#Review: Death Cab For Cutie – Thank You For Today ☁️


   

facebook-like   Instagram


Muzik Speaks Loves Atlantic Records - SmallerDeath Cab For Cutie are an alternative, indie rock band hailing from Washington, USA, consisting for five members; Ben Gibbard (lead vocals, guitar & piano), Nick Harmer (bass guitar & backing vocals), Jason McGerr (drums), Dave Depper (guitar, keyboards & backing vocals) and Zac Rae (keyboards & guitar). Thank You For Today is the ninth studio album to be released by the band since they started, over 20 years ago, in 1997. Here is what we have to say about it…

Death Cab For Cutie - Thank You For Today.jpg

This is an album that sees the band further perfect their unique blend of forlorn airiness with breezy, somewhat understated pop hooks that have inspired so many other bands since; Vampire Weekend, Foster The People and Foals to name a few.

The record begins with the solemn ‘I Dreamt We Spoke Again’, a track laden with hauntingly beautiful, shaky and untuned keys (an effect also used on the piano of dark and contemplative closing track, ’60 & Punk’; taking a candid approach to mortality) that perfectly reflects the mood of being disturbed by an ex’s unwanted appearance in your dreams. A track that could easily fall between The Cure and Lana Del Rey.

There are certainly a couple of moments on this record that appear to be influenced by Pet Shop Boys too; ‘Summer Years’ and ‘When We Drive’ both have similar vocal styles and spacey instrumentation, to the iconic 80s duo. Easily a couple of the best tracks on the record!

All-in-all, this is a strong, reflective, honest and sentimental album that will not only have old fans immersed but is bound to pick up and grip new alternative and indie fans along the way.

Lead single, ‘Gold Rush’, is a wonderful country-inspired, modern-folk sounding take on the renovation of aspects of the world, whilst ‘Near/Far’ is a synth-driven, 80s-inspired, euphoric tune that is truly nostalgic and reflective.

There are also a few other tracks that embrace a similar feel to each other; ‘Your Hurricane’, ‘Autumn Love’ and ‘Northern Lights’ all have a very laidback vibe with moments of soaring melodies; I wouldn’t say they’re the most stand-out tracks on the album, but certainly captivating in their own ways.

All-in-all, this is a strong, reflective, honest and sentimental album that will not only have old fans immersed but is bound to pick up and grip new alternative and indie fans along the way. One thing’s for sure, this band are definitely a long-standing inspiration to many of their successors and still continue to push forward with their well-deserved and lengthy career.

Rating


‘Thank You For Today’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/thank-you-for-today/1396106377


Thank You For Today on Spotify

Gold Rush (Official Video)


We hope you’ve enjoyed our review! What do you think of the band’s ninth studio offering? Is it up there with some of their best work? Are you a long-time fan or only just discovering them? What would you rate it? Please leave your thoughts in a comment or hit us up via our social media.


Enjoyed this? Check out some of our other reviews here:

Muzik Speaks Album Reviews


Matt – Muzik Speaks
www.facebook.com/muzikspeaks
www.twitter.com/muzik_speaks

Advertisements

#Review: Chromeo – Head Over Heels 👠


   

facebook-like   Instagram


Muzik Speaks Loves Atlantic Records - SmallerChromeo are an electro-funk duo from Canada, consisting of David “Dave 1” Macklovitch and Patrick “P-Thugg” Gemayel. To date, the pair have released four studio albums, but Head Over Heels marks their fifth album and debut release with our pals over at Atlantic Records.

Chromeo - Head Over Heels.jpg

The first I knew of Chromeo, was their remix of Maroon 5‘s ‘Wait’ (as featured on our re:MIXTAPE playlist), so I must be forgiven for not having heard much of their back catalogue. However, taking this album at face value, it is a strong release with a stunningly contemporary take on disco and funk music.

Having worked together for the past 15 years, it’s clear to see that these guys have perfected their sound, which is a perfect amalgamation of modern, electro-pop music with synth-driven disco and bass-slapping funk.

This is certainly an album that doesn’t take itself too seriously – it’s intentionally fun and funky, with its saucy innuendos and genre-perfect production qualities, the likes of Giorgio Moroder and Nile Rogers would be proud of.

The album kick-starts with the tantalising ‘Must’ve Been’ (featuring DRAM) – a slap bass, groovy-guitar, vocoder-infused anthem, that excellently demonstrates what’s in store throughout the rest of the record.

With the music up and a house to yourself (…or packed with friends), there really will be no holding you back!

