#EventSpeaks: ONE OK ROCK @ Roundhouse, London – 10/05/19

facebook_logos_PNG19751.png    ios_homescreen_icon.png   app-icon2.png


On Friday 10th May 2019, the massive Japanese band ONE OK ROCK – arrived in London. It was only the second date on their EU leg, of the Eye Of The Storm World Tour and they performed at none other than London’s renowned Roundhouse. The band put on a night to remember, supported by British pop outfit, Anteros.


Anteros

The band took to the stage with their vibrant personas and glitzy 80s synths, further reinforced by lead singer, Laura Hayden’s sparkly red dress. This band are a wonderful blend of indie, pop and new wave – think Blondie meets modern-day contemporary pop; along a similar vein to Fickle Friends. There are certain punk-like trends to Hayden’s stage presence, with her almost “don’t-give-a-damn” flounces around the stage, equally met with gusto – it’s quite mesmerising. The music is good and their energy was captivating to watch.

Highlight: The high-energy end to the band’s set made for a chaotic last impression, certain to leave people wanting more.


ONE OK ROCK

The band have only played in the UK a couple of handfuls of times but it was clear from their loyal fan base, just how much their performances are looked forward too, with a queue that lined up all round the streets, prior to the show.

As ONE OK ROCK took to the stage, the crowd whipped themselves up into a frenzy as the Japanese band launched into their opening track, ‘Push Back’. This was a set that despite the relatively small stage in comparison, felt just like an arena show…complete with pyros!

The set was teeming with a few older hits, plus a whole bunch of songs from their latest record, Eye Of The Storm (<— review here) – all of which had the crowd singing at the top of their lungs! Their energy was truly infectious from start to finish.

I was particularly impressed by Taka’s live vocals – so often you can hear little flaws in a singer’s voice when they’re performing live, but the power and effort he put into his performance was virtually flawless…even if he did keep fiddling with his in-ear throughout the show.

The quartet know just how to put on a show though; from Taka’s ability to capture the crowd by holding a particular stance and Toru’s rocking out with his guitar to Ryota’s powerful bass moves and Tomoya’s face poking up over the drums, as he beats away at them effortlessly – this is a band that you need to see live. It’s clear that they have spent a long time practising and perfecting their set – there isn’t too much between-song banter, but instead just packing in the songs, to give the audience a great time.

It was my first time seeing the band live and I had an amazing time – it’s so often that the UK send great bands and artists over to Japan to perform but it’s great to see a Japanese band coming over to the UK for a change! I strongly recommend catching this band live, the next time they make a rare appearance in the UK – you won’t be sorry, I promise!

Highlights:

  • Taka’s effortless vocals and stage presence alone, made the show thrilling to watch.
  • Having not heard too much of the band’s back catalogue, it was great to hear a lot of tracks from their most recent album, Eye Of The Storm.
  • There was an instrumental break during which Taka left the rest of the band to rock out on stage, demonstrating just how talented these musicians are – it was nice to see him let some of the other’s in the band have some of the limelight for a while, particularly a little drum solo from Tomoya.
  • The sheer polished-precision with which the band delivered their set, showed just how much rehearsing must have gone in to perfecting their live shows.
  • The loyalty of the crowd, singing back every word of every song, showed just how far-reaching their fan-base is.
  • PYROS! Pyrotechnics just make a show even better! It was great because they weren’t overused, just boosted a couple of songs when you least expected it.

This slideshow requires JavaScript.


 Setlist

Push Back
We Are
Taking Off
Unforgettable
Clock Strikes
Head High
Take What You Want
Stand Out Fit In*
(Instrumental)
Giants
I Was King
Change*
The Beginning
Jaded
Mighty Long Fall

Encore
Wasted Nights

These songs can be viewed in the YouTube playlist, below.


Finally, I want to say an absolutely HUGE thanks to Robbie Peacock for enabling this review to happen and to both ONE OK ROCK and Anteros for putting on a fantastic show.


Enjoyed this? Check out some of our other live reviews here:

Muzik Speaks Live Reviews


Matt – Muzik Speaks
www.facebook.com/muzikspeaks
www.twitter.com/muzik_speaks

Advertisements

#NewMusic: Angels & Airwaves – ‘Rebel Girl’

facebook_logos_PNG19751.png    ios_homescreen_icon.png   app-icon2.png


Angels & Airwaves are back!

