#ThrowbackThursday: B*Witched – ‘C’est La Vie’


   

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B*Witched are an Irish quartet, consisting of twins, Edele and Keavy Lynch, Lindsay Armaou and Sinéad O’Carroll, who burst onto the scene with their debut single, ‘C’est La Vie’, back in 1998.

The song was such a huge success with its unique brand of upbeat, Irish-themed pop and peaked at Number 1 in the UK Charts. The track was filled with a series of double entendres and in 2013, the girl group revealed that it was in fact about sex.

This song kicked off a hugely successful (albeit relatively short) career, with their next three singles all peaking at Number 1 in the UK Charts, and both their albums also reached inside the Top 5!

The music video was bright, vibrant, super cheesy and downright fun, featuring the girls’ iconic denim-on-denim style, which became a signature part of their branding.

What are your thoughts of this pop quartet’s Irish-flavoured, Number 1 hit? Did you love it first time around? Are you still a fan today? Got a #ThrowbackThursday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
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‘C’est La Vie’ can be downloaded off iTunes now – https://itunes.apple.com/gb/album/cest-la-vie/298026093?i=298026101


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#Review: Isaac Gracie – Isaac Gracie (Self-Titled)


   

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Isaac Gracie is an incredibly talented singer-songwriter, hailing from London. From humble beginnings, his 2016 demo, ‘Last Words’ caused a big stir online, leading to the head of Universal Music flying over from LA just to see him perform, resulting in his signing to Virgin EMI. Now, in 2018, the songsmith is releasing his debut, self-titled album. Here’s what we have to say about it…

Isaac Gracie.jpg

Every so often an album comes along that is both exciting, inspirational and sonically diverse; groundbreaking even…this is definitely one of those albums! (The last album I felt like this about was Will Joseph Cook‘s Sweet Dreamer.)

Whilst growing up, Gracie’s father left the family home and since signing to Virgin EMI, his longterm relationship sadly ended, but out of the ashes of these life-influencing events came some fantastic songwriting material, resulting in this incredibly powerful debut. As such, throughout the album, there are strong themes of abandonment, guilt and heartbreak; this honest approach and willing exposure of his emotional vulnerabilities is nothing new to songwriting but the way it marries up with the instrumentation is simply marvellous.

Opening track, Terrified’ (think Elbow meets Harry Styles‘Two Ghosts’) chronicles Gracie’s own fears and insecurities surrounding the hype about him, singing, “I’m terrified that maybe, I wasn’t cut out for this.” He really needn’t worry though; he certainly is cut out for this!

‘Last Words’ is a huge track for him; it’s the song that kick-started the buzz about him and whilst it’s very different from the demo, he admitted that he spent quite some time playing around with different versions before settling on the one that’s now on the record. He’s managed to strike a great balance between the original demo, maintaining some of it’s raw essence but also brought more depth to it with the addition of strings. Imagine a track by The Beatles that’s been countryfied and you get this!

The brilliant blend of highs and lows, and fusion of indie, rock, country and latin flavours has genuinely created one of the most genre-bending albums heard in a long time!

‘The Death Of You & I’ is a personal favourite – it’s got an almost latin beat behind it before it unleashes a hidden ferocity. The calm verses that erupt into the heavy, chaotic choruses make this an intense and fun song which you can’t help but want to thrash around to, wildly. There’s even an almost salsa-esque breakdown before the final chorus, making this one of the most intriguing songs I’ve heard in years.

Other stand-out tracks include; ‘Running On Empty’, which is relatively mainstream and quite indie (like something you might expect to hear from The Killers or Maccabees), ‘Telescope’ with its beautiful overlapping vocals at the end, ‘That Was Then’, which has stunning, dynamic vocals, ranging from deep to falsetto, topped off with a powerful and melodic chorus and ‘When You Go’, which is a track you would expect to hear from the likes of The Barr Brothers or Vance Joy and be accompanied by a music video shot with an old, handheld, film-reel camera; it’s strongly folk flavoured.

Gracie has been quoted as saying that he set out to create the best record of all time and whilst there are bound to be people who have differing opinions, he certainly has created a masterpiece! The brilliant blend of highs and lows, and fusion of indie, rock, country and latin flavours has genuinely created one of the most genre-bending albums heard in a long time…yet somehow it still works as a comprehensive body of work that is uniquely identifiable as him. This is an album I am certain will make a big impact this year and will definitely carve out an exciting future for his music career. Utter brilliance!

