#ThrowbackThursday: The All-American Rejects – ‘Gives You Hell’


   

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The All-American Rejects released their monster hit, ‘Gives You Hell’, back in 2008, which went on to become their most successful single, to date.

It reached Number 18 in the UK Charts and received regular rotation on radio and music video channels. It was also the first single to be taken from their third studio album, When The World Comes Down. Since then, the band have released another album and recently a single; we’re just waiting for the announcement of their fifth album!

‘Gives You Hell’ is certainly and in-your-face break-up anthem but the chorus can also apply to many other situations; it’s just an all-round good belter to let off some steam and what’s amazing is it’s timeless.

The music video is pretty original too and damn funny; it’s well worth a watch!

What are your thoughts of this awesome 2008 track? Doesn’t it still sound sick?! Do you still love it as much as you did back then? Have you got a #ThrowbackThursday track to recommend us? Please leave your thoughts or song suggestions in a comment or via social media.

Matt – Muzik Speaks
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‘Gives You Hell’ can be downloaded off iTunes now – https://itunes.apple.com/gb/album/gives-you-hell/304613492?i=304613499


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#Review: Hawthorne Heights – Bad Frequencies


   

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Hawthorne Heights are an American emo/rock band from Dayton, Ohio, which formed in 2001. The band currently consists of JT Woodruff (lead vocals and rhythm guitar), Matt Ridenour (bass guitar, backing vocals), Mark McMillon (lead guitar, backing vocals) and Chris Popadak (drums, percussion). To date, the band have released 5 studio albums and been through a variety of line-up changes but now, in 2018, the band are releasing their sixth studio album, Bad Frequencies, through Pure Noise Records. Here’s what we have to say about it…

Hawthorne Heights - Bad Frequencies

This is certainly an album of two mindsets; on the one hand you’ve got a new sound that sees the band edging ever closer to pop punk commerciality and on the other hand they are sticking to their more screamo roots. However you look at it, the band are diversifying and growing their sound at the same time as keeping hold on some of what the fans love.

‘In Gloom’ launches the album with a slow, heartfelt intro from vocalist/guitarist JT Woodruff, but after the first minute, we are thrust into the sound of the full band, making their triumphant return.

The nostalgia continues as first single, ‘Pink Hearts’, reflects on past relationships you carelessly work your way through in your younger years.

An exciting balance of old and new, Hawthorne Heights have made a triumphant return!

More old-school, classic Hawthorne Heights can be heard on tracks such as ‘Crimson Sand’ and ‘Just Another Ghost’ with bassist, Mark McMillion’s, screams coming through in full force.

Meanwhile, ‘Edge Of Town’ and ‘Starlighter (Echo, Utah)’ show us the newer, more pop-punk driven sound that moves this record, and indeed the band, forward.

Possibly one of the most stand-out tracks on the record is ‘Pills’; the song deals with the loss of someone you care deeply about but it demonstrates brilliantly, how the band have grown and continue to push their songwriting and sound; where in the past this might have been a heavy, scream track or an altogether more simplistic affair; a great way to finish the album by showing off where the band’s future lies.

That’s not to say the band that people know and love is gone; there are emo lyrics throughout record and still the occasional screaming, it’s just the instrumentation is slicker and more intricate and in places, JT Woodruff uses falsetto in his vocals; something new and interesting for the band’s sound.

There’s no doubt about it; this band know how to write catchy hooks, tying together some of the heavier, more chaotic parts of the record. Armed with a whole load of history and self-reflection plus a strong sense of where they are heading, this record is definitely representative of both their past and the future for the band. An exciting balance of old and new, Hawthorne Heights have made a triumphant return!

Rating


‘Bad Frequencies’ can be ordered here – http://smarturl.it/HawthorneHeights or downloaded from iTunes, here – https://itunes.apple.com/gb/album/bad-frequencies/1351452415


Bad Frequencies on Spotify

Just Another Ghost (Official Music Video)


We hope you’ve enjoyed our review of Hawthorne Heights’ new album! What are your thoughts of it? What would you rate it? Please leave your thoughts in a comment or chat to us about it, via our socials.


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#Review: Dashboard Confessional – Crooked Shadows


   

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Dashboard Confessional are an American rock band from Boca Raton, Florida, led by frontman, singer and principle songwriter, Chris Carrabba. Since their debut album release, back in 2000, the band have gained a massive, loyal following and are now releasing their seventh album, Crooked Shadows. Here’s what we have to say about it…

Dashboard Confessional -Crooked Shadows.jpg

It’s been eight years since the band’s last album but Chris Carrabba and the rest of Dashboard Confessional are back with a new studio album, however this one has just 9 tracks, making it more of a mini album. Also, traditionally known to be a fairly emo band, this album sees them venturing into slightly newer territories.

