#Review: Klingande – The Album

facebook_logos_PNG19751.png    ios_homescreen_icon.png   app-icon2.png


Klingande started out as a production duo back in 2012, releasing a couple of notable tracks. However, following the departure of one half of the pair in 2014, Cédric Steinmyller chose to continue using the moniker, as a solo venture. Since then and with a string of singles and remixes under his belt, the French DJ and tropical house producer, is now releasing his debut album, The Album. Here’s what we have to say about it…

Klingande - The Album

Klingande‘s aptly-titled debut album, The Album, sees the producer putting out a double-disc record. The first of which is a body of work that sounds sonically polished and wonderfully well collected together, whilst the second disc is more a collection of the producer’s previous hits and well-known tracks.

The first disc is definitely an album that has been inspired by the likes of the late Avicii, blending real instruments with electronic elements. It would appear that there are other influences being played with too, with a real sense of the Deep South of America interwoven throughout – such as ‘Sinner’ (featuring Stevie Appleton) with country-style acoustic guitars in the verses and bluesy guitar riffs in the chorus. Or By The River’ that has slick guitars and features the raspy yet soulful vocals from Jamie N Commons. Even a harmonica finds its way onto the album (courtesy of French harmonica player, Greg Zlap) on the refreshing and rather frantic, surefire fan-favourite, ‘Ready For Love’ (also featuring vocals from UK singer-songwriter, Joe Killington).

The album opens with his latest single, ‘Amsterdam’ (the first of two collaborations with pop duo BRIGHT SPARKS) an acoustic-led, mellow dance track with a heavy underlying bass which sounds almost separate to the rest of the track, in a really interesting way. The second collaboration with BRIGHT SPARKS is previous single, ‘Messiah’ a subtle yet very catchy track, with some interesting fills, like a great dubstep-style wob-wob, leading into the final chorus.

‘Simple Man’ has some beautiful, distant gospel backing vocals, topped off with a deep lead vocal. This track is definitely a nod to his older sound, as it’s very saxophone led. Meanwhile, ‘Famous’ is quite different in tone to the rest of the album, particularly as it’s the first track on The Album to feature a female vocal.

The Album is a wonderful collection of songs that bring about an interesting new depth to dance music, making it stand out from a lot of other EDM.

Besides ‘Ready For Love’ (a personal favourite!), the final two tracks are possibly the best ones on the record. ‘Alive’ is a very positive track about things you won’t allow to get to you or defeat you and whilst the lyrics are not necessarily the deepest or most well-written, it’s catchy as hell and the message is great! Equally, closing track, ‘Only Breath’ (and the second to feature an unknown female vocal) is an airy and atmospheric song, with a synth rhythm that is pure euphoria – a wonderful track in spite of the inevitable dance drop.

The second half of The Album serves as more of a greatest hits, collating a bunch of Klingande‘s previous releases from the past few years – a time when he was more recognised for his prominent piano and saxophone use.

Whilst reviewing The Album, I chose to focus my attention mainly on the first half of the record, due to it being a more comprehensive collection of songs, however what the second half does do, is bring most of his previous releases together in one place and showcase just what growth this artist has been through, whilst the first half marks a new chapter in his career.

The Album is a wonderful collection of songs that bring about an interesting new depth to dance music, making it stand out from a lot of other EDM, but at its core, still uses tried, tested and much-loved dance sensibilities. This is a record that will be enjoyed by people of all ages and could quite easily be the perfect party companion. Given the growth demonstrated on this record, it’ll be interesting to see what direction Klingande goes in next!

Rating
4


‘The Album’ is out now and can be downloaded from iTunes – https://music.apple.com/gb/album/the-album/1484567866


The Album on Spotify

Amsterdam featuring Bright Sparks (Official Lyric Video)

Messiah featuring Bright Sparks (Official Video)

By The River featuring Jamie N Commons (Official Video)

Jubel (Official Video)


We hope you’ve enjoyed our review! What do you think of the producer’s debut album? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media and feel free to share our review.