Rating
4-5


‘Isaac Gracie’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/isaac-gracie/1345686455


Isaac Gracie on Spotify

Terrified (Official Video)

Silhouettes Of You (Official Video)

Last Words (Official Video)


We hope you’ve enjoyed our review! What do you think of Isaac Gracie’s self-titled debut album? Are you as much of a huge fan as us? What would you rate it? Please leave your thoughts in a comment or chat to us about it via our socials.


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Matt – Muzik Speaks
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#Review: The Dangerous Summer – The Dangerous Summer (Self-Titled)


   

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Muzik Speaks Loves Hopeless Records - SmallerThe Dangerous Summer are a rock band from Maryland, USA who formed back in 2006. Since then, they have had 3 main studio albums (if you exclude the acoustic version of their debut), making this, self-titled album (The Dangerous Summer), their fourth.

The Dangerous Summer Cover.jpg

After frontman AJ Perdomo took some time away to concentrate on fatherhood, and having cut down to a trio, the band are back with their fourth full-length album, to much excitement from fans.

Whilst I wouldn’t say this is an emo band per se, they are a far cry from their slightly more light-hearted debut, Reach For The Sun, with vocals that sound more beaten and weathered and lyrics that feel as though AJ Perdomo is carrying the weight of the world on his shoulders.

There is something very nostalgic and reminiscent about this album (both sonically and lyrically) and it appears that a lot of self-reflection has gone into the writing of it. Some of the intricate work and echoing effects on the guitars of ‘This Is Life’ and ‘Fire’ leave audible space for the listener to be taken in and reflect too – something I believe was done deliberately, in order to allow the lyrics to reach out, for maximum effect.

It is an album of poetic melancholy, even in some of its lighter moments – a solid, interesting and well-rounded collection of songs that work brilliantly together and will be appreciated by fans new and old.

Some of the stand-out tracks for me, include: ‘Color’ for the sheer force with which it launches the album, starting off as a mellow but tortured cry before descending into a more chaotic scream of atmospheric noise with the lyrics “I’m not quite myself” ringing aptly; as mentioned before, ‘This Is Life’ and ‘Fire’ for their beautiful sound and wonderful lyricism, ‘Luna’, which is a touching dedication to his daughter – I particularly love the lyric, “You are the architect to all your dreams,” and lastly, ‘When I Get Home’ which is a welcome break in the record, for its slightly more up-beat yet still edgy pop punk feel (and appreciation for their friends and the place they call home) and whilst it’s quite different to the other tracks on the album, somehow it manages not to feel out of place.

This album is definitely not one which is pushing the boundaries of the genre by any means, but that’s not necessarily a bad thing – sticking to what they know and doing it well, shows that they are a band who know themselves. It is an album of poetic melancholy, even in some of its lighter moments, so if you’re feeling like indulging in a little self-loathing or reflecting on darker times and trying to find solace in them, then this is an album for you. It is a solid, interesting and well-rounded collection of songs that work brilliantly together and will be appreciated by fans new and old. Whether you’re into edgy, alternative rock with a large portion of emo lyricism and a gravelly vocalist or you simply enjoy the sonic beauty of a band like this, then you’re bound to love it. I honestly do think it’s a fantastic album; a triumphant returning record for the band and I thoroughly enjoy listening to it – the only reason I’ve rated it 3.5/5 is purely because I’m not sure how well it’ll stand out, over time.

Rating
3.5


‘The Dangerous Summer’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/the-dangerous-summer/1297025337


The Dangerous Summer on Spotify

Fire (Official Music Video)

Ghosts (Official Music Video)


We hope you’ve enjoyed our latest album review! What do you think of The Dangerous Summer’s latest album? What would you rate it? Please leave your thoughts in a comment or join the conversation via our social media.


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Matt – Muzik Speaks
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#ThrowbackThursday: Savage Garden – ‘I Want You’


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Savage Garden were an Australian pop duo, consisting of the incredibly talented singer, Darren Hayes and multi-instrumentalist, Daniel Jones.

The song, ‘I Want You’, was released in the UK in 1997, and it was the first single taken from their debut, self-titled album. It’s heavily rooted in synthpop and pop rock sounds, which at the time, set them apart from many other acts.

I’ve been a fan of this pair for years and feel their demise is a great loss to the music world, but their recent release, The Singles is available for physical purchase or download, and it’s well worth it!

When it was released, the song reached Number 11 in the UK charts, but the pair had great successes throughout their career. Since then, Darren Hayes has gone on to release a whole string of solo albums but is currently taking a break from music.

Do you miss Savage Garden? Have you been a fan of this song for years? Discovering it for the first time? Please share it on your social media accounts.

Matt – Muzik Speaks
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‘I Want You’ can be downloaded from the Savage Garden – The Singles, available on iTunes now – https://itunes.apple.com/gb/album/the-singles/id1069498537