#Review: Death Cab For Cutie – Thank You For Today ☁️


   

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Muzik Speaks Loves Atlantic Records - SmallerDeath Cab For Cutie are an alternative, indie rock band hailing from Washington, USA, consisting for five members; Ben Gibbard (lead vocals, guitar & piano), Nick Harmer (bass guitar & backing vocals), Jason McGerr (drums), Dave Depper (guitar, keyboards & backing vocals) and Zac Rae (keyboards & guitar). Thank You For Today is the ninth studio album to be released by the band since they started, over 20 years ago, in 1997. Here is what we have to say about it…

Death Cab For Cutie - Thank You For Today.jpg

This is an album that sees the band further perfect their unique blend of forlorn airiness with breezy, somewhat understated pop hooks that have inspired so many other bands since; Vampire Weekend, Foster The People and Foals to name a few.

The record begins with the solemn ‘I Dreamt We Spoke Again’, a track laden with hauntingly beautiful, shaky and untuned keys (an effect also used on the piano of dark and contemplative closing track, ’60 & Punk’; taking a candid approach to mortality) that perfectly reflects the mood of being disturbed by an ex’s unwanted appearance in your dreams. A track that could easily fall between The Cure and Lana Del Rey.

There are certainly a couple of moments on this record that appear to be influenced by Pet Shop Boys too; ‘Summer Years’ and ‘When We Drive’ both have similar vocal styles and spacey instrumentation, to the iconic 80s duo. Easily a couple of the best tracks on the record!

All-in-all, this is a strong, reflective, honest and sentimental album that will not only have old fans immersed but is bound to pick up and grip new alternative and indie fans along the way.

Lead single, ‘Gold Rush’, is a wonderful country-inspired, modern-folk sounding take on the renovation of aspects of the world, whilst ‘Near/Far’ is a synth-driven, 80s-inspired, euphoric tune that is truly nostalgic and reflective.

There are also a few other tracks that embrace a similar feel to each other; ‘Your Hurricane’, ‘Autumn Love’ and ‘Northern Lights’ all have a very laidback vibe with moments of soaring melodies; I wouldn’t say they’re the most stand-out tracks on the album, but certainly captivating in their own ways.

All-in-all, this is a strong, reflective, honest and sentimental album that will not only have old fans immersed but is bound to pick up and grip new alternative and indie fans along the way. One thing’s for sure, this band are definitely a long-standing inspiration to many of their successors and still continue to push forward with their well-deserved and lengthy career.

Rating


‘Thank You For Today’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/thank-you-for-today/1396106377


Thank You For Today on Spotify

Gold Rush (Official Video)


We hope you’ve enjoyed our review! What do you think of the band’s ninth studio offering? Is it up there with some of their best work? Are you a long-time fan or only just discovering them? What would you rate it? Please leave your thoughts in a comment or hit us up via our social media.


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Matt – Muzik Speaks
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#Review: Trophy Eyes – The American Dream 🇺🇸


   

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Muzik Speaks Loves Hopeless Records - SmallerTrophy Eyes are an Australian pop punk band consisting of John Floreani (lead vocals), Jeremy Winchester (bass guitar & backing vocals), Andrew Hallett (lead guitar), Kevin Cross (rhythm guitar) and Blake Caruso (drums). To date, the band have released 2 albums and an EP through Hopeless Records and this, The American Dream, is their third full-length album. Here’s what we have to say…

Trophy Eyes - The American Dream.jpg

The American Dream has a much more mature sound to it than either of the band’s previous releases. It’s somewhere in the vein of Sugarcult‘s Lights Out and You Me At Six‘s Cavalier Youth with some of Thirty Seconds To MarsThis Is War epicness thrown in.

The first track, ‘Autumn’, launches the album with a life-spanning and reflective tune that whilst it doesn’t quite burst into frantic action like so many other pop punk albums, sets a more impressive tone for the rest of the record.

Next comes ‘Something Bigger Than This’, a rather emotive track about being something more than we perceive and how life will make more sense at the end. It’s not crass or overly indulgent in insincerity like so many other bands – this feels real and honest.

In my opinion, ‘Friday Forever’ is by far the best track on the record – from it’s frantic, guitar-driven verses, to its suspenseful build-up into the powerhouse that is the chorus, this track just bursts at the seems with euphoric pop punk at its best. This is definitely a track to keep on repeat!

From epic choruses to emotive lyrics and powerful, pained vocals to punchy guitars, The American Dream is an album that will drive this band forward in their career.

