Tag: now playing

#Review: Bastille @ Brighton Centre, Brighton – 18/04/22

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On Monday 18th April 2022, Bastille arrived in Brighton for the closing night of their 2022 UK tour, in support of their fourth studio album, Give Me The Future. The night was incredible, with support from BIM and The Native. Here’s what we had to say about the sensational event…

BIM

Following a last-minute line-up change, due to singer, Dylan, being unable to perform, long-time Bastille backing singer, BIM, stepped up to perform as first support of the evening. Whilst she only performed 2 songs, she wowed the audience with her incredibly powerful, and soulful voice. Songs, ‘O.T.R.’ and ‘Cinematic’ both had sexy vibes to them, the latter of which makes references to a selection of films, which BIM invited the audience to guess which ones she was singing about. The singer was candid with the audience about being alone on the stage and asked for the support of the crowd, which they gave readily. A great singer, with some incredibly dynamic vocals – definitely one to look out for.

The Native

This band were an interesting act – they’re clearly young but quite experienced. Unfortunately for the singer, he was having trouble with his guitar which threw him off slightly, however they remained professional throughout the show delivering a flawless performance. That said, they could have used a little more personality, energy and smiles in their stage presence and whilst they have well-written songs, if I’m honest, they were not the most captivating tunes. That aside, they did manage to get the crowd excited for Bastille and their song, ‘In My Mind’ was a real stand-out performance.

Bastille

From the moment the band took to the stage, there was a huge surge of excitement and cheering from the anticipating crowd, particularly when singer, Dan Smith, emerged at the back of the stage, on a high platform in front of a white rectangular backdrop.

From start to finish (of the 100-minute set), this was a truly captivating experience; probably one of the best live shows I’ve ever seen! The production was instantly impressive with a cool stage set-up, that saw crossed-shaped lights dance across and above the stage, whilst a massive stage-wide screen displayed a variety of stunning visuals at the back of the stage, throughout the set.

Much as with their fourth studio album, Give Me The Future, the entire set was broken up by audio-visual interludes that made the whole performance feel as if you were part of a wonderful cyber experience.

The set was packed with an impressive amount of songs and featured both new and old tunes that had the audience singing along with every word! Even some of the deeper cuts from previous albums as well as those from their latest, had the audience ecstatic.

Despite the nearly seamless flow to the set, the band were truly considerate of their crowd too, stopping the performance a couple of times whilst people who had passed out were carefully lifted out of the crowd.

The band were highly energetic and showed off just how refined they have become at performing in a big concert venue. They’re true professionals and giants in their genre, who deserve their every success.

Without a doubt, this band are a phenominal live act to watch and will have you jumping and singing along within seconds of taking to the stage. Whilst this tour may have now drawn to a close, I’m sure the band will be back and touring again, having said they missed performing during the Covid pandemic, and I cannot recommend watching them, highly enough – they will not disappoint!

Highlights:

  • When singer, Dan Smith, jumped off the stage and into the crowd, during the band’s performance of ‘Happier’, it created a massive buzz throughout the audience and had everyone hyped up (watch the video below as I came face-to-face with him in the crowd!)
  • The appreciation for their fans just being there was evident and the love for enabling their latest album to reach Number 1 was felt by all.
  • The diversity of the set was really thrilling, with a combination of new and old, fast and slow songs, meaning the crowd were kept on their toes throughout.
  • The stage design was amazing – it enhanced the performance without detracting from the band themselves in a wonderfully immersive way.
  • ‘Things We Lost In The Fire’, ‘Happier’, ‘Of The Night’, ‘Future Holds’ (due to BIM‘s stunning vocals!) and ‘Pompeii’ were definite highlights of the show.

📷 All of the photos in this post are credited to Michael Hundertmark 📸
Why not give him a follow on Instagram and Twitter or check out his website.

 Setlist

Stay Awake?
Distorted Light Beam*
Things We Lost In The Fire
Laura Palmer
Oblivion
Those Nights
Quarter Past Midnight*
Back To The Future*
Plug In…
WHAT YOU GONNA DO???
survivin’
Good Grief*
Promises
Give Me The Future
4AM
No Bad Days
Happier*
Run Into Trouble*
Of The Night
Future Holds (with BIM)
Pompeii*

Encore
Hope For The Future
Shut Off The Lights (with The Native)

* These songs can be viewed in the YouTube playlist, below.