Hands down, this is my all-time favourite band, ever and I am so pleased to see they are making a triumphant return to music!

Today (Tuesday 30th April), Tom Delonge and co, have released their first single in 3 years, ‘Rebel Girl’, marking somewhat of a return to their trademark, sci-fi meets industrial, stadium rock sound. However, there is definitely still a large amount of their more recent (The Dream Walker) influences too – probably in part due to Ilan Rubin and Aaron Rubin‘s hands in the writing. What’s more, it looks like David Kennedy and Matt Wachter are back too….though Matt doesn’t appear to be in the promo shots…curious!

“‘Rebel Girl’ is a space-age love song that combines my enduring obsession for New Wave, pop punk and anthemic rock and roll music,” says DeLonge. This would appear to be the signs of the band’s upcoming album release, and is believed to also coincide with a feature film too…it’s all very exciting!

It seems that in the 3 years since the band released their last EP, they have now signed a deal with Rise Records, also announcing their first live shows in seven years! Sadly, at the moment it would appear to be just a North American tour, but I have just about everything crossed for a mini UK tour…or even just a London date or two!

Unfortunately no music video has emerged yet, but we’ll keep you updated when one drops…in the meantime, enjoy the visual below.

All I have left to say is just, ‘Hell yeah!’ They’re back, the track is awesome and I can’t wait for the latest era of Angels & Airwaves to really take off!!!

What are your thoughts of the band’s latest single, ‘Rebel Girl’? Please leave your thoughts or similar song suggestions in a comment or hit us up via our social media.

Matt – Muzik Speaks
www.facebook.com/muzikspeaks
www.twitter.com/muzik_speaks


‘Rebel Girl’ can be downloaded off iTunes now – https://itunes.apple.com/gb/album/rebel-girl-single/1460052992


#MuzikSpeaks: An Interview with Mirza Radonjica-Bang from Siamese

facebook_logos_PNG19751.png    ios_homescreen_icon.png   app-icon2.png


Having just released the second single, ‘Ocean Bed’, from their upcoming record, Super Human (out 24th May on Long Branch Records), I had the chance to chat to lead singer, Mirza Radonjica-Bang from incredible band, Siamese.


Hey Mirza, how’s it going?
Going well, man. Just about to release some new music. If that doesn’t affect your mood in a good way… you should probably stop eh?

Good to hear…so you are gearing up to release your new record, ‘Super Human’ in May; how do you feel prior to a new release? Is it nerve-wracking or exciting?
It’s defo both. Exciting cause we get to tour again and see our friends around the world. Nerve-racking if the same ol’ fans don’t like the new shit. I think they will though. BUT also we hope to get some more people on board man. Would be nice to evolve the family over here for sure. So if you do not know Siamese and you like your heavy with some funky pop, I’d appreciate it.

I love the title, where did the idea come from and what’s the meaning behind it?
Our last record, Shameless, was all about positivity and looking forward and just outright living and partying a bit too much. Don’t get me wrong, we’ve always been quite dark, but on Super Human it’s all about realising that life might still just be suffering after all. And that coping with that mechanism is something you really need to do. I lost my faith in revelations man. You know that shit where people say they are at peace with who they are? Well OK. Fine enough, but that is not entirely true, I’ve come to find. It’s not human nature to be honest. And its super human to admit that. Hating your girl, doing bad stuff, doing drugs, not doing drugs, being jealous, not paying attention to the ones you loved. It’s all in this record. You will make mistakes. You are not perfect. And you need to tell yourself that once in a while. That’s the theme of the album.

Wow, deep! So what’s the track you’re most excited for people to hear on the record and why?
My personal favourite is ‘Ocean Bed’, but the track that stands out is ‘Super Human’. Lyrics and the feature from Olivio Antonio makes it something completely different. Oh and for the first time ever, I’ve opened up about my background as a refugee on ‘Unified’. I’m kinda excited to see if that song only resonates with me or it can tell people something about something more universal.