Some of the other, most notable songs include: ‘More Like You’ which is certainly a crowd-pleaser, with its “woah ohs” but has the added depth of scream vocals; ‘You Can Count On Me’ is a definite summer anthem with its massive crescendo and satirical look at band life with the chorus hook, “Some of my friends sell drugs but I just sell sad songs to the ones who feel alone”; ‘Broken’ is a beautiful, ballad-esque track that has a understated yet very catchy chorus – a brilliantly-written track that’s very different to some of the other tracks on the album and ‘Lavender Bay’ feels very nostalgic with mellow, melodic verses and a big gang-vocal chorus singing about how the band won’t rest until they’ve “made it” with the addition of a key change!

The album has a beautifully rich and diverse tone to it – ‘A Cotton Candy Sky’ is an intensely dark and haunting song that feels a little out of place but it’s eerily captivating whilst ‘Tip Toe’ is a great little ballad.

‘I Can Feel It Calling’ is a monumental track, coming in at over 6 minutes in length and going through a range of sounds and displaying a variety of influences, bringing this stunning album to a wonderful close.

This is certainly an album you’ll have on repeat as there’s just so much to love about it! From epic choruses to emotive lyrics and powerful, pained vocals to punchy guitars, The American Dream is an album that will drive this band forward in their career, taking a slightly new direction but picking up new fans along the way. 2018 should be an exciting time for the Australian quintet!

Rating
4-5


‘The American Dream’ is out 27/07/18 and can be downloaded from iTunes – https://itunes.apple.com/gb/album/the-american-dream/1382478709


The American Dream on Spotify

Available Friday 27th July 2018.

You Can Count On Me (Official Music Video)

https://www.youtube.com/watch?v=gs_7y0ToBcU


We hope you’ve enjoyed our review! What do you think of the band’s latest album, The American Dream? Are you as much of a fan as us? What would you rate it out of 5? Please leave your thoughts in a comment below or via our social media.


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#Review: Panic! At The Disco – Pray For The Wicked 🙏


   

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Panic! At The Disco is an American band notable for its combination of alternative rock, synth-pop and emo lyrics, creating a very unique sound. After the huge success of the band’s debut album, A Fever You Can’t Sweat Out, back in 2005, they have had a string of albums, continuously kept their sound fresh and built up a very loyal following. Now, in 2018, and with only Brendon Urie in the official line-up, the now-solo project is releasing a sixth studio album, Pray For The Wicked. Here’s what we have to say about it…

Panic At The Disco - Pray For The Wicked

Let’s just start by saying that this album couldn’t be further from their 2005 debut but somehow still manages to have a distinctive Panic! At The Disco sound… mostly due to Brendon‘s instantly recognisable vocals!

Throughout the band’s life, they have had many incarnations, from the cabaret-infused emo-pop of their debut, A Fever You Can’t Sweat Out (2005), to their Beatles-inspired, Pretty. Odd (2008) and even their remarkably elaborate 2016 offering, Death Of A Bachelor. Well, Pray For The Wicked is no different…it’s another eccentric overhaul of the act and with that, brings a new and exciting sound.

It all opens with the show-stopper, ‘(Fuck A) Silver Lining’; an all-out, overly-extravagant anthem that oozes an air of success about the guy. The production is top-notch and unapologetic about its use of heavy drum fills and lavish symphony instrumentation. I particularly love the use of the one-off beep where a “fuck” should be – a great little production addition.

This is a theatrical record that doesn’t hold back in any way, shape or form!

As with any Panic! album, there is a great deal of sass behind the lyrics but this record also serves as an honest reflection on certain aspects of his life; his religious upbringing coupled with his rise to fame but rather than focusing on him living the high-life (as was the case on 2016’s Death Of A Bachelor), delves further into the journey to get there. This is a theatrical record that doesn’t hold back in any way, shape or form! It could easily be the soundtrack to a film like The Greatest Showman or feature on Broadway.

Some of key tracks to listen to on this record include, the quietly catchy, ‘Hey Look Ma, I Made It’; the pop-infused ‘High Hopes’ which you can’t help but sing at full pelt; the aptly-named ‘Dancing’s Not A Crime’ – which is a bloody good thing, as you’re unable to hear this without busting out some moves; and the beautifully heartfelt ‘Dying In LA’.

There is a real amalgamation of sounds on this album, from the superbly-integrated brass sections throughout (which add a certain class and almost seem to flaunt the budget that must have been spent making it), to the urban flourishes, such as gritty vinyl sounds, ballsy trap beats and even hip hop-tinted, high-pitched vocal samples. There’s no escaping the fact that Brendon sounds like he had a friggin’ great time making this record and at the same time, was not afraid to push some boundaries.