Finally, I want to say an enormous thank you to Jenny Entwistle from Chuff Media for sorting out this review for us and to Bastille, The Native and BIM for putting on a remarkable event!

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#FeelGoodFriday: modernlove. – Follow You

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modernlove. are possibly one of the most exciting bands to come out of Ireland in recent years. With vibes similar to that of The 1975, the band have a sound that is both current and exciting, yet the vocals of singer, Barry Lally, are beautifully raspy and wonderfully powerful.

For this Feel-Good Friday, I couldn’t resist sharing their latest single, ‘Follow You’ – it’s upbeat, pure fun and has a massive, pop-fuelled chorus. It builds brilliantly throughout, to a clap-along breakdown before kicking back in to the catchy chorus. It is begging to be sung and danced to live at one of their shows…I just hope the band make their way to Brighton soon so I can catch one of their gigs!

As for the video – it perfectly encapsulates the song too, mirroring the fun nature of the song. It sees the band singing to the song in front of brightly-coloured backgrounds whilst focusing on a leading lady that is enjoying the song in her headphones, with the band performing behind her.

If you haven’t heard of modernlove. yet, you best get familiar with them as this song is surely going to propel them on to big things.

What are your thoughts of this up-and-coming Irish band? Do you have a #FeelGoodFriday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
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‘Follow You’ can be downloaded from iTunes now – https://music.apple.com/gb/album/follow-you/1605247195?i=1605247951

#Review: Placebo – Never Let Me Go

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Placebo are a British rock band who formed in London back in 1994. The band has had several line-up changes over the years, but currently consists of founding members, Brian Molko (vocalist and guitarist) and Stefan Olsdal (bassist and guitarist). Since their 1996 debut, the band have released seven full-length albums, but 2022 sees the band releasing their eighth studio album, Never Let Me Go. Here’s what we have to say about it…

Placebo - Never Let Me Go

It’s been 9 years since the band released their last studio album, so needless to say, excitement surrounding this release has been incredibly high…and rightly so!

The band have produced a record of epic proportions, packed to the brim with big songs and an extensive use of synths that has added a new-found diversity to their sound.

Never Let Me Go launches with the guitar-heavy and eerily synthesized ‘Forever Chemicals’ that instantly demonstrates the rock giants are back and mean business! It quickly flows into the epic single, ‘Beautiful James’ with its continued, heavy synth use and typical Placebo vocal from Brian Molko; yet the boundaries are clearly being pushed in respect of their musical style.

One thing’s for certain, the style of the album, whilst a comprehensive body of work, also offers a diversity throughout that is bound to prick up listener’s ears everywhere and have them coming back for more – there’s so much to take in, that you can’t help but revisit it, time and again.

Some of the standout tracks from the record include, ‘Happy Birthday In The Sky’ – a sombre and emotional song that reflects on the loss of people loved and sees a calm breakdown lead into a chaotic ending. ‘The Prodigal’ has regal-sounding and cinematic strings that remind of some sort of film soundtrack, whilst ‘Try Better Next Time’ focuses on the state of emergency the environment is in, on top of an anthemic, radio-friendly melody.

Never Let Me Go clearly demonstrates that the band are back and have used their time away to craft a masterpiece.

One of the best tracks on the record though, is the incredibly upbeat ‘Twin Demons’ that is just begging to be danced to live, at one of their upcoming UK tour dates! It has captivating melodies and all-encompassing instrumentals that are sure to draw in every listener.

Other tracks not to be missed, are the marching beat and grungy guitar-led ‘Hugz’ with its sincere lyrics – a very anarchic song. ‘Surrounded By Spies’ is sinister-sounding with its almost industrial melodies and bass-led breakdown that kick back into double-time drums and a chaotic descent to the end. Whilst ‘Chemtrails’ features shimmering synths and echoing guitars that ascend the melodies throughout, whilst singing about getting away from it all.

The ending of the album is a little more unique: ‘This Is What You Wanted’ is an aching, piano-led track that never fully kicks in, as you might expect; ‘Went Missing’ is very “spoken verse” – it’s poetic, repetitive and almost foreboding with echoing guitars that give it a sense of inner reflection, whilst closing track, ‘Fix Yourself’ borders on confrontational, choosing to focus on things that annoy Molko. It’s hypnotic and moody with processed beats that fade to the end.

