#FeelGoodFriday: P!nk – ‘Walk Me Home’

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P!nk is a truly inspirational artist and is always true to herself, which is why she has just become the very worthy winner (and first ever international artist) of this year’s Outstanding Contribution to Music Award at the Brit Awards 2019.

With 7 albums already under her belt and an upcoming UK tour in support of her last album, Beautiful Trauma (2017), it seems a fitting time for her to put out a new song.

‘Walk Me Home’ is the lead single taken from her upcoming eighth album, Hurts 2B Human. It’s a strong, acoustic-led track with a really cutting vocoder vocal that reverberates right through you. It was even penned with previous duetting partner, Nate Ruess as well as Grammy Award-winner, Scott Friedman, so it’s bound to be a big hit!

Although the track is somewhat somber in tone through the verses, it kicks in to a powerful, all-consuming chorus that just elevates. It’s uplifting and puts out big positive vibes – perfect for a #FeelGoodFriday!

No video has been put out yet but when one does, I’m sure it’ll be epic!

Photo Credit 📸 – Sølve Sundsbø

What are your thoughts of this incredible artist’s latest single, Walk Me Home? Do you have a #FeelGoodFriday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
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‘Walk Me Home’ can be downloaded off iTunes now – https://itunes.apple.com/gb/album/walk-me-home-single/1453199363


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#ThrowbackThursday: Lily Allen – ‘The Fear’

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‘The Fear’ was the lead single taken from Lily Allen‘s second studio album, ‘It’s Not Me, It’s You’. It’s incredible to believe but this track was actually UK Number 1 back in 2009…10 years ago! In fact, it stayed at the top of the UK Singles Chart for four consecutive weeks resulting in it being the longest running Number 1 song, in the UK, for 2009.

Despite the glistening, electropop elements to the song that see a barrage of synths weave their way throughout the track, its lyrics are deep, highlighting and poking fun at the problems with consumerism, celebrity lifestyles (and certain well-known tabloids’ obsessions with them) and the postmodern condition of the world.

The song was co-written and produced by monster-hit creator, Greg Kurstin, and saw the starlet adopting a new, ethereal and more mature sound.

The music video is pretty great too, with Lily Allen emerging from a caravan, before returning to reveal the interior of a massive mansion where she is joined by a large group of dancers, eventually performing amongst some giant, brightly-coloured, dancing presents. It’s very dream-like and actually perfectly reflects the tone and topic of the track itself.

It’s an all-round incredible track and easy to see why it reached the Number 1 spot…I just can’t believe it’s already a decade old!

What are your thoughts of this throwback jam by the incredible Lily Allen? Do you have a #ThrowbackThursday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
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‘The Fear’ can be downloaded on iTunes now – https://itunes.apple.com/gb/album/the-fear/731919848?i=731919950


#WildCardWednesday: Jasmine Thompson – ‘Loyal’

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Jasmine Thompson is a London-based singer-songwriter, born to an English father and Chinese mother and says that, “Having one immigrant parent always provides a unique perspective growing up, a sense of one foot in two different worlds.” Maybe that is part of what makes her sound and voice so utterly captivating…or maybe it’s just her undeniable, raw talent.

At just 18 years old, it’s remarkable just how talented she really is, with a voice that sounds soulful beyond her years. And, whilst she might be a new artist to many, she already has a massive following, which was kicked off by her acoustic cover of Chaka Khan‘s ‘Ain’t Nobody’, that was then remixed and re-released by Felix Jaehn in 2015. From there, she has posted and released countless covers and a string of original songs too.

Now, following the ending of a recent relationship, comes her latest single, ‘Loyal’, on which she reunited with songwriter and producer, Eg White. The song actually began life a year prior to the relationship ending, but was written about the trust issues from within it, so this song is bound to resonate with many people. Especially, as despite the way it ended, she still sings, “I will always be loyal babe,” about the person she met at the beginning.

Throughout the track, her voice is ageless, wise and achingly lonely in tone, conveying the emotion to perfection. It’s a progressive track with some crackling, slow jazz-tinted brass from the beginning, sitting on top of a modern beat, before breaking down to a piano-led interlude in the middle, and then breaking out with some epic string sections, to bring the song to a dramatic close. This is an epic tale, told in just under 4 minutes – a true musical masterpiece!

The music video is great too – there’s a very rustic feel to it with it’s interpretive dance elements inside a quirky, captivating timber-frame location, all shot with a home-video style, giving it a very organic feel.

She is definitely going to be one to watch in 2019!

Jasmine’s EP, Colour, will be out 29th March, on Atlantic Records.