Other memorable moments include the wonderfully repetitive ‘Don’t Sleep’ (featuring French Montana and Stefflon Don) with its laid-back 80s vibes and sensational vocal harmonies, whilst ‘One Track Mind’ is an understated yet seriously catchy track consisting of beautiful talk box, vocal melodies towards the end – it’s very similar to something you might hear by Charlie Puth.

Meanwhile, ‘Bad Decision’ is all about splashing the cash on a girl and has a definite Prince-esque vibe to it; high-pitched vocals on top of some superb little guitar riffs and ‘Right Back Home To You (Interlude)’ is a track you can get surprisingly hooked on – think funky soul meets jazz lounge, topped with sweeping high-pitched vocals; there’s a real 70s quality to it.

Towards the end of the album, it all comes together on the two-part, ‘Bedroom Calling’. Part One is a truly anthemic mellow jam with atmospheric, reverb-driven bass notes and slow drum beats, whilst Part Two (featuring The-Dream) is a much more upbeat, pop tune that is oozing with shimmering synths.

To those who say quality disco music doesn’t get made any more, I would simply reply, “Chromeo”. This is definitely not an album you can listen to without, at the very least, bobbing your head and tapping you toe, but in reality, with the music up and a house to yourself (…or packed with friends), there really will be no holding you back!

Rating


‘Head Over Heels’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/head-over-heels/1380944674


Head Over Heels on Spotify

Must’ve Been featuring DRAM (Official Video)

Juice (Official Video)


We hope you’ve enjoyed this review! What do you think of this duo’s latest record? Does it fulfil all your funk needs or leave you wanting more? What would you rate it? Please leave your thoughts in a comment or via our social media.


Enjoyed this? Check out some of our other reviews here:

Muzik Speaks Album Reviews


Matt – Muzik Speaks
www.facebook.com/muzikspeaks
www.twitter.com/muzik_speaks

#Review: Matt Maltese – Bad Contestant


   

facebook-like   Instagram


Muzik Speaks Loves Atlantic Records - SmallerMatt Maltese is a piano-led, 21-year-old, singer-songwriter, who pens songs that are both emotionally intelligent and satirical at the same time. Having recently toured with Isaac Gracie (review), he is now releasing his debut album, Bad Contestant, through Atlantic Records. Here are our thoughts…

Matt Maltese - Bad Contestant.jpg

Matt Maltese‘s debut, Bad Contestant, is jam packed full of wisdom beyond his years but served up with equal doses of cutting humour, hilarious irony and pure over-exaggeration. This is an artist who merges, at times, understated yet sultry melodies and retro sounds with stunning lyrical craftsmanship to create his own unique style.

Album-opener, ‘Greatest Comedian’, begins with an unassuming introduction before launching into a fantastic set of back-handed compliments topped off with some intriguing instrumentation and beautiful higher-pitched vocals in the chorus; very similar to something by label-mate, Will Joseph Cook.

Title-track, ‘Bad Contestant’, has some seriously funky synth sounds and sees Maltese take on the character of an overly honest and confessional yet fruitless game show contestant.

This is very much an album where jazz and a touch of britpop meet funky, organ-led soul.

Meanwhile, ‘Nightclub Love’ is deeply satirical look at how Maltese sees the realities of clubbing and finding love there, whilst ‘Less & Less’ is an extremely saddening break-up song that is both beautiful and also attempts to put a positive spin on the situation. Of course we can’t go without mentioning the wonderful track, ‘As The a World Caves In’; a hysterical tale of the unlikely hooking up of Donald Trump and Theresa May, watching the nuclear destruction of the world as they do it; genius!

Other key tracks worth taking note of, include; ‘Sweet Sixteen’, an organ-led track taking a twisted look at a modern relationship – the sound is very much somewhere between Kaiser Chiefs and Blur, ‘Like A Fish’ which sounds like the opening to an old, 80s, British TV show and ‘Misery’ which is a dark and intense track with some reverse-sounding vocals on the chorus. In fact, the latter half of the album appears to get darker as it goes on.

The album features production and collaboration by a combination of Jonathan Rado, Hugo White (Maccabees) Alex Burey.

This is very much an album where jazz and a touch of britpop meet funky, organ-led soul, all dressed up in a hipster outfit and sung with a deep, crisp and crooning vocal. Picture BlurPulp and Jamiroquai creating some sort of spliced-together lovechild that’s been brought into the modern, contemporary age and you get Matt Maltese‘s debut, Bad Contestant. A truly alluring debut that is sure to pave the way for an exciting career ahead.