Despite being nearly an hour long, the album does well to keep the listener’s attention as it navigates interesting soundscapes and controversial topics, whilst intertwining that familiar Placebo charm throughout. Never Let Me Go clearly demonstrates that the band are back and have used their time away to craft a masterpiece. It’s achingly beautiful and deeply thought-provoking. It’s an album that shows the band have what it takes to push themselves to continue growing their sound, over a quarter of a century into their career! Who knows what direction they will take next, but whatever it is, it’s bound to be captivating.

Rating
4.5

‘Never Let Me Go’ is out now and can be downloaded from iTunes – https://music.apple.com/gb/album/never-let-me-go/1592498059

Never Let Me Go on Spotify

Beautiful James

Surrounded By Spies

We hope you’ve enjoyed our review! What do you think of the band’s eighth album? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.

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#Review: Sea Girls – Homesick

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Sea Girls are a UK-based indie rock band that formed in 2015, consisting of four members: Henry Camamile (vocals and guitar), Rory Young (lead guitar), Andrew Dawson (bass) and Oli Khan (drums). Since their formation, the band have become known for their high-energy shows and big indie anthems. With a string of EPs and a debut album behind them already, 2022 sees the release of the band’s sophomore album, Homesick. Here’s what we have to say about it…

Sea Girls - Homesick

From the outset, it is clear that this band have worked hard to create an album packed with anthemic chorus and catchy hooks that are begging to be sung along to in big arenas.

Album opener, ‘Hometown’, serves as an epic introduction to the record with its euphoric, stadium-filling sound, before leading into single, ‘Sick’ – the rhythm chugs throughout, whilst vocalist, Henry Camamile, sings about all the things he’s “sick” of and how he wishes he could turn back time to when he was a child and times were more innocent.

Next is ‘Lonely’ – another big song with its eerie whistling (like something you might expect to hear in an old Spaghetti Western) and a massive chorus about the loss of an old flame.

There’s so much to love about the record, but some of the best tracks on the album include: ‘Someone’s Daughter Someone’s Son’ – a song that starts with a deep vocal before picking up the pace and launching into some serious feel-good vibes to the beat; ‘Paracetamol Blues’ with its upbeat, The Killers-esque vibes; and the incredibly danceable ‘Higher’ that features processed beats (in parts) and has a very Walk The Moon-type feel to it.

Homesick is an album that brilliantly cements Sea Girls as giants of the British indie music scene.

‘Sleeping With You’ sees Camamile singing of remembering an old love whilst sleeping with someone new, ‘Again Again’ has a big stadium feel to it and the wonderfully appreciative ‘Lucky’ looks at how “lucky” they are for the things they have in their lives and the time and place they were born into.

‘Cute Guys’ stands out (not necessarily for the right reasons) as an other-worldly song that starts with acoustic guitars, spacey-sounding synths and cracking vocals before descending into a chaotic, shouty and altogether quite horrifying track that’s so different from the rest of the record.

The album closes with the nostalgia-infused ‘Friends’ that’s calling out for members of the crowds at their live shows to put their arms around one another and embrace a shared experience.

Homesick is an album that brilliantly cements Sea Girls as giants of the British indie music scene. It’s eclectic, interesting, poetic and packed with songs that will have you coming back time and again. There are clear inspirations taken from bands before them, but they have used these influences to craft something wonderful. For those who are already fans of the band, this is going to prove a real treat to listen to. Whilst others who are new to their work, will find this a great starting point to get excited about them and is sure to have you delving into their debut album too. All I know is that it’s left me excited to see what direction they will take next.

Rating
4.5

‘Homesick’ is out now and can be downloaded from iTunes – https://music.apple.com/us/album/homesick/1579054914

Homesick on Spotify

Sick (Official Video)

Lonely (Official Video)

We hope you’ve enjoyed our review! What do you think of the band’s second album? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.

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#Review: James Arthur @ Brighton Centre, Brighton – 12/03/22

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On Saturday 12th March 2022, James Arthur arrived in Brighton to perform an incredible show in support of his latest album, It’ll All Make Sense In The End. With support from Sonia Stein, the evening was one packed with excitement and stunning performances. Here’s what we had to say about the show…

Sonia Stein

Sonia Stein was an interesting performer – she seems to eloquently blend funk and soul with contemporary pop, making for a really interesting sound. Think somewhere along a similar vein to Nao and you’re along the right track. She graced the stage in a bright yellow jacket, accompanied by just two band members, however between them, they produced a fantastically full-on sound. Between songs, she displayed an almost shy demeanour, yet her vocals were powerful, well-controlled and confident. If you’ve not checked her out yet, you can catch her live throughout James Arthur‘s current UK tour, or listen to her recordings on all streaming platforms.