That’s amazing! I can’t wait to hear them all. I was wondering, what’s your usual process for writing/recording?
Me (Mirza, Singer) and Andreas lock our selves up in a tiny room with a computer, a piano for about a month and go on to produce the structures and melodies of the songs. We pretty much get it done front to back in month right now actually. We work as pop producers (because that’s our background) and then the rock and heavy elements come on later in the process. Not a lot of heavy bands that I know of, do it this way. Some also frown upon it, but yeah buddy. Release 5 albums and let’s talk about it again yeah? I mean. There is so many effing problems you demolish by working as we do. And we can keep doing it for many years on without going broke or something like that.

Where do you take inspirations from when writing/recording your music?
I listen way too much to bands like PVRIS, Dance Gavin Dance, Slaves, The Weeknd, Zara Larsson and so on. But mostly our inspiration would start by a sample, we hear 4 simple chords which I would sing to, and suddenly Andreas would go STOP!! That one! haha. Lyrically this time I have taken a lot of my friends’ stories and put them down as lyrics. I wanted to portray being super human in many aspects and not just my own. Dunno if that makes sense but it did to me at least.

Yeah, I get it. It sounds like a great way to write – listening and interpreting other people’s stories. I like your eclectic music taste too! If you could collaborate with anyone else, who would it be and why?
I’d like to collaborate with Tillian Pearson from Dance Gavin Dance. He is a huge inspiration to me, and I really think he could teach me a thing or 500.

Haha! That’d be cool. What music have you been listening to most recently?
The new Bring Me The Horizon album has been spun quite a lot, After The Burial and I still find my self spinning PVRIS and Slaves once in a while. Shame what happened with Jonny Craig. Slaves will not be the same I’m afraid.

Yes it’s a real shame. If you had to cover a recent chart song, which song would it be and why?
‘God is a Woman’ by Ariana Grande. And lord, I actually it will happen in the near future.

Seriously?! I love that song and oh my God, I can’t wait to hear your version!!! Do you have any pre or post-gig rituals?
Drink 4 beers. Not 5 and not 3. 4 beers. Post gig rituals, I have none. Just be nice to people and get your adrenaline down.

Haha! Yeah that after-show buzz is mental eh? Have any of you got any weird habits?
Christian on violin vapes man. I fucking hate that nicotine dildo in his mouth. But to be honest none of us have weird habits that I know of.

That you know of…haha! Do you guys have any other passions outside of music?
I’m big on TV shows. There is not much I haven’t seen. And anything good I have seen. Also I am very passionate about Arsenal and FC Barcelona. You can talk football for hours with me.

Unfortunately I don’t know loads about football…sorry. What really grinds your gears (winds you up)?
Postmodernism. Dude do not start that fire. Identity politics. And influencers. I guess we live in a time where there are a lot of insignificant things you can hate eh?

Too true man! What’s the best film you’ve seen lately?
I enjoyed A Star Is Born. Did I cry a bit. Yes I might have. OK. Leave it.

If, say in 10 years time, a film was made about your life, who would you want to play each of you?
In the name of political correctness, I’d like an all female cast to play us.

Haha! Love it! Lastly then, what’s the best advice you’ve ever been given?
The world is never black and white. There is no ultimate answer.

Good point. Thanks very much for taking the time to talk to me today. Good luck with the album release and your recent single, ‘Ocean Bed’, too.
Cheers.


Siamese‘s releases are all available:


Enjoyed this? Check out some of our other interviews here:

Muzik Speaks Interviews


 

#Review: Wallows – Nothing Happens

facebook_logos_PNG19751.png    ios_homescreen_icon.png   app-icon2.png


Muzik Speaks Loves Atlantic Records - SmallerWallows are a 3-piece, indie rock band from Los Angeles, consisting of actors Dylan Minnette (13 Reasons Why) and Braeden Lemasters (Men of a Certain Age) plus drummer, Cole Preston. The trio first formed under their current moniker back in 2017, self-releasing their debut single, before signing to Atlantic Records in early 2018. Now, 2019 sees the release of the band’s debut album, Nothing Happens. Here’s what we have to say about it…

Wallows have successfully crafted a blend of 80s new wave, alternative rock and indie, right from the very first notes of the intense opening track, ‘Only Friend’, that instantly engage the listener and force you to turn it up, before blending seamlessly into second track, ‘Treacherous Doctor’; by far the best track on the record – it’s catchy as hell and ballsy with its heavy interludes, making it really stand out.

