#Review: ROAM – Smile Wide 🐟

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Muzik Speaks Loves Hopeless Records - SmallerROAM are a British pop punk band from Eastbourne, consisting of members Alex Costello (vocals), Alex Adam (lead guitar and backing vocals), Matt Roskilly (bass), Sam Veness (rhythm guitar) and Miles Gill (drums). The band formed in 2012, signed to Hopeless Records in 2014 and already have 2 albums under their belt. Now, 2019 sees the release of the band’s third album, Smile Wide. Here are our thoughts on their latest record…

ROAM - Smile Wide

Smile Wide kicks off with ‘Better In Than Out’ – a guitar-chugging anthem with an understated verse that leads right into an intense yet edgy chorus. A slightly darker tone than their previous album and a great way to launch into the record.

Next comes single, ‘I Don’t Think I Live There Anymore’, a great demonstration of their dual vocals and a pretty cool guitar solo – there’s something quite American indie band about it, again demonstrating a more diverse side to their sound.

One thing is for certain, since their previous release, Great Heights & Nosedives, the band have certainly done what I thought they needed to – adapted their sound and tried to bring some new things to the pop punk table – and it’s worked well. Whilst at its core, this is still a pop punk band, there are some moments of diversity and differences of tone that make this a slightly more mature and interesting album to listen to.

Smile Wide showcases just how far the band have come and how they have spent time developing their sound.

For example, ‘Play Dumb’ is a much heavier track than we might otherwise have become used to hearing from ROAM, and it sounds great! ‘Toy Box’ is a cleverly-written track about not being cast aside by clever use of metaphors, with a sensational breakdown at the bridge, whilst closing track, ‘Turn’, is very different in tone to the rest of the album. It’s much more middle of the road rock, than pop punk but nevertheless a beautiful track that stands out from the rest with its rather mellow, reflective and positive vibes and lyricism, making it a wonder end to the record.

There’s no mistaking the British roots of this band either, with their rather over-pronounced British accent on tracks like ‘The Fire On The Ceiling’ and ‘Red & Blue’ – both great pop punk songs with the latter using more grungy guitar sounds and the album’s title appearing within the lyrics.

One track in particular that possibly stands out for being quite poor, is ‘Loud’ – the lyrics are not well written and the guitar sound is pretty shrill and unpleasant to listen to, however I’m sure pre-teen emos will adore it.

Conversely, the two best tracks have to be: ‘Piranha’ – a very Simple Plan-esque song with funky rhythms and very chantable vocals. What stands out even more is how it switches up pace part way through, showing another improvement to their evolving sound. This could really be an iconic live track for the band; and then there’s ‘Hand Grenade’ – it has an excellent, calm intro that leads straight into rapid-pace drums and long, held vocal notes sure to have people belting it out. In particular, the imagery of the lyrics resonates wonderfully with listeners and great gang, “na na na,” chants take us right to the end.

ROAM have done a great job with this album; Smile Wide showcases just how far the band have come and how they have spent time developing their sound, testing the waters of something new, but whilst still keeping their roots in the genre they know so well. Considering these developments over just a couple of years, I wonder what they’ll sound like in a couple more?! I certainly can’t wait to hear what they do next, can you?

Rating
4


‘Smile Wide’ is out 06/09/19 and can be downloaded from iTunes – https://music.apple.com/gb/album/smile-wide/1468023906


Smile Wide on Spotify

Coming 06/09/19.

I Don’t Think I Live There Anymore (Official Music Video)

Piranha (Visual)


We hope you’ve enjoyed our review! What do you think of the band’s latest album? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


Enjoyed this? Check out some of our other reviews here:

Muzik Speaks Album Reviews


Matt – Muzik Speaks
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#Review: Mallory Knox – Mallory Knox

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Mallory Knox are an alternative rock band from Cambridge and began as a five-piece back in 2009. Following the release of their third album, Wired, news came that lead vocalist, Mikey Chapman, was leaving the band in 2018. With co-lead vocalist, Sam Douglas, taking up the post of lead vocals, alongside the other three original band members; James Gillett (rhythm guitar & backing vocals), Joe Savins (lead guitar & backing vocals) and Dave Rawling (drums), the band are back with their self-titled fourth album (Mallory Knox) as a four-piece. Here’s what we have to say about it…

Mallory Knox - Mallory Knox.jpg

It was a brave choice for Sam Douglas to step into the position of lead vocals, as vocally he is quite different to Mikey Chapman, but he’s certainly come in all guns blazing on lead track, ‘Psycho Killer’ – a massive, garage rock sounding track with a hint of Foo Fighters about the vocals throughout, before careening into a heavy guitar breakdown at the end.