James Arthur

He may have done something amazing simply by winning X Factor in the UK, but James Arthur demonstrated that he is so much more than just a talent show winner at his Brighton Centre show.

The singer/songwriter took to the stage to monumental applause from the packed crowd as he showed off not only his incredible vocals but his great guitar skills too, on opening track, ‘4000 Miles’.

From there, the artist proceeded to wow the audience with a mixture of his well-known hits, old cuts from previous records and some album-tracks from the recently-released, It’ll All Make Sense In The End.

The singer is undoubtedly a true professional, having spent 10 years in the industry, performing countless shows and releasing 4 albums to date, and his show appeared seamless throughout.

One thing that truly stands out in his performances though, is just how incredibly powerful and achingly beautiful his voice is live. Of course this is something you’d expect from having heard his studio recordings but it translates so well to his live performances as he shows off just how technically impressive his voice is…and it’s all done so effortlessly.

James Arthur engages with the crowd well telling little anecdotes here and there but particularly shows his gratitude to the crowd for their decade of support since winning the X Factor and how grateful he is to the show for allowing him to pursue his dreams, before launching in to the incredible single that started it all, ‘Impossible’.

Four albums in and nearly a couple of handfuls of tours down, it’s easy to see why this singer/songwriter has picked up such a fantastic following and just how wonderful his shows are. Whether you know each and every song or are relatively new to his music, I can’t recommend highly enough, seeing him live whenever you get the chance. He will not disappoint.

Highlights:

  • His vocals – I said it earlier, but his voice was truly remarkable – powerful and dynamic; something mesmerising to behold live.
  • The cruel joke he played on the audience by welcoming out Anne-Marie to perform an acoustic rendition of The Greatest Showman cover, ‘Rewrite The Stars’, before admitting she wasn’t actually coming.
  • The renditions of ‘Happy Birthday’ he sung to a couple of members of the crowd were hilarious, particularly when he couldn’t hear the name of one of them and had to keep getting them to repeat their name numerous times.
  • The addition of a section of ‘Ready Or Not’ in the middle of ‘Sermon’ made for a great crowd-pleaser.

📷 All of the photos in this post are credited to Matteo D’Ambrosio 📸
Why not give him a follow on Instagram.

 Setlist

4000 Miles
Medicine*
Sermon (including a snippet of ‘Ready Or Not’)
Falling Like The Stars
September
Can I Be Him
Rewrite The Stars (Acoustic)*
Safe Inside/Empty Space/Emily (Acoustic)
Naked (Acoustic)
Last Of The Whiskey
Always
Sun Comes Up*
Impossible*

Encore
Train Wreck
Lasting Lover*
Say You Won’t Let Go*

* These songs can be viewed in the YouTube playlist, below.

Finally, I want to say a HUGE thanks to Simon Blackmore for arranging this review for me and to both James Arthur and Sonia Stein for putting on such incredible performances.

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#Review: Dashboard Confessional – All The Truth That I Can Tell

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All The Truth That I Can Tell is Dashboard Confessional‘s ninth studio album. It poses as both a reinvention and a rediscovery of what made the band the big emo hitters. Returning to work with James Paul Wisner (The Swiss Army Romance, The Places You Have Come to Fear the Most), have Dashboard Confessional reignited the flame that lit so many fans over the past 20 years?

Dashboard Confessional - All The Truth That I Can Tell

It’s not always common for a reviewer to pin their colours to the mast about the band they are reviewing, but for the sake of clarity and sense I will declare that I’ve never been a huge Dashboard Confessional fan. Many of my friends loved them, but I just didn’t get the hype at the time of their breakout years. However, times have changed. I have matured (don’t laugh), or at least my tastes have, and I wanted to give Dashboard Confessional’s ninth studio album a try, to see if I can work out why they are a band that has managed nine studio albums. I’m going into this blind… (or deaf?!) having not really listened before…

All The Truth That I Can Tell is a very complete album that requires your full attention.

Initially I was surprised to find that the whole album is based on acoustic and it is all the better for it. It’s a mixture of acoustic rock like ‘Pain Free In Three Chords’ but mostly straight up ballads like the single ‘Burning Heart’ and the beautifully crafted ‘Young’. Having the whole album as an acoustic affair allows for the lyrics to steal the show and gives the record a very mature feel. Despite this, there are still some wonderful guitar flourishes such as those in the ‘The Better of Me’ to add some colour to the music, alongside the well-crafted lyrics.