Rating
4


‘Bad Contestant’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/bad-contestant/1365077870


Bad Contestant on Spotify

Greatest Comedian (Official Video)

As The World Caves In (Official Video)


We hope you’ve enjoyed our review! What do you think of this singer-songwriter’s uniquely captivating debut album? What would you rate it? Please leave your thoughts in a comment below or via our social media.


Enjoyed this? Check out some of our other reviews here:

Muzik Speaks Album Reviews


Matt – Muzik Speaks
www.facebook.com/muzikspeaks
www.twitter.com/muzik_speaks

#Review: Ben Howard – Noonday Dream


   

facebook-like   Instagram


Ben Howard is an English singer-songwriter and musician, most notable for winning the Brit Award for British Male Solo Artist at the 2013 Brit Awards. Since then, his second album, I Forget Where We Were, reached the Number 1 spot in the UK album charts. Now, with the buzz surrounding the release of his third album, Noonday Dream, it could see him reach that same success. Here’s what we had to say about it…

Ben Howard - Noonday Dream.jpg

Ben Howard‘s latest album, Noonday Dream, sees another change to his ever adapting sound, keeping this artist fresh and showing just how diverse he can be. Having seen 4 years pass since his previous album and now at the age of 31, Howard has proven that he won’t be bound to time constraints but instead, ensured he make the time to mature his songwriting and develop a new sound for his next record.

It all begins with the truly haunting and melancholic, ‘Nica Libres At Dusk’ ; a dark and reflective song at the start before emerging into bursts of peaceful reprieve and ecstatic, almost whale song, guitars. It certainly depicts imagery of an American desert, similar to that of the album artwork. Then during the last minute, it transforms into a dreamy, piano-led clearing; a beautiful transformation into a more euphoric sound of hope.

Other songs to take note of include; ‘Towing The Line’ which is an almost Celtic-sounding, folk song with guitars that echo and seem to envelop you; ‘What The Moon Does’ which conjures up imagery of camping out under the stars of the Deep South in America; ‘Someone In The Doorway’, a track that sounds almost like spoken verse, in places, but is probably one of the most upbeat songs on the album and somehow seems like it goes hand in hand with ‘The Defeat’; another similarly half-spoken, half-sung track that has a really rock edge to it.

Noonday Dream is an exquisitely atmospheric, richly textured and highly visual album that is sure to kick off the next chapter in Ben Howard’s career, with meteoric success.

The album was produced by Ben himself, alongside long-time collaborator Mickey Smith, who between them, have done a superb job of capturing subtle nuances that make this such a stunning record. From the warm reverb of his acoustic guitars to the drawn out, whale-like sounds of his electric guitars (as on ‘Nica Libres At Dusk’) and the distinctive piano key strokes to subtle snippets of conversations (among many other captured sounds), this is a truly captivating record.

Noonday Dream is an exquisitely atmospheric, richly textured and highly visual album that is sure to kick off the next chapter in Ben Howard’s career, with meteoric success. Whilst it might not be to everyone’s specific tastes, any person who has an appreciation for skilful musicianship, poetic lyricism and stunning production, will find this to be a real gem of an album.

Rating
4


‘Noonday Dream’ is out 01/06/18 and can be downloaded from iTunes – https://itunes.apple.com/gb/album/noonday-dream/1364401352


Noonday Dream on Spotify

Nica Libres At Dusk (Official Video)


We hope you’ve enjoyed our review! What do you think of Ben Howard’s third album? What would you rate it? Please leave your thoughts in a comment below or via our social media.


Enjoyed this? Check out some of our other reviews here:

Muzik Speaks Album Reviews


Matt – Muzik Speaks
www.facebook.com/muzikspeaks
www.twitter.com/muzik_speaks

#Review: Isaac Gracie – Isaac Gracie (Self-Titled)


   

facebook-like   Instagram


Isaac Gracie is an incredibly talented singer-songwriter, hailing from London. From humble beginnings, his 2016 demo, ‘Last Words’ caused a big stir online, leading to the head of Universal Music flying over from LA just to see him perform, resulting in his signing to Virgin EMI. Now, in 2018, the songsmith is releasing his debut, self-titled album. Here’s what we have to say about it…

Isaac Gracie.jpg

Every so often an album comes along that is both exciting, inspirational and sonically diverse; groundbreaking even…this is definitely one of those albums! (The last album I felt like this about was Will Joseph Cook‘s Sweet Dreamer.)