Enjoyed this? Check out some of our other reviews here:

Muzik Speaks Album Reviews


Matt – Muzik Speaks
www.facebook.com/muzikspeaks
www.twitter.com/muzik_speaks

#FeelGoodFriday: Kesha – ‘Raising Hell’ featuring Big Freedia

facebook_logos_PNG19751.png    ios_homescreen_icon.png   app-icon2.png


It’s been a couple of years now since Kesha released her rather open, honest and clearly very healing 2017 album, Rainbow.

Now, 2019 sees the pop songstress release a downright catchy-as-hell new single, ‘Raising Hell’ (featuring Big Freedia), which also comes alongside the announcement of her next record, High Road.

This latest song sees Kesha return to a more fun-filled pop sound but with a fresh feel and something seriously uplifting about it! The brass-led breakdowns are funky and will get a crowd moving, whilst gospel-like moments really raise the spirit of the track. It’s definitely the kind of track you can keep on repeat.

It also arrives with a music video directed by Luke Gilford, where Kesha assumes the role of a big-haired, ’80s-style televangelist, preaching her own unique message and making the congregation speak in tongues…that is before things take a very dark turn! Well worth a watch (below)!

Her new album, High Road, comes out 10th January 2020, and is set to feature the likes of Sturgill Simpson, Brian Wilson, Dan Reynolds (of Imagine Dragons) and Nate Ruess (of fun.) – personally, I can’t wait!!!

What are your thoughts of this pop songstress’ new track? Are you as much of a fan as us? Do you have a #FeelGoodFriday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
www.facebook.com/muzikspeaks
www.twitter.com/muzik_speaks


‘Raising Hell’ can be downloaded off iTunes now – https://music.apple.com/gb/album/raising-hell-feat-big-freedia/1484385866?i=1484385869


#MuzikSpeaks: An Interview with Amy Studt

facebook_logos_PNG19751.png    ios_homescreen_icon.png   app-icon2.png


Having just released her third, honest, open and diary-like studio album, Happiest Girl In The Universe (read our review), we had the pleasure of talking to Amy Studt about how it felt to write such a personal record, who she’d most like to work with and even found out about something embarrassing that’s happened to her. It’s all here…

Amy Studt - Happiest Girl In The World


Hey Amy, how’s it going?
Really good actually, thanks! I am really happy and busy. I’m feeling very grateful.

So you’re just releasing your third studio album, Happiest Girl In The Universe. How do you feel prior to dropping a new album and what do you get excited and fear most about it?
Really it is just happiness as the dominant feeling. I have very little to fear as I have very little to lose. I’m excited to tour this album and to generally show it. I feel fairly invincible in a weird way because the things that could be deemed as scary or fearful are things that I am not frightened of losing. It was made for me and in that sense I have already achieved what I was hoping for. I’m not expecting charting or any of that. It was made for me and is a document/book of my journey, thoughts and exorcisms. I feel nothing but joy.

That’s great to hear and it must be a really great feeling, going into the release! The vibe on this record is a lot different to some of your earlier releases. It’s honest, open and pretty dark – like a diary of what you’ve been through mentally and emotionally. What was it like to put pen to paper and write about some of your innermost feelings, so candidly?
It is cathartic. I go into a sort of space where everything else fades out and I am just floating somewhere in words, ideas, thoughts and sounds. It’s this space where nothing and no one else exists (unless invited) and I have complete freedom.