Lyrically, the album has a very narrative feel. As someone who is approaching their mid-30s it did speak to me and again I was surprised. It’s touching on the usual stuff you would expect; love, loss and everything in between, but it also pulls on more mature themes such as becoming a parent (‘Me and Mine’) and letting go of the trivial past and appreciating the little things in life (‘Here’s To Moving On’). It shows that Dashboard Confessional are avoiding what many bands from the 2000s have failed to do, and that is keep themselves relevant to their ageing (and sometimes maturing) fans.

Chris Carrabba is writing about what I can only assume is his here and now. This is the aspect of the album I loved the most. I found myself going back to tracks that I wasn’t paying full attention to on the first listen so that I could delve deeper into the narrative. And that’s just it. No clumsy metaphors, just a long stream of thought written out over beautiful acoustic melodies. It’s very descriptive story telling over music that, as I already said, draws you into to listen more intently.

Overall this album should be appreciated as a whole, but there are some standout tracks that are worth their own mention here. Firstly, ‘Everyone Else Is Just Noise’ is a great example of how acoustic tracks can have a great dynamic range even when just a few instruments are utilised. Also, ‘Sunshine State’, a song about regrets and letting go of the past, has a great singalong factor, it’s simple chorus which is now living rent free in my head.

If I could have one small criticism of the album, it is that the stripped-back nature of an acoustic setup feels like it removes some of the emotion from the music. A good example of this is in ‘The Better of Me’, where there is a great build up in the music and some raw vocal emotion pushing through, but it feels a bit flat as it hits it’s climax. I feel that a full band on some of the tracks would really help to hit home, the emotions that Carraba is trying to get across in his vocals. But you can’t have it all and having a full band in other tracks would have the opposite effect of ruining some deeper emotional meaning from the lyrics.

All The Truth That I Can Tell is a very complete album that requires your full attention. It has great attention to detail in both the lyrical content and in it’s musicality. It needs your full attention because it’s trying to tell a story through a straight narrative, rather than setting a tone of emotion. It feels very direct in that sense and if the lyrics speak to you then you will love this album, if they don’t you’ll probably still enjoy some stand-out tracks.

Rating
4

‘All The Truth That I Can Tell’ is out 25/02/22 and can be downloaded from iTunes – https://music.apple.com/gb/album/all-the-truth-that-i-can-tell/1580384081

All The Truth That I Can Tell on Spotify

Coming 25/02/22.

Here’s To Moving On (Official Music Video)

Burning Heart (Official Music Video)

We hope you’ve enjoyed our review! What do you think of Dashboard Confessional’s ninth studio album? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.

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Rob Manhire
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#Review: Bastille @ Chalk, Brighton – 12/02/22

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On Saturday 12th February 2022, Bastille arrived in Brighton to perform an intimate show in celebration of the release of their fourth studio album, Give Me The Future (out now – read our review of the album here). With support from singer/songwriter, Jacko Hopper, they wowed their crowd with a selection of both new and old songs. Here’s what we have to say about the show…

Jacko Hooper

This singer/songwriter performed with just a guitar and his voice (and at times was accompanied by a female singer by the name of Rebecca). The vocals were raw and powerful and had a folky feel to them. He had the crowd warmed up nicely however at times it felt a little awkward as he tried to “rock out” with just his guitar, which in a stripped back set, didn’t always feel right. That said, he was a good performer, solid songwriter and held the crowd’s attention well. I imagine with a full band, he’d be a really interesting watch.

Highlight: The harmonies provided when he was joined by fellow singer, Rebecca, created a nice depth to his sound.

Bastille

The band performed a short, special stripped-back set of songs, both new and old, to a select, sold-out crowd at Brighton’s Chalk. The band had just scored their third Number 1 album with the release of Give Me The Future and were clearly grateful for all their fans’ support.

Despite being a stripped-back performance, the band came accompanied by a lot of gear to create a unique sound for their set, including touring member Charlie Barnes, who used a lot of looping equipment to build the sound for each song. Lead singer and songwriter, Dan Smith, took the opportunity to interact well with the crowd between songs and came across as a very humble person.

This was something very different from their usual live performances (so I’m told), as Dan remained seated for large parts of the show, instead of jumping around the stage. Additionally, they had come up with interesting renditions of their songs and announced that they were actually going to be performing slightly different sets on each night of the tour.