Whilst growing up, Gracie’s father left the family home and since signing to Virgin EMI, his longterm relationship sadly ended, but out of the ashes of these life-influencing events came some fantastic songwriting material, resulting in this incredibly powerful debut. As such, throughout the album, there are strong themes of abandonment, guilt and heartbreak; this honest approach and willing exposure of his emotional vulnerabilities is nothing new to songwriting but the way it marries up with the instrumentation is simply marvellous.

Opening track, Terrified’ (think Elbow meets Harry Styles‘Two Ghosts’) chronicles Gracie’s own fears and insecurities surrounding the hype about him, singing, “I’m terrified that maybe, I wasn’t cut out for this.” He really needn’t worry though; he certainly is cut out for this!

‘Last Words’ is a huge track for him; it’s the song that kick-started the buzz about him and whilst it’s very different from the demo, he admitted that he spent quite some time playing around with different versions before settling on the one that’s now on the record. He’s managed to strike a great balance between the original demo, maintaining some of it’s raw essence but also brought more depth to it with the addition of strings. Imagine a track by The Beatles that’s been countryfied and you get this!

The brilliant blend of highs and lows, and fusion of indie, rock, country and latin flavours has genuinely created one of the most genre-bending albums heard in a long time!

‘The Death Of You & I’ is a personal favourite – it’s got an almost latin beat behind it before it unleashes a hidden ferocity. The calm verses that erupt into the heavy, chaotic choruses make this an intense and fun song which you can’t help but want to thrash around to, wildly. There’s even an almost salsa-esque breakdown before the final chorus, making this one of the most intriguing songs I’ve heard in years.

Other stand-out tracks include; ‘Running On Empty’, which is relatively mainstream and quite indie (like something you might expect to hear from The Killers or Maccabees), ‘Telescope’ with its beautiful overlapping vocals at the end, ‘That Was Then’, which has stunning, dynamic vocals, ranging from deep to falsetto, topped off with a powerful and melodic chorus and ‘When You Go’, which is a track you would expect to hear from the likes of The Barr Brothers or Vance Joy and be accompanied by a music video shot with an old, handheld, film-reel camera; it’s strongly folk flavoured.

Gracie has been quoted as saying that he set out to create the best record of all time and whilst there are bound to be people who have differing opinions, he certainly has created a masterpiece! The brilliant blend of highs and lows, and fusion of indie, rock, country and latin flavours has genuinely created one of the most genre-bending albums heard in a long time…yet somehow it still works as a comprehensive body of work that is uniquely identifiable as him. This is an album I am certain will make a big impact this year and will definitely carve out an exciting future for his music career. Utter brilliance!

Rating
4-5


‘Isaac Gracie’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/isaac-gracie/1345686455


Isaac Gracie on Spotify

Terrified (Official Video)

Silhouettes Of You (Official Video)

Last Words (Official Video)


We hope you’ve enjoyed our review! What do you think of Isaac Gracie’s self-titled debut album? Are you as much of a huge fan as us? What would you rate it? Please leave your thoughts in a comment or chat to us about it via our socials.


Enjoyed this? Check out some of our other reviews here:

Muzik Speaks Album Reviews


Matt – Muzik Speaks
www.facebook.com/muzikspeaks
www.twitter.com/muzik_speaks

#Review: Vance Joy – Nation Of Two


   

facebook-like   Instagram


Muzik Speaks Loves Atlantic Records - SmallerVance Joy is an Australian, folk singer-songwriter who, having released his debut solo album, Dream Your Life Away, back in 2014, is now back with his sophomore offering, Nation Of Two; a powerful tale of a couple’s love.

Vance Joy - Nation Of Two.jpg

Vance Joy has crafted his own unique brand of folk-pop, using instruments such as the ukulele and banjo to make his style stand out and Nation Of Two continues with this tradition; this time telling a story throughout the 13-track collection.

Vance himself explains that “Nation of Two describes a perfectly self-contained couple; their world beginning and ending at the bed they share, the car they ride in, or any other place where they’re together… the idea that their love for each other gives them their bearings; a point of reference that makes sense of life.” (Reference)

The album, as a collection, tells the tale of two lovers across a beautiful array of styles.

The album starts out very strong with stand-out songs, including leading single, ‘Lay It On Me’ (with it’s funky brass sections), plus ‘We’re Going Home’ and the fun-filled, ‘Saturday Sun’. Other great songs include the punchy, almost alt-rock-like ‘One Of These Days’ and the beautiful banjo ballad, Where We Start’. The album, as a collection, tells the tale of two lovers across a beautiful array of styles, however a couple of the tracks, I felt, could easily be skipped, but as a whole body, it is great.