I was always a fairly honest, upfront person, blurting things out but I don’t know prior to the last ten years, how honest within myself/about myself I really was. I had to and wanted to confront myself, shine a light on all of the parts of me that were hiding and causing me and the people around me pain. I had had a lot of partners who were pretty far from honest people, kept a lot of secrets, lied a lot. And when I met Toby Kidd – who I worked on this record with, but who was also initially and for a long time my romantic partner – he was such a breath of fresh air to me. However painful the truth was from him, at times it was like he was incapable of not telling it how it was, logically, intelligently, brutally but beautifully. I found it inspiring. And in a way it released me. So within myself, this desire for raw honesty and self-awareness and self-knowledge, however ugly, disorientated, selfish, broken, vulnerable, whatever it might be, filtered into my writing. I wanted to express what I was going through to try to move on, to get it out of me somehow. And to hopefully find some kind of peace.

Well I think it’s wonderful and hope you are able to find that peace from this masterpiece. Your vocals are very raw in places and you’ve even used some spoken word poetry. What inspired you to be more experimental on this album?
I’ve always been interested in more experimental music. Even as a child, I always liked the more left of centre stuff, though I like all sorts of music, but as I grew older and found my group of people, my group of outsiders and my artistic family, I learnt more, discovered more artists, more music, more genres even, that I connected with. My mind started opening to the possibilities and my style began to naturally shift and re-form simply during the creating process itself.

In the studio my desire to experiment fully took flight during the writing of my second album but I always felt I was slightly restricted somehow by the professional atmosphere and my ideas would rarely be fully formed because of this. I couldn’t just grab an inanimate object from my kitchen to try to use as percussion, or jump into my bed with a microphone under the duvet to record the vocals in the same way. Banging everything in the house or studio to see if it might make an interesting sound. I didn’t have that real, “no limits to express” feeling that I longed for and although I am very proud of that second album, I still feel like it was, to an extent, a compromise.

The things I naturally write at the piano are somewhere between the hooky, singer-songwriter world and the experimental world. And although I am inspired and influenced by many artists, writers, I still think I maintain my own sound. With this album my influences had been more diverse. I’ve always written poetry, so that seemed like a natural fit to include that part of me also. Really, me and Toby and Finn were just enjoying experimenting as much as possible, from playing tuned jars full of water from the house as percussion, to dictaphone recordings from the writing process and us talking, mixed into the final song. Playing with mic’ing techniques or whatever it was that “broke the rules” of what you get told is “correct” or taught at production school. Working with whatever we had and working on the basis of the only rule being the Joe Meek quote, “If it sounds right, it’s right!” It was a lot of pain, a lot of work and a lot of fun.

I love that. I definitely think you have maintained your own sound, and it’s a very refreshing way to go into recording an album…and actually, it’d be nice to see more people experimenting with organic techniques. So, if you could collaborate with any other singers/bands, who would they be and why?

  1. Scott Walker, if I could  somehow bring him back from the dead. He has been such an inspiration to me an incredible writer and pusher of boundaries and what a life he had.
  2. P J Harvey or Polly – however you want to say her name – is the queen of experimental, alternative, female singer-songwriters for me. It would blow my mind to work with her as I have followed and adored her work for years.
  3. Angel Olsen is someone currently, that I love, and is making magic right now. She has this lonesome quality that pulls you in and I’d like to see what we created together.
  4. And here is just a list of others that I would love to work with because there are so many:- Bjork, Amanda PalmerFeist, Cat Power, Aldous Harding, Jesus And Mary Chain, Annie Lennox, Adele (cos I think we could write an epic ballad together), Mazzy Star/Hope Sandoval, etc, etc, etc.