This is certainly a more raw and gritty album than some of their previous releases, with tracks like ‘The World I Know’ taking sonic influences from noughties punk rock and adding in grungy elements and ‘Wherever’ with its muscle guitars and intense drums, giving the illusion of travelling at speed.

Lead single, ‘White Lies‘, has a bit more of an indie feel to it than a lot of the rest of the record and is clear to see why it was chosen to launch the album.

Also, ‘4’ is quite commercial with its “Na, na, nas” and lyrics about vacuous pop market and record labels, such as, “You never mattered anyway.” Is it addressing negativity they have faced and the fact they band went from 5 members to 4, as the track title might suggest? Not sure. You’ll have to make up your own mind on that.

Possibly some the best tracks on the album are: ‘Livewire’ which has changes in pace throughout and echoing breakdowns to really get the listener going; ‘Freaks’ has some really interesting melodies with guitar frills, captivating (and sometimes aggressive) vocal acrobatics (with some serious power behind them) and a great all-round tone to it and ‘Black Holes’ with its chugging guitars and yet more, distinctly Foo Fighters vibes in the intense, shouty chorus.

It’s a risk to continue as a four-piece, with someone new taking up the role of lead vocalist, but it appears to have paid off.

By far, the best track on the album is ‘Gut’ – it’s an intense, fast-paced close to the album, with some insane vocal harmonies, brilliant drums and fast guitars – it’s a generally chaotic moment of ecstatic mosh-out madness that fans are sure to love live.

There are definitely moments when you can tell Douglas doesn’t quite have the power behind his voice that he might have liked and even one track (‘Heartbreak Lover’) that feels like his vocal is lacking in energy – albeit it’s a very commercial-sounding track with a guitar line that plays around the same melody as the chorus.

Additionally, there are the odd places here and there that lyrically feel a bit flat and not quite written with as much depth or maturity as perhaps you might like (‘Fine Lines’ with its candid take on a relationship breakdown) and other tracks, such as ‘Radio’ that are a little forgettable but overall, it’s a solid effort from the now quartet.

It’s been a risk to continue as a four-piece, with someone new taking up the role of lead vocalist, but it appears to have paid off. The album is consistently confident in its approach and hopefully with have old fans excited and on board for the ride as well as pick up new fans with their edgier sound.

Rating


‘Mallory Knox’ is out 16/08/19 and can be downloaded from iTunes – https://music.apple.com/gb/album/mallory-knox/1461295820


Mallory Knox on Spotify

White Lies (Official Music Video)

Livewire (Official Music Video)


We hope you’ve enjoyed our review! What do you think of the band’s fourth album? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


Enjoyed this? Check out some of our other reviews here:

Muzik Speaks Album Reviews


Matt – Muzik Speaks
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#Review: The Rocket Summer – Sweet Shivers 🐝

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The Rocket Summer is the solo project from singer, songwriter and multi-instrumentalist, Bryce Avary. Since self-releasing his first EP in 2000, at the age of 17, Avary has gone on to release a total of 7 EPs, 7 full-length albums and a live album too! Now, 2019 sees the release of his seventh studio album, Sweet Shivers. Here’s our thoughts on it…

The Rocket Summer - Sweet Shivers.jpg

From the offset, it’s clear that Sweet Shivers is a much more experimental album than his previous efforts, thought it’s still distinctly The Rocket Summer.

We’re instantly thrown in at the deep end with opening track, ‘Morning Light’, a much darker introductory track than some of his previous efforts – there’s a twinge of a more mainstream Nine Inch Nails vibe to it!

We’re then led nicely into ‘Shatter Us’– whilst I’m not keen on the trumpet-like synth effect, the vocal melodies in the chorus and the plonky piano are incredible, especially paired with the very personal lyrics.

‘Blankets’ is possibly one of my favourite tracks on the album – the full-on verses are juxtaposed by the beautifully whispered chorus, making it powerful and captivating. Melodically it is a stunning track and has something a bit Biffy Clyro about it.

We’re then treated to ‘Gardens’ – like an experimental pop track where Avary has clearly played around with production – Jamiroquai inspirations seem to come through in places. ‘Peace Signs’ has a lovely yet simple, descending guitar melody that loops throughout and a strong vocal melody to the chorus. And in the spirit of looping, ‘5 4 3 2 1 Z’ has a looping piano melody, combined with brass sounds and an understated vocal melody. Maybe the most commercial-sounding track on the record, though it completely changes pace two-thirds of the way through before coming back to the original chorus.

‘Wannalife’ then seems to act as an interlude between the first and second half of the record. A nice little acoustic number about his life’s desires.

Overall though, this is a well-written, if slightly more experimental album, that could divide the fans.

As a long-time lover of The Rocket Summer, it pains me to say that ‘Sweet Shivers’ is very much an album of two halves – the first half being a lot stronger than the second. The second half has a lot of melodies that kind of blend into one.