Photo Credit 📸 – Kate Bellm

What are your thoughts of this stunning track from the unique singer-songwriter? Got a #WildCardWednesday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
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‘Loyal’ can be downloaded on iTunes now – https://itunes.apple.com/gb/album/loyal-single/1451236610


#TunefulTuesday: Lauv & Troye Sivan – ‘i’m so tired…’

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There’s something instantly gripping about Lauv and Troye Sivan‘s recent collaboration, ‘i’m so tired…’, meaning I just can’t get this song out of my head!

Maybe it’s the repetitiveness of the chorus, the brilliantly-used vocal distortion and electronic harmonies, used periodically throughout, or perhaps it’s the combination of a light guitar tied with the electro drum beat and sharp finger clicks that have created something wonderfully unique, resulting in the song living on repeat for me.

One thing’s for certain – this track is already one of my favourite songs of 2019 and the year has barely begun! I’d love to hear a collaboration album from the pair!

The video for the song is pretty cool too – I love how it’s stylised to be like an old 70s/80s camcorder capturing home video-style footage, such as Troye Sivan riding on top of a car, through the neighbourhood. Equally, the lyrics are brilliantly reflected, with Lauv performing amongst various couples, as though he’s not there; a great little storyboarding idea!

What are your thoughts of this incredible collaboration between Lauv and Troye Sivan? Do you have your own #TunefulTuesday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
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‘i’m so tired…’ can be downloaded from iTunes now – https://itunes.apple.com/gb/album/im-so-tired/1448700180?i=1448700185


#Review: Millencolin – SOS 🚀🆘

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Millencolin are a punk rock band from Sweden, consisting of all four original members, Nikola Sarcevic (vocals & bass), Mathias Färm (lead guitar), Erik Ohlsson (rhythm guitar) and Fredrik Larzon (drums). To date, the band have had eight studio albums and played all around the world, including at America’s prestigious Warped Tour. Now, 2019 marks the release of SOS, the band’s ninth studio album since their 1992 inception, some 27 years later! Here’s what we have to say about the record…

Millencolin - SOS.jpg

SOS kicks straight in with the intense, apocalyptic-sounding title track, gripping you with its chugging guitars and haunting vocal chants, making it instantly clear that this is very much a punk rock album and not a commercialising into the pop punk realm.

That said, there is something very commercial about the album’s glistening production; vastly different from that of some of the band’s earlier records.

Additionally, there’s actually something very traditional about this album, like Millencolin have followed the recipe for the perfect skate rock record – ‘For Yesterday’ and ‘Nothing’ are perfect examples of this and particularly reminiscent of early Goldfinger or Alkaline Trio. However, in saying this, it also demonstrates that the band have not quite made any moves to vary their sound or try to push the boundaries of the genre, though there are bound to be countless fans that will appreciate this.

‘Sour Days’ and ‘Reach You’ particularly stand out, and although some of the most “radio friendly” tracks on the record due to their big choruses, they’re possibly the most vocally and instrumentally interesting with great harmonies and pristine changes in tempo across both.

It’s definitely a well-produced record with some strong choruses and impeccable instrumentation.

‘Yanny & Laurel’ is a good, story-telling song and interestingly named after the 2018 debate about whether a sound clip was saying the word ‘yanny’ or ‘laurel’ and is cleverly reflected with an auto-tuned chorus around the two words.

Sadly, there are some songs that just lack sincerity and would sit better on blink-182 or Green Day album (though don’t get me wrong I love both those bands), like ‘Do You Want War’ and ‘Caveman’s Land’. Both tracks have strong instrumentals but lyrically border on cringe-worthy.

‘Carry On’ really brings the album home with a strong, nostalgic-feeling chorus, which sounds almost like an audible farewell. The drums at the start, instantly draw you in and by the end of the track, it’s descended into just the right amount of chaos that you’re both satisfied and left wanting more.

Overall, SOS is a politically charged public service announcement, and takes a rather negative take on the current state of the world, even referencing the decline in society and impending end of the world as we know it. But then isn’t that what all punk rock is about?

It’s definitely a well-produced record with some strong choruses and impeccable instrumentation, however there are certainly the odd lyrical improvements and risk-taking elements that could be adopted by the band, going forward. I guess it could just be put down to, “If it ain’t broke, don’t fix it.”

Rating
3.5


‘SOS’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/sos/1441157359


SOS on Spotify

SOS (Official Video)

Nothing (Audio Video)


We hope you’ve enjoyed our review! What do you think of Millencolin’s latest album, SOS? Are you a fan? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


Enjoyed this? Check out some of our other reviews here:

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Matt – Muzik Speaks
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#Review: ONE OK ROCK – Eye Of The Storm 🌪