Wow, some amazing people there and some collaborations I’d love to hear! How do we make them happen? Haha. Can you tell me what your usual process for writing/recording is like?
I normally start at the piano. Lots of scraps of paper that I don’t mind wasting, with shit and good lyrics and lots of scratched out and edited ideas. Press record on my voice recorder or dictaphone or if in the studio, the computer with me mic’d up. Then I just play piano for hours non-stop. I shift and move through ideas I’ve had previously, shapes and progressions I’ve never explored before, things I want to see how they sound turned inside out and back to front, until I start to find these nuggets of music that I really like and then eventually focus my attention on those more powerful nuggets and start to develop them. I help them expand and connect with other nuggets I have. It’s like puzzle-making for me. Then with the lyrics, there are usually a few different parts to that. Some are written on train rides in my lyric books, ideas/thoughts I know and feel are strong that have just been waiting for their right time and place to come forward. I usually fairly lovingly keep them quite organised. A lot of lyric ideas are on my phone in a lyrics doc (you never know when it’ll hit and you need to write something down quite quickly) and then there are my messy pages on the piano. I might write in some from my book or phone onto them that feel right with the precious musical nuggets I’m developing. What does this music feel like it’s about? What is the mood? Could I make this work with this idea I’ve been longing to try out. Etc. But I almost never ever think about melody. My melodies all come from improvising the lyrics to the music. It just comes out of me with no pre-thought and is connected to the other components. That’s pretty much how I do it… never written that out before! Must sound boring…

Amy Studt - Press Shot

No, it’s really interesting to hear about how people write their music and yours seems to be quite an experimental, yet methodical process. Besides your own music, what else have you been listening to most recently?
Angel Olsen‘s new album album All Mirrors, Sabina Sciubba, Taylor Swift‘s Lover album, Nina Simone, The Velvet Underground, Janis Ian, The Murder CapitalLykke Li, Kate Bush, Amanda PalmerThere Will Be No Intermission, Chet Baker, James Chance & The Contortions, Heather Woods Broderick, Julia Jacklin, Sharon Van Etten & Max Richter (Thank you iTunes).

Haha, wow what a comprehensive and eclectic mix! Some I will have to check out, for sure! If you had to cover a recent chart song, which song would it be and why?
I literally have no idea what has been in the charts for maybe a decade… I live fairly under a rock. I like to surround myself with the things, music, objects, people, art, films, family, friends the world I have created for myself within this world. I don’t like to read newspapers, and anytime I’ve popped my head out and heard ‘chart’ music I haven’t understood it…which confirms to me that I must now be old. BUT saying that I’m assuming that Taylor Swift’s song ‘Lover’ has been in the charts… gonna check now… yes, it appears it is Number 1 in the States haha. God, I’m so out of the loop. Ok, so I would cover that. I really like that song. I think I could make it my own and it means something between me and my husband as he travels solo sometimes to Iceland and such, and I am always working away from home so we miss each other a lot. I’d like to cover it secretly and send it to him in a letter while I’m away somewhere.

Aw, that’s really cute!!! I bet he’d love it, and I’d love to hear your version of that too! So, when you go out on the road, where are some of your favourite places to perform at?
Scotland is always wonderful vibes. The crowd is always so supportive and powerful to play to. I also had an amazing show in Leeds once, which went completely nuts and really took us by surprise. My old hometown, Bournemouth, is always a strange kind of magic to return to. A mixed crowd of people who want to hate me but find they struggle to and those who have known and loved my music for years and have grown up with me and know things about me that no one else would. They might have lived in the house next to mine or known a boy I dated as a teen etc. But it is always, always nice to play in London. Quiet, connected, respectful, attentive audiences full of love.

Sounds awesome. I remember meeting and seeing you in Guildford once – I do enjoy your shows. I was wondering though, has anything really scary ever happened to you on tour? If so, what?
Not really… I did do a rowdy show in a pub-type building once; very strange gig and got offered a lot of money to play to some very angry drunks. Shouting and talking too loudly so they couldn’t hear us play or me sing. Just shouting “PLAY MISFIT! PLAY MISFIT!!” at me. I just ignored them but when one of the big guys lunged towards me, for whatever his reason (it did look a bit aggressive), thankfully I had my dear best friend Connor MacDonald (who was at that time, my guitarist) who is actually shockingly tough, grabbed him and stopped him mid-song. But I didn’t find it particularly scary. Just carried on singing. Just one of those things that can happen on tour. You never know what each gig will be.