Catchy melodies are not lacking on this record either! Lead single, ‘Are You Bored Yet?’ (featuring Clairo) demonstrates perfectly, the sort of thing to expect from the album, and is a great marriage of male and female vocals. Whilst second single, ‘Scrawny’, would sit well on a soundtrack, switching up the tone, part way through the song. Then there’s ‘What You Like’ with its electronic, 80s vibes – a strong verse vocal and intense reverb, like something by Sparks, and ‘Remember When’ offers a hook that will stay with you for days. ‘Ice Cold Pool’ offers a musically uplifting tempo and shimmering guitar lines.

There’s no doubt that this is a summer soundtrack and would fit well in a teen programme, like The OC, conjuring up images of a road trip in a convertible, with friends, shot with a vintage camera. It’s the sort of record that you could either sit back and relax to, or get lost in at a summer BBQ – it’s dynamic and delightfully enthralling.

This is quite possibly one of the most interesting and exciting, American indie bands I’ve heard for some time.

Generally, this is a fairly fast-paced album but ‘Sidelines’ offers a more downtempo reprieve and a synth line that reminds me of Caesars’ ‘Jerk It Out’ (just not as upbeat), as does the album closer, ‘Do Not Wait’ – a haunting, dream-like instrumentation in the first half, that builds to a more frantic, psychedelic close, with it’s spoken-word vocal.

The whole album is written solely by the band themselves and produced by John Congleton (Lana Del Rey, Franz Ferdinand & Jamie T) – this might explain why the record sets them up as the kings of interesting breakdowns and unusual soundscapes that weave their way throughout the record. They take unexpected, sonically captivating twists and turns throughout and Dylan’s vocals are, at times, monotonous and somewhat apathetic, but it works so delightfully well! It’s definitely an album for all ages – millennials are bound to love it, as will original fans of 80s synth rock.

I’m sure some people will turn their noses up at Wallows for the fact that they’re established actors, but that shouldn’t detract from what a great record, and band, this is! Nothing Happens is a very strong, well-written and well-produced album that although very indie on the surface, at its core, takes a lot of influence from a fair few 70s and 80s tracks. Having listened to this captivating record several times now, I am left excited for what more they have to offer, and if their next album is as strong as this, they will continue to pave a great career for themselves. This is quite possibly one of the most interesting and exciting, American indie bands I’ve heard for some time.

Rating
4


‘Nothing Happens’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/nothing-happens/1450670646


Nothing Happens on Spotify

Scrawny (Official Music Video)

Are You Bored Yet? (Official Music Video)


We hope you’ve enjoyed our review! What do you think of this band’s debut album? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


Enjoyed this? Check out some of our other reviews here:

Muzik Speaks Album Reviews


Matt – Muzik Speaks
www.facebook.com/muzikspeaks
www.twitter.com/muzik_speaks

#WildCardWednesday: Siamese – ‘B.A.N.A.N.A.S’

facebook_logos_PNG19751.png    ios_homescreen_icon.png   app-icon2.png


Siamese are an award-winning, Danish, Pop-Metal band and following their previous album, Shameless, gained more than 8 million streams, catapulting them to recognition outside of Denmark, and enabling them to play sold out shows in Japan, UK and Germany.

Singer, Mirza Radonjica-Bang, said, “B.A.N.A.N.A.S, the album opener was actually written for the Shameless album. At least the starting riff was. But ultimately we were never satisfied with anything but the riff. We left it alone for two years before absolutely nailing it. One of my favourite tracks on the album for sure.”

This track showcases just how epic this band are – huge synth use, grungy guitars and metal drum patterns, all topped off with the wonderful sample of Gwen Stefani‘s ‘Hollaback Girl’ make this truly stand out! It’s a real genre-bending song that will appeal to people of all tastes from pop to metal.

Their next release, Super Human (out Friday 24th May), continues to showcase their trademark big choruses and well-written instrumental compositions; what’s more, it’s all self-produced!

Watch out for this band as they continue to go from strength to strength!