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ONE OK ROCK are a Japanese rock band who formed in Tokyo, in 2005. The band currently consists of Takahiro Moriuchi (vocals), Toru Yamashita (guitar), Ryota Kohama (bass), and Tomoya Kanki (drums). Since forming, the band have played many different styles of music, from alternative rock to emo and even post-hardcore to their most recent, pop rock style. In 2016, the band signed to Fueled By Ramen, releasing their eighth studio album, Ambitions, featuring collaborations with Avril Lavigne5 Seconds Of Summer and Alex Gaskarth (All Time Low). This year, (2019) sees the release of their ninth studio album (although only their third US release), Eye Of The Storm. Here’s what we have to say about it…

one ok rock - eye of the storm

From the very start of Eye Of The Storm, it’s clear that ONE OK ROCK have made a conscious departure from the previous, emo, alternative rock and post-hardcore incarnations, favouring a much more pop-led sound. That’s not a bad thing though, as this is a brilliantly-crafted pop powerhouse of a record, that is sure to further cement their position as one of big players in the pop rock genre (alongside label mates like Panic! At The Disco and Against The Current. In fact ‘Eye Of The Storm’ and ‘Worst In Me’ are almost an obvious transitioning from their old sound to their new, blending their alternative rock roots with their new, more synth-driven pop elements.

There’s a real passion and raw talent to singer Takahiro “Taka” Moriuchi‘s vocals throughout the record too, as he explores the full extent of his vocal range, pulling off some stunning falsetto notes, intertwined with soaring choruses and exquisitely long-held notes.

‘Stand Out Fit In’ is testament to this – it’s very much an anthem about embracing people’s differences, with the goosebump-inducing, falsetto lines, “They yell, they preach, I’ve heard it all before. Be this, be that, I’ve heard it before.” It’s definitely a track that’s going to capture the hearts of many!

It’s actually very hard to pin-point just a few favourite tracks but ‘Push Back’ is wonderful for its gang vocal harmonies, like a modern-day Queen track. The descending melody echoing throughout the song is truly captivating too. ‘Wasted Nights’ is all about making the most of your life and enjoying each other’s company and the line, “Let’s live like we’re immortal, Maybe just for tonight, We’ll think about tomorrow (yeah), When the sun comes up,” is poetic, conjuring up nostalgic imagery and the underlying gospel vocals are stunning. The video only makes the track even more epic too (see below)! Even ‘Change’ – there’s definitely something a little boyband about the song (like 5 Seconds Of Summer meets One Direction), with the synth-sounding guitar lines, but the melodies are passionate and the message is poignant, positive and uplifting, “Hey, You know it’s not too late for us to make a change, You gotta listen to your heart what does it say? No matter how much we might bend, we will not break.”

It’s great to see that after nine albums in thirteen years, a band can still find ways to push themselves to adapt and grow, and be completely unafraid to try new directions.

That’s not to say there aren’t other special moments throughout the album; ‘Head High’ is definitely a pop track and whilst there isn’t much depth behind the lyrics or songwriting on it, it’s certainly catchy! ‘Letting Go’ really stands out for being so unique to the rest of the record – a calm little, acoustic-led track that is so beautifully understated, dealing with getting over a relationship and coming to terms with it. ‘Unforgettable’ has some definite dance music vibes to it, with the intense drum beats and whistling in the chorus, but with guitars thrown in. It’s quite a unique blend of genres.

‘Giants’ leads from delicate verses into a big chorus and has a strong Take That vibe to it, whilst ‘In The Stars’ adds a little vocal diversity with Kiiara featuring on the track, accompanied by a military-style beat.

‘Grow Old Die Young’ is a perplexing track though; it has a strong melody in the chorus but certain elements of it are very mediocre – a synth sound which doesn’t really fit the song and then there’s the lyrics, “I want the cause of my death, to be amazing sex,” which is honestly pretty cringe!

The album actually draws to a powerful close with ‘The Last Time’, led by a really strong chorus melody, topped off with a raspy, scream-like vocal that just knocks the record out of the park, right at the last second.

Eye Of The Storm is an interesting release for the band, as it’s their most commercial-sounding release to date, meaning it’s very palatable, for a broad range of listeners and is certainly bound to pick up a lot of new fans along the way. However, it could be argued that elements of depth and sincerity about their songwriting have been somewhat lost, rendering some of the tracks a little forgettable.

The drastic change in sound is definitely going to be felt by fans of their previous release, Ambitions, as some of the more emotive lyricism and raw instrumentation, has been exchanged for top-rate production values but at its heart, it is clearly still a ONE OK ROCK album.

That said, it’s equally great to see that after nine albums in thirteen years, a band can still find ways to push themselves to adapt and grow, and be completely unafraid to try new directions, and for that, this album should be admired. It’s a great record, with some banging tunes on and I can’t wait to hear what the band do next!

Rating
4


‘Eye Of The Storm’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/eye-of-the-storm/1441817576


Eye Of The Storm on Spotify

Stand Out Fit In (Official Video)

Wasted Nights (Official Video)

Change (Official Video)


We hope you’ve enjoyed our review! What do you think of the band’s ninth studio album, Eye Of The Storm? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or join the conversation via our social media.