That sounds kind of scary. Why someone would lunge for you on stage is bizarre! So, do you have any pre- or post-show rituals?
Pre-gig everyone has to be as relaxed and normal as possible. If anyone is trying to hype me up pre-gig, they have to go. As little talking as possible so I don’t wear out my voice before the show. Casual chat is fine. I want to walk out onto the stage as if I’m walking into my living room to play piano.

And post-show the first thing I do is have a cigarette, then I head straight out to talk to people who have come out to the show. Some people travel a long way to be there and others it means a lot to them to have a conversation with me as it might be such a long-standing relationship to my music, and in a sense me also. I love hearing about their lives and getting to meet them.

That’s really nice and such a genuine thing to do – not enough artists do that with their fans, though I think more are starting to. I imagine your fans really appreciate your time and dedication to meeting them. OK, so have you got any weird habits we should know about?
I shake a lot naturally from the adrenaline in my body from my anxiety disorder. And one way I deal with my anxiety is biting and picking at everything on me. I’m really very gross. Scabs. I chew the skin off my fingers when my nails run out, I eat my crispy eye sleepy stuff, I’m one of those people that loves watching those videos of people popping giant cysts or of them being removed. I had one on my head once and it was possibly one of the best things that’s ever happened to me. I still miss it and touch the area on my head, hoping it’ll come back. Very little grosses me out about the human body. Haha.

Haha. That’s hilarious! I think a lot of people secretly (or not-so-secretly in yours and my case) enjoy watching pimple-popping videos. What are some of your other passions outside of music?
Well apart from giant cysts I guess… I am completely obsessed and passionate about acting, film and theatre. I studied Method acting a few years ago and Meisner Technique all of last year at The Salon Collective at the Cockpit Theatre and it was honestly life-changing. Lit up every part of me and every day I would come home completely alive and raving about what I was learning about the craft and about myself. I made some very special friends also. So I would like to continue my love of those three things moving forward. Acting, Film and Theatre. I used to be obsessed with horror movies growing up and that’s my winning genre for quiz games but when I started getting anxiety, I just couldn’t watch them anymore. But I adore films. Completely nerd out on character study and subtext.

Nice! Love a bit of nerdyness in people and I could see you being a good actress. I hope you get to continue all those passions. Go on then, what really grinds your gears?
Rude people. People who make a mistake and turn around to blame the innocent person. Injustice. Sexism. Racism. Chauvinism. Unkind people.

I agree with all those! What’s one of the most embarrassing things that’s ever happened to you, in life?
Oh so, so many. I’m probably about 11 years old, very self-conscious and terrified of boys at the time, especially older and ‘cute’ boys.

So, there was a phone booth down the road from my house. One fine, summer’s day, I was walking down my road to the shops and a group of older boys crossed the road and began walking towards. Sniggering in hushed voices in anticipation of the dreaded ‘WALK PAST’. God being a kid is so fraught with emotions. Anyway, I couldn’t take the pressure of the build-up, so I decided to dart into the phone booth and pretend to be having a conversation with someone using my very best acting skills. I don’t know about my acting skills, but when the boys walked past they burst into laughter at me, pointing… and to my horror, I realised the phone cable had been cut. So I was talking to an imaginary person on a phone with a cable cut and swaying in the breeze.

That’s amazing! Poor, poor you, but so, so funny.
I have so many other embarrassing stories it could take up a whole article…. Such has been my life and existence as myself.

What’s the best film you’ve seen lately?
Tangerine probably.. I found it really beautiful in all it’s grime and grit but the lives of these people and I felt truly on their side. Great film.