One thing’s for sure; fans of label-mates, Fall Out Boy‘s, newer sound, as well as die-hard Panic! fans, will undoubtedly love this record…but I have a feeling that with this new direction, he might well be picking up a whole new army of fans too! There are moments here and there that I could give or take, but on the whole, this is an outstanding, current and contemporary album that I would just LOVE to see performed live!

Rating


‘Pray For The Wicked’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/pray-for-the-wicked/1361152002


Pray For The Wicked on Spotify

Hey Look Ma, I Made It (Official Video)

Say Amen (Saturday Night) (Official Video)


We hope you’ve enjoyed our review! What do you think of this band’s sixth album? Are you a fan? What would you rate it? Please leave your thoughts in a comment below or via our social media.


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Matt – Muzik Speaks
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#Review: Mayday Parade – Sunnyland ☀️


   

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Mayday Parade are a relatively unique blend of pop punk but with a more mature, almost alternative rock sound than some other bands in the genre. They have had five albums, prior to this, but Sunnyland not only marks their sixth album release, but it’s their first with new label, Rise Records. Here are our thoughts…

Mayday Parade - Sunnyland.jpg

The album is launched into full swing by opening track, ‘Never Sure’; a fast-paced pop punk summer anthem that is begging for festival-goers to be jumping around like maniacs. This has surely got to be their set opener for their tours this year?!

Then there’s the band’s recent single, ‘It’s Hard To Be Religious When Certain People Are Never Incinerated By Bolts Of Lightning’, an angry anthem about feeling screwed over by someone. There are some stunning, echoey vocals in the last minute of the track where singer, Derek Sanders‘ voice really shines.

The tempo drops for the album’s lead single, ‘Piece Of Your Heart’, which certainly wasn’t an obvious choice to launch the album, but nevertheless it is a dreamy and romantic ballad that features some stadium-filling instrumentation and stunning gang vocals.

In fact, a large portion of the album feels self-reflective and relatively mellow in comparison to some of their previous releases but perhaps this is a maturing of the band’s musical direction? It can at times, feel a little stop-start due to the number of mellower tracks, but it’s definitely got a late summer/early autumn feel to it. ‘Take My Breath Away’ (almost sounds like something byThe Barr Brothers) and ‘Where You Are’ see the full band sound swapped for a more unplugged feel.

The highs are powerful and stratospheric, whilst the lows are both beautiful, vulnerable and unapologetic.

However, tracks such as ‘Is Nowhere’ and ‘How Do You Like Me Now’ showcase a much heavier, maybe even angrier, side to the band.

Favourite tracks have to be: ‘How Do You Like Me Now’ for its no holds barred lyrics and progressively chaotic instrumentation; ‘If I Were You’ as it’s just a fun, classic pop punk mosh anthem about getting away from it all and ‘Satellite’ that is a truly remarkable song with harmonic guitars and euphoric vocals that excite and induce a rush of ecstasy from start to finish.

There is something very similar to the likes of You Me At Six (like on ‘It’s Hard To Be Religious…’ and ‘Is Nowhere’) and Funeral For A Friend about this record; the highs are powerful and stratospheric, whilst the lows are both beautiful, vulnerable and unapologetic.

This is very much an album that weaves its way through calm, reflective tracks and punchy pop punk thrash anthems to target a mixed audience – and it is packed full of emotions too. This is mainly one for the fans, but I’m sure will pick up a few new listeners along the way.

Rating
4


‘Sunnyland’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/sunnyland/1375751341


Sunnyland on Spotify

It’s Hard To Be Religious When Certain People Are Never Incinerate By Bolts Of Lightning (Official Music Video)

Piece Of Your Heart (Official Music Video)


We hope you’ve enjoyed our review! What do you think of the band’s sixth album? Are they headed in a direction you like? What would you rate it? Please leave your thoughts in a comment below or via our social media.


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Matt – Muzik Speaks
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#ThrowbackThursday: Bowling For Soup – ‘Punk Rock 101’


   

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This year sees the 15th anniversary since Bowling For Soup released their single, ‘Punk Rock 101’.

The band are known for their punk rock sound but married up with comedy and a pinch of not taking themselves too seriously, and this is certainly no different. The song serves as a lesson in writing a punk rock song, making references to other songs or things from the world of music, such as Bon Jovi‘s ‘Livin’ On A Prayer’, Fat Mike from NOFX and even the title itself is a nod to Kurt Cobain‘s suicide note.