What are your thoughts of this singer-songwriter? Got a #WildCard Wednesday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
www.facebook.com/muzikspeaks
www.twitter.com/muzik_speaks


‘B.A.N.A.N.A.S’ can be downloaded off iTunes now – https://itunes.apple.com/ru/album/b-a-n-a-n-a-s/1455133470?i=1455133474&l=en


#EventSpeaks: IDLES @ Brighton Dome, Brighton – 29/03/19

facebook_logos_PNG19751.png    ios_homescreen_icon.png   app-icon2.png


On Friday 29th March 2019, IDLES arrived in Brighton to play an excellent show, following their Brit Award nomination and in support of their second album, Joy As An Act Of Resistance. The band were supported by Crows. Here’s what we thought of the show…


Crows

There’s something instantly hypnotic about this band with their heavy, repetitive and dare I say, almost monotonous drone of sound that sits somewhere between Editors and something much darker. They’re definitely sat on the less pure side of indie and not necessarily for everyone but they’re stylistically edgy and even though the singer’s vocal is quite bland, it is intentionally done to fit with the style and somehow it just works…really well!

Highlight: I particularly loved the singer’s use of two different microphones – one for more crisp vocals and the other for shouts and harmonic wails that have tons of reverb on – it’s a pretty unique element to the performance. What’s more – he knows how to get lost in the music and really let loose!

Setlist

Silver Tongues
Demeanour
Wednesday’s Child
Empyrean
The Itch
Hang Me High
Whisper
Chain Of Being


IDLES

A hum of anticipation rang through the crowd as the lights went down and IDLES took to the stage. Surrounding the band, were a ring of strobe-like lights which continuously circled the band, getting progressively faster, as they launched into opening song, ‘Colossus’.

Whilst this is not a band I would normally enjoy, I can appreciate the energy that emanates from their performances, bringing punk into the modern, contemporary age.

The band don’t let up for a minute with their passionate, in-your-face and downright ballsy demeanour, fronted by Joe Talbot, who, throughout the show, makes references to now being sober and how he’s recently become a father. He also shares little anecdotes and passes comments on what he’s passionate about, like the importance of looking after each other, when you “argy-bargy” in the crowd.

This is shouty, grungy and lyrically dynamic punk that has picked up fans of all ages – a truly diverse crowd watched in awe as the band members got progressively more pumped up and not once, let the energy in the room, drop.

Even if they’re not your sort of thing, I still recommend checking them out; they put on a great show and they just continue getting bigger, so try and catch them at a more intimate venue, before they’re selling out arenas!

Highlights:

  • When both Lee Kiernan and Mark Bowen got off the stage and worked their way through the crowd to perform amongst the audience, sitting on the floor, before being crowd surfed back to the front…epic!
  • Joe Talbot’s energy throughout was infectious, particularly as he pumped himself up, punching his arms up and down in front of him, like he was operating a pneumatic drill!
  • As the band started their set, the circling lights were mesmerising and quite hypnotic and the audible chaos, the end of their set descended into after Joe left the stage, was equally amazing.
  • The genuine care Joe showed for his fans and the audience by looking out for them and also sharing anecdotes, really engaged the crowd.

This slideshow requires JavaScript.


📷 All of the photos in this post, are credited to Damon Peirce  📸
Why not give him a follow on Instagram and Twitter or check out his website.


 Setlist

Colossus
Well Done
I’m Scum
Queens
Great
Danny Nedelko
Divide & Conquer
1049 Gotho
Love Song
Never Fight A Man With A Perm
Mother
Faith In The City
All I Want For Christmas (Is You) (Mariah Carey cover)
Benzocaine
Samaritans
Exeter
Television
Rottweiler


Finally, I want to say a big thanks to Rob from Sonic PR for making this review happen and also to both IDLES and Crows for putting on a great show!


Enjoyed this? Check out some of our other live reviews here:

Muzik Speaks Live Reviews


Matt – Muzik Speaks
www.facebook.com/muzikspeaks
www.twitter.com/muzik_speaks

#EventSpeaks: David Gray @ Brighton Dome, Brighton – 19/03/19

facebook_logos_PNG19751.png    ios_homescreen_icon.png   app-icon2.png


On Tuesday 19th March 2019, David Gray arrived in Brighton, in support of his latest album release, Gold In A Brass Age. He performed an incredible, 2-hour set at Brighton Dome and was supported by L.A. Salami. Here’s our thoughts on the event…


L.A. Salami

L.A. Salami was a fantastic, soulful, folky and witty singer-songwriter who’s clearly honed his talent. His crisp voice, annunciated every word with clear precision and told a story, like that of a performance poet. His way with words must have been painstakingly crafted to create his art and his tales are intriguing. Also, his use of just a guitar and harmonica somehow manage to produce a rather full sound.

