracks in her voice – it’s stunningly imperfect.

Undoubtedly, comparisons could be made with the likes of Lana Del Rey or Florence Welch due to her ethereal vocals and melancholic tones but there’s something beautiful about the occasional cracks in her voice too – it’s stunningly imperfect.

The production is artistic and evokes imagery of an artistic independent film; it certainly serves as a soundtrack to this period in her life, with real, introspective lyricism and reflection that must have taken her to some deep, dark places in her memories. This is surely the start of a wonderful career ahead – with her intensely mesmerising vocals and remarkably honest and personal writing style that certainly stands her out from so many others right now. This year is certainly going to be a big one for LAUREL and I can’t wait to see where it takes her next.

Rating
4


‘Dogviolet’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/dogviolet/1373664343


Dogviolet on Spotify

Coming soon.

Same Mistakes (Official Video)

Life Worth Living (Official Audio)


We hope you’ve enjoyed our review! What do you think of LAUREL’s debut album, DOGVIOLET? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or chat to us about it via our social media.


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#WildCardWednesday: Wallows – ‘Pictures Of Girls’


   

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Wallows are an American indie/alternative rock band from LA, consisting of Braeden Lemasters (best known for his role in Men Of A Certain Age), Elliot Rose, Cole Preston and Dylan Minnette (the main character in Netflix’s 13 Reasons Why).

The band have actually played together for quite a few years, under many different names but having released a few successful singles, independently, are now signed to Atlantic Records.

‘Pictures Of Girls’ was the band’s first single taken from their 2018 Atlantic-released EP, Spring. It’s an indie track that serves as a great summer anthem and is in some ways similar to something by The Strokes or Foster The People

The music video deals heaps of nostalgia with its authentic use of Super 8 film and sees the band getting up to various antics around the suburbs; its a fantastic companion piece of video art to go with the song itself.

Great track, wonderful EP, let’s see what exciting things they bring over the next few months and years!

What are your thoughts of this up-and-coming band? Got a #WildCardWednesday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
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‘Pictures Of Girls’ can be downloaded off iTunes now – https://itunes.apple.com/gb/album/pictures-of-girls/1366473264?i=1366473279


#FeelGoodFriday: The 1975 – ‘Give Yourself A Try’

 

   

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The 1975 have just made a triumphant return with their brand new single, ‘Give Yourself A Try’.

Taken from their upcoming third album, A Brief Inquiry Into Online Relationships (originally titled Music For Cars, the band are now using this as the moniker for this period of the band’s career, with a second album, Notes On A Conditional Form, already in the pipeline for May 2019), the song is set to kick off the band’s new era with a bang.

The track is much more subtle than some of their more straight-up pop tunes like The Sound and ‘Girls’ but has a rather ‘Chocolate’ feel to it; could this album see the band return to the sound of their debut?

I particularly like their interesting take on the world and certain aspects of it, throughout the verses, particularly the part about, ‘And what would you say to your younger self?’ – it’s a great moment in the song. Equally, whilst it’s not an instant pop anthem, the chorus is majorly catchy and I’ve found myself singing it loads already!

The music video is pretty funky too with it’s split-screen and trippy effects. I particularly love Matty’s dancing and new orange hair (is it just me or is there something a bit My Chemical Romance about it?!) and the clear guitars and drums used by the rest of the band.

This is certainly an exciting new era for the band and I can’t wait to hear their next single, and the rest of the album.

What are your thoughts of the new single from the band? Do you like the direction of their new era? Are you excited about the new album? Got a #FeelGoodFriday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
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‘Give Yourself A Try’ can be downloaded off iTunes now – https://itunes.apple.com/gb/album/give-yourself-a-try/1389783331?i=1389783376


#Review: Now, Now – Saved


   

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Now, Now are an American indie duo originally from Blaine, Minnesota (USA), now based in Minneapolis. The band now consists of founding members, KC Dalager (vocals/guitar/keyboard) and Brad Hale (drums/backing vocals) after a recent departure from their line-up. To date, they have had two, somewhat heavier albums and this, Saved, will be their third, full-length release. Here’s what we have to say about it…

Now, Now - Saved.jpg

It’s been a decade since their more thrashy, emo-esque debut album, Cars, was released (back when they were called Now, Now Every Children) but since then, Now, Now have clearly been working hard on mastering the art of slick production.

This is an album that successfully merges emotive, thought-provoking lyricism based upon relatable topics, with warm, summery production; it’s credible songwriting with certain mainstream, pop sensibilities.

Saved is a stunning record. It has everything from catchy choruses and atmospheric synths to chugging guitars and heavy beats.

It kicks off with the acoustic-led, summer tune ‘SGL’ (short for Shot-Gun Lover) which would be the perfect road trip track, through the open roads of America. From there, you’ve got the captivating ‘MJ’, which makes reference to Michael Jackson‘s ‘Billie Jean’ topped off with a galloping beat (somewhat similar to MJ‘s ‘A Place With No Name’ from 2014’s Xscape)

Another significant track is ‘Window’, with its shimmering synths and manipulated vocals, that continually ascend. It’s a song about desperation for someone;“Every night I’m at your window, Wonder when you’re gonna let me in.”A truly atmospheric track.