One interesting part of the show was the performance of ‘Give Me The Future’, during which the band shared stories of people’s weird dreams they had been told about by fans from around the world.

Whilst parts of the set included auto-tune (as with some of their latest album), this was done for effect and to tie in with the futuristic tone of their latest record, however this didn’t detract from how wonderfully powerful and truly talented Dan’s live vocal was.

At one point, the band shared how someone had left a long and rambling negative comment about their stripped-back set from the night before, on their social media, and that they found it hilarious. They particularly liked the part where their use of auto-tune was compared to that of Cher‘s ‘Believe’ and went on to include a snippet in their performance of hit single, ‘Pompeii‘.

The show was modest and gave intimate access to the band, outside of their usual arena tours. It was a great set that had everyone singing along and provided a unique take on their usual sound. Whilst I loved every second of the show, and am grateful to have seen them in such an interesting way, I still hope to catch them on their full UK tour, later this year.

Highlights:

  • The special adaptations of both their new and old songs was a wonderful thing to have witnessed.
  • The energy of the performance, despite being more acoustic in nature, was captivating.
  • The crowd interactions were open, honest and often heartfelt, bringing the audience closer to the band.
  • The very nature of the show was unique and the fact that each night of the tour is set to be slightly different, meant you were a part of something special, just by being there.
  • The intricacies of the set were well-crafted, despite the band saying they were rusty from having two years away from performing.

📸 All of the photos of Bastille are credited to Chloe Hashemi 📷
Go and give her a follow on Instagram and Twitter, and visit her website.

 Setlist

Intro
Future Holds*
Happier
Power / Haunt
Warmth
Give Me The Future / Dreams
No Bad Days*
Distorted Light Beam / Good Grief
Pompeii (with a snippet of ‘Believe’ by Cher)*
Shut Off The Lights*

* These songs can be viewed in the YouTube playlist, below.

Finally, I want to say a huge thanks to Jenny Entwistle at Chuff Media for sorting out this review and to Bastille themselves for putting on an incredible set.

Enjoyed this? Check out some of our other live reviews here:

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#Review: Frank Turner – FTHC

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Frank Turner is an English punk and folk singer/songwriter who started out his career as a part of the band, Million Dead. Since the band’s split in 2005, he has released a whole string of albums, EPs, compliation albums and more. Now, 2022 sees the release of his ninth studio album, FTHC (initials for Frank Turner Hardcore). Here’s what we have to say about it…

Frank Turner - FTHC

Frank Turner is actually not an artist I’ve listened to much (if at all) over the years but when I was invited to review this album, I thought I’d give it a listen and have to admit I was pleasantly surprised and utterly captivated by the record.

Turner is a very listenable, relatable and matter-of-fact lyricist. He’s poetic and whimsical yet not in an over-complicated way – he uses interesting language to convey his stories but in an easily understandable capacity. He’s punk meets folk, with even a bit of a country vibe in between.

The album launches with the high-octane, punk track, ‘Non Serviam’, that sets the pace for the album perfectly, before quickly flowing into ‘The Gathering’ – an epic track all about coming together after being kept apart through lockdowns for so long, following the global Covid pandemic.

Some of the best tracks on the album have to be some of his most personal ones; ‘Haven’t Been Doing So Well’ reflects on his mental health (something I gather he’s always openly struggled with) – it’s a folk-like tale with an almost ska-punk vibe to it…plus some great harmonica use too! ‘Fatherless’ (as the title suggests), is a story about not having a good relationship with his father, almost like growing up without one, whilst conversley, ‘Miranda’ focuses on his father’s transition to a woman and how they’re working on their relationship now, on top of an almost country-style backing track.

This is an album with many twists and turns and it certainly has a little something for everyone.

Possibly my favourite track on the record though, is the deeply emotional tribute to the suicide of his friend, Scott Hutchison (of Frightened Rabbit), ‘A Wave Across A Bay’. The song is honest and has the air of an open letter to his dearly missed friend – it must have been truly emotional to write and record.

Other tracks not to be missed are the fast-paced punk track, ‘My Bad’, the playful yet very talk-sung, ‘The Resurrectionists’, that looks at various people he knows and what they’ve done with their lives…and what they want to do to relive their lives going forward, as well as ‘Perfect Score’ – an upbeat song that apologises for past mistakes and looks at making amends.