OK, I will definitely check that out – I have heard of it but yet to watch it. If, in say 30 years time, a film was made about your life, who would you want to play you?
Oh Jesus…maybe Juno Temple or Jemima Kirk, Elliot Sumner could probably play me well, Chloe Sevigny, Ellen Page, maybe Eva Green…, Helena Bonham Carter, That should be enough….  I wish someone would make a movie of my life. I don’t think anyone has any idea how crazy my life has actually been… ha

Those would all be cool to see! Weird one now…if you were a chocolate bar, which one would you be and why?
This question is mental. Ok, I would be a gluten and nut free chocolate bar made from raw cacao and coconut butter. Cos yes, I’m one of those.

HA! What’s the best advice you’ve ever been given?
“Don’t practice till you get it right. Practice till you can’t get it wrong.”
“It’ll all be alright in the end. And if it isn’t alright, then it isn’t the end.”
Both courtesy of my father Richard Studt.

Great advice, I love those. Well done Father Studt – wise words! Thanks very much for taking the time to chat. All the best with the new album release and upcoming launch show. Next time you’re in Brighton, or nearby, I’d love to watch you perform.
That would be great! Give my Songkick a follow and it’ll let you know first as soon as any new dates come in! And thank you so much!


Amy Studt‘s releases are all available:


Enjoyed this? Check out some of our other interviews here:

Muzik Speaks Interviews


#EventSpeaks: John Newman @ Concorde 2, Brighton – 15/10/19

facebook_logos_PNG19751.png    ios_homescreen_icon.png   app-icon2.png


On Tuesday 15th October 2019, John Newman arrived in Brighton, to play a sold out show at Concorde 2, to promote his new EP, A.N.i.M.A.L. He was supported by sibling trio, Tors. Here’s what we have to say about the show…


Tors

I remember being fascinated when I first saw Tors support Tom Walker a couple of years ago, so was pleasantly surprised to see the trio of brothers return to Brighton. They still amaze me with just how full their sound is, despite there just being three of them, partially due to the (standing) drummer and his clever use of drum pads.

The three-piece sibling outfit produce some captivating sounds and somehow evoke a sense of nostalgia – they could easily fit on an emotive film soundtrack. If you haven’t seen them; I would highly recommend at least giving them a listen on Spotify, or heading to a show of theirs, near you.

Highlight: The three-part vocal harmonies produced by the guys is remarkable and adds a really interesting depth to their performance. It’s a wonderfully special thing to hear done live.


John Newman

The lights went down as an evocative instrumental and rhythmic lighting got the crowd pumped up for John Newman to take to the stage. As the track came to an end, he arrived to great applause and did something quite unexpected and unusual, performing the first part of ‘Not Giving In’ as just him and an acoustic guitar – upbeat but not a full-on sound to arrive on stage to…but it worked so well! It really showcased his incredible talents, before the full band joined him on stage to finish the rest of the track.

He proceeded to play a range of his biggest, most well-known tracks, including his collaborations with the likes of Rudimental and Sigala, all the while, getting the crowd singing and dancing along. He sure likes to move himself too, as he constantly puts his utmost energy into every song, including busting out his rather quirky yet distinctive dancing.

His vocals were fantastic as well – although a little raspy in places (however this is somewhat part of his trademark sound). He was accompanied by two brilliant female, backing vocalists and a tight band too.

However, possibly one of the best bits about the show, was his candid sharing of anecdotes and opening up about his feelings. He talked about his recent struggles with his physical health, as well as issues with his mental health too; making promises that he will get stronger and never allow people to take control of his creative processes again (which comes after a couple of songs he released that he felt were not true to himself). He also shared how he is coming out of himself a lot more now and wanting to perform more intimate shows and chat more to fans, than he did in the past – showing a great deal of growth.

One thing’s for certain, John Newman could quite easily pack a small, local venue or a huge stadium but regardless, he would have everyone in the place dancing and singing like mad, the whole way through. His energy is relentless and set list is packed with upbeat songs which you can’t help but lose yourself in. You must go and see him live when you get the chance!