This is definitely going to sit well with fans of Mumford & SonsRay LaMontagne, Seth Lakeman and possibly even Ed Sheeran – it’s folky, pop-tinted and got a real honest feel to it. It’s well produced but not over-produced and stands out as a quality, folk-pop album.

The first half of the album is strong and I certainly think this album will bring new success to Vance Joy, but the second half is lacking in a couple of places. This is however, as a whole, a wonderful way to tell the story of a couple’s love and life together and is well worth a listen.

Rating
3.5


‘Nation Of Two’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/nation-of-two/1325861276


Nation Of Two on Spotify

We’re Going Home (Official Video)

Lay It On Me (Official Video)


We hope you’ve enjoyed our latest review of Vance Joy’s second album, but what are your thoughts? Are you a huge fan or do you think it will go straight in to the bargain bin? What would you rate it? Please leave your thoughts in a comment or share your feelings with us, via our social media accounts.


Enjoyed this? Check out some of our other reviews here:

Muzik Speaks Album Reviews


Matt – Muzik Speaks
www.facebook.com/muzikspeaks
www.twitter.com/spotify:album:5f6Eu9QtujgGggq5qbbycVmuzik_speaks

#Review: Dashboard Confessional – Crooked Shadows


   

facebook-like   Instagram


Dashboard Confessional are an American rock band from Boca Raton, Florida, led by frontman, singer and principle songwriter, Chris Carrabba. Since their debut album release, back in 2000, the band have gained a massive, loyal following and are now releasing their seventh album, Crooked Shadows. Here’s what we have to say about it…

Dashboard Confessional -Crooked Shadows.jpg

It’s been eight years since the band’s last album but Chris Carrabba and the rest of Dashboard Confessional are back with a new studio album, however this one has just 9 tracks, making it more of a mini album. Also, traditionally known to be a fairly emo band, this album sees them venturing into slightly newer territories.

It all kicks off with ‘We Fight’, which is an all-out, scream-it-at-the-top-of-your-lungs anthem for anyone and everyone that’s got something to fight for…or against, whilst ‘Heartbeat Here’ is a mellower, acoustic, crowd pleaser that is just begging for an audience to chant along with it. ‘Catch You’ and ‘About Us’ have some simply stunning yet powerful vocal harmonies, epic choruses and great, subtle use of synths. Then there’s ‘Belong’ (a collaboration with Cash Cash) – this is the most unique track on the album, and sees the band take on a much more modern sound (almost venturing into Maroon 5 territory). On first listen, I actually felt like it was almost confusing the direction of the album a bit, but it’s actually become one of my favourite tracks on the record…plus it provides a welcome change in vibe at the midway point. However, I’m certain that this track will be divisive amongst fans and that many will not like tropical-house feel or over-produced nature.

Crooked Shadows is very much an album that has something for everyone – it demonstrates that they aren’t afraid to update their sound with the times.

There are also couple of slower, more emo-style, heartstring-pullers, ‘Open My Eyes’ and the almost ‘Time Of My Life’-esque (Green Day), ‘Just What To Say’ (featuring Chrissy Costanza) that expose Carrabba’s raw emotion and vulnerable lyric-writing abilities. Whilst the title track, ‘Crooked Shadows’ and ‘Be Alright’ are big, rock-out songs.

Crooked Shadows is very much an album that has something for everyone and whilst it’s probably never going to quite live up to the fans’ love of A Mark, A Mission, A Brand, A Scar, it really is a fantastic new release and a great comeback record. It demonstrates that they aren’t afraid to update their sound with the times. I thoroughly enjoyed it; it’s just a shame that there aren’t more tracks.

Rating


‘Crooked Shadows’ is out now and can be downloaded from iTunes – https://itunes.apple.com/gb/album/crooked-shadows/1334380586


Crooked Shadows on Spotify

We Fight (Official Video)


We hope you’ve enjoyed our review! What do you think of Dashboard Confessional’s seventh studio album? Do you agree with our rating? What would you rate it? Please leave your thoughts in a comment or share your feelings about it with us on our socials.


Enjoyed this? Check out some of our other reviews here:

Muzik Speaks Album Reviews


Matt – Muzik Speaks
www.facebook.com/muzikspeaks
www.twitter.com/muzik_speaks