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Matt – Muzik Speaks
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#Review: Avril Lavigne – Head Above Water 🌊

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It’s hard to believe that Avril Lavigne dropped her first single, ‘Complicated’, back in 2002 but since then, the songstress has had 5 studio albums, 23 singles, 27 music videos (including ‘Girlfriend’, which became the “first music video to reach 100 million views on YouTube”) and has even appeared on several television shows and films. Now, six years since her last, self-titled album, 2019 sees the singer-songwriter putting out her sixth studio album, Head Above Water; a personal account of the trials and tribulations she been through over the past few years. Here’s what we have to say about it…

Avril Lavigne - Head Above Water.jpg

Head Above Water is probably Avril Lavigne‘s most mature album to date, seeing a real evolution in her songwriting. Throughout the record, she paints a candid, honest and deeply introspective portrait of a truly tumultuous period in her life.

It all begins with the album’s title track, ‘Head Above Water’, which is in fact the song that kick-started the writing of the whole album. She stated, “One night, I thought I was dying, and I had accepted that I was going to die. My mom laid with me in bed and held me. I felt like I was drowning. Under my breath, I prayed, ‘God, please help to keep my head above the water.’ In that moment, the song writing of this album began. It was like I tapped into something. It was a very spiritual experience. Lyrics flooded through me from that point on.” In this truly stunning track alone, Avril Lavigne documents her fight with Lyme Disease (as a result of which, she set up The Avril Lavigne Foundation, to raise awareness of the condition – visit http://www.TheAvrilLavigneFoundation.org for more information), showing her strength of character to fight and overcome it.

As if that song wasn’t different enough, ‘Birdie’ demonstrates a diverse instrumental with intricate production where stripped-back moments show off her voice beautifully and a distorted vocal break adds another dimension to the track in which compares herself to a caged bird.

Equally, ‘I Fell In Love With The Devil’ and ‘Tell Me It’s Over’ are both tinted with Lana Del Rey-esque vibes. The first blends both high and low-pitched vocal harmonies to create an ominous tone to the track, perfectly mirroring the theme of a toxic relationship, whilst the latter’s sultry vocals and brass elements in the verses lead into a massive, soulful chorus, making it possibly the most unique song Avril has ever released.

There is a bit of a lull in the uptempo vibes towards the middle-end of the record (but still great tracks!) ‘Souvenir’ is a cute little love song that although a touch juvenile, is actually very endearing, whilst ‘Crush’ is a sparkly-sounding, soulful number.

It might not be her most obviously banging release, but it certainly packs a punch on the emotive side, with such wonderfully poetic lyricism.

‘Bigger Wow’ isn’t the most memorable song though it’s incredibly catchy and unequivocally pop, however I can’t help but feel it’s virtually a carbon copy of Hailee Steinfeld‘s single, ‘Starving’ with Zedd.

That said, although on the whole Head Above Water is quite the far cry from any of her previous releases, there are definite nods to her former sounds. ‘Dumb Blonde’ (featuring none other than Nicki Minaj – which was clearly a last-minute addition to the track, as the review version of the album did not feature her at all) takes a massive leaf out of her 2007 smash hit, ‘Girlfriend’. Additionally, ‘It Was In Me’ has a massive throwback vibes to her 2002 hit, ‘I’m With You’, but nevertheless, it’s amazing and the build up at the end is truly goosebump-inducing!

The album draws to a close with ‘Warrior’, thematically bringing us back full circle to where we began. The lyrics possibly aren’t the most imaginative on the record but they certainly show the strength she has found within herself, to get through some of the toughest years of her life and with that comes an audible gratitude and renewed lease of life.

Whatever you think of Avril Lavigne‘s previous incarnations, you can’t hear this album and deny that it’s a passionate and very personal offering from the star and although there isn’t a completely cohesive style throughout, it’s refreshing to hear her trying something new. The break has done her voice good too – there’s a renewed power and technique behind it and she’s using it in ways she hasn’t much before.

Of course, there are bound to be people that will slate her for moving away from her old sound and those who will criticise her for trying something new, but personally I love and commend this record for being evolutionary and so clearly therapeutic. It might not be her most obviously banging release, but it certainly packs a punch on the emotive side, with such wonderfully poetic lyricism. Now it’s time to return to the top Avril Lavigne – welcome back!

Rating
4-5


‘Head Above Water’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/head-above-water/1442724476


Head Above Water on Spotify

Head Above Water (Official Video)

Tell Me It’s Over (Official Video)

Dumb Blonde featuring Nicki Minaj (Lyric Video)


We hope you’ve enjoyed our review! What do you think of Avril’s sixth studio album, Head Above Water? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


Enjoyed this? Check out some of our other reviews here:

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Matt – Muzik Speaks
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