It’s so hard not to mention each and every track on the album, as they are all so unique with something great to offer; ‘Punches’ is a great rock song with gang vocals in all the right places, ‘The Work’ is simply a nice little song with some wonderful vocal melodies, while ‘Little Life’ is a charming and airy folk song.

This is an album with many twists and turns and it certainly has a little something for everyone – it doesn’t confine itself to just one genre, but instead plays with punk, rock, country, folk and more. Whether you’re a long-standing Frank Turner fan or new to his work, FTHC is well worth a listen, from start to finish…time and again. It’s left me intrigued to check out his back catalogue and looking forward to what’s to come next.

Rating
4.5

‘FTHC’ is out now and can be downloaded from iTunes – https://music.apple.com/gb/album/fthc-deluxe/1584829782

FTHC on Spotify

I Haven’t Been Doing So Well (Official Lyric Video)

The Resurrectionists (Official Audio)

We hope you’ve enjoyed our review! What do you think of the singer/songwriter’s ninth album? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.

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#Review: James Blunt @ Brighton Centre, Brighton – 03/02/22

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On Thursday 3rd February 2022, James Blunt arrived in Brighton to kick off his The Stars Beneath My Feet Tour, seeing the artist perform a whole bunch of his greatest hits to a packed crowd. With support from Irish singer, Gavin James, the event was incredible from start to finish. Here’s what we have to say about it…

Gavin James

The singer took to the stage and instantly wowed the crowd with the beautiful, falsetto-driven ‘Nervous’. Starting out as just the singer and a guitar, he proceeded to be joined by a keys player and drummer, creating a deeply rich sound. The set was packed with more rock-like tracks such as the guitar solo-laden ‘Coming Home’ to the piano-led ‘Always’ (before he switched back to guitar, mid-song!) The singer really drew the audience in with his witty crowd interactions and ability to get everyone singing parts of his songs, along with him. He is a really interesting artist and someone to definitely keep an eye on!

Highlight: The beautiful falsetto notes and powerful full-on vocals Gavin James can create with his voice is truly astounding and wonderfully captivating!

 Setlist

Nervous
Heaven
Coming Home
Tired
Circles
Always
Hearts On Fire
Only Ticket Home

James Blunt

Say what you will about James Blunt, the guy is a fantastic performer and comes with a massive, loyal fan base.

From the moment the intro music blared through the speakers and the TV screens descended to cover his entrance, before slowly rising again to reveal Blunt himself, the crowd were cheering in anticipation.

Known for his sense of humour on social media, he was also just as quick-witted in person, making jokes about singing ‘You’re Beautiful’ 22 times, performing his “greatest hit” tour (saying because he only has one) and telling people to sit tight as he took to the piano before belting out a series of sad songs.

This was a truly wonderful show, that demonstrated the amazing talent he has, not only as a songwriter, but a performer too and showcased a diverse collection of songs (after all, this is a greatest hits tour), making it a performance to remember.

Whilst the screens above the stage added some diversity, the visual effects used were at times a little corny but did add to the arena feel of the show.

If you get a chance to catch James Blunt on this UK tour, I highly recommend it – whether you know him for his obvious hits, or are a long-term fan, he will not disappoint with his showmanship! I loved every second of it, despite not knowing every song, and would love to see him again.

Highlights:

  • James Blunt‘s banter with the crowd was on point and always had the audience in stitches.
  • The performance was faultless – he was a true professional at his art…as were his band.
  • There was the perfect combination of uplifting tracks, sad songs and even rockier elements, showing just what a great collection of music he has created over his career so far.
  • The way he held the crowd in the palm of his hand was something amazing to behold too, and there were people who clearly knew every word to every song, showing just how much more he is than ‘You’re Beautiful’.
  • ‘Wisemen’, ‘Love Under Pressure’, ‘Postcards’ (particularly for the use of the ukuleles), ‘OK’ and ‘1973’ were among some of the best songs of the show.

📷 All of the photos in this post are credited to Michael Hundertmark 📸
Why not give him a follow on Instagram and Twitter or check out his website.

 Setlist

Breathe*
Wisemen*
Carry You Home
Adrenaline
The Greatest
Goodbye My Lover
High
Smoke Signals
I Really Want You
Love Under Pressure
Postcards
So Long, Jimmy
Same Mistake
Monsters
Coz I Luv You
You’re Beautiful*
Stay The Night*
OK

Encore
Where Is My Mind? (Pixies Cover)
Bonfire Heart
1973*

* These songs can be viewed in the YouTube playlist, below.