The track is catchy as hell, fast-paced, cheeky and just downright fun!

And the music video (below) is even funnier – picturing the band amongst a large group of recruits at an army-like boot camp for rigorous training in the art of punk rock. Hilarious!

A great track that never gets old – a timeless punk rock classic!

Do you remember this song when it was released? Is this your first time hearing it? Have you got a #ThrowbackThursday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
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‘Punk Rock 101’ can be downloaded off iTunes now – https://itunes.apple.com/gb/album/punk-rock-101/418436938?i=418437191


#ThrowbackThursday: The All-American Rejects – ‘Gives You Hell’


   

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The All-American Rejects released their monster hit, ‘Gives You Hell’, back in 2008, which went on to become their most successful single, to date.

It reached Number 18 in the UK Charts and received regular rotation on radio and music video channels. It was also the first single to be taken from their third studio album, When The World Comes Down. Since then, the band have released another album and recently a single; we’re just waiting for the announcement of their fifth album!

‘Gives You Hell’ is certainly and in-your-face break-up anthem but the chorus can also apply to many other situations; it’s just an all-round good belter to let off some steam and what’s amazing is it’s timeless.

The music video is pretty original too and damn funny; it’s well worth a watch!

What are your thoughts of this awesome 2008 track? Doesn’t it still sound sick?! Do you still love it as much as you did back then? Have you got a #ThrowbackThursday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
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‘Gives You Hell’ can be downloaded off iTunes now – https://itunes.apple.com/gb/album/gives-you-hell/304613492?i=304613499


#Review: Hawthorne Heights – Bad Frequencies


   

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Hawthorne Heights are an American emo/rock band from Dayton, Ohio, which formed in 2001. The band currently consists of JT Woodruff (lead vocals and rhythm guitar), Matt Ridenour (bass guitar, backing vocals), Mark McMillon (lead guitar, backing vocals) and Chris Popadak (drums, percussion). To date, the band have released 5 studio albums and been through a variety of line-up changes but now, in 2018, the band are releasing their sixth studio album, Bad Frequencies, through Pure Noise Records. Here’s what we have to say about it…

Hawthorne Heights - Bad Frequencies

This is certainly an album of two mindsets; on the one hand you’ve got a new sound that sees the band edging ever closer to pop punk commerciality and on the other hand they are sticking to their more screamo roots. However you look at it, the band are diversifying and growing their sound at the same time as keeping hold on some of what the fans love.

‘In Gloom’ launches the album with a slow, heartfelt intro from vocalist/guitarist JT Woodruff, but after the first minute, we are thrust into the sound of the full band, making their triumphant return.

The nostalgia continues as first single, ‘Pink Hearts’, reflects on past relationships you carelessly work your way through in your younger years.

An exciting balance of old and new, Hawthorne Heights have made a triumphant return!

More old-school, classic Hawthorne Heights can be heard on tracks such as ‘Crimson Sand’ and ‘Just Another Ghost’ with bassist, Mark McMillion’s, screams coming through in full force.

Meanwhile, ‘Edge Of Town’ and ‘Starlighter (Echo, Utah)’ show us the newer, more pop-punk driven sound that moves this record, and indeed the band, forward.

Possibly one of the most stand-out tracks on the record is ‘Pills’; the song deals with the loss of someone you care deeply about but it demonstrates brilliantly, how the band have grown and continue to push their songwriting and sound; where in the past this might have been a heavy, scream track or an altogether more simplistic affair; a great way to finish the album by showing off where the band’s future lies.

That’s not to say the band that people know and love is gone; there are emo lyrics throughout record and still the occasional screaming, it’s just the instrumentation is slicker and more intricate and in places, JT Woodruff uses falsetto in his vocals; something new and interesting for the band’s sound.

There’s no doubt about it; this band know how to write catchy hooks, tying together some of the heavier, more chaotic parts of the record. Armed with a whole load of history and self-reflection plus a strong sense of where they are heading, this record is definitely representative of both their past and the future for the band. An exciting balance of old and new, Hawthorne Heights have made a triumphant return!

Rating


‘Bad Frequencies’ can be ordered here – http://smarturl.it/HawthorneHeights or downloaded from iTunes, here – https://itunes.apple.com/gb/album/bad-frequencies/1351452415


Bad Frequencies on Spotify

Just Another Ghost (Official Music Video)


We hope you’ve enjoyed our review of Hawthorne Heights’ new album! What are your thoughts of it? What would you rate it? Please leave your thoughts in a comment or chat to us about it, via our socials.


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Matt – Muzik Speaks
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