It all kicks off with ‘We Fight’, which is an all-out, scream-it-at-the-top-of-your-lungs anthem for anyone and everyone that’s got something to fight for…or against, whilst ‘Heartbeat Here’ is a mellower, acoustic, crowd pleaser that is just begging for an audience to chant along with it. ‘Catch You’ and ‘About Us’ have some simply stunning yet powerful vocal harmonies, epic choruses and great, subtle use of synths. Then there’s ‘Belong’ (a collaboration with Cash Cash) – this is the most unique track on the album, and sees the band take on a much more modern sound (almost venturing into Maroon 5 territory). On first listen, I actually felt like it was almost confusing the direction of the album a bit, but it’s actually become one of my favourite tracks on the record…plus it provides a welcome change in vibe at the midway point. However, I’m certain that this track will be divisive amongst fans and that many will not like tropical-house feel or over-produced nature.

Crooked Shadows is very much an album that has something for everyone – it demonstrates that they aren’t afraid to update their sound with the times.

There are also couple of slower, more emo-style, heartstring-pullers, ‘Open My Eyes’ and the almost ‘Time Of My Life’-esque (Green Day), ‘Just What To Say’ (featuring Chrissy Costanza) that expose Carrabba’s raw emotion and vulnerable lyric-writing abilities. Whilst the title track, ‘Crooked Shadows’ and ‘Be Alright’ are big, rock-out songs.

Crooked Shadows is very much an album that has something for everyone and whilst it’s probably never going to quite live up to the fans’ love of A Mark, A Mission, A Brand, A Scar, it really is a fantastic new release and a great comeback record. It demonstrates that they aren’t afraid to update their sound with the times. I thoroughly enjoyed it; it’s just a shame that there aren’t more tracks.

Rating


‘Crooked Shadows’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/crooked-shadows/1334380586


Crooked Shadows on Spotify

We Fight (Official Video)


We hope you’ve enjoyed our review! What do you think of Dashboard Confessional’s seventh studio album? Do you agree with our rating? What would you rate it? Please leave your thoughts in a comment or share your feelings about it with us on our socials.


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#Review: The Dangerous Summer – The Dangerous Summer (Self-Titled)


   

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Muzik Speaks Loves Hopeless Records - SmallerThe Dangerous Summer are a rock band from Maryland, USA who formed back in 2006. Since then, they have had 3 main studio albums (if you exclude the acoustic version of their debut), making this, self-titled album (The Dangerous Summer), their fourth.

The Dangerous Summer Cover.jpg

After frontman AJ Perdomo took some time away to concentrate on fatherhood, and having cut down to a trio, the band are back with their fourth full-length album, to much excitement from fans.

Whilst I wouldn’t say this is an emo band per se, they are a far cry from their slightly more light-hearted debut, Reach For The Sun, with vocals that sound more beaten and weathered and lyrics that feel as though AJ Perdomo is carrying the weight of the world on his shoulders.

There is something very nostalgic and reminiscent about this album (both sonically and lyrically) and it appears that a lot of self-reflection has gone into the writing of it. Some of the intricate work and echoing effects on the guitars of ‘This Is Life’ and ‘Fire’ leave audible space for the listener to be taken in and reflect too – something I believe was done deliberately, in order to allow the lyrics to reach out, for maximum effect.

It is an album of poetic melancholy, even in some of its lighter moments – a solid, interesting and well-rounded collection of songs that work brilliantly together and will be appreciated by fans new and old.

Some of the stand-out tracks for me, include: ‘Color’ for the sheer force with which it launches the album, starting off as a mellow but tortured cry before descending into a more chaotic scream of atmospheric noise with the lyrics “I’m not quite myself” ringing aptly; as mentioned before, ‘This Is Life’ and ‘Fire’ for their beautiful sound and wonderful lyricism, ‘Luna’, which is a touching dedication to his daughter – I particularly love the lyric, “You are the architect to all your dreams,” and lastly, ‘When I Get Home’ which is a welcome break in the record, for its slightly more up-beat yet still edgy pop punk feel (and appreciation for their friends and the place they call home) and whilst it’s quite different to the other tracks on the album, somehow it manages not to feel out of place.

This album is definitely not one which is pushing the boundaries of the genre by any means, but that’s not necessarily a bad thing – sticking to what they know and doing it well, shows that they are a band who know themselves. It is an album of poetic melancholy, even in some of its lighter moments, so if you’re feeling like indulging in a little self-loathing or reflecting on darker times and trying to find solace in them, then this is an album for you. It is a solid, interesting and well-rounded collection of songs that work brilliantly together and will be appreciated by fans new and old. Whether you’re into edgy, alternative rock with a large portion of emo lyricism and a gravelly vocalist or you simply enjoy the sonic beauty of a band like this, then you’re bound to love it. I honestly do think it’s a fantastic album; a triumphant returning record for the band and I thoroughly enjoy listening to it – the only reason I’ve rated it 3.5/5 is purely because I’m not sure how well it’ll stand out, over time.

Rating
3.5


‘The Dangerous Summer’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/the-dangerous-summer/1297025337


The Dangerous Summer on Spotify

Fire (Official Music Video)

Ghosts (Official Music Video)


We hope you’ve enjoyed our latest album review! What do you think of The Dangerous Summer’s latest album? What would you rate it? Please leave your thoughts in a comment or join the conversation via our social media.