Finally, I want to say a HUGE thanks to Tom Pearce from Good Soldier for sorting out this review and to both Gavin James and James Blunt for putting on such a great show!

Enjoyed this? Check out some of our other live reviews here:

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#Review: Bastille – Give Me The Future

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Bastille are a British, indie-pop band that formed in 2010. The band started out as a solo project by lead vocalist, Dan Smith, but eventually morphed into the band it is today. So far, the band have released 3 incredible studio albums (plus a bunch of massive cover projects too!). Now, 2022 sees the release of their fourth full-length album, Give Me The Future. Here’s what we have to say about it…

bastille-give-me-the-future

From the outset, it’s clear that this is a different sound from the band’s previous works, with opening track and lead single, ‘Distorted Light Beam’; an electronic song with cool vocoder use in the latter half, that builds wonderfully throughout.

From there, the listener is taken on an epic journey through a much more electronic soundscape than some of their previous releases but with a much darker lyrical twist. The beats are heavy and laden with many synthesiser elements and the focus is very much on a future that’s full of uncertainty and at times, almost apocalyptic.

That said, it’s counteracted by the upbeat rhythms and dance-inspired music throughout. From the catchy single, ‘Thelma + Louise’ which oozes typical Bastille goodness to the more morbid look at the future of ‘Plug In…’ that looks at the future fate of the world and singer Dan Smith, begging to know everything will be alright; this is an album that deserves to be listened to in its entirety.

This is an album that deserves to be listened to in its entirety.

Executive produced by OneRepublic‘s, Ryan Tedder, it’s easy to see how this album is so catchy and intricate, however there are some parts where I feel it is lacking slightly. The interludes, whilst cinematic in their sound, feel somewhat unnecessary (although can imagine would be amazing to break up a live set!). Don’t get me wrong, they’re definitely worth a listen, particularly ‘Promises’ which is a spoken word poem by actor and rapper Riz Ahmed, who speaks of a less apocalyptic future but instead of one that adores a world filled with love and intimacy. However, in my opinion, whilst they add a nice break in pace of the album, I could take or leave them when relistening to it. Additionally, without these, there are only 10 tracks to the record, so my biggest wish is that there was more to it…but I guess it’s a good thing to leave the listener wanting more?!

Some of the best songs on the album, include: ‘Back To The Future’ (my personal favourite) – an epic disco-esque song with funky guitar and bass lines and movie references throughout; ‘Shut Off The Lights’ with its rhythmic vocal melodies and brilliant gang vocals, making it really stand out and album closer, ‘Future Holds‘ (featuring BIM). The close to the album is fitting both in terms of lyrical content but also its incredible use of gospel backing harmonies and broken-up beat, making it a great end to a great record.

The dystopian themes and darker lyrical content are really prevolent on tracks like ‘No Bad Days’ which features echoing vocals across its many different parts (including a wonderful piano interlude and autotune vocals at the end), ‘Stay Awake?‘ that contains the rather captivating line “stop the world, I want to get off” and the Phil Collins-like beat of the apocalyptic sounding, ‘Give Me The Future’. They are all tracks that weave their way into your subconscious and leave the listener with a lot of food for thought.

In contrast to all the future imagery though, is the rather quirky track, ‘Club 57’ that recalls back at the 70s/80s New York nightclub scene, underpinned by whistling melodies and a seriously electronically distorted soundscape, where even the acoustic guitar is distorted.

Overall, this is a very cinematic-sounding album yet incredibly electronic and there’s so much to love about it. Whilst there’s some darkness to the lyrics, in places, there is a still a degree of optimism too and a massive dose of fun to be had whilst listening to it. The production and arrangements are beautifully crafted and the album truly showcases the band’s ability to grow and evolve, in order to remain current, while still maintaining that distinctive Bastille sound. I can’t wait to see what direction the band take next!

Rating
4.5

‘Give Me The Future’ is out now and can be downloaded from iTunes – https://music.apple.com/gb/album/give-me-the-future/1580064966

Give Me The Future on Spotify

Shut Off The Lights (Official Video)

No Bad Days (Official Video)

Distorted Light Beam (Official Lyric Video)

We hope you’ve enjoyed our review! What do you think of the band’s fourth album? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.

Enjoyed this? Check out some of our other reviews here:

Muzik Speaks Album Reviews

Matt – Muzik Speaks
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