Additionally, throughout the record, there are some rather quirky synth sound choices that I’m not convinced work, at times sounding a little cheap and underwhelming.

‘Slomo’ and ‘Keep Going’ are both pretty forgettable, while ‘Together In TX’ has an edgy breakdown, which stopped me from skipping the track. ‘Apartment 413’ has a dark melody and this is lyrically reflected in the tone too.

It’s the final two tracks that are saving graces for the latter part of the record. ‘World’s Greatest’ has some great deep vocal melodies and heavy bass synths with an amazing breakdown that continually builds back up to the end of the track. Whilst ‘m & m’ is possibly the strongest track in the second half, bringing the album to a strong close – there are intense vocal melodies and a fast-paced drum beat, plus funky guitar riffs and a Busted-esque synth at the end. A great track to end on!

Overall though, this is a well-written, if slightly more experimental album, that could divide the fans. That said, there are plenty of moments to enjoy, so fans will still find parts they love. I’m certainly still a lover of The Rocket Summer and appreciate his artistic license to be experimental, but I hope his next record might return a little more to his roots.

Rating


‘Sweet Shivers’ is out now and can be downloaded from iTunes – https://music.apple.com/gb/album/sweet-shivers/1473282206


Sweet Shivers on Spotify

Morning Light [Official Music Video]

Shatter Us (Official Music Video)

Blankets (Official Music Video)

Peace Signs (Official Music Video)


We hope you’ve enjoyed our review! What do you think of The Rocket Summer’s latest album? Do you share the same opinions as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


Enjoyed this? Check out some of our other reviews here:

Muzik Speaks Album Reviews


Matt – Muzik Speaks
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#Playlist: Brighton Pride Weekender 2019

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Brighton Pride is fast approaching, so to celebrate, we have updated our Brighton Pride Weekender playlist, dedicated to one of the city’s biggest annual events, promoting equality and diversity with the aim to eliminate discrimination against the lesbian, gay, bisexual, transgender and more (LGBT+) community.

This playlist has been lovingly crafted to include a variety of tracks, by the artists performing at Brighton Pride 2019, as well as some other great anthems!

If you already own the songs and want the custom artwork, please feel free to copy/download it below:

Brighton Pride Weekender 2019.jpg


We hope you enjoy this playlist as much as we’ve enjoyed creating it!

Please share the link to this post, or the playlist itself and give it a cheeky follow on Spotify too – https://open.spotify.com/playlist/5nXqTcFL05VwLPppVaNIE6?si=copqGaOHQFi0lnhz6HYV8w.

Also, if you’ve got any songs you want to suggest for us to add, please let us know 🙂

Matt – Muzik Speaks
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#Review: Sum 41 – Order In Decline 💀

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Muzik Speaks Loves Hopeless Records - SmallerSum 41 are a Canadian rock band who first formed back in 1996. The band currently consist of members Deryck Whibley (lead vocals, guitar and keyboard), Dave Baksh (guitar and backing vocals), Tom Thacker (guitar, keyboard and backing vocals), Jason “Cone” McCaslin (bass and backing vocals) and Frank Zummo (drums). The band first enjoyed mainstream success with their 2001 debut album, All Killer No Filler, and from there have gone on to have a rather illustrious career and a few line-up changes. 2019 now sees the band releasing their seventh studio album, Order In Decline, through Hopeless Records. Here’s what we have to say about it…

Sum 41 - Order In Decline.jpg

One thing’s for sure, Sum 41 are a very different band now, to the band they started out as and have sonically changed a lot over the years. From a skate-rock band to being contenders for the pop-punk throne, the band have now transformed into a much darker, grittier and overtly heavier incarnation of themselves that is a far cry from their “Fat Lip” and “In Too Deep” days.

That said, there’s still something distinctly Sum 41 about Order In Decline, though that mostly lies with Deryck Whibley‘s instantly recognisable vocals. It was following a few line-up changes and a spell in hospital to recover from alcohol-induced illness, that the band rose from the ashes with 2016’s comeback album, 13 Voices – an album that further demonstrated their ability to create music that was edgy and more alternative (with the odd ballad thrown in). And now, Order In Decline yet further cements this evolution in the band’s sound.

From the sombre, opening piano notes of ‘Turning Away’, the album quickly kicks into high gear with an exciting and powerful, stammering riff, that by the end of the track, descends into audible chaos with an insanely intense guitar solo. The heavy energy is kept up with ‘Out For Blood’ – a track with elements from their skate-punk days and definite qualities of a Zebrahead song (with the distorted, scream-like backing vocals) plus another epic guitar solo.

As the record continues, ‘The New Sensation‘ takes us in a very different direction with a cleaner, synth-heavy and stadium-filling feel to it – like something you’d expect from the likes of Muse, especially with some of the melodies. ‘A Death In The Family’ is much more of a family sound; whilst it’s definitely heavier than they once were, there are definitely moments that nod to their origins.