Highlights:

  • The sheer energy John Newman gives the audience is highly infectious and his vocals are incredible to hear live!
  • The set list was sensational and packed with hits to get the crowd moving, constantly!
  • His honest and open approach to interacting with the crowd is refreshing and to talk about his own struggles makes him very relatable – and he clearly has a lot of love for it, as people constantly call out, “I love you John!”
  • It may sound odd, but the stage lighting really made the performance stand out too – Concorde 2 is a great, local venue with about 600 capacity but the lighting could easily have worked in a stadium, but it was amazing to see that work at a smaller venue.
  • The backing band and vocalists just make the experience even better – it would be quite easy for him to use backing tracks but it adds something for him to vibe off.

This slideshow requires JavaScript.


📷 All of the photos are credited to Michael Hundertmark 📸
Why not give him a follow on Instagram and Twitter or check out his website.


 Setlist

Intro
Not Giving In
Give Me Your Love*
Feelings
Cheating
Losing Sleep
The Hardest Word Is Goodbye
Forever’s Not Long Enough
Mama
Animal
Tiring Game
Come And Get It*
Blame
Feel The Love*

Encore
Without You
Stand By Me
Love Me Again

These songs can be viewed in the YouTube playlist, below.


Finally, I want to say an absolutely HUGE thanks to John Newman and Tors for putting on incredible performances and to Warren Higgins from Chuff Media for setting this review up for me.


Enjoyed this? Check out some of our other live reviews here:

Muzik Speaks Live Reviews


Matt – Muzik Speaks
www.facebook.com/muzikspeaks
www.twitter.com/muzik_speaks

#MuzikSpeaks: An Interview with KAWALA

facebook_logos_PNG19751.png    ios_homescreen_icon.png   app-icon2.png


I recently had the privilege of meeting Dan and Jim from KAWALA, backstage before their show at Komedia in Brighton.

Having just released their latest single, Heavy In The Morning, we spoke all about how they feel before releasing new music, some of their most embarrassing moments and just how much they love a certain pop/R&B singer.

Possibly one of the best bits was talking about (and witnessing!!!) Dan’s weird habit though…so much so, that it deserved to be edited into its own video (below). It’s all here…


Muzik Speaks: An Interview with KAWALA


Muzik Speaks presents ‘Weird Habits with KAWALA’


KAWALA‘s releases are all available:


Enjoyed this? Check out some of our other interviews here:

Muzik Speaks Interviews


#MellowMonday: KAWALA – ‘Heavy In The Morning’

facebook_logos_PNG19751.png    ios_homescreen_icon.png   app-icon2.png


Check out our interview with Dan and Jim from KAWALA.

KAWALA started out as a duo in Leeds, comprised of Jim Higson (vocals) and Dan McCarthy (acoustic guitar & vocals). The pair began making their own distinctive sound, comprised of close vocal harmonies and rhythmic finger-style acoustic guitar, taking inspiration from the likes of Bombay Bicycle Club.

Having already made a huge impact on the live scene, the pair are now backed by a full band and are expanding their sound to incorporate atmospheric electric hooks and more tribal-sounding drum patters. They even signed to Virgin EMI earlier this year, releasing their first single with the label, ‘Play It Right’.

Now the band are back with their latest track, ‘Heavy In The Morning’. Whilst the track is more of a return to their original sound, it is fantastic to see just how beautifully their voices compliment one another and how seemingly simplistic background sounds can in fact produce such a dynamic depth to a song.

This is undoubtedly an interesting band to keep an eye on, especially if their most recent singles are anything to go by – their album should be pretty eclectic!

Unfortunately, no music video has emerged yet, but we’ll be sure to update you when one does.