His stage persona is quite understated and there are some imperfections in his performance but somehow this is quite endearing. He was certainly an interesting and captivating support…plus his style (and hair) is pretty cool!

Highlight: I particularly enjoyed his final song which began with him telling an anecdote of how it came about, after meeting a wise man on a beach in Normandy whilst high on acid; the audience rang with laughter.


David Gray

As David Gray took to the stage, rapturous applause erupted from the audience and he launched straight into a string of tracks from his latest album, Gold In A Brass Age, showcasing just how much his sound and style has evolved since his career-launching album, White Ladder (first released back in 1998).

His new sound is electronically dynamic and truly envelops the audience, with atmospheric sounds, powerful harmonies and a diverse set of instruments played by him and the band. It sounds strange, but there’s something beautiful about the tracks of his new record, that give off an almost autumnal feel – they’re warm and crisp and give an audible sensation of swirling around you – it’s quite remarkable.

One thing you can’t help but marvel at throughout his performance, is his truly unique use of a loop pedal, with which he builds up the base for quite a few songs; some had various, layered guitar melodies, another he created a distorted vocal wail through the microphone built into an acoustic guitar and at one point he even made some vocal harmonies for him to collaborate with himself – sensational!

He began by stating, “We’ll start off with the new music,” and shared several tracks from the new album (‘Hall Of Mirrors’, ‘If 8 Were 9′ and ‘A Tight Ship’ particularly stood out), before thanking the audience for lending their ears to them. He then delighted the crowd by saying, “We’re going to dig deep,” leading on to a string of his old hits (‘Sail Away’, ‘My Oh My’, ‘The Other Side’, ‘Babylon’ and ‘Please Forgive Me’), that had the audience standing, cheering and singing along at the top of their voices – it was beautifully nostalgic.

The set clocked in at the 2-hour mark, which is pretty amazing for a concert these days and just goes to show not only the vast back catalogue he has, but the dedication he puts in to giving his audience something substantial to get into.

Being honest, I didn’t know much of his more recent music before last night, but having witnessed the wonderful performance I did, I will most definitely be getting copies of his last few records to get up to speed, and can’t recommend highly enough, watching him play live – he puts on an immaculate and rather rousing show!

Highlights:

  • The use of a loop pedal throughout his set is something wonderful to witness, particularly how he seamlessly switches back and forth between his guitar and keyboard, to build a track up.
  • The sheer effortless power, soulfulness and aching melancholy behind his vocal is passionate and all-consuming.
  • His new sound is progressive and actually quite incredible – I’ll definitely check out the new record! And, actually, when you see him live, you realise quite how electronic his sound (both old and new) is, in places and that there’s actually some dance music elements behind some of his material.
  • Gray’s rather awkward dancing and twitching around on stage is actually pretty endearing!
  • His personality is very modest and relatable and probably goes a long way towards his rather broad and loyal fanbase; it might also explain why so many people were comfortable shouting out support to him, between songs.

This slideshow requires JavaScript.


 Setlist

Mallory
The Sapling
Gold In A Brass Age
Hall Of Mirrors
Watching The Waves
It’s Late
A Tight Ship
If 8 Were 9
Sail Away
My Oh My
Be Mine
Freedom
The Other Side
Breathe
The One I Love
Back In The World
Silver Lining
Babylon*

Encore
Birds Of The High Arctic
Please Forgive Me*

These songs can be viewed in the YouTube playlist, below.


Finally, I want to say a big thank you to Rob from Sonic PR for enabling this review to happen, and to both David Gray and L.A. Salami for their incredible performances.


Enjoyed this? Check out some of our other live reviews here:

Muzik Speaks Live Reviews


Matt – Muzik Speaks
www.facebook.com/muzikspeaks
www.twitter.com/muzik_speaks