Order In Decline is eclectic, exciting, intense and just friggin’ awesome!

‘Heads Will Roll’ is another interesting turn in the album, with a Subways, IDLES and Royal Blood-like vibe to it. ‘Eat You Alive’ is probably the most heavy metal track on the record whilst ‘The People Vs…’ is a much more typical punk rock track with rapidly chugging riffs and intense drums, sure to see the circle pits swirling at live shows.

Whilst the band don’t want to be politically-driven as such, it’s clear that Whibley has allowed his lyrics to be determined by the state of the world he sees around him right now – a world in which he sees division, racism and hate being accepted still. This is certainly evident in ’45 (A Matter Of Time)’, a track that by no coincidence, references the 45th President of the United States, Donald Trump, that he so marvellously calls out on a few things.

For all it’s intensity, Order In Decline sees a couple of moments when the pace changes and more personal lyrics come into play. ‘Never There’ addresses Whibley‘s absent father, growing up (and sounds like someone such as William Ryan Key had a hand in writing it), whilst ‘Catching Fire’ faces familiar themes of love and loss with wonderfully intricate layering, like something by The Dangerous Summer.

Order In Decline is eclectic, exciting, intense and just friggin’ awesome! And whilst Sum 41 are certainly not the same band they once were, there are undoubtedly qualities that still remain in their core, making them easily recognisable. However the continual evolution in their sound is exciting and impressive to watch and certainly adds to the longevity of their career. I’m already looking forward to hearing the next record!

Rating
4


‘Order In Decline’ is out now and can be downloaded from iTunes – https://music.apple.com/gb/album/order-in-decline/1458053301


Order In Decline on Spotify

Out For Blood (Official Music Video)

45 (A Matter Of Time) [Official Music Video]

Never There (Official Music Video)

A Death In The Family (Official Music Video)


We hope you’ve enjoyed our review! What do you think of Sum 41’s seventh studio album, Order In Decline? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


Enjoyed this? Check out some of our other reviews here:

Muzik Speaks Album Reviews


Matt – Muzik Speaks
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#WildCardWednesday: Misha B – ‘Letter To My Sistars’

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Misha B is finally back with her latest single, ‘Letter To My Sistars’, and I couldn’t be happier to see her return!

The latest song from the ex-X Factor artist has a definitive, old-school R&B / Hip Hop vibe with an understated beatbox intro, vinyl-tinted beats and clean guitar melodies throughout, topped off with some wonderfully raw and effortless vocal harmonies.

‘Letter To My Sistars’ is a strong departure from her post-X Factor days yet still remains polished and true to herself. It’s a female empowerment track about looking out for each other (Don’t mess – “If you put a finger on my sister, guaranteed your head pop, pop, pop just like blister”); an urban anthem at its best.

The video for the track is fun too – seeing Misha B performing alongside strong female characters in and around the urban environment but also has narrative segments depicting Misha as a child, with one of her “sistars”, as referenced in the track. Go check it out, below.

I’m super excited for this return and hope that maybe this will signal an upcoming debut album?! We can only hope!

What are your thoughts of Misha B’s latest release? Are you as pleased to see her back, as we are? Do you have a #WildCardWednesday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
www.facebook.com/muzikspeaks
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‘Letter To My Sistars’ can be downloaded off iTunes now – https://music.apple.com/gb/album/letter-to-my-sistars-single/1467045615


#TunefulTuesday: Will Joseph Cook – ‘Hey Brother’

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It’s been a couple of years now since Will Joseph Cook released his debut album, Sweet Dreamer, but the catchy indie-pop, anthem-writer is back with a brand new single… and it would appear he’s parted ways with Atlantic Records.

His latest offering, ‘Hey Brother’, comes following a witty video announcement hinting not only of this single release, but a forthcoming album too!

‘Hey Brother’ is still distinctly Will Joseph Cook – his ethereal high vocals in the choruses are married with his more apathetic tones in the verses. One thing’s for sure, his voice remains unique and captivating, as ever.

This track also demonstrates his marvellous songwriting talent, as he uses a simplistic yet catchy guitar melody and loops it, bringing it in and out of the focus, whilst also continually layering up the track to bring it to a great, harmony-driven climax.

This layering is reflected in the music video for the track too, which sees multiple versions of the singer appearing throughout. He’s not one to settle for something visually drab and so this too shows that he’s remaining true to his artistic nature, once again showing how powerful it can be when coupling music and interesting visuals. Check it out below!

What are your thoughts of this indie singer-songwriter’s latest single? Do you have your own #TunefulTuesday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
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‘Hey Brother’ can be downloaded off iTunes now – https://music.apple.com/gb/album/hey-brother-single/1469264663