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#Review: Story Of The Year – Wolves

 


 

   

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Story Of The Year first captivated my attention with their debut album, Page Avenue, back in 2003. Since then the band have had a string of albums, been involved in a whole host of side-projects, taken a hiatus, reformed and run a successful PledgeMusic campaign, which all lead to this, their sixth studio album, Wolves.

SOTY - Wolves.jpg

The album opens with the title track, ‘Wolves’, which sounds like some sort of background, cinematic sound effects from a horror film, before leading into the intense, fast-paced, gang-vocal-packed song, ‘How Can We Go On’, which perfectly represents the band’s roots in alternative/hard rock. From there, the album weaves its way brilliantly throughout a whole range of powerful, thrashing, metal-like songs and emotionally-driven, rock ballads that you just can’t help but want to belt out loud.

One thing’s for certain; the band have truly poured out their honest feelings and inner-most emotions into every track on this record. It’s also the band’s first album to be recorded in pieces, across several, separate locations, meaning they could really afford to take their time to focus and perfect the sound they wanted to achieve. The album title, Wolves, was chosen to embody the concept of life circling you and closing in on you, just like a pack of wolves.

Some of my favourite and most stand-out tracks on the album have to be, ‘Bang Bang’ (dubbed “a fast-paced, electro-infused rager complete with a catchy chorus” by AltPress), ‘Youth’ (which is a short guitar track that feels anthemic beyond words), ‘I Swear, I’m Okay’ (a synth-driven ballad-esque belter), ‘Can Anybody Hear Me’ (probably one of the catchiest tracks on the record and a real sing-along tune) and ‘Like Ghosts’ (which is just epic and in places the use of synths remind me a little of the Stranger Things theme – this song was born to be in a movie).

Undoubtedly, the quartet have demonstrated how committed they are to making what could well be the best album since their debut.

The record was produced by Aaron Sprinkle (Anberlin, New Found Glory, Acceptance) and mixed by none other than Tom Lord-Alge and J Hall – which probably explains why it sounds particularly epic! It soars to incredible heights and tantalises the melancholic heart-strings in all the right places.

Undoubtedly, the quartet have demonstrated how committed they are to making what could well be the best album since their debut. It’s an inspired body of work that shows off a real depth to their songwriting and evolution in their style. They have managed to record a soundscape of vulnerability, fear and anxiety and present it in a really exhilarating and cohesive body of music. This is certainly an album not to be missed.

Rating
4


‘Wolves’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/wolves/1300989796


Wolves on Spotify

‘Bang Bang’ (Official Video)

‘I Swear, I’m Okay’ (Official Audio)


We hope you’ve enjoyed this review of Story Of The Year’s latest album! What are your thoughts about it? What would you rate it? Please leave your thoughts in a comment or chat to us about it via our social media.


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Matt – Muzik Speaks
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#ThrowbackThursday: The Used – ‘The Bird And The Worm’


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‘The Bird And The Worm’ was the first single to be released from The Used‘s third studio album, Lies For The Liars. The song was the band’s highest charting single at the time, reaching #9 on the Billboard Modern Rock Tracks chart.

This song is epic with its heavy post-hardcore guitars and Bert McCracken‘s unique vocal style. The way he uses his voice is remarkable – such a talent to be able to blend screaming vocals with singing so seamlessly.

The music video is quirky and cool too but then you’d expect nothing less from The Used.

Do you remember this song? Have you got a different, favourite song by The Used? Or another song you’d choose? Please leave your thoughts or #ThrowbackThursday suggestions in a comment below or via our social media accounts.

Matt – Muzik Speaks
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‘The Bird And The Worm’ can be downloaded off iTunes now – https://itunes.apple.com/gb/album/the-bird-and-the-worm/id254115609?i=254115685


#ThrowbackThursday: My Chemical Romance – ‘Welcome To The Black Parade’


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Can you believe this song was released 10 years ago?! This seems insane to me; this was definitely one of my “emo” jams back in the day!

I remember just how all-consuming and intensely captivating this song was – it just took over the scene and saw a whole generation of emo kids wearing hussar-style jackets in homage to the band!

‘Welcome To The Black Parade’ was also the first and only UK Number 1 for the band but it was truly well deserved! This 5-minute epic masterpiece was just that; a masterpiece! It had everything going for it, the calm piano introduction leading to the rousing military drums into the full-on, in-your-face guitar riffs.

The video for the song was epic too – it sees “The Patient” die and get welcomed by “The Black Parade” into what can only be the afterlife.

I. LOVE. THIS. SONG!

It’s just a remarkable, well-crafted song that will surely be admired by future generations of emo-kids for years to come!

Were you a fan of the song first time around? What do you think of it now? Are you only just discovering it? What do you think? Please share your love of this by posting the link on social media.

Matt – Muzik Speaks
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‘Welcome To The Black Parade’ can be downloaded off iTunes now – https://itunes.apple.com/gb/album/welcome-to-the-black-parade/id201234391?i=201234434