What are your thoughts on this up and coming band? Do you have a #MellowMonday track you could recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
www.facebook.com/muzikspeaks
www.twitter.com/muzik_speaks


‘Heavy In The Morning’ can be downloaded off iTunes now – https://music.apple.com/gb/album/heavy-in-the-morning-single/1480786067


#Review: Amy Studt – Happiest Girl In The Universe

facebook_logos_PNG19751.png    ios_homescreen_icon.png   app-icon2.png


Amy Studt is an English singer, songwriter, musician and actress, who first rose to fame in 2002, with the release of her first single, ‘Just A Little Girl’, followed almost a year later, by ‘Misfit’ and eventually her debut album, False Smiles. Though she’s been through ups and downs in the rather perilous music industry, she is now set to release her third studio album, Happiest Girl In The Universe, independently. Here’s what we have to say about it…

Amy Studt - Happiest Girl In The World

If you knew Amy Studt from her debut album, or even 2008’s Paper Made Men, then you might not instantly recognise her now, as this is quite the far cry from her former artist, self.

Following a breakdown in 2009 and a diagnosis of rapid cycling bipolar, it’s amazing to see how this strong woman, has channeled her mental health, feelings and emotions into a brilliantly artistic project.

Whilst at its core, this record is still Amy Studt, she has created something experimental and unassuming pop music. Happiest Girl In The Universe is a much more mature record than some of her previous releases, dealing with some rather deep emotions and intense feelings. It’s certainly not for the faint-hearted – think Lana Del Rey’s more depressing moments…turned up to eleven! That said, she’s crafted something special and undoubtedly therapeutic.

Amy Studt has laid herself bare, with raw, heartfelt vocals and honest, painful lyrics detailing how tortured she has been over the past few years.

If you’re like me, this album might even take you two or three sittings to get through, in order to digest the significance of the messages, understand her crippling depression and comprehend the enormity of the topics, as well as embrace the unusual style of music.

Amy Studt has explored her suffering and documented it like an audio diary – without frills attached! She paints vivid, personal pictures in a most cinematic way, occasionally touching upon moments of hope and redemption.

Her voice remains identifiable, with the occasional twinge of The CranberriesDolores O’Riordan. Possibly one of the best songs is ‘Sleepwalker’, on which she demonstrates a wonderful shouted vocal towards the end of the track, with something Kesha (of all people) about it. There’s a lovely rawness that is almost off-key, but it really doesn’t matter due to the intense delivery. She further demonstrates a tortured scream-like vocal on ‘Violently With Love’, showing off just how impressive her voice is.

‘I Was Jesus In Your Veins’ is a wonderfully diverse track, that seems dark and brooding yet switches to a light-hearted chorus, whilst ‘Let The Music Play’ has a rather twisted-sounding yet catchy chorus.

‘The Water’ stands out for being part spoken word poem, part song, accompanied by a chaotic, hypnotic and rather intense instrumental. Whilst ‘One Is The Only Number’ has haunting, screaming guitars in the background, beautiful falsetto vocals and an underlying, heavy beat, like the pounding of a primal drum on the way to the gallows. Another wonderful track is the rather whispery ‘Troubles Coming In’.

Haunting and haunted are probably the two best words to describe Happiest Girl In The Universe. Amy Studt has laid herself bare, with raw, heartfelt vocals and honest, painful lyrics detailing how tortured she has been over the past few years, creating something mysterious and wonderfully dark, yet utterly captivating. I hope this can put to bed a difficult chapter in her life and that she continues to make music from here – I know I’ll be listening!

Rating
4


‘Happiest Girl In The Universe’ is out now and can be downloaded from iTunes – https://music.apple.com/gb/album/happiest-girl-in-the-universe/1479696794


Happiest Girl In The Universe on Spotify

Let The Music Play (Official Video)

Overdose (Official Video)


We hope you’ve enjoyed our review! What do you think of Amy’s latest album? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment or via our social media.


Enjoyed this? Check out some of our other reviews here:

Muzik Speaks Album Reviews


Matt – Muzik Speaks
www.facebook.com/muzikspeaks
www.twitter.com/muzik_speaks