Just listening to this album, puts you in an instantly good mood due to its stunning production and uplifting vibes.

‘Powder’ is a massive tune and a superbly powerful and passionate close to the album; it has a catchy, fun start with delicate guitars and subtle synths but as it goes on, descends into a very interesting and heavy breakdown with gritty synths.

There are certainly a lot of resemblances that can be made across the album too: ‘Can’t Help Myself’ has whispery vocals, somewhat similar to Geowulf; ‘Knowme’ is a house-like track with calm, electronica vibes, with elements of Chicane to it; ‘Set It Free’ makes cheeky reference to “wandering hands” and has a certain something about it that reminds me of a cross between The Cardigans and Sixpence None The Richer; ‘Drive’ has a beachy, Lana Del Rey vibe and ‘Holy Water’ is a song which I find merges MUNA with early Dido (with the use of industrial-like sounds) – it’s beautiful and euphoric. That’s in no way saying that they are copying other artists but perhaps making a nod to them; if anything it just goes to show what an eclectic record they have managed to create, with a little something for everyone.

As far as albums go, this is diverse and interesting with a real excitement about it. Just listening to it, puts you in an instantly good mood due to its stunning production and uplifting vibes. They have managed to craft a sound that is somewhere between airy beach-pop and grungy rock, evoking nostalgia and varying emotions throughout. This is fantastic record that is sure to be the soundtrack to many people’s summers this year.

Rating


‘Saved’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/saved/1365088448


Saved on Spotify

AZ (Official Video)

SGL (Official Video)

Yours (Official Video)


We hope you’ve enjoyed our review; what do you make of this band’s latest album, Saved? Are you as much of a fan as us? What would you rate it? Please leave your thoughts in a comment or via our social media.


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Matt – Muzik Speaks
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#EventSpeaks: Isaac Gracie @ The Haunt, Brighton – 25/04/18


   

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On Wednesday 25th April, Isaac Gracie arrived in Brighton to play a headline show, in support of his self-titled debut album (review here) with support from up-and-comer, Matt Maltese. It really was a fantastic show!


Matt Maltese

The singer took to the stage, dressed in a retro-looking brown suit, and performed a string of songs taken from his upcoming debut album, Bad Contestant. His songwriting is quite politically-charged and certainly has a folk/indie vibe to it. There’s an excellent power behind his vocals and a real satire to his between-song banter.

Highlight: The hilarious concept behind the final song of his set, ‘As The World Caves In’; the idea of Donald Trump and Theresa May having a final night of lovemaking as they click the red button, destroying the Earth.


Isaac Gracie

Isaac Gracie took to the stage in front of his sold-out audience, to a deafening applause, launching straight into the thought-provoking, ‘All In My Mind’. Isaac is certainly a brooding artist and for the first few songs, you could hear and feel the aching anxieties he pours into his songwriting, with little audience eye contact, show-casing his artistic vulnerability perfectly.

It wasn’t long before he warmed up to the audience, cracking some jokes during his between-song banter, making reference to ‘Terrified’, saying that maybe he is cut out for it after all. He also fed off a couple of audience members calling out, superbly; it brought the audience closer to him and let them in on his dry, almost geeky sense of humour.

You can’t help but marvel at the passion behind Isaac’s voice and lyricism; he is someone who has clearly worked incredibly hard, crafting their songwriting and made every effort to create a collection of songs that are brilliantly diverse yet still remain true to him, as an artist. His show was impeccable! Some of the most stand-out performances included, ‘Terrified’‘One Night’‘The Death Of You & I’‘Running On Empty’ and ‘Last Words’.

At one point, he made reference to the last time he performed in Brighton, at this very venue, when he supported The Japanese House in February 2016 (see our review here) – it was great to see how he’s gone from being a support act, to headlining his own show in such a relatively short space of time, and much deserved too!

This is an artist who is only just scratching the surface of their career, with their honest and genre-blending music; I truly can’t wait to see what he does next.

Highlights:

  • Isaac’s
  • The fact he came straight out after his set, to meet the fans, taking time to have photos with them and sign merch – it’s fantastic when an artist gives back to their followers!

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 📸 All of the photos in this post (except me with the band) are credited to Chloe CZH 📷
Go and give her a follow on Twitter and visit her website.


 Setlist

All In My Mind
That Was Then
Terrified
Telescope
When You Go
Love (Ain’t Always So Good)
All The Burning Lovers
Silhouettes Of You
One Night
Darkness Of The Day
The Death Of You & I *
Running On Empty *
Reverie
Hollow Crown

Encore
Last Words

These songs can be viewed in the YouTube playlist, below.


Finally, I want to say an absolutely HUGE thanks to Hannah Braid for setting up this review and to Isaac Gracie and Matt Maltese for putting on a fantastic show. It was also great to have the chance to meet Isaac too!

Isaac Gracie & Matt Wright.JPG


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